Искусство

Abstract pioneer. Harmonies in red, yellow, and blue

Less was more for Piet Mondrian. With his strictly limited pictorial elements — the colours red, yellow, and blue, black lines, white space — he sought a ‘universal harmony’ and created a whole new domain of avant-garde abstraction. This essential guide presents Mondrian's pioneering oeuvre, as well as his works of fashion and design, from White Stripes album covers to haute-couture dresses.

A key figure in the international avant-garde, Piet Mondrian (1872–1944) was at once an extraordinary painter and leading art theoretician whose influence resonates to this day. Coining the term “Neo-plasticism”, he pursued a style of painting composed only of primary colours against a grid of black vertical and horizontal lines and a white base background.

Mondrian’s vision was that this essential painting would help to achieve a society in which art as such has no place, but rather exists for the total realization of “beauty.” With stints in Amsterdam, Paris, London, and New York, Mondrian drew upon the modern metropolis and modern music, especially jazz, as points of inspiration. In 1917, he co-founded De Stijl, originally a publication, and subsequently a circle of practitioners, committed to a strictly geometrical art of horizontals and verticals.

With key works and succinct texts, this introductory book presents Mondrian's distinctive and pioneering oeuvre, an abiding inspiration for fashion, art, architecture, and design, from White Stripes album covers to Yves Saint Laurent dresses.

The author:

Susanne Deicher studied in Göttingen and Berlin, where she gained her doctorate in 1993 with a thesis on Piet Mondrian. Since 1997 she has been a professor of History of Art and Culture, Aesthetics, and Architectural and Design Theory at the University of Wismar.

About the series:

Each book in TASCHEN's Basic Art series features:

- a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance
- a concise biography
- approximately 100 illustrations with explanatory captions

Claude Monet (1840-1926) was both the most typical and the most individual painter associated with the Impressionist movement. His long life and extraordinary work were dedicated to a pictorial exploration of the sensations which reality, and in particular landscape, offer the human eye. Monet’s poplars, grain stacks, Rouen Cathedral, and water lilies paintings—among the most beloved works of the Impressionist period—were created long before the currents of the contemporary avant-garde and had an inestimable influence on the development of modern art.

Lasting impressions of nature. The most typical and the most individual Impressionist painter

Claude Monet (1840-1926) was the most typical and the most individual Impressionist painter. His long life he dedicated to a pictorial exploration of the sensations which reality, and in particular landscape, offers the human eye.

But while Monet the painter was faithful and persevering in the pursuit of his motifs, his personal life followed a more restless course. Parisian by birth, he discovered plein-air painting as a youth in the provinces, where one of his homes, Argenteuil, has come to represent the artistic flowering and official establishment of Impressionism as a movement, with Monet as its creative leader.

In his endeavor to capture the ever-changing face of reality, Monet went beyond Impressionism and thereby beyond the confines of self-contained panel painting: in Giverny he painted the Poplars, Grain Stacks and Rouen Cathedral series in which he addressed one motif in constantly new variations. Here, too, Monet laid out the famous garden with its water-lily pond which he was to paint on huge canvases well into the 1920s. He thereby sought to render not reality as objectively experienced, but rather that which takes place "between the motif and the artist." In their open, merely tenuously representational structure and impressive scale, Monet’s water lily paintings — created long before the currents of the contemporary avant-garde — point the way to the developments of the future.

About the Series:
Each book in TASCHEN’s Basic Art Series features:

- a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance
- a concise biography
- approximately 100 colour illustrations with explanatory captions

The author:

Christoph Heinrich studied art history, theater, and German in Vienna and Munich, receiving his doctorate for his work on the changing concept of the monument in contemporary art. Since 1994, he has been employed at the Hamburger Kunsthalle, where he was appointed curator of the Galerie der Gegenwart in 1997. He is the author of numerous writings, and has organzied many exhibits on 20th-century and contemporary art.

Prince of the Impressionists. Capturing the ever-changing face of reality

Hailed the Prince of the Impressionists, Claude Monet (1840 - 1926) transformed expectations for the purpose of paint on canvas. Defying the precedent of centuries, Monet did not seek to render only reality, but the act of perception itself. Working en plein air with rapid, impetuous brush strokes, he interrogated the play of light on the hues, patterns, and contours and the way in which these visual impressions fall upon the eye.

Monet's interest in this space between the motif and the artist encompassed too the ephemeral nature of each image we see. In his beloved water lily series, as well as in paintings of poplars, grain stacks, and the Rouen cathedral, he returned to the same motif in different seasons, different weather conditions, and at different times of the day, to explore the constant mutability of our visual environment.

This book offers the essential introduction to an artist whose works simultaneously reflected upon the purpose of a picture and the passage of time, and in so doing transformed irrevocably the story of art. 

About the series:

Each book in TASCHEN's Basic Art series features:

- a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance
- a concise biography
- approximately 100 illustrations with explanatory captions

The Monet exhibition taking place in fall 2010 at the Grand Palais in Paris has caused an international sensation. In a rapturous review on the front page of The New York Times, Michael Kimmelman says that it gives us a sublime painter whose achievement places him in the company of artists who reveal the world with new vision. This catalogue offers a permanent record of this magnificent art exhibition. 

Claude Monet is one of the most beloved painters in the history of art. His work appeals both to the broad general public and to artists, who are moved and challenged by his achievement over a working life that spanned six decades. With more than 300 illustrations of Monet’s greatest works and accessible essays by leading art historians, this lush volume offers a vivid new perspective on the artist and his work.

Strokes of genius: the magic of Monet!

Claude Monet (1840–1926) was both the most typical and the most individual painter associated with the Impressionist movement. His long life and extraordinary work were dedicated to a pictorial exploration of the sensations which reality, and in particular landscape, offer the human eye. Monet’s poplars, grain stacks, Rouen Cathedral, and waterlily paintings — among the most beloved works of the Impressionist period — were created long before the currents of the contemporary avant-garde and had an inestimable influence on the development of modern art. This book traces the life’s work of one of art history’s most beloved painters.

Master of the Sublime. The essential Impressionist

Along with Turner, no artist has sought more than Claude Monet (1840-1926) to capture light itself on canvas. Of all the Impressionists, it was the man Cézanne called "only an eye, but my God what an eye!" who stayed completely true to the principle of absolute fidelity to the visual sensation, painting directly from the object.

It could be said that Monet reinvented the possibilities of colour, and whether it was through his early interest in Japanese prints, his time in the dazzling light of Algeria as a conscript or his personal acquaintance with the major painters of the late 1800s, what Monet produced throughout his long life would change forever the way we perceive both the natural world and its attendant phenomena. The high point of his explorations were the late series of waterlilies, painted in his own garden at Giverny, that, in their moves towards almost total formlessness, are really the origin of abstract art.

This biography does full justice to this most remarkable and profoundly influential of artists and offers numerous reproductions and archive photos alongside a detailed and insightful commentary.

The author:

Daniel Wildenstein (1917-2001) was an art historian and member of the Académie des Beaux-Arts (Paris). From 1939 onwards, he was Director of the Wildenstein Galleries of New York, London and Tokyo. He edited several international journals, e.g. the magazine Arts from 1956-1962 and the Gazette des Beaux-Arts after 1963. He co-founded the Fondation Wildenstein in 1970 (it was renamed the WildensteinInstitute in 1984), and was a prime mover in many exhibitions of international repute. Daniel Wildenstein also edited the catalogues raisonnés of various 18th, 19th and 20th-century artists. He was a world authority on Impressionism, and published catalogues of the works of Gauguin, Manet and Monet.

Master of the sublime. The essential Impressionist

No other artist, apart from J.M.W. Turner, tried as hard as Claude Monet (1840–1926) to capture light itself on canvas. Of all the Impressionists, it was the man Cézanne called “only an eye, but my God what an eye!” who stayed true to the principle of absolute fidelity to the visual sensation, painting directly from the object.

It could be said that Monet reinvented the possibilities of colour. Whether it was through his early interest in Japanese prints, his time as a conscript in the dazzling light of Algeria, or his personal acquaintance with the major painters of the late 19th century, the work Monet produced throughout his long life would change forever the way we perceive both the natural world and its attendant phenomena. The high point of his explorations was the late series of waterlilies, painted in his own garden at Giverny, which, in their approach toward almost total formlessness, are really the origin of abstract art.

This biography does full justice to this most remarkable and profoundly influential artist and offers numerous reproductions and archive photos alongside a detailed and insightful commentary.

The author:

Daniel Wildenstein (1917-2001) was an art historian and member of the Académie des Beaux-Arts (Paris). From 1939 onwards, he was Director of the Wildenstein Galleries of New York, London and Tokyo. He edited several international journals, e.g. the magazine Arts from 1956-1962 and the Gazette des Beaux-Arts after 1963. He co-founded the Foundation Wildenstein in 1970 (it was renamed the Wildenstein Institute in 1984), and was a prime mover in many exhibitions of international repute. Daniel Wildenstein also edited the catalogues raisonnés of various 18th, 19th and 20th-century artists. He was a world authority on Impressionism and published catalogues of the works of Gauguin, Manet and Monet.

About the series:

Bibliotheca Universalis — Compact cultural companions celebrating the eclectic TASCHEN universe at an unbeatable, democratic price!

Since we started our work as cultural archaeologists in 1980, TASCHEN has become synonymous with accessible, open-minded publishing. Bibliotheca Universalis brings together more than 100 of our all-time favourite titles in a neat new format so you can curate your own affordable library of art, anthropology, and aphrodisia.

Bookworm’s delight — never bore, always excite!

With Marilyn Monroe's last interview with Richard Meryman for Life on August 3, 1962

Minimalist bodies, sensual forms

The sensual, voluptuous shapes in the work of British sculptor Henry Moore (1889-1986) are the sign of his unmistakable signature style. Often depicting human or human-like forms—especially female—Moore`s sculptures, with their abstract style, brought a distinctive brand of Modernism to fine art. His cast bronze and carved marble sculptures grace the gardens and galleries of the world`s finest museums and have earned him a devoted following. Particularly beloved are his many mother-and-child compositions.

About the Series:
Each book in TASCHEN’s Basic Art Series  features:

• a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance
• a concise biography
• approximately 100 colour illustrations with explanatory captions

The author:
Jeremy Lewison is an expert on modern British and contemporary art. After being Director of Kettle's Yard, Cambridge he worked at the Tate Gallery for 18 years where he was Director of Collections until 2002. Among his many publications are books on Jackson Pollock, Barnett Newman, Ben Nicholson and Anish Kapoor. He has curated many exhibitons of modern and contemporary art and is preparing a retrospective exhibition of the work of Alice Neel. He is now a freelance curator and art consultant.

Mighty Morris. The arts and crafts power of designer William Morris

William Morris was a polymath designer, writer, artist, and socialist activist, associated with England’s Pre-Raphaelite Brotherhood as well as Arts and Crafts movement. His prolific design work included tiles, embroidery, tapestries, wallpaper, and carpets and championed handcraftsmanship, natural dyes, “art for all”, and beautiful patterns of subtly stylized natural forms.

William Morris (1834–1896) was one of the greatest creative figures of the 19th century. As a visionary designer, as well as a manufacturer, writer, artist, and socialist activist, he pioneered the Arts and Crafts movement of the Victorian era, and left an extraordinary influence on architecture, textile, and interior design.

This richly illustrated book offers a suitably beautiful introduction to Morris’s colourful life and all aspects of his design work, including interiors, tiles, embroidery, tapestries, carpets, and calligraphy. Though best known in his lifetime as a poet and author, it is these exquisite designs that secured Morris’s posthumous reputation. As page after page dazzles with their beautiful patterns and forms, we explore the pioneering craftsmanship and natural motifs that inspired them, as well as Morris’s remarkable cultural legacy, through British textiles, Bauhaus, and even modern environmentalism.

The authors:

Charlotte & Peter Fiell have written numerous TASCHEN books, including 1000 Chairs, Design of the 20th Century, Industrial Design A–Z, Scandinavian Design, Designing the 21st Century, Graphic Design for the 21st Century, 1000 Lights, and Contemporary Graphic Design. They have also edited TASCHEN’s Decorative Art series and the 12-volume Domus 1928–1999.

About the series:

Each book in TASCHEN’s Basic Architecture series features:

- an introduction to the life and work of the architect 
- the major works in chronological order
- information about the clients, architectural preconditions as well as construction problems and resolutions
- a list of all the selected works and a map indicating the locations of the best and most famous buildings
- approximately 120 illustrations (photographs, sketches, drafts, and plans)

The history of Russia has seesawed through the centuries between Europe and Asia. In this dichotomy, St. Petersburg looked west and Moscow looked east. Power moved between the two cities; the Tsars were crowned in Moscow yet ruled from St Petersburg. But at the turn of the 20th century, just before Tsarist Russia came tumbling down, both cities experienced a sudden, brilliant flowering of the visual, literary and performing arts. Known in Russia as the Silver Age, this cultural renaissance is captured in all its dazzling originality from the unprecedented synthesis of the arts in the productions of Diaghilev's "Ballets Russes" to Stanislavsky's groundbreaking stagings of Chekov, to Malevich's revolutionary "Black Square" in this impeccably written, sumptuously illustrated volume.

From Stalin’s demise to Gorbachev’s glasnost, this is the definitive survey of underground Soviet art in the post-war era.
Published in association with the Zimmerli Art Museum at Rutgers University, New Brunswick, New Jersey.

The Norton and Nancy Dodge Collection at Rutgers University’s Zimmerli Art Museum is the largest collection of Soviet nonconformist art in existence. Comprising more than 25,000 works by over 900 artists, it documents the activities of underground artists from Moscow and Leningrad, as well as from the former Soviet republics of Estonia, Latvia, Lithuania, Armenia, Georgia, Azerbaijan, Ukraine, Belarus, Kazakhstan and Uzbekistan between the years 1956–1987. This volume features the most outstanding of these works in stunning color and black-and-white reproductions. Essays by leading scholars and statements and interviews with artists such as Ilya Kabakov, the Gerlovins, Vitaly Komar and Alexander Melamid, who played a major role in this important movement, offer a general critical appraisal and history of the movement and highlight certain distinctive aspects such as performance and experimental art. The book also looks at this movement through a Western lens, comparing and contrasting the works with those of the Conceptualists in the US and the rest of the Free World.

Moscow, Splendours of the Romanovs recounts the history of three hundred years of rule by the Romanov dynasty through over six hundred works of great beauty, including the famous eggs made by the jeweller Carl Fabergé. An evocation of the Cathedral of the Dormition in the Kremlin brings back to life the splendid ceremonies of the coronation of the Czars, while examples of gold and silver work, tableware and cabinet-making illustrate the quintessence of the applied arts that underwent a revival in 19th-century Moscow: a capital that was never abandoned but whose centuries-old architecture, destroyed in the fire of 1812, lives on in its own way in engravings, drawings and paintings.
Like a phoenix, Moscow rose again from its ashes, as is demonstrated both by the engravings from the middle of the 19th century and by the creative energies of its painters, architects and craftsmen.
Photographs and early films immerse us in the family life of Nicholas II, the last of the Romanovs, while the Russian avant-garde, born in Moscow at the beginning of the 20th century, brought the house’s three hundred years of rule to an end.

A glittering backstage pass to Moulin Rouge! The Musical and its journey to Broadway, with contributions from cast and crew, interviews with Baz Luhrmann and Catherine Martin, and a chronicle of its triumphant 2021 return.

An iconic Parisian club, a cinema masterpiece, and now a Broadway musical — the Moulin Rouge has been a tantalizing pop-culture phenomenon for over a century. The 2019 Broadway debut of Moulin Rouge! The Musical astounded theater critics.

Via a lush photo essay and oral history, the process of crafting Moulin Rouge! The Musical springs to life from early sketches, historical research, technical diagrams, and rehearsal photos. Theater writer David Cote gathers the cast and crew’s firsthand accounts of the excitement and challenges of creating a show that referenced as much as it reinvented the Broadway musical.

For lovers of musicals, fans of the movie, or anyone fascinated by the glamorous Belle Époque, this exquisitely realized book will seduce all—bohemian and aristocrat alike.

About the Author:

David Cote is a NYC-based theater critic, playwright, and opera librettist who has written for numerous publications such as The New York Times, The Guardian, Observer, and Time Out New York. He previously authored popular companion books about the hit Broadway musicals Wicked, Jersey Boys, and Spring Awakening. Baz Luhrmann is an Australian filmmaker, writer, and producer known for his lavish productions and best known for Elvis, Moulin Rouge!, Romeo + Juliet, and The Great Gatsby.  Catherine Martin is an Academy Award-winning Australian costume, set, and production designer and film producer. Tony Award®-winning director Alex Timbers is the co-creator of Mozart in the Jungle and director of shows including Moulin Rouge! The Musical, Beetlejuice The Musical, and Oh, Hello on Broadway, among many others. Tony Award®-winning writer John Logan is an American playwright, screenwriter, and film and television producer. His film credits include Gladiator, The Aviator, Sweeney Todd, Hugo, and Skyfall, as well as theater credits for Red and Moulin Rouge! The Musical. Sonya Tayeh is the Tony Award®-winning choreographer for Moulin Rouge! The Musical.  Justin Levine is the Tony Award®-winning music supervisor, co-orchestrator, additional lyricist, and arranger for Moulin Rouge! The Musical. Carmen Pavlovic and Gerry Ryan are the co-owners of Global Creatures, an innovative, Australian-based live entertainment company established in 2008. Bill Damaschke is an American theater and film producer. Together they are the Tony Award®-winning producers of Moulin Rouge! The Musical.

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Пролистать книгу Moulin Rouge! The Musical: The Story of the Broadway Spectacular