Сборники работ

Eye to Eye, the first personal portfolio by master photographer Frans Lanting, presents an extraordinary collection of animal images by an award-winning photographer and naturalist who "has set the standards for a whole generation of wildlife photographers," according to the BBC.

More than 140 photographs, made over a period of twenty years, reveal the unique personal aesthetic Frans Lanting brings to wildlife photography, as well as the startling new perspective on animals his images provoke. In a review of his work The New York Times states, "Mr. Lanting's photographs take creatures that have become ordinary and familiar and transform them into haunting new visions."

This book's exquisite images are accompanied by personal stories and observations from a lifetime of working with wild animals around the world, ranging from orangutans in the rain forests of Borneo to emperor penguins in Antarctica. More than 70 species are represented in this astonishing portrait gallery celebrating the diversity of life on earth.

Frans Lanting does not seek in these encounters the beauty traditionally revered by wildlife photographers: "The perfection I seek in my photographic compositions is a means to show the strength and dignity of animals in nature." Frans Lanting's work has been lauded by designers as art, by biologists as science, and by others as a new vision of the relationship between animals and people - one that challenges us to look animals in the eye and see ourselves.

Where the wild things are. From South America to Africa, up close with rainforest flora and fauna

Jungles is a personal exploration of nature in the tropics by master photographer, storyteller, and naturalist Frans Lanting. In a unique collection of images made over a period of 20 years in jungles from the lowlands of the Congo to the cloud forests of the Andes, Lanting interprets the aesthetic splendor and the remarkable natural history of the tropical rainforest - a realm of bewildering complexity where nothing is the way it first appears. "While the essence of photography is to show, jungles hide, or at best, suggest," Lanting writes. "So I opted to show impressions of jungles to evoke a sense of their kaleidoscopic nature - the glimpses of faces that melt into shadows, the bursts of color and shimmering light."

The book features four portfolios of images taken years and continents apart and stories of field expeditions into tropical wilderness areas. "Water and Light" shows the interplay of these elements with plant and animal life, with a story about life after dark in the jungles of Central America. "Color and Camouflage" explores the need to hide and the desire to be seen, and details a journey to a remote part of the Amazon Basin to document macaws. "Anarchy and Order" features impressions of growth and movement, and leads to a trek up a mountain in Borneo. "Form and Evolution" is an ode to the wonders of natural selection, and culminates in encounters with primates in the forests of Madagascar and Africa.

In photographs ranging from spectacular gatherings of rainbow-colored macaws to the misty exhalations of a forest at dawn, Lanting evokes the lush sensuality and intricate natural order of the tropical regions that form the beating heart of life on earth.

The photographer:
Dutch-born Frans Lanting has been hailed as one of the great nature photographers of our time. For the past two decades, he has documented wildlife and our relationship with nature in environments from the Amazon to Antarctica. Exhibits of his photographs have been shown at major museums in Paris, Milan, Tokyo, New York, Madrid, and Amsterdam.

The editor:
Christine Eckstrom is a writer and TV producer whose work has appeared in National Geographic, Audubon, and International Wildlife. Her feature story "The Last Real Africa" won a 2007 Lowell Thomas Award for Best Magazine Article on Foreign Travel from the Society of American Travel Writers. She is also the author of Forgotten Edens: Exploring the World's Wild Places (1993). She collaborates with husband Frans Lanting from their home base in California.

František Drtikol (1883–1961) is considered to be the first Czech photographer enjoying international fame. Anna Fárová’s legendary exhibit in Prague in 1972 led to the rediscovery of his briefly forgotten work.

This elaborate, illustrated volume is devoted to the nude portraits, one of the focal points in Dritkol’s oeuvre. Art Nouveau and Symbolism were strong influences on his early photographs, in which his nudes are presented as dreamy nymphs or femme fatales.

After the end of World War I, he developed his own fascinating photographic style, characterized by geometric elements, expressive, dynamic poses, and dramatic lighting. An “Art Deco photographer,” as Fárová called him, Drtikol was inspired by Futurism, Expressionism, and Cubism to discover his own lyrical, formal vocabulary.

39 four-color images

Gary Schneider was born in 1954 in East London, South Africa. His work was the subject of a major exhibition that opened at Harvard University’s Fogg Museum in February 2004, and incorporates his previously acclaimed solo exhibition, Genetic Self-Portrait, an artistic response to the Human Genome Project. He has shown extensively worldwide, including Museé d’Elysee, Lausanne, Switzerland; Museum of Fine Art, Houston, Texas; Whitney Museum of American Art, New York; and Museum of Contemporary Photography, Chicago, Illinois. He is represented by Julie Saul, New York; Stephen Daiter, Chicago; and Howard Yezerski Gallery, Boston.

Earth eternal. A photographic homage to our planet in its natural state

On a very fortuitous day in 1970, 26-year-old Sebastião Salgado held a camera for the first time. When he looked through the viewfinder, he experienced a revelation: suddenly life made sense. From that day onward — though it took years of hard work before he had the experience to earn his living as a photographer — the camera became his tool for interacting with the world. Salgado, who “always preferred the chiaroscuro palette of black-and-white images,” shot very little color in his early career before giving it up completely.

Raised on a farm in Brazil, Salgado possessed a deep love and respect for nature; he was also particularly sensitive to the ways in which human beings are affected by their often devastating socio-economic conditions. Of the myriad works Salgado has produced in his acclaimed career, three long-term projects stand out: Workers (1993), documenting the vanishing way of life of manual laborers across the world, Migrations (2000), a tribute to mass migration driven by hunger, natural disasters, environmental degradation and demographic pressure, and this new opus, GENESIS, the result of an epic eight-year expedition to rediscover the mountains, deserts and oceans, the animals and peoples that have so far escaped the imprint of modern society — the land and life of a still-pristine planet. “Some 46% of the planet is still as it was in the time of genesis,” Salgado reminds us. “We must preserve what exists.” The GENESIS project, along with the Salgados’ Instituto Terra, are dedicated to showing the beauty of our planet, reversing the damage done to it, and preserving it for the future.

Over 30 trips — travelled by foot, light aircraft, seagoing vessels, canoes, and even balloons, through extreme heat and cold and in sometimes dangerous conditions — Salgado created a collection of images showing us nature, animals, and indigenous peoples in breathtaking beauty. Mastering the monochrome with an extreme deftness to rival the virtuoso Ansel Adams, Salgado brings black-and-white photography to a new dimension; the tonal variations in his works, the contrasts of light and dark, recall the works of Old Masters such as Rembrandt and Georges de La Tour.

What does one discover in GENESIS? The animal species and volcanoes of the Galápagos; penguins, sea lions, cormorants, and whales of the Antarctic and South Atlantic; Brazilian alligators and jaguars; African lions, leopards, and elephants; the isolated Zo’é tribe deep in the Amazon jungle; the Stone Age Korowai people of West Papua; nomadic Dinka cattle farmers in Sudan; Nenet nomads and their reindeer herds in the Arctic Circle; Mentawai jungle communities on islands west of Sumatra; the icebergs of the Antarctic; the volcanoes of Central Africa and the Kamchatka Peninsula; Saharan deserts; the Negro and Juruá rivers in the Amazon; the ravines of the Grand Canyon; the glaciers of Alaska... and beyond. Having dedicated so much time, energy, and passion to the making of this work, Salgado likens GENESIS to “my love letter to the planet.”

Whereas the limited Collector’s Edition is conceived like a large-format portfolio that meanders across the planet, this unlimited book presents a selection of photographs arranged in five chapters geographically: Planet South, Sanctuaries, Africa, Northern Spaces, Amazonia and Pantanal. Each in its own way, this book and the Collector’s edition — both edited and designed by Lélia Wanick Salgado — pay homage to Salgado’s triumphant and unparalleled GENESIS project.

The photographer:

Sebastião Salgado began his career as a professional photographer in Paris in 1973 and subsequently worked with the photo agencies Sygma, Gamma and Magnum Photos. In 1994 he and his wife Lélia created Amazonas images, which exclusively handles his work. Salgado’s photographic projects have been featured in many exhibitions as well as books, including Other Americas (1986), Sahel, L'Homme en détresse (1986), Workers (1993), Terra (1997), Migrations (2000), The Children (2000) and Africa (2007).

The editor and author:

Lélia Wanick Salgado studied architecture and urban planning in Paris. Her interest in photography started in 1970. In the 1980s she moved on to conceiving and designing photography books and organizing exhibitions, numerous of them on Sebastião Salgado. Since 1994 Lélia Wanick Salgado has been the director of Amazonas images.

Heavenly Body. The rise and rise of Gisele Bündchen

Born in the Brazilian countryside, and nearly six feet tall by the age of 14, Gisele Bündchen grew from humble roots into the most successful supermodel in the world. This book celebrates her 20-year milestone in the industry with a unique and spectacular collection of jaw-dropping glamour and intimate, personal insights.

Gisele was just 18 when she made her breakthrough in the S/S 1998 ready-to-wear “Rain” show of Alexander McQueen, who chose “The Body” thanks to her ability to walk in towering heels on a slippery runway. The same year, Gisele secured her first British Vogue cover, and swiftly became the most in-demand cover girl of her generation. The following year, she was chosen for the cover of American Vogue, shot by Steven Meisel, and lauded as “the return of the sexy model” with her bronzed, athletic beauty defying late-’90s grunge. Since then, Gisele has appeared on more than 1,000 covers around the globe, in approximately 450 fashion shows, and in multinational campaigns for the biggest fashion and beauty brands.

With more than 300 photographs, this book is curated and art directed by Giovanni Bianco. From Gisele’s legendary nude portrait by Irving Penn, chosen as the book’s cover, to iconic shots from such industry luminaries as Steven Meisel, Mario Testino, Peter Lindbergh, David LaChapelle, Juergen Teller, Inez & Vinoodh, Mert Alas & Marcus Piggott, and Corinne Day, it is a unique artistic presentation of the most famous Brazilian export together with Pelé and Senna and the highest-earning model in the world. The breathtaking image collection is accompanied by an introduction by Steven Meisel and tributes from Gisele’s closest friends, family, and fashion leaders, who shed light on how and why she has become one of the greatest models of all time.

In 1982 Greg Gorman was just beginning his career as a photographer, creating campaigns and publicity shoots for such films as Tootsie, The Big Chill and Scarface, with stars from the worlds of film, television and music gracing his studio on a daily basis. It was also at this time that Jeff Gorman and Gary Johns created a campaign for the famous Los Angeles-based eyewear company, L.A. Eyeworks, for which they hired Gorman as house photographer. The ads were published as full-page bleeds in Andy Warhol's Interview magazine; and the campaign, one of the very first celebrity endorsed "advertorials" of its kind, has endured over 30 years, making it one of the longest running photo-campaigns ever. Gorman was able to recruit stars for the campaign from his film-studio work, and Warhol--who personally called the photographer and requested to do an L.A. Eyeworks shoot, which led to the series' most famous portrait--also gathered famous faces for the company. Alongside Warhol, the many celebrities photographed by Gorman in their L.A. Eyeworks frames include Boy George, Philip Glass, Meryl Streep, Jodie Foster, Iman, Lypsinka, Bryan Ferry, Grace Jones, Quentin Crisp, John Waters, Johnny Rotten, Rob Lowe, Whoopi Goldberg, Mickey Rourke, Frank Zappa, Elton John, Divine, Pierce Brosnan, David Hockney, Debbie Harry and Pee Wee Herman. Gorman's luscious, era-defining, black-and-white photographs are gathered here for the first time.

Greg Gorman Over the past 40 years, Greg Gorman has photographed famous and infamous faces for film, music, politics, sports, advertising and pleasure. Greg continues to seek out projects worldwide that both grant him new experiences and provoke his inspiration. Between spending time at his homes in Los Angeles and Mendocino, where he also teaches, Greg conducts workshops and lectures internationally, and hosts exhibitions of his fine art photography. This compilation follows Greg's previously published works Volume I, Volume II, Inside Life, Perspectives, As I See It, Just Between Us, The Odes of Pindar and In Their Youth.

An introduction to the groundbreaking work of Guy Bourdin (1928–91), a great innovator in the field of fashion photography

About the author(s)
Alison Gingeras is an international curator and writer based in Paris. She held the post of Curator of Contemporary Art Exhibitions and Collections at the Centre Pompidou, Paris (1999 to 2004) and was a member of the curatorial team at the Solomon R. Guggenheim Museum, New York from 1995 to 1999. She is on the editorial committee of Tate.Etc. magazine and has written dozens of exhibition catalogue texts and essays on contemporary artists.

Immortalizing the people and moments that have defined the past 60 years, world-renowned photojournalist Harry Benson has become as much a part of history as the photographs themselves. The scope of his accomplishments as a photojournalist is nothing short of remarkable: he has photographed every U.S. president since Eisenhower, as well as Robert F. Kennedy on the night he was assassinated, and Martin Luther King Jr. at his funeral; he has shot stars such as Elizabeth Taylor, Mick Jagger, Dolly Parton, Michael Jackson, Greta Garbo, and Truman Capote; he covered both the rise and fall of the Berlin wall, the IRA hunger strikes, the Freedom March through Mississippi, the Watts riots, 9/11, and conflicts in Kuwait, Bosnia, Somalia, Afghanistan, and Israel; and, on the eve of his 80th birthday, Benson is still at it, crisscrossing the globe on assignment for Conde Nast.

Harry Benson: Photographs is a visual celebration of Benson's incomparable career. Organized into chapters on celebrity, art, fashion, sports, politics, and photojournalism, Harry Benson: Photographs features a distinctive mix of iconic images alongside never-before-published photographs of Sir Winston Churchill, Nelson Mandela, Queen Elizabeth, Princess Diana, Jackie Kennedy Onassis, Billy Graham, Bobby Fischer, Muhammad Ali, the Beatles, Sonny Liston, Chuck Berry, O.J. Simpson, Yogi Berra, Sophia Loren, Kate Moss, Gloria Swanson, James Brown, Fred Astaire, Johnny Carson, Jack Nicholson, Marlon Brando, Al Pacino, Clint Eastwood, Woody Allen, Spike Lee, Alfred Hitchcock, Federico Fellini, Joseph Papp, Andy Warhol, Liza Minelli, Barbra Streisand, Halston, Giorgio Armani, Valentino, Diana Vreeland, and countless others. With unique access to the most elusive, alluring, and enduring legends of our time, Benson's magnum opus is an unsurpassed masterpiece of contemporary photojournalism and portraiture.

Whether the incredible pieces of haute couture were designed by Chanel, Dior, Gaultier, Lacroix, Elie Saab, Philip Treacy, or Valentino, their beauty is preserved in the gorgeous images captured with a large-format camera using Polaroid material by Cathleen Naundorf and collected in this book. Her well-honed technique, inspired by her mentor Horst P. Horst, which combines instant film’s distinctive colors and shadow with the artist’s remarkable instinct, results in photographs that resemble paintings - haunting, muted, and raw. Not only are they a feast for fashion-hungry eyes, but they are also a testament to the talents of this young artist who has forged a formidable reputation in the fashion world. Featuring stunning couture images, this book presents renowned fashion photographer Cathleen Naundorf’s work with Polaroid photography from the past six years..

Our sex and beauty power pack, the four-in-one complete edition of Helmut Newton's Illustrated is available in an unchanged reprint.

About the photographer:

Helmut Newton (1920-2004) was one of the most influential fashion photographers of all time. Born in Berlin, he arrived in Australia in 1940 and married June Brunell (a.k.a. Alice Springs) eight years later. He achieved international fame in the 1970s while working principally for French Vogue, and over the next three decades, his celebrity and influence continued to grow. Eschewing studios, for the most part, Newton preferred to shoot in the streets or in interiors. His mixture of controversial scenarios, bold lighting, and striking compositions came to form his signature look. In 1990 he was awarded the "Grand Prix National" for photography; in 1992 was awarded by the German government "Das Grosse Verdienstkreuz" for his services to German culture and was appointed "Officer des Arts, Lettres et Sciences" by S.A.S. Princess Caroline of Monaco. In 1996, he was appointed "Commandeur de l`Ordre des Arts et des Lettres" by Philippe Douste-Blazy, the French Minister of Culture. Working and living in close companionship with his wife until his death at 83, through his last click of the shutter he continued to be as distinctive and influential as ever.

Instant Newton. A collection of Helmut Newton's test Polaroids

Polaroids occupy a special place in the hearts of many photo enthusiasts who remember a time when "instant photography" meant one-of-a-kind prints that developed within minutes of clicking the shutter. What was once a crucial tool for photographers to test their shots before shooting on film has now become obsolete in the face of digital photography. Luckily for us, legendary photographer Helmut Newton saved his test Polaroids, allowing a privileged and rare chance to see the tests from a selection of his greatest shoots over a period of decades, including many from the TASCHEN titles SUMO, A Gun for Hire, and Work. Selected by his widow, June Newton, from over 300 photos featured at the 2011 exhibition "Helmut Newton Polaroids" at the Museum für Fotografie in Berlin, this collection captures the magic of Helmut Newton photo shoots as only Polaroids can.

The photographer:

Helmut Newton (1920-2004) was one of the most influential photographers of all time. Born in Berlin, he arrived in Australia in 1940 and married June Brunell (a.k.a. Alice Springs) eight years later. He first achieved international fame in the 1970's while working principally for French Vogue, and his celebrity and influence grew over the decades. Newton preferred to shoot in streets or interiors, rather than studios. Controversial scenarios, bold lighting, and striking compositions came to form his signature look. In 1990 he was awarded the Grand Prix national de la photographie; in 1992 the German government awarded him Das Grosse Verdienstkreuz for services to German culture, and he was appointed Officier des Arts, Lettres et Sciences by S.A.S. Princess Caroline of Monaco. In 1996, he was appointed Commandeur de l'Ordre des Arts et des Lettres by Philippe Douste-Blazy, the French Minister of Culture at the time. Working and living in close companionship with his wife until his death at 83, his images remain as distinctive, seductive and original as ever.

The collection “Sex & Landscapes” brings together a rich selection from Helmut Newton’s little-known landscape and travel photographs, as well as unseen “tougher” sex pictures, described by Philippe Garner of de Pury & Luxembourg as “Helmut’s world of dark, brooding seas, baroque statuary, crashing waves, a long desert highway under threatening skies, a Berlin park at dusk, enigmatic apartment buildings at night, the Rhine seen from the air, the shadows of airplanes, all this interwoven with hard and voyeuristic sexual imagery, plus a touch of his high style and glamour.” The book’s publication coincides with the exhibition of “Sex and Landscapes,” which will open on June 3 at the inauguration of the Helmut Newton Foundation in Berlin.

About the photographer:

About the author:

Philippe Garner is a Director of Christie's and is their International Head of Photographs and of 20th Century Decorative Art & Design. He is widely recognised as an authority within these fields and has written numerous essays and books on specific aspects of the history of photography and the applied arts. His books include studies of the life and work of Emile Gallé and photographers Cecil Beaton and John Cowan, as well as thematic investigations such as his Sixties Design for TASCHEN. He has also curated museum exhibitions in London, Paris and Tokyo.

Shooting Beauties: the fashion photography of Helmut Newton

"Carte Blanche" for the commissioned works between art and commerce

Helmut Newton did not distinguish compositionally or stylistically between his magazine work and assignments for commercial clients. He ironically referred to himself as “a gun for hire.” That was also the title of June Newton's legendary book about his commercial photography, which is now available in a new edition revised by the Helmut Newton Foundation.

"Some people's photography is an art. Mine is not. If they happen to be exhibited in a gallery or a museum, that's fine. But that's not why I do them. I'm a gun for hire," Helmut Newton told Newsweek in 2004. This prosaic proclamation from one of the 20th century's most celebrated photographers may be perceived as shocking. Still it firmly positions Newton as the no-frills image-maker that he was. His work is so powerful and striking, that it defies categorization. In refusing to call his work "art," Newton leaves us free to do so. Judging from the amount of museum and gallery shows that have featured his work, it is clear that the option has been widely exercised.

A Gun for Hire brings together a selection of Newton's fashion catalog work from the early 1960s to 2003 including work for BiBA (the first fashion catalog in 1962), Chanel, Yves Saint Laurent, Versace, Thierry Mugler, Blumarine, Villeroy & Boch and Absolut Vodka, as well as his last editorial photographs for US and Italian Vogue — encompassing the body of work he made as a "gun for hire."

With an introduction by Matthias Harder and statements by Pierre Bergé, Tom Ford, Josephine Hart, June Newton, and Anna Wintour.

Client list: BiBA, Chanel, Yves Saint Laurent, Versace, Thierry Mugler, Blumarine, Italian Vogue, US Vogue, German Vogue, Villeroy & Boch, Bikini Calendar for Sportsmagazin, Absolut Vodka

About the photographer:

Helmut Newton (1920-2004) was one of the most influential fashion photographers of all time. Born in Berlin, he arrived in Australia in 1940 and married June Brunell (a.k.a. Alice Springs) eight years later. He achieved international fame in the 1970`s while working principally for French Vogue, and over the next three decades, his celebrity and influence continued to grow. Eschewing studios, for the most part, Newton preferred to shoot in the streets or in interiors. His mixture of controversial scenarios, bold lighting, and striking compositions came to form his signature look. In 1990 he was awarded the "Grand Prix National" for photography; in 1992 was awarded by the German government "Das Grosse Verdienstkreuz" for his services to German culture and was appointed "Officer des Arts, Lettres et Sciences" by S.A.S. Princess Caroline of Monaco. In 1996, he was appointed "Commandeur de l`Ordre des Arts et des Lettres" by Philippe Douste-Blazy, the French Minister of Culture. Working and living in close companionship with his wife until his death at 83, through his last click of the shutter he continued to be as distinctive and influential as ever.

BABY SUMO, welcome to the world! The legendary Helmut Newton SUMO in a spectacular new edition

The Helmut Newton SUMO was overwhelming in every respect: a 464-page homage to the most influential and controversial photographer of the 20th century, and a book that broke records for weight, dimensions, and resale price.

Helmut Newton (1920–2004) always demonstrated a healthy disdain for easy or predictable solutions. SUMO — a bold and unprecedented publishing venture—was an irresistible project. The idea of a spectacular compendium of images, reproduced to exceptional page size and to state-of-the-art origination and printing standards, emerged from an open, exploratory dialogue between photographer and publisher. With its awe-inspiring weight of around 35 kilos, its unusual concept and its flawless technical production, the book set new standards.

Published in a limited edition of 10,000 signed and numbered copies, the first SUMO sold out soon after release and quickly multiplied its value. As a worldwide publishing sensation, the book took the art monograph genre to an entirely new level and is today found in numerous important collections around the world, including New York’s Museum of Modern Art. Legendary SUMO copy number one, autographed by over 100 of the book’s featured celebrities, also broke the record for the most expensive book of the 20th century, selling at auction in Berlin on April 6, 2000 for 620,000 German Marks.

Created on the occasion of the centenary of Helmut Newton’s birth and TASCHEN’s 40th anniversary, this spectacular new edition edited by June Newton is now available. Shrunk to exactly half the size of the famous 1999 original, the “BABY SUMO” is no less glamorous: With more than 400 breathtaking images, reproduced and printed to the latest standards, it still has all the scope of a private exhibition of photographs. It is likewise published in a limited edition of 10,000 copies and comes with a detailed booklet documenting the making of this major publishing event. Philippe Starck has once again designed the accompanying book stand, this time including a pedestal, as an ideal way to display the volume.

BABY SUMO, the ultimate collectible. For Newton fans and anyone who wants to own a piece of art history. The legend lives on!

Collector's edition of 10,000 numbered copies with a bookstand by Philippe Starck
Edited and revised by June Newton

The photographer:

Helmut Newton (1920–2004) was one of the most influential photographers of all time. He first achieved international fame in the 1970s while working principally for French Vogue, where he became celebrated for his controversial scenarios. Most striking was his ability to make a throughly planned photograph seem fresh and dynamic. His many titles and awards included Commandeur de l’Ordre des Arts et des Lettres.

The editor:

June Newton, née Browne, was born in Melbourne, Australia, in 1923. As a young woman she was passionately interested in the theater, and worked as an actress under the name June Brunell, receiving the Erik Kuttner Award in 1956. She married the photographer Helmut Newton in Melbourne in 1948 and became a photographer herself in 1970, using the pseudonym Alice Springs. Her work has been featured in numerous exhibitions and publications, including Vanity Fair, Interview, Elle, and Vogue. Her many famous subjects include William S. Burroughs, Catherine Deneuve, Graham Greene, Roy Lichtenstein, Robert Mapplethorpe, Yves Saint Laurent, and Nicole Kidman.