Антологии

A bold anthology that explores how photographers worldwide are tackling the maelstrom of family life

Family Photography Now presents 40 international image-makers who have turned their lens on the complex dynamics of the family, whether their own or other people's. On these pages, you will find Swedish stay-at-home dads and Congolese first-time mothers, families with same-sex parents and families with identical twins, blended families and extended families, portraits made via Skype and portraits of imaginary families. Sophisticated art projects appear alongside highly personal images, many never before published in book form.

From Magnum member Trent Parke’s darkly amusing shots of life in suburban Australia and Denis Dailleux’s portraits of Egyptian bodybuilders and their mothers to Elina Brotherus’s devastating records of failed IVF and Nadia Sablin’s elegy to her elderly aunts in rural Russia, this book takes readers on powerful journeys that are by turns moving, funny, thought-provoking and inspiring, encouraging us to reflect on how we photograph our own families.

Complete with profiles revealing each photographer’s story and working methodology, and two essays analyzing the complications of family attachments and the ways in which these have been captured in photography of many genres and moods, this book will appeal to photographers both professional and amateur, and to anyone who has ever been intrigued by the dramas that are ordinarily played out behind closed doors.

About the Authors:

Sophie Howarth is a writer, teacher, curator and entrepreneur based in London. Co-founder of the School of Life, she has also been Curator of Public Programmes at Tate Modern and an Associate Curator for Artangel.

Stephen McLaren is a photographer, writer and curator based in San Francisco.

A detailed insight into the lives and careers of the great photographers

In the history of photography, the lives of the major practitioners are as captivating and richly layered as the images they have left behind, many of which have become part of the cultural landscape. Yet the stories to be found behind the lens - of economic hardship, of personal tragedy, of fame won and lost - are all too often overlooked.

In Lives of the Great Photographers, thirty-eight of the most important and influential figures of the nineteenth and twentieth centuries, from Ansel Adams to Madame Yevonde, are profiled in bold and compelling detail. By examining the lives and backgrounds of these often complex personalities, as well as the social and political crucibles in which their world views were forged, author Juliet Hacking also casts new light on their work. Illustrated with a portrait or self-portrait of each photographer and notable examples of their oeuvre, this lively and original publication not only provides a greater, more nuanced understanding of the featured image-makers but also guides the reader through the key innovations, movements and developments in the story of photography itself.

The first complete illustrated bibliography of 1,000 iconic photobooks created by members of the renowned photo agency

This fascinating in-depth survey brings Magnum's history alive through the genre of the photobook – an essential vehicle for photographers to share their work.

Its pages include unpublished behind-the-scenes material, together with ephemera from the photographers' archives about the making of their books. With an introduction by Fred Ritchin and texts by Carole Naggar, this book explores the evolution of the photobook, as well as the important role that Magnum has played in the history of documentary photography.

About the Authors:

Fred Ritchin is Dean of the School at the International Center of Photography in New York. He has lectured internationally on photography and written numerous books on the subject.

Carole Naggar has worked as a poet, artist, curator, educator and photography historian since 1971. Her published books include biographies of David Seymour, George Rodger and Werner Bischof.

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• The first catalogue raisonne of over 1,000 photobooks, published by Magnum photographers since the agency was founded in 1947, with 100 books explored in detail
• Celebrates the work of Magnum's founders Robert Capa, Henri Cartier-Bresson, David Seymour, and George Rodger, as well as others - Magnum's roster of stars includes Eve Arnold, Philip Jones Griffiths, Josef Koudelka, Steve McCurry, and Martin Parr
• Allows access to a unique collection created by the members of the world's most prestigious photo agency - a collection that has never before been published in a single comprehensive survey
• Publication coincides with an exhibition of Magnum books at the Musée de l'Elysee, Lausanne, Switzerland and a 'fly-on-the-wall' TV documentary to be aired on the BBC and PBS

For over thirty years, the New York Times Magazine has presented the myriad possibilities and applications of photography.

Aperture is pleased to present the upcoming publication and exhibition The New York Times Magazine Photographs, which reflects upon and interrogates the very nature of both photography and print magazines at this pivotal moment in their history and evolution. Edited by Kathy Ryan, long-time photo editor of the magazine, and with a preface by former editorial director Gerald Marzorati, this volume presents some of the finest commissioned photographs worldwide in four sections: reportage, portraiture, style, and conceptual photography, including photo illustration. Diverse in content and sensibility, and consistent in virtuosity, the photographs are accompanied by reproduced tear sheets to allow for the examination of sequencing and the interplay between text and image, simultaneously presenting the work while illuminating its distillation to magazine form.

This process is explored further through texts offering behind-the-scenes perspective and anecdotes by the many photographers, writers, editors, and other collaborators whose voices have been a part of the magazine over the years. David Campany contributes a critical essay that provides an in-depth history of the magazines relationship to photography, contextualizing its contributions within the larger world of magazine work. Also addressed are issues of documentary photography in relation to more conceptual photography; the efficacy of story-telling; and what makes an image evidentiary, objective, subjective, truthful, or a tool for advocacy; as well as thoughts on whether these matters are currently moot, or more critical than ever.

As such, The New York Times Magazine Photographs aims to serve as a springboard for a rigorous, necessary, and revitalized examination of photography as presented within a modern journalistic context.

Curated from hundreds of thousands of photos from The New York Times' archives Only in New York brings together the most memorable, poignant, and historic images of the Big Apple. This beautiful gift book celebrates New York in a way that will be treasured by native New Yorkers and tourists alike.

The New York Times is the world's foremost news organization, but it is very much a hometown paper, too. Since the inception of the camera, Times photographers have captured every newsworthy event--and many of the most iconic and intimate moments--that together document the very spirit and essence of New York City.

These 500 photos are selected and paired in clever, humorous, and poignant diptychs that bring the city to life as you could only see in NYC--from Broadway to Yankee Stadium, nightlife to street life, skyscrapers to subways. And since the turn of the last century, NY Times photographers have been visually recording the vast, and vastly interesting and entertaining, mix of people, places, and institutions that provide New York with its reputation as the city that occasionally dozes but never closes. This collection of their work spans more than a century, providing a vivid chronicle of metropolitan life at its most vibrant. Most of all, of course, there are the people and the neighborhoods they inhabit. Through the work of such celebrated New York Times photographers as Damon Winter, Neal Boenzi, Fred R. Conrad, Ruth Fremson, Vincent Laforet, Michelle Agins, Todd Heisler, Chang W. Lee, Barton Silverman, Sara Krulwich, Michelle Agins, Tyler Hicks, and many more, the spirit of the city is captured in this extraordinary book. Their ability to capture the familiar in original ways, and the seldom-seen in surprising ones, gives this book the look and feel of a true original.

Only in New York is a celebration of New York City and its people--and is sure to be treasured by native New Yorkers, tourists, and anyone who aspires to "make it there."

About the Authors:

The New York Times is a daily newspaper published in New York City and distributed internationally. Founded in 1851, the newspaper has won 95 Pulitzer prizes, more than any other newspaper. David W. Dunlap has covered New York City's infrastructure, architecture, engineering, landmarks, public spaces, and transportation for The New York Times since 1981. His reporting since 2003 has concentrated on the redevelopment of the World Trade Center. He also serves as the keeper of Times history. Dunlap's books include Building Provincetown (2015) and From Abyssinian to Zion (2004).

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Пролистать книгу Only in New York

A comprehensive and much-needed survey of the last 50 years of photography, charting its path from method of documentation to art form

This major new survey of contemporary photography considers the work of more than 80 photographers through eleven thematic chapters on subjects such as street photography, portraiture, landscape photography and documentary. It traces the development of photography as an art form in each of these genres individually and also looks at the ties and links between them. What is revealed is a complex story with numerous tangents. Mark Durden's narrative, combined with rich illustrative content and an easily accessible design, guides a clear path through this story, showcasing the work of great individual photographers while also being able to place this into the larger narrative of the medium's development.

Mark Durden is a writer, artist and lecturer. He has written extensively on photography and contemporary art. Publications include Dorothea Lange (2001, 2012), Fifty Key Writers on Photography (2012), with David Campbell, Variable Capital (2007) and with Ken Grant, Double Take: Portraits from the Keith Medley Archive (2013). He is part of the artists’ group Common Culture and currently Professor of Photography at the University of South Wales, UK.

The 50 years of artistic and mass photography taken into consideration in this volume are unquestionably the most important in the twentieth century. The acceleration of technological progress, the advent of the era of the machine and the metropolis, the epoch-making economic crisis, the dramatic aftermath of the collapse of the old nineteenth-century order in Europe with political upheavals, wars, revolutions and dictatorships, the first appearance of a mass society capable of expressing cultures and systems of communication in line with its needs: these are the most obvious stages of a history that was also recorded as it happened, in various forms and media. Among these, key importance certainly attaches to photography. It is evident that mankind had never before been in possession of an instrument capable of supplying such an enormous number of images of such universal accessibility as regards both visibility and creation. The Kodak camera, a device anyone could use, and the popular illustrated press are the two cornerstones of this aspect of the photographic history of the twentieth century. This richly illustrated book – complete with synoptic tables and a summary glossary – offers a wide-ranging survey of this era that will delight and inform a constantly growing audience.

In lavish two-page spreads, this book presents nearly one hundred of history’s most memorable photographs — from the Wright Brothers’ first flight to the bombing of Pearl Harbor, from Martin Luther King’s “I Have a Dream” speech to Nelson Mandela’s release from prison, and from the inauguration of President Barack Obama to the Syrian refugee crisis.

The volume features pictures from photography masters such as Lewis Hine, Dorothea Lange, Yousuf Karsh, Diane Arbus, and James Nachtwey, as well as iconic images from lesser-known and unknown photojournalists.

Photos that Changed the World has been updated to include indelible images of the most significant recent events. Engaging essays accompany each photograph and tell the story behind each image.

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Пролистать книгу Photos That Changed the World

Includes winners at the World Press Photo Awards, 2012.

This major work presents a remarkable sequence of photo-stories from pioneering photo agency VII, documenting world history as we have experienced it since the end of the Cold War. The 11 extraordinarily talented photographers who are part of this agency work at the cutting edge of digital photojournalism, committed to recording social and cultural change as it happens around the world. Each brings an individual vision to the agency - some choosing to tackle dramatic events head-on, others pursuing more idiosyncratic, personal projects - but all share a commitment to their individual subjects and to their belief that the act of communication provides hope even in the most extreme situations. 

Questions Without Answers is an ambitious book featuring a strikingly broad selection of photo stories. Photos documenting Barack Obama giving a speech on Afghanistan to American troops sit alongside a collection of portraits featuring famous cultural figures such as David Bowie and Bernardo Bertolucci. We move from an exploration of the spread and impact of AIDS in Asia to dispatches from the current economic crisis and its effect on those working in finance. The crucial work done by VII in documenting conflict - environmental, social and political, both violent and non-violent - is also represented, including stories from the war in Iraq, the crisis in Darfur and the terrible events of 9/11. 

With an introduction by the eminent David Friend, the former director of photography at Life magazine, this book is important, moving and compelling record of the world we live in.

About the Authors:

VII derives its name from the number of founding photo-journalists who, in September 2001, formed this collectively owned agency. Designed from the outset to be an efficient, technologically advanced distribution hub for some of the world's finest photojournalism, VII has been responsible for creating and relaying to the world many of the images that define the turbulent opening years of the 21st century. 

Now made up of 23 eminent photographers - Lynsey Addario, Jocelyn Bain Hogg, Marcus Bleasdale, Stefano De Luigi, Venetia Dearden, Jessica Dimmock, Adam Ferguson, Ashley Gilbertson, Ron Haviv, Ed Kashi, Gary Knight, Antonin Kratochvil, Joachim Ladefoged, Davide Monteleone, Christopher Morris, Seamus Murphy, Maciek Nabrdalik, Franco Pagetti, Stephanie Sinclair, John Stanmeyer, Anastasia Taylor-Lind, Tomas van Houtryve and Donald Weber - VII remains committed to recording, not just the battlefield, but social and cultural change worldwide. 

What unites VII's work is a sense that, in the act of communication at the very least, all is not lost; reparation is always possible; despair is never absolute. 

David Friend, former director of photography at Life magazine, is Vanity Fair's editor of creative development. A successful author and editor, he has also curated a number of important exhibitions and created the Alfred Eisenstaedt Awards for Magazine Photography.

A celebration of the transversal community from the iconic magazine.

The Candy Book of Transversal Creativity showcases the best content from the groundbreaking style magazine's twelve issues, with photography by icons such as Nan Goldin, Ryan McGinley, Jack Pierson, and Ellen von Unwerth; such muses as Hari Nef, Divine, and Laverne Cox; and thoughtful and insightful writing by influential cultural trans figures such as Amos Mac and Geena Rocero.

Founded a decade ago by Luis Venegas, C*NDY is the first and only style magazine to focus on the transversal community, or transgender and gender-nonconforming/nonbinary people, transvestism, cross-dressing, drag, and androgyny. C*NDY has a devoted fan base and respect from industry leaders for showcasing the most creative and important names and talent in transversal fashion, art, and culture. This book brings together for readers the most timeless, inspirational, and aspirational pages of fashion, art, culture, makeup, glamour, icons, amazing transformations, and fun.

This is an inspiring celebration of the many levels of transversal creativity and people, all facing an exciting future.

About the Author:

Luis Venegas is the creative director, editor, and publisher of Fanzine137, EY! Magateen, C*ndy, The Printed Dog, and EY! Boy Collection. Since 2004, he has pursued publishing his personal editorial projects full-time. As an independent self-published editor, his magazines -- released as limited editions -- are available in select shops, boutiques, and bookstores around the world. Based in Spain, Venegas splits his time between Madrid and Barcelona. Jefferson Hack is the editorial director and cofounder of Dazed Media.

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Пролистать книгу The Candy Book of Transversal Creativity: The Best of Candy Magazine, Allegedly

The best photo assignments from the Monocle archive, published to mark the magazine's fifteenth anniversary.

Back in 2007 the first issues of Monocle magazine hit newsstands and kiosks around the globe. At its core was a pledge to commission all original photography – capturing the world on film, on the ground and in the moment. The cover of that first issue featured a Japanese helicopter pilot from the country's defence force – taken as part of a 10-day reportage assignment for both photographer and writer. In the years since, Monocle has continued in its pursuit of documenting the world through its unique lens – from embassies and residences to world leaders and cultural stars. Each issue has featured a dedicated photographic Expo section celebrating lesser-known locales, obscure events and curious characters through truly outstanding photography. Alpine wrestlers, Syrian outposts, French legionnaires, noodle-makers, game show hosts and private member’s clubs have all graced the pages.

The Monocle Book of Photography draws on the best of these photographic stories from an archive a decade and a half in the making. A handsome linen-bound edition with the highest quality gloss paper and printing, the book also features supporting text about the photo assignments and the stories behind them, including first-hand accounts from the photographers involved

About the Author:

Monocle is a global affairs and lifestyle magazine, 24-hour radio station, website, retailer and media brand. Tyler Brûlé was its founder, and is now its editor-in-chief. Andrew Tuck is Editor of Monocle magazine. Joe Pickard is the Books Editor of Monocle.

A revised and updated edition of Phaidon's bestselling book, which brings this landmark work fully up-to-date with new additions covering the latest developments in photography

The Photography Book is an unsurpassed collection of more than 550 superb images that represent the world's best photographers from the mid-nineteenth century to today. Arranged alphabetically by photographer, it showcases pioneers such as Gustave Le Gray and Daguerre, icons like Robert Capa and contemporary names such as Richard Wentworth and Carolee Schneemann.

The selection encompasses fashion, sport, natural history, reportage, society portraiture, documentary and art, with concise text providing useful insight into each work and its creator.

Also included are extensive cross-references and glossaries of technical terms and movements.

The Unseen Eye is one of those rare books that has the quality of a revelation

It not only gives a new perspective on the work of many of the greatest names in the history of photography but also tells us something new about ourselves with all the associated nuances of memory, wit, eroticism, fear, grief and horror.

The photographs have a common theme – the gaze of the subject is averted, the face obscured or the eyes firmly closed. They range from André Breton’s self-portrait to Ruth Snyder in the electric chair in 1928 and from Weegee’s multi-image portrait of Andy Warhol in sunglasses to Robert Mapplethorpe’s photograph of the artist Alice Neel. The images present a catalogue of anti-portraiture, characterized at first glance by what its subjects conceal, not by what the camera reveals.

The author has gathered the images over many years and his selection includes not only many works by famous practitioners from across the history of the medium – Nadar, Brassaï, Walker Evans, Philip Jones Griffiths, Annie Leibovitz, Martin Parr – but also photographs of strange origin taken by anonymous figures from the mid-nineteenth century to the present day.

Running through the book is a commentary which offers the author's own intense and perceptive responses to the images, as well as insights into the psychology of collecting. William A. Ewing, the distinguished curator of photography, contributes an introduction.

Now available in an updated paperback edition and including new photographs, this thorough and accessible introduction to the greatest women photographers from the 19th century to today features the most important works of 55 artists, along with in-depth biographical and critical assessments.

Since the inception of photography as an art form nearly 200 years ago, women have played an important role in the development of the genre, often pushing boundaries and defying social convention. This comprehensive volume presents fifty-five of the most important women photographers such as Eve Arnold, Nan Goldin, Candida Höfer, Dorothea Lange, Inge Morath, and Cindy Sherman. Each artist is profiled in spreads featuring splendid reproductions of their key works and in-depth overviews of their careers and contributions to photography. Biographical information for each subject and a contextual essay focusing on the impact of women in the history of the medium makes this an excellent illustrated reference.

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Пролистать книгу Women Photographers: From Julia Margaret Cameron to Cindy Sherman на сайте издательства.

This celebration of contemporary street photography — in all its edgy, strange, beautiful, haunting, colorful, and humorous glory — brings together the work of a new generation of talented artists

Over the past few decades, the long tradition of street photography has been wholly transformed by the proliferation of digital cameras, the Internet, and smartphones.

A new generation of photographers have embraced this modern technology to capture the world around us in a way that is un-staged, of-the-moment, and real. Exploring this rich seam of emergent and exciting street photography, the 100 photographs featured in this book are presented on doublepage spreads along with commentary about the work and its creator. Curated by David Gibson, a street photographer and expert in the genre, this stunning book offers a truly global collection of images. Gibson’s insightful introduction gives an insider’s overview of street photography, illuminating its historic importance and its renaissance in the digital age.

About the Author:

David Gibson is a street photographer, the author of The Street Photographer's Manual, and a founder of the street photography collective In-Public. He regularly leads street photography workshops in London and other cities across the globe.

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Пролистать книгу  100 Great Street Photographs

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100 GreatStreet Photographs открывает читателю всю красоту, остроту, странность и необыкновенную свежеть уличной фотографии. Это современное, молодое племя художников, которые работают в ярком и немного шутливом стиле.

Запоследнее время старые традиции уличной фотографии были полностью трансформированы, в основном, из-за появления современной техники, такой как цифровые фотокамеры, смартфоны и интернет. В книге 100 Great Street Photographs подробно рассказывается о том, как молодое поколение фотографов внедрило эти современные технологии, чтобы показать мир вокруг нас в реальном времени, без постановок и фильтров. Исследуя эти новые и увлекательные уличные снимки, автор собрал 100 лучших из них, и поместил в своей книге на полноценных разворотах, на 2 страницы. Также, в издании можно найти подробное описание жизни и творчества самих создателей этих шедевров.

Купив 100 Great Street Photographs, созданную David Gibson, который и сам является уличным фотографом и профессионалом жанра, Вашему вниманию откроется поистине, потрясающая своим масштабом, коллекция фотографий. Остроумное введение от автора дает полнуб рецензию уличной фотографии, как искусства, освещая ее историческую значимость и перерождение, во времена цифрового прогресса.

Об авторе

Дэвид Гибсон – уличный фотограф, автор знаменитого «Руководства уличного фотографа» и основатель коллектива street фотографии - In-Public. Он регулярно проводит мастер-классы в Лондоне и других городах, по всему миру.