Искусство

A long-awaited survey of more than fifty years of art jewelry from the Padua School covering its work from 1950 to the present
Works by master goldsmiths Mario Pinton, Francesco Pavan and Giampaolo Babetto and other artists together add up to the distinctive, typically Paduan look in art jewelry

The Padua School originated from the Istituto Pietro Selvatico in Padua. The distinctive features of this jewelry are the use of gold reminiscent of the goldsmith's art in antiquity and a modern and abstract formal expression within the group. Mario Pinton, who brought the goldsmith movement international recognition and acclaim in the 1950s and '60s, is credited with founding the experimental goldsmith movement in Padua. Francesco Pavan has enlarged the scope of the Padua School with his kinetic and geometric formal idiom.
The breakthrough on the international jewelry scene took place in the late 1960s with Giampaolo Babetto, under whose support the geometric and Minimalist tendency was most pronounced. Other distinguished artists in jewelry such as Graziano Visintin, Renzo Pasquale, Annamaria Zanella, Stefano Marchetti and Giovanni Corvaya continued along these lines or went their own highly individual ways by experimenting with the use of new materials including plastic. The work of these creative artists is beautifully displayed through color photographs, which serve to highlight their great talent.

The catalogues of the Paris Salons from the turn of the century provide a unique archive of illustrations of the decorative arts at a pivotal time in their development. These volumes contain over 5,500 illustrations of items of jewellery by leading designers such as Boucheron, Chaumet and Lalique. The pictures have been sourced and re-photographed from the original and often rare catalogues. They have been rearranged alphabetically by artist-designer thus providing an indispensable and practical reference for this seminal twenty-year period. They are a unique source for identification and authentication, and an invaluable key both to design ideas and the jewellery of the period.

The catalogues of the Paris Salons from the turn of the century provide a unique archive of illustrations of the decorative arts at a pivotal time in their development. These volumes contain over 5,500 illustrations of items of jewellery by leading designers such as Boucheron, Chaumet and Lalique. The pictures have been sourced and re-photographed from the original and often rare catalogues. They have been rearranged alphabetically by artist-designer thus providing an indispensable and practical reference for this seminal twenty-year period. They are a unique source for identification and authentication and an invaluable key both to design ideas and the jewellery of the period.

The Man from La Mancha

An in-depth exploration of Almodóvar’s complete works

Un film de Almodóvar: whether appearing in his stylish opening credits or on the suggestive poster that invariably accompanies each of his films, this announcement triggers a range of expectations. Sexy and subversive, colorful and controversial, passionate and provocative, Pedro Almodóvar’s world is unlike any other director’s. Thanks to his remarkably cohesive and consistent œuvre, the Manchegan maverick has become a reliable brand, his name a byword for the visual opulence, experimentation and eroticism of post-Franco Spanish cinema.
Almodóvar found fame with self-penned, gender-bending plots depicting the often comic misfortunes of junkies, nuns, housewives, whores, transvestites and transsexuals. Praised by critics, championed by fellow film-makers, adored by actors and adorned with international awards, he is the most successful Spanish film-maker since Luis Buñuel, with films such as Women on the Verge of a Nervous Breakdown, All About My Mother, Talk to Her, and Volver.

A self-taught auteur, Almodóvar draws on influences as diverse as Douglas Sirk, Frank Tashlin, Andy Warhol and John Waters. His feature films borrow liberally from, and frequently invert, traditional genres of classic American cinema - including film noir, melodrama and screwball comedy. Yet they remain unmistakably Iberian, rooted predominantly in the director’s beloved Madrid, exploring Spanish myths and modernity to the rhythms of bolero-laden soundtracks. Most recently, the enfant terrible of the 1980s arthouse scene has matured into the Academy Award-winning director of All About My Mother, a film universally acknowledged for its emotional resonance, sophistication and craftsmanship. Almodóvar’s distinctive, once marginalized world has finally entered the mainstream.

For this unprecedented monograph, Pedro Almodóvar has given TASCHEN complete access to his archives, including never-before-published images, such as personal photos he took during filming. In addition to writing captions for the photos, Almodóvar invited prominent Spanish authors to write introductions to each of his films, and selected many of his own texts to accompany this visual odyssey through his complete works.

• Over 600 images, including many previously unpublished.
• Includes images from his new film, The Skin I Live In (2011), which will be released worldwide at the same time as the book.
• Book includes a film strip from Volver (2006), taken from Almodóvar’s archive.

We’re so excited! Pedro Almodóvar gives a unique insider's tour through his mysterious, sexy world

An updated edition of The Pedro Almodóvar Archives, offering inside access to the cult Spanish director who beguiles audiences worldwide with his thrilling dissertations on desire, passion, and identity. With behind-the-scenes pictures and personal reminiscences, Almodóvar himself guides the reader through his singular journey from its early days through to I’m So Excited (2013) and Julieta (2016)

One of the most prolific and influential auteurs at work over the past 40 years, cult Spanish director Pedro Almodóvar has beguiled audiences worldwide with his thrilling dissertations on desire, passion, and identity. Cast an eye over his long list of productions and you’re confronted with intoxicating tales of psychological melodrama, black comedy, familial feud, and violent lust.

This edition of The Pedro Almodóvar Archives offers unique inside access to behind-the-scenes pictures and personal reminiscences as the director guides us through his journey, from his early days right through to I’m So Excited (2013) and Julieta (2016). Based on and expanded from the original TASCHEN XL volume produced in collaboration with Almodóvar himself, the book offers a fascinating insight into the creative process behind such cinematic tours de force as Women On The Verge Of A Nervous Breakdown and the Academy Award-winning All About My Mother and Talk To Her.

Each film is featured with its original poster, full cast and crew listings, as well as an essay by a leading Spanish author. Almodóvar personally supplements the vivid photographic material, captioning each image with his own reflections and comments. As an overview of a true original’s creativity and a luminous era of cinema, this is an indispensable companion to the mighty Almodóvar canon created by the master himself.

The editor:

Paul Duncan is a film historian whose TASCHEN books include The James Bond Archives, The Charlie Chaplin Archives, The Godfather Family Album, Taxi Driver, Film Noir, and Horror Cinema, as well as publications on film directors, film genres, movie stars, and film posters.
 

From its roots in the American South to today's world stage, the journey of the blues has encompassed countless artists and recordings. But how can you find the best of them? The Penguin Guide to Blues Recordings is a uniquely informative, insightful and easy-to-use guide through the jungles of the record shop and the online music store. It surveys the recorded work of more than a thousand blues artists, from towering figures of the past like Charley Patton, Bessie Smith and Robert Johnson to stars of the modern era such as B.B. King, Buddy Guy and Stevie Ray Vaughan, providing crisp, expert and witty reviews of almost six thousand CDs. Whether you're a blues aficionado or just starting a collection, this is required reading.

The updated, eighth edition of this long-running title features more than 14,000 reviews of CDs and 400 new artist entries. Entries include very brief descriptions of the artists and a list of their recordings, with reviews and ratings by the authors. The lengths of the CD entries vary from very short (label, catalog number, issue date, and performers) to extensive, multiparagraph descriptions of the album's history, reception, and individual songs. The authors are clearly devout jazz historians, and the character of the entries is as much admiring as it is strictly factual. Their detailed descriptions of albums, songs, and even artists' tone colors and interpretations within specific songs are testament to their expertise. They also lament the loss of jazz divisions at many major record companies, leaving independent labels to carry the lion's share of the responsibility for documenting this art form.

Changes from the previous edition are worth mentioning. The artist index, missing from the seventh edition, has returned in response to reader demand, but to maintain what the authors consider a reasonable physical size for the volume, they have eliminated entries "which have seemed to stand still in recent years through the lack of any new releases by the artist in question." In some particularly long entries containing extensive lists of albums, they offer an "in brief" section, which allows for the inclusion of less-important yet still worthwhile recordings by presenting shorter descriptions.

Another important feature is the "Core Collection" selections. Within the listings for some artists, recordings considered essential for a basic jazz library are printed in bold type and described in greater detail. A separate list of these 200 titles would have been useful for those who are looking to build their own collections without having to wade through the entire book to find these seminal works.

This sophisticated volume imagines an ideal wine cellar, a collection of the most expensive and prestigious wines from around the world. Every label that has had a great impact on the history of wine is included.

In recent years, wine has become a luxury item, a collectible, and an investment, as well as a simple commodity. The bottles themselves have become cult objects. This book celebrates the rarest wines that are sought after by collectors and coveted by enthusiasts and connoisseurs.

Wine collecting is a hobby that takes time, but will ultimately reap satisfying rewards. Owning a large collection of the best wines makes these wine collections remarkable. More and more people have become passionate about exclusive wines and possess prestigious collections, including some bottles that date back to the nineteenth century. This is the perfect book for those avid and passionate wine collectors.

Each section includes an introduction on each wine region's history, landscapes, distinctive qualities, major wineries, the most prestigious wines, notable collectors, and bottles considered works of art. The volume is completed with discussions of the world of collectibles, significant trends, and the major auction houses. It also includes gorgeous photographs of prominent collectors' cellars and information on one-of-a-kind bottles that will help aspiring collectors navigate a world that has become increasingly exclusive.

About the Author:

Chiara Giannotti is an expert sommelier and has received the recognition of Dame Chevalier de Champagne. She runs a successful wine blog and is a frequent contributor to prestigious wine publications such as Doctorwine. She serves as consultant and auctioneer for the Ansuini auction house, which specializes in luxury wines.

An original story on a unique Pink Pearl, popular from the Victorian Age to the 1920s, which now lives a renaissance, thanks to new designs and a new fashion.
This beautifully illustrated book sets out to tell the story of a collection of about 30,000 pearls, with no rival anywhere in the world, and that of the rediscovery of these pearls.
The pink pearl of the Caribbean is produced by a very beautiful shellfish, the queen conch.
The collector is Sue Hendrickson, a professional diver and a sort of female Indiana Jones, who has spent much of her life collecting pearls found by the people who fish this conch, all over the Caribbean. They gather it for its flesh, which is very good to eat, and, on average, one in every 10,000 shells contains a pearl. This collection has been sold to a Swiss dealer in stones and gems, who has successfully begun to make contemporary jewelry incorporating the pink pearls. The book sets out to tell her story, and that of the rediscovery of these pearls, while giving a professional nudge in the right direction to this “new” gem. A book that gives a professional nudge in the right direction to this “new” gem. Professionals and fans of jewelry will find it an entertaining read and a valuable resource.

A major survey of Pop Art from private collections. 

Published on the occasion of an exhibition of the same title, The Pop Object is the most comprehensive survey of Pop Art to be organized by theme and historical precedents, with such classic works as Andy Warhol’s Brillo Soap Pads, Robert Arneson’s Oreo Cookie Jar, Claes Oldenburg’s Pie à la Mode, Roy Lichtenstein’s Black Flowers, and Wayne Thiebaud’s Gumball Machine. 

With more than ninety color illustrations, this large-format book brings together the most important examples of works by artists Jasper Johns, Jim Dine, Marisol, Claes Oldenburg, Robert Rauschenberg, James Rosenquist, Wayne Thiebaud, Andy Warhol, Tom Wesselmann, and many others, from the 1960s to the present. 

The still life has often been the stepchild to landscape, history, and figurative painting. By examining themes like food and drink, household objects, flowers, and body parts, noted art historian John Wilmerding emphasizes Pop’s playfulness and brings the history of the movement right up to date.

About the Author

John Wilmerding is a Sarofim Professor of American art, emeritus, at Princeton University. He is chairman of the board of trustees of the National Gallery of Art in Washington, D.C., and a trustee of the Guggenheim Museum and the Crystal Bridges Museum of American Art. He is the author of many books, including monographs on Wayne Thiebaud, Tom Wesselmann, Richard Estes, and Robert Indiana.

Пролистать книгу The Pop Object: The Still Life Tradition in Pop Art на сайте издательства.

When the Museo del Prado opened to the public on 19 November 1819, a special pass was required to visit the three rooms crammed with over 200 art works. Today, this extraordinary museum, which houses ten times more paintings than it did initially, can be visited from the comfort of your home thanks to this volume, full of masterpieces and details that highlight the often overlooked aspects of the works. Spanish painting features above all El Greco, Velázquez and Goya, as well as Flemish and Dutch painting by Van der Weyden, Hans Memling, Rubens and Van Dyck and the Italian art of Raphael, Titian, Tintoretto, Veronese, Tiepolo, Canaletto, Guardi. An index of names and biographies of the main artists conclude the volume.

Now available in a lovely new gift edition, this stunning bouquet of romantic paintings brings together two important aspects of Victorian culture - the Pre-Raphaelite movement and the language of flowers - in one exquisite volume.

Few artistic movements capture classic notions of beauty as romantically as the Pre-Raphaelites - a group of 19th-century painters and poets who aimed to revive the purer art of the late medieval period. In this beautiful volume, Debra N. Mancoff, an expert on Pre-Raphaelite art and the floral lexicon, presents breathtaking examples, which illuminate the meaning of flowers in all aspects of Victorian culture. She offers brief commentaries on individual paintings as well as biographies of the period's leading artists and their models. A captivating introduction to an artistic movement, this exquisitely produced book is also a romantic keepsake of an artistic sensibility that speaks volumes.

Virtually every Pre-Raphaelite painting is discussed in detail and illustrated here, including works by the best known - Holman Hunt, Rossetti and Millais - and the movement’s many minor talents.

The Purple Book is a luxurious compendium of contemporary illustration that explores fantasy, sensuality and the erotic imagination. It highlights visual art and the written word as media for representing human desire’s relationship with the dream-state, make-believe and symbolism.

Much of the work by illustrators exploring these themes is unpublished, personal work, and many works here appear in print for the first time. As well as a treasury of portfolios by 21 of the very best international contemporary illustrators, a series of specially-commissioned works illustrate five classic literary texts that have inspired the themes of The Purple Book. The personalities behind this commissioned work are revealed through interviews with their creators, exploring the imaginative process behind their visual fantasies and how this translates into the final artwork.

The title of the book is inspired by The Yellow Book, the periodical published in the 1890s and initially art directed by Aubrey Beardsley. While the colour yellow represented the daringly salacious in the 1890s, today the colour purple is synonymous with opulence and sensuality.

The Red Hot Chili Peppers is the iconic band’s audacious look back at their thirty-year odyssey—in their own words and accompanied by more than three hundred spectacular photos and ephemera. Intimate, breathtaking, and outrageous, this is the essence of the Red Hot Chili Peppers.

The Red Hot Chili Peppers have emerged from Hollywood's underground club scene to become one of the biggest rock bands of all time. This is their story, as told by Anthony Kiedis, John Frusciante, Flea, and Chad Smith.