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In this interactive colouring and activity book, Marion Deuchars takes the broad canvas of ART and fills it with drawings and activities that let you discover what art can be, how it can be made, what it can mean for you and what it has meant for people through the ages.

This book is packed with stimulating ideas to spark your creative imagination. You can complete the Mona Lisa’s smile, or design your own Jackson Pollock-inspired work with a marble, a tray, some paint and paper. There are step-by-step instructions for how to draw a bird and how to give it an expression, as well a foolproof method for drawing a bicycle.

Aimed at children aged eight and older, the emphasis is on fun and making the creation of art a big part of the way you express yourself.

About the Authors:

Author of the best-selling Let’s Make Some Great Art series, Marion Deuchars has a globally recognisable illustration style. Her hand-lettering and illustrations have been used on advertising campaigns from Samsung to HP, and her books have won six awards for design and illustration. She is a member of the Alliance Graphique Internationale.

The Popstar: When art went Whaam!

American painter Roy Lichtenstein (1923-1997) pioneered a new epoch in American art, bursting onto a scene dominated by Abstract Expressionism in late 1950s New York and defining a new art vocabulary for a new era.

With his groundbreaking use of industrial production techniques and trivial, quotidian imagery such as cartoons, comic strips, and advertising, Lichtenstein joined contemporaries such as Andy Warhol and James Rosenquist to reflect and satirize American mass media and consumer culture. Works such as Look, Mickey! (1961), Drowning Girl (1963), and Whaam! (1963), deployed mass production techniques, particularly Ben-Day dots printing, to create a blow-up effect and pixelated dot style, with which Lichtenstein has become synonymous.

This book provides an essential overview of Lichtenstein s career, tracing his earliest Pop statements through to later brushstroke retorts to Abstract Expressionism and reinterpretations of modern masterpieces. We look at his leading position in mid-century modernism, and the ways in which his works both critique and chronicle 20th-century America.

About the series:

Born back in 1985, the Basic Art Series has evolved into the best-selling art book collection ever published. 

Each book in TASCHEN’s Basic Art series features:
- a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance
- a concise biography
- approximately 100 illustrations with explanatory captions

What makes a creative life? For an artist like Frances Palmer, it’s knitting all of one’s passions — all of one’s creativity — into the whole of life. And what an inspiration it is.

A renowned potter, an entrepreneur, a gardener, a photographer, a cook, a beekeeper, Palmer has over the course of three decades caught the attention not only of the countless people who collect and use her ceramics but also of designers and design lovers, writers, and fellow artists who marvel at her example. Now, in her first book, she finally tells her story, in her own words and images, distilling from her experiences lessons that will inspire a new generation of makers and entrepreneurs.

Life in the Studio is as beautiful and unexpected as Palmer’s pottery, as breathtakingly colorful as her celebrated dahlias, as intimate as the dinners she hosts in her studio for friends and family. There are insights into making pots — the importance of centering, the discovery that clay has a memory. Strategies for how to turn a passion into a business — the value to be found in collaboration, what it means to persevere, how to develop and stick to a routine that will sustain both enthusiasm and productivity. There are also step-by-step instructions (for throwing her beloved Sabine pot, growing dahlias, building an opulent flower arrangement). Even some of her most tried-and-true recipes.

The result is a portrait of a unique artist and a singularly generous manual on how to live a creative life.

About the Author:

Frances Palmer is a potter known for her handmade functional ceramics. Her pieces have been carried by Barneys New York, Bergdorf Goodman, Neue Galerie, Takashimaya, and the Philip Johnson Glass House, and featured in T: The New York Times Magazine, Vogue, Elle Decor, Martha Stewart Living, The World of Interiors, House & Garden, British House & Garden, and Veranda, among other publications. She lives and works in Weston, Connecticut. 

“Roll-up-your-sleeves advice on throwing pottery, growing dahlias, cooking her tried-and-true recipes, and everything in between.”
—Martha Stewart Living

“Suited to any type of creative, offering up lessons on inspiration and creativity that are sure to bring out your inner talent.”
—House Beautiful, Best New Design Books

The Instant Art of Linda McCartney. Unseen Polaroids of family life and beyond

Following her best-selling TASCHEN monograph Life in Photographs, discover a more intimate and highly personal side of Linda McCartney’s photographic work in The Polaroid Diaries.

The collection focuses on McCartney’s distinctive way of seeing the world and her family, through charming and quirky portraits of Paul McCartney and the couple’s four children. We see them pulling faces and in matching pajamas. We see James pouring water on himself, and Mary and Stella playing dress-up. There’s dancing, eating, horse riding, and countless moments of everyday life on their farm in Southern England.

As Paul says in the introduction: “She would just see things. Many of her photos, it’s just that one click. You’ve got to recognise when a great photo is happening in front of you. And then you’ve got to snap it at exactly the right moment… And she did that so many times that it always impressed me.” The Polaroid Diaries curates more than 200 of these “right” moments from the early 1970s until the mid-1990s, along with a foreword by Chrissie Hynde and an essay by art critic Ekow Eshun.

The book also features luminous landscapes across Scotland and Arizona, as well as the odd celebrity, as the likes of Steve McQueen and Adam Ant wander into the frame. Other pictures attest to her love of animals, with compassionate images of cats, lambs, horses, and hens. It’s a pre-Instagram glimpse into the life of an extraordinary family, a celebration of Linda’s legacy as a fiercely committed artist and of the instant magic of Polaroid film.

Also available in a signed Collector’s Edition and in two limited Art Editions, each with a print numbered and signed by Paul McCartney.

The photographer:

Linda McCartney (née Eastman) was born in New York in 1941. She took a photo course with Hazel Archer and studied art history at the University of Arizona before settling in New York City, where she began her photo career shooting rock portraits. Outside of her photography, which has been exhibited in over 50 galleries worldwide including the Victoria and Albert Museum, London, the National Portrait Gallery, London, and the International Center of Photography, New York, Linda McCartney is known for her passionate animal rights activism and her staunch vegetarianism. She wrote cookbooks and founded her own brand of frozen vegetarian meals, all the while raising a family, continuing to take photographs, and participating as a Wings band member alongside Paul McCartney. She died in 1998 at the age of 56.

The author:

Ekow Eshun is a London-based writer, critic, and curator. He is Chairman of the Fourth Plinth Commissioning Group, overseeing the most prestigious public art program in the U.K., and the former Director of the Institute of Contemporary Arts, London. His writing has appeared in publications including The New York Times, The Financial Times, The Guardian, The Observer, Granta, Vogue, Aperture, and Wired. He is the author of Black Gold of the Sun, which was nominated for the Orwell Prize, and the editor of Africa Modern: Creating the Contemporary Art of a Continent.

The editor:

Reuel Golden is the former editor of the British Journal of Photography and the Photography editor at TASCHEN. His TASCHEN titles include: Mick Rock: The Rise of David Bowie, both London and New York Portrait of a City books, Andy Warhol. Polaroids, The Rolling Stones, Her Majesty, Football in the 1970s, the National Geographic editions, and The David Bailey SUMO.

By your own hand, prints to be proud of in no time at all.

Nick Morley is a seasoned expert at guiding aspiring printmakers through their first projects, and this accessible book distils his knowledge into friendly step-by-step projects, each chosen to demonstrate a particular skill, and illustrated with clear photography.

With templates accompanying each project making it easy to get started, the reader will quickly find themselves growing in confidence and skill.

About the Author:

Nick Morley (aka Linocutboy) has been a professional linocut artist for more than two decades; his clients include food and drink brands, many magazines, and publishers including Penguin, Faber, Bloomsbury and the Folio Society. Alongside his illustration work he also teaches printing, and has written one instructional book. He lives and works in Margate, UK.

Surprising spatial experiences for all senses: This book features art, interior design, architecture, and striking scenography that leave lasting impressions

The foundation of a meaningful relationship between artist and audience, museum and visitor, or brand and customer is based on an unforgettable experience. Yet these groups of people are more discerning than ever before: They want a personalized moment, to be informed and entertained, and above all, to be inspired. 

Liquid Spaces features a wide spectrum of unconventional environments ranging from experimental installations to complex productions. Each one of these spaces plays with the boundaries of human perception, triggering sensual encounters that activate the senses in surprising ways.

Artists, scenographers, and architects, as well as interior and exhibition designers, create these extraordinary situations. Liquid Spaces presents the most innovative concepts, most radical designers, and most demanding clients.

An extraordinary archive of the most iconic sites on the American musical landscape.

Prompted by the closing of New York’s famed CBGB, Rhona Bitner embarked on a thirteen-year journey to photograph 403 venues across twenty-six states and eighty-nine cities — the studios, concert halls, arenas, high schools, bars, ballrooms, prisons, and fields where the most memorable songs were inspired, recorded, performed, and listened to.  Close to 300 of those photographs are included in this book.

Featuring Jimi Hendrix’s recording studio, Elvis’s Graceland music room, Aretha Franklin’s family church, the Georgia auditorium where fourteen-year-old Little Richard was discovered and Ray Charles, Otis Redding, James Brown, and Sam Cooke took the stage, and the high school where a young Bob Dylan first performed, this book showcases each locale that played a seminal role in the soundtracks of generations. While Bitner recorded these sites empty and silent, the reverberations of fabled tunes still echo from within their walls. With informative texts on each location and archival images of performers recording or playing in the venues, this encyclopedic collection is a must-have addition to the libraries of music aficionados everywhere.

About the Author:

Rhona Bitner is an artist whose photographs are in the collections of the Whitney Museum of American Art, the Art Institute of Chicago, and the Pinault Collection, among others. She lives and works between New York and Paris. Iggy Pop is a legendary musician known as the “godfather of punk.” Éric Reinhardt is a French writer and editor. Natalie Bell is the exhibitions curator at MIT’s List Visual Arts Center. Jon Hammer is a writer, artist, and rhythm guitarist. Greil Marcus is a music critic, journalist, and author. Jason Moran is a jazz pianist, composer, and performance artist.

___________

Пролистать книгу Listen: The Stages and Studios That Shaped American Music

A major new survey that offers fresh insights on Pablo Picasso's artworks, written by a leading authority on the master.

Pablo Picasso (1881-1973) was one of the greatest artists of the 20th century. This important new monograph, released to coincide with the fiftieth anniversary of the artist's death, presents Picasso's unparalleled achievements in all media: painting, sculpture, drawing and prints. Art historian and curator Pepe Karmel offers fresh analysis of this great master for a 21st-century audience, considering Picasso's work through the lens of art rather than biography. He demonstrates how Picasso's style, evolving over the course of seven decades, introduced visual languages and narratives that transformed modern art.

Arranged chronologically by themes and movements, Looking at Picasso is profusely illustrated with renowned paintings, such as the provocative Les Demoiselles d'Avignon and his monumental Guernica, protesting the horror of war; these are accompanied by numerous lesser-known works, including Picasso's daring sculptures and his animated reinterpretation of Velazquez's 17th-century masterpiece Las Meninas.

This engaging book will appeal to museum-goers curious to learn more about Picasso's career and anyone interested in modern art.

About the Author:

Pepe Karmel is Associate Professor at the department of Art History, New York University. He is the author of Picasso and the Invention of Cubism (2003) and Abstract Art: A Global History (2020), and has written widely on art for museum catalogues, as well as the New York Times, Art in America and other publications. He has also curated and co-curated numerous exhibitions, including 'Jackson Pollock' (MoMA, 1998) and 'Dialogues with Picasso' (Museo Picasso Malaga, 2020). Karmel is the Associate Curator of Museo Picasso Malaga.

Contents List:

Preface
1. Life
2. Symbolism
3. Cubism
4. Surrealism
5. War and Peace
Notes

Painter Prince of the Renaissance

Lucas Cranach the Elder created around 500 works during his lifetime. With his portraits of Martin Luther and Philipp Melanchton and as court painter to Frederick the Wise, he became one of the most sought-after painters of the Reformation. At the same time, Cranach was the first to translate the Italian Renaissance tradition of the life-size nude into art north of the Alps; his lascivious, barely veiled depiction of Venus, the goddess of love, bears witness to this. On the occasion of the large Cranach exhibition at the Kunsthistorisches Museum in Vienna, the Austrian writer Teresa Präauer explores the work of this busy prince of painters from A to Z. She focuses not only on Cranach's art, but also on the society that surrounded him, the subjects he painted, and the events that shaped his development.

Lucas Cranach the Elder (1472–1553) was one of the most prolific painters, graphic artists and letterpress printers of the German Renaissance. Court painter at the court of the Elector of Saxony since 1505, he devoted himself not only to religious works but also to mythological themes and numerous portraits.

The writer  Teresa Präauer (*1979) studied German literature in Salzburg and Berlin as well as art at Mozarteum Salzburg. She writes novels, essays, and columns. In her tragic-comical artist novel Johnny und Jean (Wallstein, 2016), the painter Cranach played a crucial role.

A significant publication of original writing on Lucian Freud, including interviews with leading contemporary artists, marking the 100th anniversary of his birth

Lucian Freud (1922–2011) was one of the greatest figurative painters of the twentieth century. With an unflinching eye and an uncompromising commitment to his work, he created masterpieces that continue to inspire contemporary artists to the present day.

Spanning nearly 70 years, Freud’s career has often been overshadowed by his biography and celebrity. This book re-examines his paintings through a broad series of original approaches. Texts by a variety of rising and established international writers explore topics ranging from the compositional echoes of old master paintings in Freud’s works, to the contextualization of his practice within the class struggles of 1980s Britain. Throughout the book, leading contemporary painters such as Tracey Emin and Chantal Joffe give insightful testimony to the relevance of Freud today.

Marking the 100th anniversary of Freud’s birth, this publication accompanies the first major exhibition of his work in 10 years. Presenting fresh perspectives on his paintings, it introduces Freud to a new generation of scholars and enthusiasts – demonstrating his lasting international importance.

Published by National Gallery Global/Distributed by Yale University Press 

Exhibition Schedule:

The National Gallery, London
October 1, 2022–January 22, 2023

Thyssen-Bornemisza Museum, Madrid
February 14–June 18, 2023

About the Author:

Daniel F. Herrmann is Curator of Modern & Contemporary Projects at the National Gallery, London.

A comprehensive, irreverent guide to the inner workings of provocative art collective MSCHF

Made by MSCHF is a survey of the work of Brooklyn-based art collective MSCHF, known for their eclectic projects that critique the very areas of popular culture they inhabit. Ranging from a line of designer handbags only visible under a microscope to an anime dating game that helps players generate a functional tax return, MSCHF’s works are incisive, often viral, and always instilled with their unique brand of subversive humor.

Featuring never-before-seen imagery, this book presents case studies that explore twelve of MSCHF’s projects in depth, providing readers with a blueprint of how their works are developed from ideation to release. Written by two of the collective’s cofounders, the book features an additional six thematic essays and an archive of every MSCHF artwork to date, together revealing the experimental group’s range and evolution.

Projects include: Big Red Boot, a pair of cartoonishly large rubber boots; Jesus Shoes, their designer-branded sneakers filled with holy water; ATM Leaderboard, an ATM installed at Art Basel Miami Beach that ranked users by bank balance; and Severed Spots, in which they cut out spots from Damien Hirst prints and sold them as individual art works.

About the Authors:

Lukas Bentel is co-founder and Chief Creative Officer of MSCHF.

Kevin Wiesner is co-founder and Chief Creative Officer of MSCHF.

Karen Wong is co-founder of the New Museum’s NEW INC.

Amy Adler is one of the leading scholars of Art Law in the United States.

Lauren Boyle is the co-founder of DIS, a New York–based collaborative art project.

Maurizio Cattelan is an Italian visual artist known for his irreverent approach to art.

Blake Gopnik is an art critic and historian of Andy Warhol.

Natasha Jen is a partner at Pentagram.

Sean Monahan is a co-founder of the trend forecasting group, K-HOLE.

Lydia Pang is a co-founder of the creative strategy studio, MØRNING.

This Is Not a Book. Everyday enigma from Belgium's leading Surrealist

Meet the Belgian Surrealist forever on the hunt for magic and mystery. This introduction to Magritte presents key works from the artist's vast repertoire of visual humour, paradox, and surprise which makes us look and look again, not only at the painting but at our sense of self and the world.

From men in bowler hats, floating in the sky, to a painting of a pipe above the caption "this is not a pipe", René Magritte (1898–1967) created an echo chamber of object and image, name and thing, reality and representation.

Like other Surrealist works, Magritte’s paintings combine a precise, mimetic technique with abnormal, alienating configurations which defy the laws of scale, logic, and science: a comb the size of a wardrobe, rocks that float in the sky, clouds that drift through an open door. The result is a direct yet disorientating realm, often witty, often unsettling, and always prompting us to look beyond the visible, to “what is hidden by what we see.”

This introductory book explores Magritte's vast repertoire of visual humour, paradox, and surprise which to this day makes us look and look again, not only at the painting but at our sense of self and the world.

About the author:

Marcel Paquet (1947–2014) obtained his doctorate in 1978 from the Free University of Brussels with a thesis entitled La différence des penseés de Kant et de Hegel dans la question de l’essence de l’art. He published a number of books on such subjects as Paul Delvaux, Fernando Botero, and Hans Bellmer.

About the series:

Each book in TASCHEN’s Basic Art series features:

- a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance
- a concise biography
- approximately 100 illustrations with explanatory captions

Magritte is published in association with a major survey of the work of the pioneering Belgian surrealist artist at the Art Gallery of New South Wales, Sydney.

René Magritte (1948–1967) is renowned for his thought-provoking and enigmatic paintings that challenge the viewer's perception of reality. His exploration of the subconscious and the juxtaposition of ordinary objects in surreal contexts have left an indelible mark on the art world, influencing generations of artists and thinkers.

The exhibition is the first Magritte retrospective to be presented in Australia and includes approximately 100 artworks drawn from public and private collections in the Asia–Pacific, Europe and the United States. The accompanying book provides an engaging, accessible and in-depth survey of Magritte’s practice, giving audiences insights into the evolution of his art from the early 1920s until his final works of the 1960s.

The book features reproductions of the 100+ works in the exhibition alongside rarely seen archival materials, commercial work and photography. The images are accompanied by four essays and an interview with Magritte (originally recorded for Belgian television in 1965), which together offer nuanced perspectives on the aesthetic foundations of his work while also considering the social and artistic context for his practice.

An essay by the curator of Magritte, Nicholas Chambers, leads us through the arc of the exhibition, revealing the artist’s extraordinary capacity for innovation and reinvention. Xavier Canonne, an expert on Belgian surrealism, focuses on the artist’s milieux during the formative period of the 1920s. Natalie Dupêcher, associate curator of modern art at the Menil Collection in Houston, picks up the story in the 1930s and considers the reception and promotion of Magritte’s art outside of Europe. And Belgian art historian Julie Waseige reflects on a key, underlying theme of the artist’s practice: his remarkable use of humour. Additionally, an extensive illustrated chronology compiled by Tai Spruyt charts the artist’s eventful life and career.

About the Authors:

Nicholas Chambers (ed) is senior curator of modern and contemporary international art at the Art Gallery of New South Wales, Sydney. His exhibitions and associated publications at the Art Gallery include Hilma af Klint: the secret paintings (2021), Adman: Warhol before pop (2018) and Frida Kahlo and Diego Rivera: from the Jacques and Natasha Gelman Collection (2016). Chambers has previously been the Milton Fine Curator of Art at the Andy Warhol Museum, Pittsburgh; adjunct professor in the art history department at the University of Pittsburgh; and curator of contemporary international art at the Queensland Art Gallery | Gallery of Modern Art, Brisbane. He has organised numerous exhibitions and contributed to publications for museums in Australia, Asia and North America.

Xavier Canonne is director of the Museum of Photography in Charleroi and is a prominent art historian at the Université libre de Bruxelles. He holds a PhD in Art History and Archaeology from the Sorbonne, focusing on surrealism in Belgium from 1950 to 1993, and has been the editor of Marées de la Nuit, a publication specialising in surrealism and the avant-garde, since 1986. He has curated numerous exhibitions, notably Surrealism in Belgium (Fine Arts Museum, Mons, 2007), and has published extensively, including Surrealism in Belgium 1924–2000 (Mercatorfonds, Brussels, 2006) and René Magritte: the revealing image (Ludion, Brussels, 2017).

Natalie Dupêcher is the associate curator of modern art at the Menil Collection, Houston, where she oversees the museum’s landmark holdings of historical surrealist art, in addition to mounting temporary exhibitions. She recently curated Janet Sobel: All-Over (2024) and Meret Oppenheim: My Exhibition (2021–23), which was co-organised by the Menil Collection, the Museum of Modern Art, and the Kunstmuseum Bern. She holds a PhD from Princeton University and a master’s degree from the Williams College Graduate Program in the History of Art.

Julie Waseige is an art historian and graduate of the Université libre de Bruxelles, specialising in surrealism in Belgium. From 2013 to 2016, she worked as a researcher at the Magritte Museum in Brussels. She has written books about René Magritte and curated international exhibitions including Magritte: Life Line (MASI, Lugano; Amos Rex, Helsinki, 2018–19) and Magritte: A Lab of Ideas, (Nordic Watercolour Museum, Skärhamn, 2022). Between May 2019 and June 2020, she was named the scientific director of the Marcel Mariën Foundation. She was also a historical consultant for the documentary René Magritte: the master of mystery (Seven Doc Productions, France, 2023).

Tai Spruyt is assistant curator of international art at the Art Gallery of New South Wales. From 2011 to 2018, Spruyt held a curatorial role at the Biennale of Sydney where she worked on four editions of the exhibition and wrote for the associated publications. She holds master’s degrees in art history and museum and curatorial studies from the University of Adelaide.

Magritte in 400 images offers a selection of the most iconic paintings by René Magritte, along with a multitude of lesser-known jewels from his expansive oeuvre. The novel choice of works will surprise and delight readers as they continue to uncover ever more facets of the master Surrealist, from his unique gouaches to his painted bottles.

Spanning seven chapters, this book brings together the myriad aspects of Magritte’s pictorial vision. Beginning with his first forays into abstract painting in the 1920s, navigating his search for solace in his Sunlit Period, as well as his brittle ‘Vache’ Period, before finally moving on to his Surrealist masterpieces of the 1950s and 1960s, it gently guides the reader through Magritte’s world.

Each chapter opens with a summary of the artistic stakes at play during that period and Magritte’s place in them, immersing the reader in the contemporary artistic milieu. The 400 reproductions of Magritte’s work are complemented by a unique selection of historical photographs. Alive with images and information, this compact gem is a must-have for all art enthusiasts and connoisseurs.

Published in conjunction with a major exhibition organized by The Museum of Modern Art, New York, in collaboration with the Menil Collection, Houston, and the Art Institute of Chicago, Magritte: The Mystery of the Ordinary, 1926-1938 focuses on the breakthrough surrealist years of René Magritte, creator of some of the 20th century's most extraordinary images. 

Bringing together nearly 80 paintings, periodicals and early commercial work, it offers fresh insight into Magritte's identity as a revolutionary painter and surrealist artist. Beginning in 1926, when Magritte first aimed to create paintings that would, in his words, challenge the real world and concluding in 1938 a historically and biographically significant moment just before the outbreak of World War II the publication traces central strategies and themes from this seminal period, particularly those of displacement, transformation, metamorphosis, the misnaming of objects, and the representation of visions seen in half-waking states. 

The publication also presents new conservation research on Magritte's materials and techniques, and an illustrated chronology outlining significant moments in the artist's life during this significant period, including travel, connections with other surrealist artists and writers, contributions to journals, and important exhibitions and reviews.