Сборники работ

In this unique monograph, Jeanloup Sieff (1933-2000) retraces in words and images the course of 40 years of photographs, encounters, and memories. Divided into four chapters, from the 50s to the 90s, the book brings together the major photographs of a creator who left his imprint on a generation with prolific work in the fields of fashion, landscape, advertising, and portrait photography. Sieff's art testifies to his tireless quest to capture the fleeting beauty of "temps perdu," or "time which cannot recur."

About the photographer:

Jeanloup Sieff (1933–2000) was one of the most highly regarded art, fashion, portraiture photographers of his generation, who worked mainly in black and white. After photgraphic studies in his native Paris he travelled the world working for Magnum, before settling in New York during the 1960s, working for Esquire, Glamour, Vogue and Harper's Bazaar. He was awarded the Chevalier des Arts et Lettres in 1981, and his work was exhibited in museums and galleries around the world.

Photographs. Reprint
Jim Rakete’s focus has always been on the movers and shakers: in politics and sports, on stage, in the media and arts; his favorite location is Berlin. Ten years after his first book Rakete revisits his then protagonists to explore the marks life and time have left on them, adds new celebrities and, for the first time, landscapes, impressions, and fading places. Now available in an unaltered reprint

Jim Rakete, der Mann mit dem magischen Namen (kein Pseudonym!), Jahrgang 1951 und gebürtiger Berliner, begann bereits als Sechzehnjähriger die nächtliche Rock-Szene Berlins zu photographieren. Seine Leidenschaft für den Rock ’n’ Roll und das Bühnenleben der Stadt sollte ihn von da an nicht mehr loslassen. Sie überlebte auch Jim Raketes höchst erfolgreiches Intermezzo als Musikproduzent von Nina Hagen, Nena und vielen anderen Repräsentanten der »Neuen Deutschen Welle«. Zwar pflasterten Goldene Schallplatten buchstäblich seinen Weg, letztendlich hat er jedoch das stumme visuelle Medium den Tonträgern vorgezogen. Seine Photosammlung, die wir 1997 erstmals in Buchform der Öffentlichkeit vorstellten, ist einzigartig. Sie umfaßt von Jimi Hendrix über Samuel Beckett bis zu Wigald Boning so ziemlich alle Größen und Größenordnungen, die auf den deutschen Theater- und Musikbühnen in den letzten drei Jahrzehnten des vergangenen Jahrhunderts gastiert haben.

A selection of Jimmy Nelson’s most sublime photographs highlighting the beauty of Indigenous peoples around the world

The spectacular shots of the award-winning photographer discovering the beauty of humanity.

Jimmy Nelson: Humanity is about the renowned photographer Jimmy Nelson's personal and artistic journey across the world, an expedient to take people across a deeper journey of reflection on their own identity as part of the universal family of humans. His travels are similar to field expeditions, with lots of preparation and contingencies to take into account. They can last weeks, if not months. For Jimmy Nelson, traveling is part of his artistic process, epitomizing a resolute search into what it means to be human, deeply, at the core of our shared origins from one same source in the African continent. In the process, he has reconnected with his own deeper self and has realized that humanity is all one.

In Jimmy Nelson: Humanity, the photographer is passionate to share why he is obsessively searching for a form of art that can embrace what he experiences in the field, when he finds alignment with the people, nature, light; a sense of balance that creates a symphony of experiences that analogue photography, in the form of the giant 10x8 negatives, gets close to express and that allows him to funnel all the emotions that he wants to record visually, in just one instant.

Through his spectacular shots, Jimmy Nelson's journey becomes our journey and indigenous peoples, normally photographed as an ethnographic subject, become the protagonists of a story of "unadulterated beauty" that empowers the beholders to perceive all humanity.

About the Author:

Jimmy Nelson (1967) started working as a photographer in 1987. After his journey in Tibet, his unique visual diary, featuring revealing images of a previously inaccessible Tibet, was published to wide international acclaim. Soon after, he was commissioned to cover a variety of culturally newsworthy themes for many of the world leading publications ranging from the Russian involvement in Afghanistan and the ongoing strife between India and Pakistan in Kashmir to the beginning of the war in former Yugoslavia. In early 1994, he and his Dutch wife Ashkaine produced Literary Portraits of China, a 40-month project that took them to all the hidden corners of the newly opening People's Republic. His latest works, Before They Pass Away and Homage to Humanity, have established the photographer internationally.

On August 21, 1968, theatre photographer and aeronautics engineer Josef Koudelka took pictures of the Prague invasion by Warsaw Pact tanks and smuggled them out of the country. Magnum circulated them credited to an “unknown photographer” in order to prevent reprisals, Koudelka won the Robert Capa Award anonymously. 40 years later, Koudelka reviewed his archive and presents 249 mostly unpublished pictures from the series in this volume.

In a career that spanned nearly seven decades, Josef Sudek, one of the masters of twentieth-century photography, created his own solitary world of shadow and light, of theme and variation. The more than one hundred images in this monograph convey the spirit of Prague as well as the spirit of Sudek.

German photography pioneer Karl Blossfeldt (1865-1932) photographed plants so beautifully, and with such originality, that his work transcends the medium itself. Over more than 30 years, he took thousands of photographs, revealing a formally rigorous talent whose precision and dedication bridge the nineteenth and twentieth century worlds of image-making and bring a distinctly sculptural aspect to a firmly two-dimensional art form. Beautifully but starkly composed against plain cardboard backgrounds, Blossfeldt's images, relying on a northern light for their sense of volume, reveal nothing of the man but everything of themselves. They are still-lifes, piercingly final statements on their subject, and have endured owing to their technical brilliance and the ongoing fascination of students and photographers. Like their maker, they are quietly and lastingly effective.

A fascination for flora. Timeless photos in which plants become sculptures

German photography pioneer Karl Blossfeldt (1865–1932) photographed plants so beautifully, and with such originality, that his work transcends the medium itself.

Over more than 30 years, he took thousands of photographs, revealing a formally rigorous talent whose precision and dedication bridge the 19th- and 20th-century worlds of image-making and bring a distinctly sculptural aspect to a firmly two-dimensional art form. Beautifully but starkly composed against plain cardboard backgrounds, Blossfeldt’s images, relying on a northern light for their sense of volume, reveal nothing of the man but everything of themselves. They are still lifes, piercingly final statements on their subject, and have endured owing to their aesthetics and the ongoing fascination of students and photographers. Like their maker, they are quietly and lastingly effective.

About the series:

Bibliotheca Universalis — Compact cultural companions celebrating the eclectic TASCHEN universe at an unbeatable, democratic price!

Since we started our work as cultural archaeologists in 1980, TASCHEN has become synonymous with accessible, open-minded publishing. Bibliotheca Universalis brings together more than 100 of our all-time favourite titles in a neat new format so you can curate your own affordable library of art, anthropology, and aphrodisia.

Bookworm’s delight — never bore, always excite!

Karlheinz Weinberger’s day job may have been relatively uneventful ― working in a Siemen’s warehouse ― but the photos he took in his spare time are anything but conformist.

Weinberger’s passion, and the focus of this book, is the rebel youth of 1950s and ’60s Switzerland, who channelled American rock-’n’-roll culture and made it their own with their rolled-up jeans and denim jackets, bouffant hairdos, striped T-shirts, and customized belts boasting images of Elvis and James Dean.

Weinberger’s lusty, free-spirited and self-confident portraits posit the defiant attitude of youth as a response to the conservative post-war era. Swiss Rebels also includes homoerotic images of rockers, bikers, construction workers and athletes, many of whom occupy positions outside of social norms.

This publication is the first to present an overview of Weinberger’s provocative oeuvre.

Captured in three Tokyo parks in the early seventies, Kohei Yoshiyuki’s The Park series features some of the most intriguing photographic works of art ever. Shot at night using flash and infrared film, the photographs show hetero- and homosexuals gathering for furtive sexual encounters in the Shinjuku, Yoyogi, and Aoyama parks. These amorous scenes, however, are unpleasantly crowded; even before Yoshiyuki (*1946) approached them with his camera, the couples had become objects of desire for voyeurs. “It’s not the sex in Yoshiyuki’s photographs that is shocking, but rather, it is the reckless, pent-up fascination of the voyeurs - men so possessed that, for the moment, nothing else exists or matters - and the sense that we’ve all been there,” writes Vince Aletti.

The photographs, which generated a great deal of interest when first published in an austere Japanese edition in 1980, are presented here in duotone quality alongside an interview with the artist conducted by Nobuyoshi Araki.

Stark, impassioned and singularly intense, Josef Koudelka’s work has received deserved acclaim over the past three decades as a uniquely significant contribution to the language of photography.

'Koudelka' is the first book to present over 150 of his most eloquent images in a single volume, from his earliest images – published here for the first time – to his most recent panoramic landscape studies.

Whether photographing avant-garde theatre, gypsies throughout Eastern Europe, resistance to Soviet guns and tanks advancing on Prague, or the environmental degradation of a post-industrial world, Koudelka has consistently produced images that provoke a connection to the larger questions of human existence.

Robert Delpire, Koudelka’s longtime publisher, collaborated with the artist in conceiving and producing this title. The other essayists in 'Koudelka' each explore a different aspect of the artist’s work, illustrating his constant evolution and intensity.

About the Author:

Josef Koudelka began his career as an aeronautical engineer, turning full-time to photography in the late 1960s. In 1968, Koudelka photographed the Soviet invasion of Prague, publishing his photographs under the initials P. P. (Prague Photographer). In 1969, he was anonymously awarded the Overseas Press Club’s Robert Capa Gold Medal for the photographs. Significant exhibitions of his work have been held at The Museum of Modern Art and the International Center of Photography, New York; Hayward Gallery, London; Stedelijk Museum of Modern Art, Amsterdam; and Palais de Tokyo, Paris. In 1992, he was named Chevalier de l’Ordre des Arts et des Lettres by the French Ministry of Culture. He is currently based in Paris.

Whether photographing avant-garde theatre, gypsies on the steppes of Eastern Europe or resistance to Soviet guns and tanks advancing on Prague, Josef Koudelka has consistently produced images that provoke a connection to the larger questions of human existence.

This book brings together panoramic photographs from one of his most recent projects, the landscape of the Piedmont region of northern Italy. As Giuseppe Culicchia says in his introduction to this superb collection, ‘Today’s Piedmont is a region that is both wonderful and wounded. And here they are: the wonders and the wounds … Humans are largely absent from Koudelka’s images, because the book’s main protagonist is the land itself.’

• Includes an introduction outlining Piedmont’s history and culture by leading Italian journalist Giuseppe Culicchia.
• Koudelka’s powerful compositions lend themselves brilliantly to the panoramic format of the photographs and the book’s layout.

Josef Koudelka’s photographs of the 1968 invasion of Prague won him the Robert Capa Gold Medal in 1969. He left Czechoslovakia in 1969 and became a member of Magnum Photos. He has lived in Paris and Prague since 1980.

'A classic of documentary photography … an extraordinary testament to Koudelka's keen eye and darkly romantic imagination' Observer

Gypsies is based on the original maquette for Josef Koudelka’s book Cikáni (Czech for Gypsies), prepared by Koudelka and graphic designer Milan Kopriva in 1968, and intended for publication in Prague in 1970. However, Koudelka left Czechoslovakia in 1970, and the book was never published in that original form.

Now available in an affordable compact edition, the book has been revised and resequenced. Comprising 109 photographs taken between 1962 and 1971 in what was Czechoslovakia (Bohemia, Moravia and Slovakia), Romania, Hungary, France and Spain, it is a unique record of a vanished world. The Gypsies in these images were photographed during the 1960s, mostly in a state that no longer exists, and ruled by a regime that disintegrated in 1989. Will Guy, author of the text that accompanied the first publication of Gypsies, contributes an entirely new essay tracing the migration of the Roma from their original homeland in northern India, to their current status – one that continues to be contested internationally.

About the Author:

Josef Koudelka was born in Moravia in 1938. In 1968, he photographed the Soviet invasion of Prague, for which he was awarded the Overseas Press Club’s Robert Capa Gold Medal. He has published over a dozen books, including Exiles, Chaos and Invasion 68: Prague.