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Alphonse Mucha
ID: 2608
Издательство: Dover

Seventy large-size illustrations trace Mucha's skills as a draftsman over more than 40 years. Among the more famous examples are original plans and drawings for "The Seasons," sketches for the Sarah Bernhardt poster, studies from Mucha's stunning and innovative stylebooks, and a sketch for the St. Louis World’s Fair poster.

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ID: 5754
Издательство: Monsa

Such is the work of these magic-wielding geniuses, as shown to us in this book, a fraction of their best work. Here erected is a universe of emotions where different artists from around the world show us their particular and sensual vision of jewelry today. Dreaming Jewelry is a meticulous selection of contemporary jewelry that sprouts from the idea of putting temptation within reach!

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Janis Mink
ID: 9861
Издательство: Taschen

Readymade man. The anticonformist visionary

Marcel Duchamp (1887–1968), revolutionary artist, inventor of readymades, obsessive chess player, and master of the silent statement succeeded at the beginning of the 20th century to query art in its traditional form. His creations, not least his readymades such as the famous Fountain (a "reclaimed" urinal) or the Bottle Rack, are subversive and radical upshots of a critical confrontation with the production and marketing of art in the industrial age. While the young Duchamp still admired Monet, Fauvism, and Cubism, and for a while was quite closely aligned with the Dadaists and Surrealists, before long his work broke new ground and helped redefine art as we know it today.

The fact that Duchamp wanted to ensure that the self-irony and doubt, particularly in his own works, were constructively understood is best shown in one of his few statements on the subject: “I force myself to contradict myself in order to avoid conforming to my own taste.” Duchamp has long been an enigma to art historians while a great source of inspiration to other artists. This study addresses the myth and the reality, revealing a compelling portrait of Marcel Duchamp, the man and the artist.

About the Series:
Each book in TASCHEN’s Basic Art Series features:

- a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance
- a concise biography
- approximately 100 colour illustrations with explanatory captions

The author:

Janis Mink studied art history at Smith College and gained her doctorate in Hamburg under Martin Warnke. She is presently a writer and curator.

Посмотреть издание книги Duchamp в мягкой обложке.

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Janis Mink
ID: 9950
Издательство: Taschen

An enigma to art historians and a great source of inspiration to other artists

Someone else may have invented the wheel, but Marcel Duchamp (1887-1968) invented the ready-made. A bottle dryer may be a bottle dryer, but signed by Duchamp it is also one of the major works of 20th century art.

Duchamp has been an enigma to art historians and a great source of inspiration to other artists. This study addresses the myth and reveals the compelling charisma of Marcel Duchamp.

About the Series:

  • Each book in TASCHEN’s  Basic Art Series features:
  • a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance
  • a concise biography
  • approximately 100 colour illustrations with explanatory captions

The author:
Janis Mink studied art history at Smith College and gained her doctorate in Hamburg under Martin Warnke. She is presently a writer and curator.

Посмотреть издание книги Duchamp в твердом переплете.

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Janis Mink
ID: 13391
Издательство: Taschen

Readymade Man. Changing the course of 20th-century art

When is a urinal no longer a urinal? When Marcel Duchamp declared it to be art. From his infamous Fountain to reworked Mona Lisa with mustache and beard, this essential introduction to Duchamp surveys his audacious practice of “readymades” and beyond and its critical place in 20th-century art.

When is a urinal no longer a urinal? When Marcel Duchamp (1887–1968) declared it to be art. The uproar that greeted the French artist’s Fountain (1917), a porcelain urinal installed in a gallery, sent shock waves through the art world establishment that reverberate right through to today.

This essential introduction distills all the daring and the scandal of Duchamp’s practice into one essential overview not only of a pioneering creative but also of a critical moment in Western culture. From his groundbreaking blend of abstraction, Cubism, and Futurism in Nude Descending a Staircase (1912) to his forays into the now-iconic “readymades” such as Bicycle Wheel (1913) and Bottle Rack (1914) we explore how Duchamp consistently challenged the notion of what art is and, in so doing, opened up a world of conceptual possibilities beyond the “retinal” experience.

The author:

Janis Mink studied art history at Smith College and gained her doctorate in Hamburg under Martin Warnke. She is presently a writer and curator.

About the series:

Born back in 1985, the Basic Art Series has evolved into the best-selling art book collection ever published. 

Each book in TASCHEN’s Basic Art series features:
- a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance
- a concise biography
- approximately 100 illustrations with explanatory captions

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Written by Steven Brower and Mercedes Ellington, Introduction by Tony Bennett, Contribution by Quincy Jones and Dave Brubeck
ID: 12826
Издательство: Rizzoli

Beautifully illustrated and unparalleled in scope, this is an elegant visual celebration befitting the life and work of the "prince of the piano." 

Duke Ellington was the undisputed father of the American songbook. A prolific writer and consummate performer, Ellington was the author of such standards as "Solitude," "Prelude to a Kiss," and "It Don’t Mean a Thing (If It Ain’t Got that Swing)." With a career that spanned five decades, he is one of the defining composers of the Jazz Age. With unprecedented access to the Ellington family archives, this long-overdue book illuminates the life and work of an icon of twentieth-century music from his humble beginnings to his long-lasting success. 

Every stage of Ellington’s career is brought to life, from sepia photographs of his early days in Washington, DC, to colorful playbills from the Harlem Renaissance of the 1920s, his triumphant tours of Europe in the 1930s, and his pioneering explosion of form and genre in the 1940s and beyond. 

Alongside more than two hundred stunning images, contributions from peers such as Dave Brubeck, Cornel West, Quincy Jones, and Tony Bennett shed light on Ellington’s musical legacy, while the voice of his granddaughter Mercedes reveals the character behind the charisma, and the man behind the piano.

About the Authors:

Mercedes Ellington has danced in and choreographed many Broadway productions, including programs at the Alvin Ailey American Dance Theater.

Steven Brower is the author of Woody Guthrie Artworks and Satchmo: The Wonderful Art and World of Louis Armstrong.

Tony Bennett is a legendary jazz singer whose career has spanned decades.

Dave Brubeck was an acclaimed experimental American jazz pianist and composer.

Cornel West is a philosopher, activist, political commentator, and occasional musician.

Quincy Jones is a musician, composer, and record producer, with a record seventy-nine Grammy Award nominations.

_____________

Пролистать книгу Duke Ellington: An American Composer and Icon

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Greig Fraser, Josh Brolin
ID: 18345
Издательство: Titan Books

Explore the creation of Denis Villeneuve’s Dune through this evocative fusion of star Josh Brolin’s sublime writing and cinematographer Greig Fraser’s candid set photography.

During the shooting of Dune, director Denis Villeneuve asked Fraser if he would document the filming process using still photography. This unusual request led the cinematographer on an unexpected creative journey that yielded an electrifying gallery of photographs that were candid, spontaneous, abstract, and wholly evocative.

Meanwhile, Brolin, a natural writer, was so moved by the experience of shooting Dune ― in which he plays warmaster Gurney Halleck ― that he captured his experiences in vivid, poignant prose.

Close friends, Brolin and Fraser bonded further during production, solidifying a connection that led to this remarkable collaboration that seamlessly juxtaposes the actor’s enthralling writing with the cinematographer’s stunning images.

A unique new way to experience life on the set of Villeneuve’s Dune, this thrilling ode to the art of filmmaking from two of the most revered artists in the industry is an unmissable publishing event.

About the Author:

Greig Fraser is a cinematographer and producer known for Dune (2021), Rogue One (2016) and Zero Dark Thirty (2012).

Josh Brolin is an actor, producer and director known for Avengers: Endgame (2019), Avengers: Infinity War (2018) and No Country for Old Men (2007).

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Norbert Wolf
ID: 3344
Издательство: Taschen

Though he is most famous for his engravings, Albrecht Dürer (1471-1528) was also a master painter and draftsman whose work exemplifies the spirit of German art. Dürer`s importance in the German High Renaissance was such that he can be considered to embody the movement entirely. His visits to Italy (where he studied most notably with Giovanni Bellini) had a profound effect on his artistic development and enabled him to combine both German and Italian influences in his work. In his later life, Dürer`s passion for knowledge and progress led him to research and write on the subjects of art theory and mathematics, making him not only the greatest Northern European artist of his time, but also one of its leading thinkers. This overview of Dürer`s entire oeuvre - covering his oil, tempera, and watercolor paintings, copper and wood engravings, and his drawings and sketches - is the perfect introduction to his work.

About the Series:
Every book in TASCHEN's Basic Art Series features:
* a detailed chronological summary of the artist's life and work, covering the cultural and historical importance of the artist
* approximately 100 color illustrations with explanatory captions
* a concise biography

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Norbert Wolf
ID: 5229
Издательство: Taschen

Though most famous for his engravings, Albrecht Dürer (1471-1528) was also a master painter and draftsman whose work exemplified the spirit of German art. Dürer's importance in the German High Renaissance was such that he can be considered to embody the movement entirely. His visits to Italy (where he studied most notably with Giovanni Bellini) had a profound effect on his artistic development and enabled him to combine both German and Italian influences in his work. In his later life, Dürer's passion for knowledge and progress led him to research and write on the subjects of art theory and mathematics, making him not only the greatest Northern European artist of his time but also one of its leading thinkers. This overview of Dürer's entire oeuvre - covering his oil, tempera, and watercolour paintings, copper and wood engravings, and his drawings and sketches - is the perfect introduction to his work.

About the Series:
Every book in TASCHEN's Basic Art Series features:

* a detailed chronological summary of the artist's life and work, covering the cultural and historical importance of the artist
* approximately 100 color illustrations with explanatory captions
* a concise biography

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Norbert Wolf
ID: 12248
Издательство: Taschen

The prints of darkness. The art, theory, and woodcut print revolution of Albrecht Dürer

A polymath of the German Renaissance, Albrecht Dürer (1471 - 1528) was a prolific artist, theorist, and writer whose works explored everything from religion to art theory to philosophy. His vast body of work includes altarpieces, portraits, self-portraits, watercolors, and books, but is most celebrated for its astonishing collection of woodcut prints, which transformed printmaking from an artisan practice into a whole new art form. 

Dürer's woodcuts astonish in scale as much as detail. Through works such as Apocalypse and the Triumphal Arch for Emperor Maximilian I, he created dense, meticulous compositions that were much larger, much more finely cut, and far more complex than any earlier woodcut efforts. With an ambitious tonal and dynamic range, he introduced a new level of conceptual, emotional, and spiritual intensity. His two major woodcut series on Christ's Passion named The Large Passion and The Small Passion after their size, are particularly remarkable for their vivid human treatment of the Christian narrative. In his copper engraving, Melancholia I, meanwhile, Dürer created a startling vision of emotional ennui, often cited as a defining early image of a depressive or melancholic state. 

Ever inquisitive, Dürer absorbed ideas not only from masters and fellow artists in Germany but also from Italy, while his own influence extended across Europe for generations to come. In this essential TASCHEN introduction, we explore this pioneering figure s complex practice, his omnivorous intellect, and the key works which shaped his enduring legacy.

About the series:

Each book in TASCHEN s Basic Art series features:

- a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance
- a concise biography
- approximately 100 illustrations with explanatory captions

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John Berger
ID: 3343
Издательство: Taschen

Five full centuries lie between us and the life of Albrecht Dürer (1471-1528). His ability to represent a subject with an absolute fidelity to every detail seemed miraculous to his contemporaries, and still astounds us now: we need only think of his water-colours of plants and animals.

In addition, Dürer was the first painter to devote such close attention to the art of the self-portrait. No artist before him painted as many as he. The works by Dürer collected in this book show the full range of this artist's unique genius.

About the Series:
Every book in TASCHEN's Basic Art Series features:

  • a detailed chronological summary of the artist's life and work, covering the cultural and historical importance of the artist
  • approximately 100 color illustrations with explanatory captions
  • a concise biography
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Friedrich Piel
ID: 2109
Издательство: Bibliotheque de l'Image

64 aquarelles et dessins classés par ordre chronologique. Détails, gros plans. Biographie, bibliographie.

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Eilon Paz
ID: 12276
Издательство: Ten Speed Press

A photographic look into the world of vinyl record collectors — including Questlove — in the most intimate of environments — their record rooms.

Compelling photographic essays from photographer Eilon Paz are paired with in-depth and insightful interviews to illustrate what motivates these collectors to keep digging for more records. The reader gets an up close and personal look at a variety of well-known vinyl champions, including Gilles Peterson and King Britt, as well as a glimpse into the collections of known and unknown DJs, producers, record dealers, and everyday enthusiasts. Driven by his love for vinyl records, Paz takes us on a five-year journey unearthing the very soul of the vinyl community.

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Seymour Slive
ID: 8352
Издательство: Yale University Press

This lavishly illustrated book is an authoritative study of Dutch painting from 1600 to 1800 and covers all the major artists of the period -- including Hals, Rembrandt, and Vermeer -- setting them firmly in the wider context of Dutch art. It has immediately established itself as the new standard work in this great period of painting.

"Seymour Slive's text first appeared in 1966 in partnership with the late Jakob Rosenberg. It was wonderful then, and it is even more so now that Mr. Slive has revised and expanded his text, and the number of illustrations is now 432, about twice as many as before". -- John Russell, New York Times Book Review

"Slive is a great teacher and he knows how to impart his enthusiasm to his readers.... This volume is the useful instrument which every user will hope and expect to find". -- Lyckle De Vries, Burlington Magazine

"Like the original Pelican volume, this one is an essential reference and serves both the academic and the general reader". -- Choice

 

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Wayne Franits
ID: 8354
Издательство: Yale University Press
The appealing genre paintings of great seventeenth-century Dutch artists - Vermeer, Steen, de Hooch, Dou and others - have long enjoyed tremendous popularity. This comprehensive book explores the evolution of genre painting throughout the Dutch Golden Age, beginning in the early 1600s and continuing through the opening years of the next century. Wayne Franits, a well-known scholar of Dutch genre painting, offers a wealth of information about these works as well as about seventeenth-century Dutch culture, its predilections and its prejudices. The author approaches genre paintings from a variety of perspectives, examining their reception among contemporary audiences and setting the works in their political, cultural and economic contexts. The works emerge as distinctly conventional images, Franits shows, as genre artists continually replicated specific styles, motifs and a surprisingly restricted number of themes over the course of several generations. Luxuriously illustrated and with a full representation of the major artists and the cities where genre painting flourished, this book will delight students, scholars and general readers alike.
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