Сборники работ

Captured in three Tokyo parks in the early seventies, Kohei Yoshiyuki’s The Park series features some of the most intriguing photographic works of art ever. Shot at night using flash and infrared film, the photographs show hetero- and homosexuals gathering for furtive sexual encounters in the Shinjuku, Yoyogi, and Aoyama parks. These amorous scenes, however, are unpleasantly crowded; even before Yoshiyuki (*1946) approached them with his camera, the couples had become objects of desire for voyeurs. “It’s not the sex in Yoshiyuki’s photographs that is shocking, but rather, it is the reckless, pent-up fascination of the voyeurs - men so possessed that, for the moment, nothing else exists or matters - and the sense that we’ve all been there,” writes Vince Aletti.

The photographs, which generated a great deal of interest when first published in an austere Japanese edition in 1980, are presented here in duotone quality alongside an interview with the artist conducted by Nobuyoshi Araki.

Stark, impassioned and singularly intense, Josef Koudelka’s work has received deserved acclaim over the past three decades as a uniquely significant contribution to the language of photography.

'Koudelka' is the first book to present over 150 of his most eloquent images in a single volume, from his earliest images – published here for the first time – to his most recent panoramic landscape studies.

Whether photographing avant-garde theatre, gypsies throughout Eastern Europe, resistance to Soviet guns and tanks advancing on Prague, or the environmental degradation of a post-industrial world, Koudelka has consistently produced images that provoke a connection to the larger questions of human existence.

Robert Delpire, Koudelka’s longtime publisher, collaborated with the artist in conceiving and producing this title. The other essayists in 'Koudelka' each explore a different aspect of the artist’s work, illustrating his constant evolution and intensity.

About the Author:

Josef Koudelka began his career as an aeronautical engineer, turning full-time to photography in the late 1960s. In 1968, Koudelka photographed the Soviet invasion of Prague, publishing his photographs under the initials P. P. (Prague Photographer). In 1969, he was anonymously awarded the Overseas Press Club’s Robert Capa Gold Medal for the photographs. Significant exhibitions of his work have been held at The Museum of Modern Art and the International Center of Photography, New York; Hayward Gallery, London; Stedelijk Museum of Modern Art, Amsterdam; and Palais de Tokyo, Paris. In 1992, he was named Chevalier de l’Ordre des Arts et des Lettres by the French Ministry of Culture. He is currently based in Paris.

Whether photographing avant-garde theatre, gypsies on the steppes of Eastern Europe or resistance to Soviet guns and tanks advancing on Prague, Josef Koudelka has consistently produced images that provoke a connection to the larger questions of human existence.

This book brings together panoramic photographs from one of his most recent projects, the landscape of the Piedmont region of northern Italy. As Giuseppe Culicchia says in his introduction to this superb collection, ‘Today’s Piedmont is a region that is both wonderful and wounded. And here they are: the wonders and the wounds … Humans are largely absent from Koudelka’s images, because the book’s main protagonist is the land itself.’

• Includes an introduction outlining Piedmont’s history and culture by leading Italian journalist Giuseppe Culicchia.
• Koudelka’s powerful compositions lend themselves brilliantly to the panoramic format of the photographs and the book’s layout.

Josef Koudelka’s photographs of the 1968 invasion of Prague won him the Robert Capa Gold Medal in 1969. He left Czechoslovakia in 1969 and became a member of Magnum Photos. He has lived in Paris and Prague since 1980.

This book is a revised and enlarged version of the original maquette for Josef Koudelka's book Cikani (Czech for Gypsies), prepared by Koudelka and graphic designer Milan Kopriva in 1968, and intended for publication in Prague in 1970. However, Koudelka left Czechoslovakia in 1970, and the book was never published in that original form. Koudelka's stark images depict the poverty and clannishness of Gypsy life, but he does not present their situation as a social problem that should somehow be fixed. Instead, he shows the Gypsies as perpetual outsiders, and their lives as a primal mix of glee and wonder, sorrow and mystery.

This extended version of the seminal 'Gitans, la fin du voyage' consists of 109 photographs taken between 1962 and 1971 in what was Czechoslovakia (Bohemia, Moravia and Slovakia), Romania, Hungary, France and Spain. Sociologist Will Guy, author of the text that accompanied the first publication of Gypsies, has contributed an updated essay, tracing the migration of the Roma from their original homeland in northern India, to their current status one that continues to be contested internationally.

'A classic of documentary photography … an extraordinary testament to Koudelka's keen eye and darkly romantic imagination' Observer

Gypsies is based on the original maquette for Josef Koudelka’s book Cikáni (Czech for Gypsies), prepared by Koudelka and graphic designer Milan Kopriva in 1968, and intended for publication in Prague in 1970. However, Koudelka left Czechoslovakia in 1970, and the book was never published in that original form.

Now available in an affordable compact edition, the book has been revised and resequenced. Comprising 109 photographs taken between 1962 and 1971 in what was Czechoslovakia (Bohemia, Moravia and Slovakia), Romania, Hungary, France and Spain, it is a unique record of a vanished world. The Gypsies in these images were photographed during the 1960s, mostly in a state that no longer exists, and ruled by a regime that disintegrated in 1989. Will Guy, author of the text that accompanied the first publication of Gypsies, contributes an entirely new essay tracing the migration of the Roma from their original homeland in northern India, to their current status – one that continues to be contested internationally.

About the Author:

Josef Koudelka was born in Moravia in 1938. In 1968, he photographed the Soviet invasion of Prague, for which he was awarded the Overseas Press Club’s Robert Capa Gold Medal. He has published over a dozen books, including Exiles, Chaos and Invasion 68: Prague.

The Fellini of photography. Life on Planet LaChapelle

"The only link between Andy Warhol and J-Lo." - GQ, London on David LaChapelle

LaChapelle Heaven to Hell is the third volume in an exhilarating trilogy that began with LaChapelle Land (1996) and continued with the infamous Hotel LaChapelle (1999). Packed with astonishing, color-saturated, and provocative images, those titles both became instant collector's items and have since gone through multiple printings. Featuring almost twice as many images as its predecessors, LaChapelle Heaven to Hell is an explosive compilation of new work by the visionary photographer. Since the publication of Hotel LaChapelle, the strength of LaChapelle's work lies in its ability to focus the lens of celebrity and fashion toward more pressing issues of societal concern.

LaChapelle's images - of the most famous faces on the planet, and marginalized figures like transsexual Amanda Lepore or the cast of his critically acclaimed social documentary Rize - call into question our relationship with gender, glamour, and status. Using his trademark baroque excess, LaChapelle inverts the consumption he appears to celebrate, pointing instead to apocalyptic consequences for humanity itself. While referencing and acknowledging diverse sources such as the Renaissance, art history, cinema, The Bible, pornography, and the new globalized pop culture, LaChapelle has fashioned a deeply personal and epoch-defining visual language that holds up a mirror to our times.

This popular hardcover edition of LaChapelle Heaven to Hell is a must-have for anyone interested in contemporary photography. It is also keenly priced, especially for those who have coveted TASCHEN's limited edition, LaChapelle, Artists & Prostitutes.

Artist:
David LaChapelle was offered his first professional job by Andy Warhol to shoot for Interview magazine. Since then his work has been exhibited in galleries and museums worldwide, including Tony Shafrazi Gallery and Deitch Projects in New York, and London's Barbican. His images have appeared in countless magazines including Vogue Italia, French Vogue, Vanity Fair, Rolling Stone and i-D. In recent years he has expanded into music videos, live theatrical events and documentary film-making.

In her second book, acclaimed photographer Brigitte Lacombe offers revelatory portraits of Barack Obama, Brice Marden, Joan Didion, Kate Winslet,
Daniel Day-Lewis, Miuccia Prada, and many of her most influential contemporaries. Lacombe's honest and intelligent collection of portraits is a documentation of artists, writers, directors, actors, and political figures. These compelling photographs, in color and black and white, capture private and public moments, intimate and theatrical.

Some moments include: Bob Dylan on his ranch in Malibu (2004), Nelson Mandela in Johannesburg (2002), Aung San Suu Kyi under house arrest in Myanmar (1996), David Mamet writing in his Vermont cabin (1997), a direct Richard Avedon (2001), Louise Bourgeois in pigtails (1995), Bruce Nauman at his ranch outside Santa Fe (1998), Meryl Streep and Dustin Hoffman on the set of Kramer vs. Kramer (1979), Martin Scorsese directing Leonardo DiCaprio in The Aviator (2003), and in The Departed (2006), Robert Redford as a director on Ordinary People (1979), President Clinton traveling in Africa for his foundation (2007), Claude Levi-Strauss at the College de France (1999), and the Dalai Lama in Dharamsala, India (2003).

To the public, French-born New York-based photographer Brigitte Lacombe is largely unknown; film and theatre celebrities, however, made her their favorite portraitist. No wonder, her pictures of Woody Allen, Robert de Niro, Jeanne Moreau, Dustin Hoffman, and others bespeak a trust and familiarity between model and artist that is unique in contemporary photography. A master oeuvre to be discovered.

The first official book by international superstar Lady Gaga

In this book of original, behind-the-scenes photographs, acclaimed photographer Terry Richardson follows superstar Lady Gaga during one year of her life, from Lollapalooza through the final show of her Monster Ball tour.

During the time period he followed Gaga, Richardson took over 100,000 images and attended more than 30 Monster Ball dates around the world. From the 2010 MTV Video Music Awards to the Don't Ask, Don't Tell repeal rally in Portland, Maine, to the Thierry Mugler show at Maxime, Paris, Richardson captures Lady Gaga as you've never seen her before.

A year-long global odyssey - all access, nothing off limits - this is the book Lady Gaga fans have been waiting for.

LADY GAGA came to prominence following the release of her debut studio album The Fame (2008), which included the hits 'Just Dance', 'Poker Face', and 'Bad Romance'. She is well-recognized for her outre sense of style as a recording artist, in fashion, in performance and in her music videos. Her contributions to the music industry have garnered her numerous achievements including five Grammy Awards amongst twelve nominations, two Guinness World Records and the estimated sale of 20 million albums and 64 million singles worldwide. Billboard named her both the '2010 Artist of the Year' and the top selling artist of 2010 ranking her as the 73rd Artist of the 2000s decade. Gaga was named Forbes' Most Powerful Woman in the World 2011 and was included in Time's annual 'The 2010 Time 100' list of the most influential people in the world.

TERRY RICHARDSON is one of the most prolific and compelling photographers of his generation. Known for his uncanny ability to cut to the raw essence of whomever appears before his lens, Mr. Richardson's vision is at once humorous, tragic, beautiful, and provocative. Richardson's editorial work has appeared in magazines such as French Vogue, British Vogue, GQ, and Harper's Bazaar. Richardson's work has been the subject of numerous group and one man shows throughout the world.

Life with the Nuba. Leni Riefenstahl's remarkable Africa oeuvre

"If Leni Riefenstahl had done nothing but visit Africa and bring back her photographs, her place in history would be secure." -Kevin Brownlow, from the introduction

When she was in her early sixties, Leni Riefenstahl began traveling frequently to the African continent, where she has worked on various film and photography projects over the last half century. Her favorite destination was in Sudan, where she lived with and photographed the Nuba tribespeople, learning their language and becoming their friend. The Nuba were a loving and peaceful people who welcomed Riefenstahl as one of their own. Her images of the Nuba, as well as of the Dinka, Shilluk, Masai, and other tribes, are gathered in this monumental book. Riefenstahl remembers her experiences in Africa as the happiest moments in her life. Her beautiful, skilled photographs represent a landmark in the extraordinary career of the 20th century's most unforgettable artistic pioneer.

* Interview by Kevin Brownlow
* Extensive bibliography and biography section

The editor:

Angelika Taschen studied art history and German literature in Heidelberg, gaining her doctorate in 1986. Working for TASCHEN from 1987 to 2010, she has published numerous titles on art, architecture, photography, design, travel, and lifestyle.

TASCHEN's 25th anniversary - Special edition!

When she was in her early sixties, Leni Riefenstahl began traveling frequently to the African continent, where she has worked on various film and photography projects over the last half century. Her favorite destination was in Sudan, where she lived with and photographed the Nuba tribespeople, learning their language and becoming their friend. The Nuba were a loving and peaceful people who welcomed Riefenstahl as one of their own. Her images of the Nuba, as well as of the Dinka, Shilluk, Masai, and other tribes, are gathered in this monumental book. Riefenstahl remembers her experiences in Africa as the happiest moments in her life. Her beautiful, skilled photographs represent a landmark in the extraordinary career of the 20th century’s most unforgettable artistic pioneer. * Interview by Kevin Brownlow * Extensive bibliography and biography section

"The book has the effect of a time capsule, bringing back an era that continues to resonate for us in shades of Technicolor and black and white." - Los Angeles Times Book Review, Los Angeles

At a time when surfing is more popular than ever, it`s fitting to look back at the years that brought the sport into the mainstream. Developed by Hawaiian islanders over five centuries ago, surfing began to peak on the mainland in the 1950s, taking America - and the world - by storm. Surfing became not just a sport, but a way of life, and the culture that surrounded it was admired and exported across the globe. One of the key image-makers from that period is LeRoy Grannis, a surfer since 1931, who began photographing the scene in California and Hawaii in the longboard Gidget era of the early 1960s.

This collection, drawn from Grannis`s personal archives, showcases an impressive selection of surf photographs - from the bliss of catching the perfect wave at San Onofre to dramatic wipeouts at Oahu`s famed North Shore. An innovator in the field, Grannis suction-cupped a waterproof box to his board, enabling him to change film in the water and stay closer to the action than other photographers of the time. Equally notable is his work covering an emerging surf lifestyle, from "surfer stomps" and hoards of fans at surf contests to board-laden woody station wagons along the Pacific Coast Highway. It is in these iconic images that a sport still in its adolescence embodied the free-spirited nature of an era - a time before shortboards and celebrity endorsements, when surfing was at its bronzed best.