Искусство

"It is my wish to come very close, strikingly close, to the times in which we live, without submitting to artistic dogma...I need the connection to the world of senses, the courage to portray ugliness, life as it comes." - Otto Dix

In the 1920s, Otto Dix was the artist of Neue Sachlichkeit, the New Objectivity, par excellence. Painting in a very realistic, almost photographic style, he chose as subjects the poverty, violence, death, and war that he experienced as a soldier in World War I. After this terrible experience, he painted the famous triptych The War.

Dix staged the world as a play, a grotesque farce. But the form he chose to do so was based on the classical canon of beauty. Dix lived his life and served art, for he adhered to the age-old rule that the American painter Ad Reinhardt put in a nutshell: "Life is life, and art is art."

A visual feast of outstanding paintings by British, European and American artists
Traces the development of pure-bred dogs and the social milieu in which they became fashionable
Filled with anecdotes about animal-loving patrons such as Queen Victoria

William Secord explores the presentation of the dog, from its origins in Greek, Roman and later European art, to the remarkable paintings of the eighteenth and nineteenth centuries up to modern times. In this splendid work, he traces the evolution of some fifty breeds, using carefully selected illustrations by outstanding nineteenth and twentieth-century artists, ranging from depictions of hounds and sporting dogs in the field to Victorian portraits of pampered pets and highly-bred favourites.

From the diminutive chihuahua to the massive St Bernard, this fascinating account of most of the popular breeds provides an original and penetrating artistic record of mankind's faithful companions. It is also an invaluable reference work about the many superb painters who specialised in dog painting, providing an essential index for art historians, dealers and galleries requiring a directory of names and examples of the exponents of this popular genre.

Zerofriends co-founder Alex Pardee returns with a collection of some of the most horrifying and iconic characters of film, video games and comics with Doppelgangers.

The monograph displays a parade of serial killers, demons, aliens and psychopaths, from early Universal monsters in melancholy black and white to modern horrors captured in full bloody colour.

The freaks of cult classics rub shoulders with the slick killers of modern blockbusters, all captured with Pardee's signature deranged style and a sense of childlike delight.

One of the great book illustrators of all time, Gustave Doré created richly detailed, brilliantly imaginative scenes of legendary worlds filled with fantastic creatures. This collection of more than ninety illustrations dramatically demonstrates the amazing inventiveness of this remarkable nineteenth-century artist.

His fanciful portrayals of sea serpents, fire-breathing dragons, lost souls suffering endless agonies, and scores of other grotesque images were originally drawn for The Bible, Paradise Lost, Don Quixote, The Divine Comedy, and other great works of literature. An excellent reference and an exceptional supply of royalty-free graphics for use by artists and craftspeople, these magnificent illustrations will delight lovers of fine art and anyone fascinated by creatures of myth and fantasy.

100 colour and 22 b/w illustrations

Douglas Gordon is among the leading artists who emerged in British art during the 1980s and 1990s, and is considered one of the best contemporary video artists. He was born in 1966 in Glasgow, and was the winner, in 1996, of the Turner Prize, the most prestigious international contemporary arts award. He has long been interested in the double expressive registers of communication – verbal and images in movement – and has distinguished himself in terms of uncommonly sized video installations, and for his texts, which are printed on the walls of exhibition spaces in the most unusual places.

The catalogue has been produced for his first Italian solo show organised at the Mart in Rovereto, and comprises a long interview conducted by Mirta D’Argenzio, in which the British artist speaks about his most recent work, a film on the French soccer player Zinedine Zidane created with Philippe Parreno and presented in 2006 at the Cannes Film Festival. He talks about his inspiration for the film and its end. This is the catalyst to a publication taking in the artist’s complete oeuvre, which includes photography, objects and films. It is not surprising that Gordon is particularly well-known for his video works in which he reuses sequences from famous Hollywood films, such as his 24 Hour Psycho, in which the famous Hitchcock film is shown for a surreal length of time: 24 hours.

A great deal of the artist’s work explores popular culture, from films such as Rear Window, The Exorcist and Taxi Driver, and also anonymous documentaries, in order to examine perceptive processes and to interfere with viewers’ expectations. All this is set out clearly in the final extensive part of the catalogue, in which there is an overview of works ranging from installations permanently on show in cult contemporary spaces such as the Tate Modern in London and the Guggenheim, to film stills and finally the great textual work created especially for the exhibition spaces of the Mart in Rovereto.

Utilizing as few words as possible, but presenting a tremendous variety and volume of illustrations, this all-in-one guide details the fundamentals of drawing in its various phases and fields. In the opening pages, the author points out the first step on the road to creative achievement: artists must learn how to see people and things in terms of pictures, then master the techniques needed to express themselves on paper.
Geared to newcomers and yet still beneficial for more experienced artists, Moranz’s illuminating advice covers everything from nude and draped figures to the art of portraits and sketching animals. He covers the effective use of various mediums, including pencil, charcoal, pen, and wash. Plus, he offers helpful tips on developing a sixth sense about perspective, the basics of composition, reflecting light and shadow, and more. There's even a chapter on taking drawing one step further — from a pleasurable hobby to a successful commercial venture.
Reprint of Mastery of Drawing, Richard R. Smith Publisher Inc., New York, 1950.

Rediscover a more child-like approach to creating with Drawing and Painting Imaginary Animals! Through fun and creative exercises, Carla Sonheim teaches you to draw a variety of fun animals and creatures, including:

- Dogs
- Birds
- Elephants
- Fish
- Cats
- Rabbits
- And many others

You'll also find a variety of unique mixed-media techniques to help you bring your creatures to life, resulting in a unique finished art piece. Improve your drawing skills, expand your creativity, and learn new art techniques - and have loads of fun doing it! - with Drawing and Painting Imaginary Animals.

This is a botanically based (as opposed to free-form drawing) practical manual on how to paint a vast range of plants in watercolour and other media.

Drawing on her experience as a botanical art teacher, Christina Brodie takes a holistic approach to botanical art, covering: botanical terminology; drawing and painting techniques in a wide range of media; dissection and examination of plants; fieldwork studies; microscope work and tips on presentation.

Having been taken through the various techniques in clear steps, the reader will be able to draw and paint flowers, fruit, leaves, stems and roots, trees, fungi, ferns and horsetails, seaweeds and other algae, mosses and lichens with remarkable precision and stunning detail.

A book whose sales have not diminished but rather increased dramatically since its publication 45 years ago, this bestselling classic is the ultimate manual of drawing taught by the late Robert Beverly Hale, who’s famed lectures and classes at New York City’s Art Student League captivated artists and art educators from around the world.

Faithfully producing and methodically analyzing 100 master drawings - including works of Michelangelo, Leonardo da Vinci, Rodin, Goya, and Rembrandt among others - Hale shows how these artists tackled basic problems such as line, light and planes, mass, position and thrust, and anatomy. With detailed analytical captions and diagrams, every lesson is clearly delineated and illustrated. Throughout, also, is commentary that sheds light on the creative process of drawing and offers deep insight into the unsurpassed achievements of the masters.

Analyses the visual approaches and techniques of 100 great artists, and shows readers how to weave some of this magic into their own drawings

Drawing Masterclass explores the act of vision of the world’s great artists, describing how the images were created to allow you to weave some of this magic into your own drawings. The book is organized into seven chapters covering important genres: nudes, figures, landscapes, still life and studies, heads, fantasy and abstraction.

Each chapter selects a cross section of artists and examines their practice in detail, using key drawings. Each artist is described through one of 100 selected masterpieces, plus a biographical profile and a practical look at the way the drawing was made: the materials and technique, as well as an examination of the ideas and inspiration behind its making and how the artist’s life might reflect their concerns. Light and shade, rhythm, form, space, contour and composition are all covered in detail.

The book covers a broad historical and geographic sweep, and includes many of the most celebrated male and female artists.

This expansive and informative book on Surrealist drawing reveals drawing to be a fundamental medium of Surrealist expression.

Drawing, often considered a minor art, was central to Surrealism from the very beginning.

Automatic drawing, exquisite cadavers, and frottage are just a few of the techniques invented by Surrealists as means to tap into the subconscious realm. While previous books have examined the connection between drawings and Surrealist paintings, "Drawing Surrealism" is the first to recognize the medium as a fundamental form of Surrealist expression, and to explore its impact on other media as well.

Surrealist collage, photography, and even paintings are presented in the context of drawing as a metaphor for innovation and experimentation. It is also the first book to encompass a wide array of artists on a global scale — from the great figures in Surrealist history to lesser-known Surrealists from Japan, Central Europe, and the Americas, where the movement had a profound and lasting effect. In addition to brilliant reproductions of drawings and other works by more than 100 artists, this volume also includes a substantial historical essay by the exhibition’s curator as well as informative essays by leading scholars.

This groundbreaking book offers a deep understanding of the techniques and concerns that made Surrealism such an intimate perceptual revolution.

This retrospective showcases the works of a leader of the Decadent movement, Baron Hans Henning Voigt (1887–1969). Better known as Alastair, the artist created works that are frequently likened to those of Aubrey Beardsley, Harry Clarke, and Edward Gorey. Alastair's highly ornate and distinctively ominous style blossomed with a series of erotic illustrations for the publisher and literary renegade Harry Crosby. This original selection of striking black-and-white drawings invites close examination and appreciation of the artist's skillful, sensual tone.

These shadowy, sinuous images include characters from stories by Oscar Wilde and Flaubert, as well as scenes from La Tosca and The Magic Flute. An informative Introduction by editor David A. Beronä, a historian of illustrated books, offers background on Alastair and his unique place in twentieth-century art and illustration. Art historians, bibliophiles, and collectors and students of drawing and book illustration will treasure this affordable compilation of hard-to-find works.