Антологии

A bold anthology that explores how photographers worldwide are tackling the maelstrom of family life

Family Photography Now presents 40 international image-makers who have turned their lens on the complex dynamics of the family, whether their own or other people's. On these pages, you will find Swedish stay-at-home dads and Congolese first-time mothers, families with same-sex parents and families with identical twins, blended families and extended families, portraits made via Skype and portraits of imaginary families. Sophisticated art projects appear alongside highly personal images, many never before published in book form.

From Magnum member Trent Parke’s darkly amusing shots of life in suburban Australia and Denis Dailleux’s portraits of Egyptian bodybuilders and their mothers to Elina Brotherus’s devastating records of failed IVF and Nadia Sablin’s elegy to her elderly aunts in rural Russia, this book takes readers on powerful journeys that are by turns moving, funny, thought-provoking and inspiring, encouraging us to reflect on how we photograph our own families.

Complete with profiles revealing each photographer’s story and working methodology, and two essays analyzing the complications of family attachments and the ways in which these have been captured in photography of many genres and moods, this book will appeal to photographers both professional and amateur, and to anyone who has ever been intrigued by the dramas that are ordinarily played out behind closed doors.

About the Authors:

Sophie Howarth is a writer, teacher, curator and entrepreneur based in London. Co-founder of the School of Life, she has also been Curator of Public Programmes at Tate Modern and an Associate Curator for Artangel.

Stephen McLaren is a photographer, writer and curator based in San Francisco.

A detailed insight into the lives and careers of the great photographers

In the history of photography, the lives of the major practitioners are as captivating and richly layered as the images they have left behind, many of which have become part of the cultural landscape. Yet the stories to be found behind the lens - of economic hardship, of personal tragedy, of fame won and lost - are all too often overlooked.

In Lives of the Great Photographers, thirty-eight of the most important and influential figures of the nineteenth and twentieth centuries, from Ansel Adams to Madame Yevonde, are profiled in bold and compelling detail. By examining the lives and backgrounds of these often complex personalities, as well as the social and political crucibles in which their world views were forged, author Juliet Hacking also casts new light on their work. Illustrated with a portrait or self-portrait of each photographer and notable examples of their oeuvre, this lively and original publication not only provides a greater, more nuanced understanding of the featured image-makers but also guides the reader through the key innovations, movements and developments in the story of photography itself.

Magnum Magnum showcases the best of Magnum Photos, celebrating the vision, imagination and brilliance of its photographers – from the acknowledged 20th-century greats to the modern masters and rising stars of our time

Since its founding in 1947 by Robert Capa, Henri Cartier-Bresson, George Rodger and David ‘Chim’ Seymour, Magnum Photos - the legendary co-operative - has powerfully chronicled the peoples, cultures, events and issues of the time. Now, following its 75th anniversary, Magnum Photos and Thames & Hudson join forces to publish an updated and expanded edition of the original hit publication Magnum Magnum (2007), which was previously presented in three formats and sold over 200,000 copies worldwide.

Organized by photographer, Magnum Magnum is built upon a founding concept that made Magnum such a unique creative environment; a collaborative process where each of the four founders picture edited the other’s photographs. This book evokes the same creative spirit, with each photographer selecting and critiquing six key works by another of the agency’s 87 photographers along with a commentary explaining the rationale behind their choices.

This new edition adds the 25 photographers who have joined Magnum in the last 15 years. With more than 150 new photographs and over 700 pages, this book is the definition of an updated classic.

About the Authors:

Brigitte Lardinois is a Reader in Understanding of Public Photography at the London College of Communication, University of the Arts London. Lardinois’ association with Magnum began in 1995 when she set up the Cultural Department of their agency in London. She has been involved in group exhibitions as well as solo shows – working closely with Henri Cartier-Bresson, Martin Parr, Josef Koudelka, Eve Arnold, Elliott Erwitt and many others.

The first complete illustrated bibliography of 1,000 iconic photobooks created by members of the renowned photo agency

This fascinating in-depth survey brings Magnum's history alive through the genre of the photobook – an essential vehicle for photographers to share their work.

Its pages include unpublished behind-the-scenes material, together with ephemera from the photographers' archives about the making of their books. With an introduction by Fred Ritchin and texts by Carole Naggar, this book explores the evolution of the photobook, as well as the important role that Magnum has played in the history of documentary photography.

About the Authors:

Fred Ritchin is Dean of the School at the International Center of Photography in New York. He has lectured internationally on photography and written numerous books on the subject.

Carole Naggar has worked as a poet, artist, curator, educator and photography historian since 1971. Her published books include biographies of David Seymour, George Rodger and Werner Bischof.

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- The first catalogue raisonne of over 1,000 photobooks, published by Magnum photographers since the agency was founded in 1947, with 100 books explored in detail
- Celebrates the work of Magnum's founders Robert Capa, Henri Cartier-Bresson, David Seymour, and George Rodger, as well as others - Magnum's roster of stars includes Eve Arnold, Philip Jones Griffiths, Josef Koudelka, Steve McCurry, and Martin Parr
- Allows access to a unique collection created by the members of the world's most prestigious photo agency - a collection that has never before been published in a single comprehensive survey
- Publication coincides with an exhibition of Magnum books at the Musée de l'Elysee, Lausanne, Switzerland and a 'fly-on-the-wall' TV documentary to be aired on the BBC and PBS

Curated from hundreds of thousands of photos from The New York Times' archives Only in New York brings together the most memorable, poignant, and historic images of the Big Apple. This beautiful gift book celebrates New York in a way that will be treasured by native New Yorkers and tourists alike.

The New York Times is the world's foremost news organization, but it is very much a hometown paper, too. Since the inception of the camera, Times photographers have captured every newsworthy event--and many of the most iconic and intimate moments--that together document the very spirit and essence of New York City.

These 500 photos are selected and paired in clever, humorous, and poignant diptychs that bring the city to life as you could only see in NYC--from Broadway to Yankee Stadium, nightlife to street life, skyscrapers to subways. And since the turn of the last century, NY Times photographers have been visually recording the vast, and vastly interesting and entertaining, mix of people, places, and institutions that provide New York with its reputation as the city that occasionally dozes but never closes. This collection of their work spans more than a century, providing a vivid chronicle of metropolitan life at its most vibrant. Most of all, of course, there are the people and the neighborhoods they inhabit. Through the work of such celebrated New York Times photographers as Damon Winter, Neal Boenzi, Fred R. Conrad, Ruth Fremson, Vincent Laforet, Michelle Agins, Todd Heisler, Chang W. Lee, Barton Silverman, Sara Krulwich, Michelle Agins, Tyler Hicks, and many more, the spirit of the city is captured in this extraordinary book. Their ability to capture the familiar in original ways, and the seldom-seen in surprising ones, gives this book the look and feel of a true original.

Only in New York is a celebration of New York City and its people--and is sure to be treasured by native New Yorkers, tourists, and anyone who aspires to "make it there."

About the Authors:

The New York Times is a daily newspaper published in New York City and distributed internationally. Founded in 1851, the newspaper has won 95 Pulitzer prizes, more than any other newspaper. David W. Dunlap has covered New York City's infrastructure, architecture, engineering, landmarks, public spaces, and transportation for The New York Times since 1981. His reporting since 2003 has concentrated on the redevelopment of the World Trade Center. He also serves as the keeper of Times history. Dunlap's books include Building Provincetown (2015) and From Abyssinian to Zion (2004).

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Пролистать книгу Only in New York

A comprehensive and much-needed survey of the last 50 years of photography, charting its path from method of documentation to art form

This major new survey of contemporary photography considers the work of more than 80 photographers through eleven thematic chapters on subjects such as street photography, portraiture, landscape photography and documentary. It traces the development of photography as an art form in each of these genres individually and also looks at the ties and links between them. What is revealed is a complex story with numerous tangents. Mark Durden's narrative, combined with rich illustrative content and an easily accessible design, guides a clear path through this story, showcasing the work of great individual photographers while also being able to place this into the larger narrative of the medium's development.

Mark Durden is a writer, artist and lecturer. He has written extensively on photography and contemporary art. Publications include Dorothea Lange (2001, 2012), Fifty Key Writers on Photography (2012), with David Campbell, Variable Capital (2007) and with Ken Grant, Double Take: Portraits from the Keith Medley Archive (2013). He is part of the artists’ group Common Culture and currently Professor of Photography at the University of South Wales, UK.

The 50 years of artistic and mass photography taken into consideration in this volume are unquestionably the most important in the twentieth century. The acceleration of technological progress, the advent of the era of the machine and the metropolis, the epoch-making economic crisis, the dramatic aftermath of the collapse of the old nineteenth-century order in Europe with political upheavals, wars, revolutions and dictatorships, the first appearance of a mass society capable of expressing cultures and systems of communication in line with its needs: these are the most obvious stages of a history that was also recorded as it happened, in various forms and media. Among these, key importance certainly attaches to photography. It is evident that mankind had never before been in possession of an instrument capable of supplying such an enormous number of images of such universal accessibility as regards both visibility and creation. The Kodak camera, a device anyone could use, and the popular illustrated press are the two cornerstones of this aspect of the photographic history of the twentieth century. This richly illustrated book – complete with synoptic tables and a summary glossary – offers a wide-ranging survey of this era that will delight and inform a constantly growing audience.

In lavish two-page spreads, this book presents nearly one hundred of history’s most memorable photographs — from the Wright Brothers’ first flight to the bombing of Pearl Harbor, from Martin Luther King’s “I Have a Dream” speech to Nelson Mandela’s release from prison, and from the inauguration of President Barack Obama to the Syrian refugee crisis.

The volume features pictures from photography masters such as Lewis Hine, Dorothea Lange, Yousuf Karsh, Diane Arbus, and James Nachtwey, as well as iconic images from lesser-known and unknown photojournalists.

Photos that Changed the World has been updated to include indelible images of the most significant recent events. Engaging essays accompany each photograph and tell the story behind each image.

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Пролистать книгу Photos That Changed the World

The pressing issue of our time through the lens of important artists working today: the toll of human activity on the climate — known as the Anthropocene — is considered in-depth in this historic convening of photographers and thought-leaders from the worlds of art, Indigenous studies, philosophy, and ecology.

Accompanying a major traveling exhibition, Second Nature is an ambitious and expansive approach to the ever-present climate crisis. Gathering the work of nearly fifty photographers and their unique aesthetic and conceptual perspectives on this urgent issue, May and Price have invited leading figures in a range of fields offering an interdisciplinary and, importantly, intersectional consideration of the Anthropocene.

About the Author:

Jessica May is the Managing Director, Art and Exhibitions, The Trustees, and the Artistic Director of the deCordova Sculpture Park and Museum, Lincoln, Massachusetts.

Marshall N. Price is the Chief Curator of Modern and Contemporary Art at the Nasher Museum of Art at Duke University.

Donna Haraway is Distinguished Professor Emerita in the History of Consciousness Department at the University of California Santa Cruz.

Rocio Aranda-Alvarado is a Program Officer in Arts and Culture on the Creativity and Free Expression team at the Ford Foundation.

Candice Hopkins is a Carcross/Tagish First Nation independent curator, writer, and researcher.

Catriona Sandilands is a writer and scholar in the environmental humanities, most well known for her conception of queer ecology.

Carmen G. Gonzalez is a world-renowned expert in international environmental law.

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Пролистать книгу Second Nature: Photography in the Age of the Anthropocene  на сайте издательства.

A celebration of the transversal community from the iconic magazine.

The Candy Book of Transversal Creativity showcases the best content from the groundbreaking style magazine's twelve issues, with photography by icons such as Nan Goldin, Ryan McGinley, Jack Pierson, and Ellen von Unwerth; such muses as Hari Nef, Divine, and Laverne Cox; and thoughtful and insightful writing by influential cultural trans figures such as Amos Mac and Geena Rocero.

Founded a decade ago by Luis Venegas, C*NDY is the first and only style magazine to focus on the transversal community, or transgender and gender-nonconforming/nonbinary people, transvestism, cross-dressing, drag, and androgyny. C*NDY has a devoted fan base and respect from industry leaders for showcasing the most creative and important names and talent in transversal fashion, art, and culture. This book brings together for readers the most timeless, inspirational, and aspirational pages of fashion, art, culture, makeup, glamour, icons, amazing transformations, and fun.

This is an inspiring celebration of the many levels of transversal creativity and people, all facing an exciting future.

About the Author:

Luis Venegas is the creative director, editor, and publisher of Fanzine137, EY! Magateen, C*ndy, The Printed Dog, and EY! Boy Collection. Since 2004, he has pursued publishing his personal editorial projects full-time. As an independent self-published editor, his magazines -- released as limited editions -- are available in select shops, boutiques, and bookstores around the world. Based in Spain, Venegas splits his time between Madrid and Barcelona. Jefferson Hack is the editorial director and cofounder of Dazed Media.

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Пролистать книгу The Candy Book of Transversal Creativity: The Best of Candy Magazine, Allegedly

The Opéra returns with a new compilation of classic and contemporary nude photography

Those in search for the essence of humanity will discover beauty and ugliness, light and shadow on the way towards it. For the eighth time, THE OPÉRA sets out to present the human body as it was created or independently formed and shaped. In their diverse works, the numerous photographers from all over the world once more share the same curiosity to explore human emotions. All of them, some reluctant and observing, others delightedly engaged and orchestrated, act out the great spectacle that is human existence.

Artists: Marius Budu, Markus Burke, Marc van Dalen, Martin Grothmaak, Charlotte Ernst, Douglas Foster, Joanna Grochowska, Anouk van Kalmthout, Maël G. Lagadec, Holger Maass, Jeanne Menetrier, Elisabeth Mochner, Pavel Odvody, Manon Ouimet, Nicola Petrara, Thomas Rusch, Henriette Sabroe Ebbesen, Julia Helene Scholl, Astrid Susanna Schulz, Laura Stevens, Amanda Torres, Lilli Waters, Philipp Zechner u.v.a.

The Unseen Eye is one of those rare books that has the quality of a revelation

It not only gives a new perspective on the work of many of the greatest names in the history of photography but also tells us something new about ourselves with all the associated nuances of memory, wit, eroticism, fear, grief and horror.

The photographs have a common theme – the gaze of the subject is averted, the face obscured or the eyes firmly closed. They range from André Breton’s self-portrait to Ruth Snyder in the electric chair in 1928 and from Weegee’s multi-image portrait of Andy Warhol in sunglasses to Robert Mapplethorpe’s photograph of the artist Alice Neel. The images present a catalogue of anti-portraiture, characterized at first glance by what its subjects conceal, not by what the camera reveals.

The author has gathered the images over many years and his selection includes not only many works by famous practitioners from across the history of the medium – Nadar, Brassaï, Walker Evans, Philip Jones Griffiths, Annie Leibovitz, Martin Parr – but also photographs of strange origin taken by anonymous figures from the mid-nineteenth century to the present day.

Running through the book is a commentary which offers the author's own intense and perceptive responses to the images, as well as insights into the psychology of collecting. William A. Ewing, the distinguished curator of photography, contributes an introduction.

Now available in an updated paperback edition and including new photographs, this thorough and accessible introduction to the greatest women photographers from the 19th century to today features the most important works of 55 artists, along with in-depth biographical and critical assessments.

Since the inception of photography as an art form nearly 200 years ago, women have played an important role in the development of the genre, often pushing boundaries and defying social convention. This comprehensive volume presents fifty-five of the most important women photographers such as Eve Arnold, Nan Goldin, Candida Höfer, Dorothea Lange, Inge Morath, and Cindy Sherman. Each artist is profiled in spreads featuring splendid reproductions of their key works and in-depth overviews of their careers and contributions to photography. Biographical information for each subject and a contextual essay focusing on the impact of women in the history of the medium makes this an excellent illustrated reference.

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Пролистать книгу Women Photographers: From Julia Margaret Cameron to Cindy Sherman на сайте издательства.

This celebration of contemporary street photography — in all its edgy, strange, beautiful, haunting, colorful, and humorous glory — brings together the work of a new generation of talented artists

Over the past few decades, the long tradition of street photography has been wholly transformed by the proliferation of digital cameras, the Internet, and smartphones.

A new generation of photographers have embraced this modern technology to capture the world around us in a way that is un-staged, of-the-moment, and real. Exploring this rich seam of emergent and exciting street photography, the 100 photographs featured in this book are presented on doublepage spreads along with commentary about the work and its creator. Curated by David Gibson, a street photographer and expert in the genre, this stunning book offers a truly global collection of images. Gibson’s insightful introduction gives an insider’s overview of street photography, illuminating its historic importance and its renaissance in the digital age.

About the Author:

David Gibson is a street photographer, the author of The Street Photographer's Manual, and a founder of the street photography collective In-Public. He regularly leads street photography workshops in London and other cities across the globe.

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Пролистать книгу  100 Great Street Photographs

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100 GreatStreet Photographs открывает читателю всю красоту, остроту, странность и необыкновенную свежеть уличной фотографии. Это современное, молодое племя художников, которые работают в ярком и немного шутливом стиле.

Запоследнее время старые традиции уличной фотографии были полностью трансформированы, в основном, из-за появления современной техники, такой как цифровые фотокамеры, смартфоны и интернет. В книге 100 Great Street Photographs подробно рассказывается о том, как молодое поколение фотографов внедрило эти современные технологии, чтобы показать мир вокруг нас в реальном времени, без постановок и фильтров. Исследуя эти новые и увлекательные уличные снимки, автор собрал 100 лучших из них, и поместил в своей книге на полноценных разворотах, на 2 страницы. Также, в издании можно найти подробное описание жизни и творчества самих создателей этих шедевров.

Купив 100 Great Street Photographs, созданную David Gibson, который и сам является уличным фотографом и профессионалом жанра, Вашему вниманию откроется поистине, потрясающая своим масштабом, коллекция фотографий. Остроумное введение от автора дает полнуб рецензию уличной фотографии, как искусства, освещая ее историческую значимость и перерождение, во времена цифрового прогресса.

Об авторе

Дэвид Гибсон – уличный фотограф, автор знаменитого «Руководства уличного фотографа» и основатель коллектива street фотографии - In-Public. Он регулярно проводит мастер-классы в Лондоне и других городах, по всему миру.

Between July 1945 and November 1962 the United States is known to have conducted 216 atmospheric and underwater nuclear tests. After the Limited Test Ban Treaty between the United States and the Soviet Union in 1963, nuclear testing went underground. It became literally invisible - but more frequent: the United States conducted a further 723 underground tests, the last in 1992. 100 Suns documents the era of visible nuclear testing, the atmospheric era, with one hundred photographs drawn by Michael Light from the archives at Los Alamos National Laboratory and the U.S. National Archives in Maryland. It includes previously classified material from the clandestine Lookout Mountain Air Force Station based in Hollywood, whose film directors, cameramen and still photographers were sworn to secrecy.

The title, 100 Suns, refers to the response by J.Robert Oppenheimer to the world’s first nuclear explosion in New Mexico when he quoted a passage from the Bhagavad Gita, the classic Vedic text: “If the radiance of a thousand suns were to burst forth at once in the sky, that would be like the splendor of the Mighty One . . . I am become Death, the destroyer of worlds.” This was Oppenheimer’s attempt to describe the otherwise indescribable. 100 Suns likewise confronts the indescribable by presenting without embellishment the stark evidence of the tests at the moment of detonation. Since the tests were conducted either in Nevada or the Pacific the book is simply divided between the desert and the ocean. Each photograph is presented with the name of the test, its explosive yield in kilotons or megatons, the date and the location. The enormity of the events recorded is contrasted with the understated neutrality of bare data. Interspersed within the sequence of explosions are pictures of the awestruck witnesses.

The evidence of these photographs is terrifying in its implication while at same time profoundly disconcerting as a spectacle. The visual grandeur of such imagery is balanced by the chilling facts provided at the end of the book in the detailed captions, a chronology of the development of nuclear weaponry and an extensive bibliography. A dramatic sequel to Michael Light’s Full Moon, 100 Suns forms an unprecedented historical document.