For someone who shuns the limelight so completely that he conceals his name, never shows his face and gives interviews only by email, Banksy is remarkably famous.

From his beginnings as a Bristol graffiti artist, his artwork is now sold at auction for six-figure sums and hangs on celebrities’ walls. The appearance of a new Banksy is national news, his documentary Exit Through the Gift Shop was Oscar-nominated and people queue for hours to see his latest exhibition. Now more National Treasure than edgy outsider, who is Banksy and how did he become what he is today?

In the first attempt to tell the full story of Banksy’s life and career, Will Ellsworth-Jones pieces together a picture of his world and unpicks its contradictions. Whether art or vandalism, anti-establishment or sell-out, Banksy and his work have become a cultural phenomenon and the question ‘Who is Banksy?’ is as much about his career as it is ‘the man behind the wall’.

About the Author:

 Will Ellsworth-Jones was chief reporter and then New York correspondent for the Sunday Times as well as holding senior editorial positions at the Telegraph Magazine, The Independent Magazine and Saga Magazine. His other books include a history of conscientious objectors in the First World War, We Will Not Fight. He lives in London.

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Пролистать книгу Banksy: The Man Behind the Wall, Revised and Illustrated Edition на Google Books.

In this fully revised and richly illustrated edition, author and journalist Will Ellsworth-Jones pieces together a complete picture of the life and work of Banksy, perhaps the most iconic, enigmatic and controversial artist of modern times.

For someone who shuns the limelight so completely that he conceals his name, never shows his face and gives interviews only by email, Banksy is remarkably famous.

]This fully updated and illustrated story of Banksy’s life and career builds an intriguing picture of his world and unpicks its contradictions. Whether art or vandalism, anti-establishment or sell-out, Banksy and his work have become a cultural phenomenon and the question ‘Who is Banksy?’ is as much about his career as it is ‘the man behind the wall’.

From his beginnings as a Bristol graffiti artist, his artwork is now sold at auction for seven-figure sums and hangs on celebrities’ walls. The appearance of a new Banksy is national news, his documentary Exit Through the Gift Shop was Oscar-nominated and people queue for hours to see his latest exhibition. Now more, National Treasure than edgy outsider, who is Banksy and how did he become what he is today?

This book charts Banksy's journey from the graffiti-scrawled streets of Barton Hill, the working-class neighbourhood of Bristol where he and others covered the walls with vibrant pieces while trying to avoid the police, through to some of the most prestigious galleries of the world, where his daring acts of guerilla art have forced us to reconsider how we define as art.

From the artist's own words to recollections of friends and colleagues, this book also examines the contradictions of Banksy's life: charting how a privately educated boy from a middle-class area of Bristol reinvented himself as a rogue and an outlaw who would take the art world by storm.

With beautiful reproductions of some of his most controversial and recognisable works, this detailed study is a truly indispensable guide to understanding the ultimate art rebel whose work is no less relevant today than it was when he first started out some thirty years ago.

About the Author:

 Will Ellsworth-Jones was chief reporter and then New York correspondent for the Sunday Times as well as holding senior editorial positions at the Telegraph Magazine, The Independent Magazine and Saga Magazine. His other books include a history of conscientious objectors in the First World War, We Will Not Fight. He lives in London.

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Пролистать книгу Banksy: The Man Behind the Wall, Revised and Illustrated Edition на Google Books.

The largest presentation of works by Banksy, the world’s most enigmatic yet highly sought-after artist, including iconic works, installation objects, ephemera, and memorabilia all in one volume.

Banksy is the world’s most discussed artist of recent decades, and this seminal collection features hundreds of works including Girl with Balloon, Pulp Fiction, Love Is in the Air, Barcode, and Monkey Queen. It also includes scores of paintings, serigraphs, stencils, and installation objects as well as a selection of memorabilia — many of which have never been published previously. Created with the cooperation of Pest Control, the group that manages all things Banksy, this is as official and authorized as any Banksy publication could be.

Banksy is the world’s greatest practitioner of street art. His work has always been political, involving pointed critiques of inequality, injustice, consumerism, and the establishment, yet no one knows his identity. He is an exemplary case of fame and notoriety built upon absence and anonymity. His relationship with the art market is also complex: marked by mocking hostility while being one of the most marketable and most collected contemporary artists.

About the Authors:

Stefano Antonelli curated Europe’s first major Banksy exhibition at the Fondazione Roma Museo. He also collaborates with institutions such as Luiss Guido Carli, La Sapienza, Museum of Contemporary Art in Rome (MACRO), and PAC in Milan. Gianluca Marziani is a curator of contemporary art shows that have appeared at the Festival dei Due Mondi di Spoleto, the Palazzo Collicola Arti Visive, and the 2011 Venice Biennale.

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Пролистать книгу Banksy на сайте издательства.

A new take on the history of art as parodied, reinterpreted and ultimately reinforced by the international phenomenon that is Banksy.

Few would dispute that Banksy is the most famous urban artist in the world today. That he is also one of the most perceptive art historians of our age might come as a surprise to many. Taken together, the myriad memorable works the street artist has created over the course of the past thirty years, since his emergence in the Bristol underground scene in the early 1990s, constitute an audacious commentary on the history of image-making – a captivating critique waiting to be pieced together.

Armed with little more than stencils, spray paint and an anonymizing cloak of after-hours darkness, Banksy has forged an alluring identity for himself as an incorrigible prankster who doesn’t embrace tradition, but shreds it. Consider Banksy and you think of grubby city walls far removed from elite galleries and privileged museums where art is conventionally shown. What actually illuminates Banksy’s audacious murals, impromptu urban sculptures and vandalized paintings, however, is a profound understanding of the story of art. He wields this secret knowledge like a weapon against our senses.

Through the dark satirical lens of Banksy’s mischievous reimagined masterpieces, art history is viewed afresh and brought into unexpected focus. From his droll lampooning of the Lascaux cave paintings to his reinvention of Monet’s enchanting water-lily pond, a reboot of Géricault’s tragic gut-wrenching vision to Vermeer's girl now instilled with street cred, everyone’s genius is grist for his unmerciful mill. Far from being diminished in their significance, however, the works that Banksy ruthlessly parodies are ultimately refurbished by the ordeal. Banksy’s iconoclastic works force us to rethink our affection for, and appreciation of, great works of art that define cultural history.

About the Author:

Kelly Grovier is a columnist and feature writer for BBC Culture and his writings on art have appeared in the Times Literary Supplement, the Independent, The Sunday Times, the Observer, RA Magazine and Wired. He is the author of several books, including A New Way of Seeing: The History of Art in 57 Works (2018), On the Line: Conversations with Sean Scully (2021) and The Art of Colour (2023), published by Thames & Hudson. He is co-founder of the scholarly journal European Romantic Review.

Artistic genius, political activist, painter and decorator, mythic legend or notorious graffiti artist?

The work of Banksy is unmistakable, except maybe when it's squatting in the Tate or New York's Metropolitan Museum. Banksy is responsible for decorating the streets, walls, bridges and zoos of towns and cities throughout the world. Witty and subversive, his stencils show monkeys with weapons of mass destruction, policeman with smiley faces, rats with drills and umbrellas. If you look hard enough, you'll find your own. His statements, incitements, ironies and epigrams are by turns intelligent and cheeky comments on everything from the monarchy and capitalism to the war in Iraq and farm animals. His identity remains unknown, but his work is prolific.

Here's the best of his work in a fully illustrated colour volume - including brand material.

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Пролистать русскоязычное издание книги Banksy. Wall and Piece на Google Books.

The most wide-ranging and up-to-date volume available on the enigmatic and controversial graffiti artist, this deeply researched and highly personal tribute explores how Banksy continues to defy accepted wisdom about artistic success, growing only more famous and powerful even as he sticks to his anti-establishment platform and to his mission to give a voice to the voiceless.

Accompanied by stunning full-page, full-color reproductions and photographs of works in situ — including many that have been lost to time — photographer and street art expert Alessandra Mattanza’s impassioned and informed text follows Banksy’s career trajectory from creator of message-laden stencils on London’s city walls to a sought-after champion of human and environmental rights. She investigates many of the key images that populate Banksy’s work — animals, children, historic figures, balloons, cartoon characters, police officers, and others. She shows how Banksy’s oeuvre has expanded beyond graffiti and stenciling and how his art has helped support his activism in a variety of causes — from calls for peace in the Middle East to the preservation of the natural environment. Readers will come away with a new understanding of how Banksy helped transform an illegal act of criminal damage into a high art form, and how, by ridiculing institutionalized art, he has achieved enormous fame within those very institutions.

About the Author:

Alessandra Mattanza is a foreign correspondent, contributor, and editor for several publishers in Italy and Germany. Her previous books are Street Art: Famous Artists Talk About Their Vision, Women Street Artists and Banksy

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Пролистать книгу Banksy

What is the artistic impulse uniting Robert Hooke’s drawings of insects, George Stubbs’s studies of horses and Damien Hirst’s pickled shark? In this new and spirited account of British art, Jonathan Jones argues for empiricism. From the Enlightenment to the present, British artists have shared a passion for looking hard at the world around them. Jones shows how this zeal for precision and careful observation paved the way for Realism, Impressionism and the birth of modern art.

This essential art book is a must-read for fans of Gombrich’s The Story of Art and the perfect introduction to British art history.   

About the Author:

Jonathan Jones is the art critic for The Guardian newspaper. He was on the jury for the 2009 Turner Prize and is the author of The Loves of the Artists: Art and Passion in the Renaissance and The Lost Battles: Leonardo, Michelangelo and the Artistic Duel that Defined the Renaissance.

“Sensations presents a radically new story of British art. It connects the artists of today with British culture more than three hundred years ago as it finds an unexpected thread that links William Hogarth and Tracey Emin, Thomas Gainsborough and Lucian Freud. What they share is an eye for the real world. I hope this book will change how you see Britain, and its art.” – Jonathan Jones

Artistic genius, political activist, painter and decorator, mythic legend or notorious graffiti artist?

The work of Banksy is unmistakable, except maybe when it's squatting in the Tate or New York's Metropolitan Museum. Banksy is responsible for decorating the streets, walls, bridges and zoos of towns and cities throughout the world. Witty and subversive, his stencils show monkeys with weapons of mass destruction, policeman with smiley faces, rats with drills and umbrellas. If you look hard enough, you'll find your own. His statements, incitements, ironies and epigrams are by turns intelligent and cheeky comments on everything from the monarchy and capitalism to the war in Iraq and farm animals. His identity remains unknown, but his work is prolific.

Here's the best of his work in a fully illustrated colour volume - including brand material.

___________

Пролистать русскоязычное издание книги Banksy. Wall and Piece на Google Books.

Catalogue to a major travelling exhibition focused on Banksy, the world’s most popular graffiti artist whose real identity remains unknown despite his domination of the global street art scene for over twenty-five years.

This accessible volume devoted to the enigmatic artist known as Banksy showcases pivotal works from private collections grouped to reveal Banksy’s key reference points and creative drives. The show features more than 100 original iconic works — always topical and certainly never dull — including Girl with Balloon, Gangsta Rat, Monkey Queen, along with lesser-known examples in other media such as “Banksy of England” banknotes, satiric CD covers, posters, and rare T-shirt designs. Laced with caustic and critical messages, Banksy’s works examine capitalism, consumerism, war, social control, freedom, and other features of our time with groundbreaking freshness and immediacy. Insightful essays explore such topics as Banksy’s philosophy, relationship to the art market, and choice to remain incognito. Banksy’s paintings, sculptures, prints, infographic cladograms, and tube maps are accompanied by detailed contextual analysis and a time line with highlights of Banksy’s career.

About the Authors:

Stefano Antonelli, an adjunct professor of art at Roma Tre University, curated Europe’s first major Banksy exhibition at the Fondazione Roma Museo. Gianluca Marziani is a curator whose shows have appeared at the Venice Biennale and Festival dei Due Mondi, Spoleto.

New, expanded, 2020 Edition.

The single best collection of photography of Banksy’s street work that has ever been assembled for print. If that isn’t enough there are some words too.

You Are An Acceptable Level of Threat covers his entire street art career, spanning the late '90s right up to the ‘Seasons Greetings’ Christmas 2018 piece in Port Talbot, Wales.

This new edition includes his self-destructing ‘Love is in the Bin’ intervention, which according to Sotheby's is "the first artwork in history to have been created live during an auction." The groundbreaking ‘Dismaland’ show, his Paris ’68 revisited works, The Walled Off Hotel, Brexit, Cans Festival, Brooklyn and Basquiat, as well as new works from Gaza and New York.

Also featuring the controversial ‘Cheltenham Spies’ as well as ‘Girl with a Pearl Earring’, ‘Art Buff’ and the spectacular ‘Mobile Lovers’ which appeared outside Bristol Boys Boxing Club. 248 pages featuring his greatest works of art in context.

Photographer Ray Mock takes you along on his exciting hunt for new Banksy work during the famous “Better Out Than In” project in his new book Banksy in New York.

This personal narrative offers a day-by-day account of Banksy’s first New York residency, chronicling works that include “Sirens of the Lambs” and the Central Park stand at which original works by Banksy were sold for only $60. Mock’s work captures not only Banksy’s artwork but the reactions of the public and media frenzies that often accompanied it, giving fans a direct window into the frenetic scavenger hunt that took over New York City in October 2013.

Banksy in New York offers a closer look at Banksy’s witty and irreverent art and the varied responses it received while lending insight into the artist’s sharp social commentary. This book is a must-have for those new to the scene and Banksy fanatics alike.

Бэнкси уже давно стал культовой фигурой в среде граффитистов, хотя его настоящее имя до сих пор остается загадкой. Первая иллюстрированная биография на русском языке знакомит читателя с работами скандально известного английского андерграундного художника. Рисунки и фотографии сопровождаются автобиографическими анекдотами, афоризмами и практическими указаниями по рисованию граффити по трафаретам.

The single best collection of photographs of Banksy's street work. Period. You Are An Acceptable Level of Threat concentrates on this singular artist's iconic imagery, spanning the late '90s up until the end of 2011. The locations are from around the world (predominantly the UK, US and Europe), and many images have never been seen before. When Banksy started out painting, the political landscape was bleak. Fortunately now, it's ten times worse. As Banksy's cheerfully aggressive political work becomes ever more relevant, this comprehensive tome sets about presenting his art in the context of the era he was responding to

The last outlaw of visual disciplines. Graffiti and unsanctioned art - from local origins to global phenomenon

In recent years street art has grown bolder, more ornate, more sophisticated and - in many cases - more acceptable. Yet unsanctioned public art remains the problem child of cultural expression, the last outlaw of visual disciplines. It has also become a global phenomenon of the 21st century.

Made in collaboration with featured artists, Trespass examines the rise and global reach of graffiti and urban art, tracing key figures, events and movements of self-expression in the city's social space, and the history of urban reclamation, protest, and illicit performance. The first book to present the full historical sweep, global reach and technical developments of the street art movement, Trespass features key works by 150 artists and connects four generations of visionary outlaws including Jean Tinguely, Spencer Tunick, Keith Haring, Os Gemeos, Jenny Holzer, Barry McGee, Gordon Matta-Clark, Shepard Fairey, Blu, Billboard Liberation Front, Guerrilla Girls and Banksy, among others. It also includes dozens of previously unpublished photographs of long-lost works and legendary, ephemeral urban artworks.

Also includes:
• Unpublished images of street art by Keith Haring and Jean-Michel Basquiat
• Unpublished photographs by Subway Art luminary Martha Cooper
• Unpublished photos from the personal archives of selected artists
• Incisive essays by Anne Pasternak (director of public arts fund Creative Time) and civil rights lawyer Tony Serra
• Special feature: exclusive preface by Banksy

The author:
Carlo McCormick is a pop culture critic, curator and Senior Editor of Paper magazine. His numerous books, monographs and catalogues include Beautiful Losers: Contemporary Art and Street Culture, The Downtown Book: The New York Art Scene 1974-1984, and Dondi White: Style Master General. His work has appeared in Art in America, Art News, Artforum and many other publications.

The curator:
Marc and Sara Schiller founded Wooster Collective in 2001, a website that celebrates and plays a crucial role in documenting otherwise ephemeral street art. Based in New York City, the collective curated most of the contemporary images in Trespass. Its "Wooster On Paper" series presents the work of international artists in limited edition books.

The editor:
Ethel Seno received her BA in the College of Letters from Wesleyan University before teaming with TASCHEN, where she worked with William Claxton on Jazzlife and New Orleans 1960, and David LaChapelle on Artists & Prostitutes and Heaven to Hell. Having grown up in Tokyo, she feels most at home in urban environments and currently resides in Los Angeles.