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Robert Doisneau (1912-1994) is best known for his magical, timeless 35mm street portraits taken in Paris and its suburbs. Fresh, unstaged, and full of poetry and humor, his photographs portray everyday people (in everyday places, doing everyday things) frozen in time, unwittingly revealing fleeting personal emotions in a public context. Doisneau`s gift was the ability to seek out and capture, with humanity and grace, those little epiphanies of everyday Parisian life. This book traces Doisneau`s life and career, providing a wonderful introduction to the work of this seminal photographer.

Robert Doisneau (1912–1994) is one of the most important representatives of humanistic photography. For many years he has been looked upon as the minstrel of picturesque Paris, with a charming eye and a unique sense of the unexpected visual anecdote. As a result he has been championed as a poet of the "pure" moment. Doisneau's oeuvre is however much deeper and complex than that reputation suggests.

Contemplating his work as a whole, one discovers Doisneau's pleasure in creating a language to capture the treasures of everyday life. The sensitivity and naturalism of his approach slowly reveal themselves: his images of the modest architecture of the Parisian suburbs for example display gravity, irony and even a degree of hard-heartedness.

The Fondation Cartier-Bresson has organized an exhibition of around 100 original prints from Doisneau's estate. From Craft to Art, the catalogue for the upcoming exhibition, presents these treasures alongside a new version of Jean-François Chevrier's essay, first published in 1983, which explores Doisneau's rare ability to capture "the shining melancholy that separates an individual from the crowd".

Doisneaus photographs of the now vanished Les Halles evoke nostalgia for the days when the vast market, which sprawled haphazardly over the center of the city, was known as the belly of Paris. Once alive with the cries of fruit-sellers, fish-vendors, butchers, and florists, the scent of brightly-colored flower bouquets intermingling with wafts of freshly baked bread, and heaving with swarms of market-goers, today there is no trace of the nine-hundred-year-old market place that used to stand in the center of Paris at Les Halles.

The immense Baltard Pavilions were torn down in 1971 to make way for a modern underground shopping precinct, but Parisians still hold a special affection for days gone by when, to borrow an expression used by Émile Zola, the bustling markets formed the belly of their city. One such Parisian in particular was Robert Doisneau, one of the best loved French photographers of all time. Driven by his relentless curiosity and a sense of social conscience, Doisneau paced the Pavilions and their neighboring streets at length, and here he captured the heart of daily life at Les Halles.

Many of Doisneaus romantic photographs have become iconic representations of twentieth-century Paris, but this volume exhibits some of his lesser-known but nonetheless extraordinary works. He had an uncanny capacity for capturing poetry in ordinary moments: a smiling fruit-seller bellows from behind a pyramid of oranges, while a fish-vendor hauls a cart of gigantic fish past a mountain of flower bouquets ready to grace Parisian dinner tables, which you can virtually smell.

Doisneau has immortalized the bustling magic of Les Halles in his bold and busy photographs. Coinciding with the long-awaited redevelopment of this area that began in 2011, this volume plunges the reader back through time to the sights, smells, sounds, and tastes of the vanished era of Doisneaus Les Halles, whilst commentary from the photographers personal notebooks places his images in their economic and political context.

First published in France in 1958, then in the United States in 1959, Robert Frank’s The Americans changed the course of twentieth-century photography. In eighty-three photographs, Frank looked beneath the surface of American life to reveal a people plagued by racism, ill-served by their politicians, and rendered numb by a rapidly expanding culture of consumption. Yet he also found novel areas of beauty in simple, overlooked corners of American life. And it was not just Frank’s subject matter — cars, jukeboxes, and even the road itself — that redefined the icons of America; it was also his seemingly intuitive, immediate, off-kilter style, as well as his method of brilliantly linking his photographs together thematically, conceptually, formally, and linguistically, that made The Americans so innovative. More of an ode or a poem than a literal document, the book is as powerful and provocative today as it was fifty-six years ago.

With a characteristic mix of humor, vitality, and eroticism, German photographer Roswitha Hecke has created a body of sensitive portraits and reports spanning forty years, four continents and all aspects of human life: German theater, French cinema, Zurich prostitutes, Paris transvestites, a Bronx private eye or the homeless on the Bowery. This volume accompanies a major retrospective in Berlin.

For the Italian photographer Gabriele Rigon the female nude is nature’s finest gift. He is so moved by this aesthetic that he translates his feelings into still images, or “intimate moments in time”, how he prefers to describe his pictures. Gabriele Rigon never works with many models, as he gives the special working relationship with the models the top priority. For him it is the most important thing to create an atmosphere of trust, understanding, merriness and friendship, where the camera becomes just a tool for capturing the moments he shares with the models. So it is no surprise that his pictures exude a kind of romantic and poetry.

Taschen 25th Anniversary Series

"Animal sexuality differs from eroticism in that human sexuality is limited by taboos and the domain of eroticism is that of the transgression of these taboos" is how Georges Bataille explains eroticism. Casting a new light on that most human of acts, Roy Stuart presents us here with a book of erotic power rarely seen. The brilliant technique and skillful presentation of his videos and stills present sexuality directly and without prudery.

 Stuart's photos and glimpse videos have aquired cult status even amongst experienced hardcore fans, and with good reason, for they represent an exquisite representation of the forbidden. In turns voyeuristic, in turns narrative, his pictures with their disarming explicitness subvert traditional moral codes and force the viewer to reevaluate his or her preconceived notions of sexuality. The photographs assembled in this book, which in another context might have been condemned, instead give a fascinating glimpse behind the scenes of Roy Stuart's magical theatre of transgression and taboo.

In his second book for TASCHEN, a groundbreaking exploration of "authentic human passion," Roy Stuart produced photos that were both finely crafted compositions and highly charged representations of desire, without slipping into the tired stereotypes of pornography and the degrading portrayals that genre normally offers up. In his pictorial world, women are potently sexual figures who know what they want and are going to get it. Exploratory, experimental, they hold all the cards in the consensual power plays and fantasy enactments presented.

This collection of narratives and pictorials does not fail to deliver either, with its refreshingly honest and strikingly explicit take on the more creative areas of the sexual psyche. Playing off dream scenarios against shots caught on the run in the street, and portrait style nudes against group love-ins, it will satisfy both the connoisseur of the erotic as well as the curious newcomer. With his trademark interest in the daily rituals of womankind still apparent, and his richly textured appreciation of the garments of seduction, Stuart's work might take a little acclimatisation. But once you let go and enter in, you will find that, along with the loosening of clothing, a little relaxation of one's inhibitions can go a long way.

Roy Stuart has been at it again, traipsing around Paris from luxury apartments to the streets, capturing men and women defiantly acting out their sexual fantasies. From peek-a-boo panties to same-sex petting to more "indiscreet" activities, Stuart`s titillating mises-en-scene challenge us to break loose from traditional moral codes. Featuring not only young, perky-bodied women but also females of a certain age, these images are more hardcore and more daring than anything Stuart has ever produced. Also included are a rare interview with Stuart and images from his first feature film, giving a taste of what Stuart`s future offerings will bring us, as he plans to add filmmaking to his list of artistic erotic accomplishments.

One of the world's top photographers, Russell James hails from Western Australia. Strongly idiosyncratic, his work is heavily influenced by his homeland's open landscapes and extraordinary light. Dream-like images combine the natural elements of air, sun, earth and water. Applauded for his sexy nudes, exuberant fashion spreads, as well as distinctive portraiture, his trademark style is instantly recognizable. Whether capturing the daily lives of Australia's aboriginal peoples, or crafting a luxury advertising campaign, this consummate professional leaves nothing to chance…

Russell James's work has appeared in many influential magazines such as Vogue, Marie Claire and GQ.  In particular, his images in the Sports Illustrated swimsuit edition have drawn great acclaim. He has also created advertising campaigns for world-class clients such as Victoria's Secret.

 - With an introductory essay by Russell James and forewords by Heidi Klum, Donna Karan, and Sharen Turney, CEO of Victoria's Secret
 - A comprehensive overview of this accomplished and talented photographer

120 color photographs

Russia - Even after the fall of the Iron Curtain, Russia remains a nation shrouded in mystery. The country's modern aesthetic includes vestiges of its past that combine and collide with its present, reflected in such unusual imagery as an ornate palace which now houses a hip-hop rehearsal studio, and the stained-glass windows of a church that immortalize the icons of the proletariat. Photographer Andrew Moore explores Russia's majestic beauty and paralyzing decay with striking honesty, often finding them in the same frame. Russia: Beyond Utopia is an intricate hybrid of modern Russia'sunresolved past and uncertain present, revealing a country on the cusp of a new era.

Andrew Moore's works are represented in the collections of the George Eastman House International Museum of Photography and Film, the Whitney Museum of American Art, and the San Francisco Museum of Modern Art. Inside Havana was his first published monograph.

Short-listed for the Paris Photo-Aperture Foundation PhotoBook Awards

For more than 40 years, Sally Mann (b. 1951) has made experimental, elegiac, and hauntingly beautiful photographs that explore the overarching themes of existence: memory, desire, death, the bonds of family, and nature’s magisterial indifference to human endeavour. What unites this broad body of work — portraits, still lifes, landscapes, and other studies — is that it is all “bred of a place,” the American South. Mann, who is a native of Lexington, Virginia, uses her deep love of her homeland and her knowledge of its historically fraught heritage to ask powerful, provocative questions — about history, identity, race, and religion — that reverberate across geographic and national boundaries. Organized into five sections — Family, The Land, Last Measure, Abide with Me, and What Remains — and including many works not previously exhibited or published, Sally Mann: A Thousand Crossings is a sweeping overview of Mann’s artistic achievements.

“A Thousand Crossings and its catalog represent a large portion of Mann’s multifaceted oeuvre. It is by turns tender, light-hearted, sun-dappled, epic, allusive, burdened, scarred, mournful, dark, mindful, exploratory, expiatory, commemorative, introspective, conciliatory, and wise."

— The New York Review of Books

About the Authors:

Sally Mann is a celebrated American artist and the author of several critically acclaimed books of photography, as well as the memoir Hold Still, which was a finalist for the National Book Award. She still lives in Lexington.
 Sarah Greenough and Sarah Kennel are curators at the National Gallery of Art and the Peabody Essex Museum, respectively, and cocurators of the Sally Mann: A Thousand Crossings exhibition.

Children, landscape, lovers-these subjects are almost as common to the photographic lexicon as light itself. But Sally Mann's take on these iconic themes, rendered through both traditional and esoteric processes, is anything but common.

Astonishingly original both in imagery and technique, Mann's work consistently challenges the viewer: in her hands, experiences drawn from daily life are rendered both disquieting and sublime. Now, having studied relationships between parent and child, artist and subject, life and death, Mann investigates the bonds between husband and wife.

Exquisitely detailed, intimate, psychologically and emotionally intense, Sally Mann: Proud Flesh engages territory most often inhabited by male artists portraying their wives and female lovers, as Mann turns the camera to her husband of 39 years, Larry.

Beautiful, textured and provocative, these unprecedented nude studies neither objectify nor celebrate; rather, they go far under the skin to suggest a relationship between man and woman that is profoundly trusting: sensual, sexual, sometimes painful, often indescribably tender and always unblinkingly honest.

About the Author:

Sally Mann is a celebrated American artist and the author of several critically acclaimed books of photography, as well as the memoir Hold Still, which was a finalist for the National Book Award. She still lives in Lexington.

A doll’s face, a pin-up figure and a man-eating smile - Pamela Anderson mesmerized the world as the present-day blond bombshell in a tradition extending from Jean Harlow through Brigitte Bardot to Madonna. Sante D’Orazio’s titillating pictures of a one-day Hollywood session with Pam in 2000 are now available in a reduced-size edition.