Книги о граффити, стрит-арте и urban art искусстве

Boris Hoppek is known as the creator of the Bimbo Dolls series, expressive cloth figures which were featured in Übersee 1 and Pictoplasma 2. Now we are presenting a much larger spectrum of Hoppek's multi-disciplinary urban art in this smaller but comprehensive monograph. In addition to humorous new photo installations starring his Bimbos, the book includes a broad selection of Hoppek's fanciful portraits in chalk and spray paint that can be seen in the streets of cities from Barcelona to Berlin. These are supplemented by images of his work on cardboard boxes as well as numerous illustrations and sketches. Rather than approach his art theoretically, Hoppek simply does what he likes to do. This method gives all of his work an aura of childlike authenticity. The combination of amusing motifs and an attractive, handy format make this book an ideal gift.

Illustrator, musician and self-described “comic stripper” Brian Blomerth has spent years combining classic underground art styles with his bitingly irreverent visual wit in zines, comics, and album covers. With Brian Blomerth’s Bicycle Day, the artist has produced his most ambitious work to date: a historical account of the events of April 19, 1943, when Swiss chemist Albert Hofmann ingested an experimental dose of a new compound known as lysergic acid diethylamide and embarked on the world’s first acid trip. Featuring an introduction from renowned ethnopharmacologist, Dennis McKenna, Brian Blomerth’s Bicycle Day combines an extraordinary true story told in journalistic detail with the artist’s gritty, timelessly Technicolor comix style that is a testament to mind expansion, and a stunningly original visual history.

About the Author:

Brian Blomerth is an illustrator, cartoonist and musician based in Brooklyn. His previous publications — released via Anthology Editions, Tan & Loose, and through his own Pupsintrouble Press — include the zines Xak’s Wax, iPhone 64: A User’s Guide, and Hypermaze. A veteran of the underground music and arts scene whose work has graced numerous album covers, Blomerth also produces comics which appear in Vice and Merry Jane.

Brian Blomerth first fused his singularly irreverent underground comix style with heavily-researched history in 2019’s Brian Blomerth’s Bicycle Day, a Technicolor retelling of the discovery of LSD. Now, the illustrator and graphic novelist continues his wild and woolly excursions into the history of mind expansion with Mycelium Wassonii, an account of the lives and trips of R. Gordon and Valentina Wasson, the pioneering scientist couple responsible for popularizing the use of psychedelic mushrooms in the United States. The Wassons’ journeys took them from Russian folk wisdom to midcentury Manhattan, from the indigenous traditions of the Mazatec people of Mexico to the mysteries of ancient Rome. A globetrotting vision of science and mysticism with appearances by J.P. Morgan, Robert Graves, Life Magazine, and the CIA, Mycelium Wassonii is a visual biography and a tragic love story as only Blomerth’s Isograph pen can render it.

About the Authors:

Brian Blomerth is an illustrator, cartoonist and musician based in Brooklyn. His previous publications — released via Anthology Editions, Tan & Loose, and through his own Pupsintrouble Press — include the zines Xak’s Wax, iPhone 64: A User’s Guide, and Hypermaze. A veteran of the underground music and arts scene whose work has graced numerous album covers, Blomerth released his first full-length book, the acclaimed visual history Brian Blomerth's Bicycle Day, in 2019.

Paul Stamets is a mycologist, author, speaker, entrepreneur, and leading voice in mushroom advocacy. His lectures and presentations have helped deepen the worldwide conversation around medicinal fungi, and his original research has led to discoveries in sustainability and immune enhancement. The author of six books (most recently Fantastic Fungi: How Mushrooms Can Heal, Shift Consciousness & Save the Planet), Stamets has discovered and named numerous new species of psilocybin mushrooms and is the founder and owner of

Colossus is the definitive showcase of epic European street art.

From Berlin to Barcelona, Budapest to Lisbon it's a visual guide to both the astonishing and the epic. From figurative to abstract, geometric to photo-realistic, all of the major creative executions are covered in the expansive collection.

This book is the culmination of years of obsessively keeping up with the explosion of the art form. Featuring QR codes for many of the major European cities, you too will be able to visit the artwork in person.

A visual guide to both the astonishing and the epic. From figurative to abstract, geometric to photo-realistic, all of the major creative executions are covered in this expansive collection. Colossus is the culmination of Julio Ashitaka’s years of obsessively documenting the explosion of the art form.

Colossus features QR codes for each city – so that you too can locate and visit each artwork in person.

AALBORG, AMSTERDAM, ANTWERP, ATHENS, BADALONA, BARCELONA, BERLIN, BRATISLAVA, BRISTOL, BRUSSELS, BUDAPEST, COPENHAGEN, GDANSK, GDYNIA, GRANOLLERS, ISTANBUL, KIEV, KOSICE, LISBON, LODZ, LONDON, MINSK, MOSCOW, NAPLES, PARIS, POZNAN, ROME, TIRANA, VIENNA, VIGO, WARSAW, WROCLAW, ZARAGOZA.

As the graffiti movement reached Europe from the USA in the mid 1980’s, Sigi DARE von Koeding, who was born in Basel (Switzerland), was one of the protagonists playing a major role.

As one of the first writers,the network of friends he created stretched over half a continent.He further developed the painting of simple pseudonyms (or tags) and in this way established his own distinctive 3D-style that he later more and more often realised and perfected on canvas using a brush.

In this way he built a bridge from the back-alley atmosphere typical of the scene to the art world of avant-garde galleries. Graffiti was now not just a special form of claiming territory by adolescents but, under the aegis of von Koeding, it became an urban spectacle with large-scale mural creations, often in combination with well-organised competitions or cultural festivals.

On a much smaller scale DARE managed by the repeated transfer of his four letters onto canvas, just using layout, form and coloration,to give the observer an insight into his personality. In this way, until his death in 2010, he reached completely new audiences.

At the same time, he achieved a change of perspective for people interested in culture, who would have automatically associated graffiti only with vandalism. Even today DARE enjoys the highest respect of his colleagues, as a pioneer of the sprayer generation, and in his hometown of Basel graffitis can be found that after 25(!) years have not been painted over.

The book Dare To Be Different will be published in spring 2016 and documents in Europe for the first time graffiti and numerous sketches as well as a large part of Koedings multifaceted lifes work that he has left to us on canvas.

----------------------

DARE to be Different chronicles the life and work of pioneering graffiti artist Sigi "DARE" von Koeding, presenting photographs of street pieces, sketches, and more that fully explore Koeding's legacy.

As the graffiti movement spread into Europe from the US in the mid-1980s, DARE rapidly became one of its major protagonists. Born and originally based in Basel, Switzerland, DARE created a network of friends that first stretched half a continent and later came to encompass the globe, his art continuing to find new audiences until the time of his death in 2010. DARE's original simple four-letter tag evolved into a 3D style that he perfected on canvas as well as on the street; this versatility eventually created a bridge from the back-alley atmosphere of traditional graffiti to the world of avant-garde art galleries, and eventually his contribution to the scene helped it to become an urban spectacle, an art form focused on large-scale mural creations, well-organized competitions, and cultural festivals.

His careful eye for form, layout, and coloration gave audiences insight into his personality and often inspired viewers to change their perspective on street art, pushing their perception of the style from simply a form of vandalism to a legitimate art movement. The respect his colleagues had for DARE is still obvious today, especially in Basel, where pieces of his created 25 years ago can still be found untouched by other graffiti artists.

One of the largest and most exciting segments of the graffiti world has been left largely unexplored until now. Freight Train Graffiti is the first comprehensive insight into a subset of the graffiti world that has become the focal point for many graffiti artists today.

This book takes us on a fascinating visual journey through the freight train graffiti landscape, with stories, ideas and thoughts from over one hundred of the most influential and prolific freight train artists, many of whom have consented to interviews for the first time, and over 800 stunning illustrations of their work.

This is primarily an American tale, closely linked to the New York subways and the construction of the United States itself, but one that will inspire anyone who has ever been interested in graffiti.

There are no boundaries: today's borders between style, format and content are blurring just as the real and the imagined have been blurred. FRESH is a groundbreaking collection of contemporary illustration from around the world, presenting a wide range of styles and techniques. Hundreds of successful projects from brand-new faces to star illustrators are featured in this series of three books. The presentation of such a broad spectrum of leading protagonists side by side makes FRESH an inspiring read for professional illustrators, artists and anyone with a love for visual language.

"Cutting Edge Illustrations - Public" presents streetart, graffiti and illustration in architecture, in-store graphics or public space.

Postal stickers have long been a preferred substrate used by street artists to get up. Of course, because stickers from the US Postal Service, UPS, DHL and FedEx are so readily available, most of these stickers get lost in the fray, especially if you don’t know what you’re looking for.

That’s where graffiti photography legend Martha Cooper comes in. Shooting the origins of hip-hop and graffiti cultures since the late 1970s in New York City, and later all over the world, Cooper’s well-trained eyes know how to recognize deft sticker art. Here then is a collection of more than 200 photographs of some of Cooper’s favorite handmade postal stickers from around the world, done by some of the scene’s better-known artists and the anonymous.

Cooper has compiled a collection of photographs shot in numerous cities, including New York City, Philadelphia, San Francisco, Tokyo, Berlin and Amsterdam, featuring postal-sticker art created by FAUST, STAIN, C.DAMAGE, GET2, COSBE and many more.

Going Postal documents how an old-school method has burgeoned into another rich facet of the world’s graffiti cultures.

Graffiti 365 delivers the first real insider’s view into the contemporary graffiti and street-art scenes, as well as their antecedents. A fun, wide-ranging survey of the international graffiti movement, this book uses more than 600 rare, previously unpublished, or legendary images to introduce and describe important artists - from Blade to Banksy - and styles - from bubble to wild. Along the way, Graffiti 365 covers different eras, cities, legendary walls and crews, police and public responses to graffiti, and more.
The author of Graffiti 365, J.SON, has been an artist and historian of the graffiti movement for decades - he started writing graffiti in 1973 and retired in 1984. Unparalleled in its breadth and depth of coverage, Graffiti 365 is a wide-angle snapshot of an entire movement.

This book is an exhaustive compilation of graffiti and urban artworks done by 50 of the best international urban artists all over the world, in cities including Los Angeles, Tokyo, New York, London or Singapore, among many others. A route through the latest trends in urban art and the myriad of styles within it: 3D, bubble, wild style - The book is divided into three chapters and includes works of all kinds, from the smallest stickers to the huge graffiti that fill facades several storeys high

With quotes from the key players, including JAZZ and the Brazilian twins OS GEMEOS, this book traces the story of Argentina’s vibrant but little-known graffiti scene – from the beginnings of graffiti in the 1990s and artists’ city escapades, to the underground use of tags, train graffiti and political paintings, and the sketches and designs that have come off the street to influence the whole visual culture of this exciting country.

Japan has long been a breeding ground for innovative approaches to Western traditions, like movies and baseball. But, the fanatical embrace with which Japanese artists have welcomed graffiti has made for a form of graffiti wholly apart from its Western origins. Photographed by Remo Camerota, Graffiti Japan captures the culturally unique aspects of Japanese street art, providing the most complete look at Japan’s contemporary graffiti scene ever compiled.

Camerota could never have guessed that his first, on-a-whim trip to Japan would result in him moving to Tokyo and befriending the scene’s most prolific and talented artists. The more time he spent with them traveling from city to city, meeting local luminaries, the more photographs he took, the more excited the artists became about helping Camerota delve deeper and deeper.

Interviews with KRESS, BELX2, FATE, TENGA, EMAR, SUIKO, QP and many more reveal how these artists define their work as specifically Japanese, musing on everything from replicating the calligraphic intricacies of the Japanese language with spray paint, to foreign influences and national pride. Every single photograph in Graffiti Japan was shot in Japan, featuring anime and manga characters, kanji, sprawling legal murals and illegal hidden spots, all of which comprise this spectacular scene that could not exist in any other country.

This rare, first-hand account of the birth of the New York subway graffiti movement during the 1970s is the first and only graffiti book to reveal what happened behind the scenes when writers put their lives on the line to grab a scrap of fame from a faceless urban landscape. Through personal interviews and over 275 full-colour, unpublished photographs, the colourful origins of subway graffiti are brought to life.

Legends such as Taki 183, Bama 1, Phase 2, and CoCo 144 - as well as the city officials who saw the writers as public menaces and their art as vandalism - give accounts of every-day struggles, each full of new advancements, excitement and risk. Alongside archival photographs of everything from vibrant bubble-letter and 3-D pieces to the Holy Grail, are maps, images and ephemera that help fill out this story. A celebration in words and pictures of graffiti's Golden Age, "Graffiti Kings" is a book sure to be coveted by those fascinated and inspired by this uniquely American urban art form. 

1,000 full-color illustrations

Decades after the movement globalized, New York is still the mecca of graffiti culture. Painting there is a badge of honor, with graffiti artists from around the globe making pilgrimages to New York for that purpose. This is the city where it all began, yet few know the back story.
Graffiti New York fills that gap, detailing the concepts, aesthetics, ideals, and social structures that have served as a cultural blueprint for graffiti movements across the world. The book features approximately 1,000 images, complemented by texts by the authors and relevant players in the movement, as well as descriptive graphics and sidebars.
Ranging from the birth of simple signature tags to today’s vibrant murals, and covering the ups and downs of the movement, the culture’s value system, its social framework, the various forms of graffiti, and significant artists and crews, Graffiti New York is a major addition to Abrams' superb books on graffiti art.

Graffiti artists in Paris, much like in New York and Los Angeles, have transformed urban spaces - sidewalks, metro stations, staircases, abandoned buildings - into showrooms that exhibit their work in all of its many mediums, from a proliferation of stickers to cleverly applied stencils to giant murals. In Graffiti Paris, Fabienne Grévy takes readers on a tour of Paris’s street art, and also discusses the variety of unique sources that inspire the artists, including the cave paintings at Lascaux, nineteenth-century Japanese blockprints, and comics.