Книги по истории искусства

Winner of the Illustrated Book of the Year award in 1994, the first edition of The Art Book has been an outstanding success and has become a well-known landmark in the art book world.

Now published in over 20 different languages and in mini, midi, and hardback formats, The Art Book has received rave reviews from numerous newspapers and magazines and has made many appearances on the bestseller lists.

The Art Book: New Edition presents 100 new artists, including for the first time Photographers and Performance Artists. Following the successful format of the original, the new edition is an A-Z guide to 600 great artists from medieval to modern times, it debunks art-historical classifications by throwing together brilliant examples of all periods, schools, visions and techniques.

Each artist is represented by a full-page colour plate of a definitive work, accompanied by explanatory and illuminating information on the image and its creator. Glossaries of artistic movements and technical terms are included, making this a valuable work of reference as well as a feast for the eyes.

By breaking with traditional classifications, The Art Book represents a fresh and original approach to art: an unparalleled visual sourcebook and a celebration of our rich and multi-faceted culture.

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Альбом The Art Book после своего первого выхода в свет познакомил с искусством миллионы людей по всему миру. Это - справочник от А до Я по художникам от Средневековья до наших дней, написанный не без иронии и общедоступным языком. Обновленный и дополненный 100 новыми работами, включая живопись, фотографию, скульптуру, видео, инсталляцию и перформанс. На каждой странице представляется один художник и одна его работа с информацией о них.

Альбом издавался на более чем 20 языках, давно завоевал авторитет и получил множество наград. Развенчивает исторически сложившуюся классификацию, сопоставляя яркие примеры всех периодов, школ, видений и техник. Под задней обложкой читатель найдет словарь художественных движений и специальных терминов. Это роскошная, незаменимая  и вводящая  в мир искусства книга для всей семьи.

In a new compact and portable format – the accessible, award-winning A-Z guide to the world’s great painters and sculptors

The Art Book is a landmark in the world of publishing. Available in a range of different formats and in over 20 different languages, it has received rave reviews since its first publication and can be frequently found on bestseller lists around the world.

Now available for the first time in a highly covetable and portable midi format, this second edition is an updated and substantially expanded version of the hugely successful original book.

An A-Z guide to 600 great artists from medieval to modern times, it debunks art-historical classifications and pairs brilliant examples of all periods, schools, visions, and techniques. By breaking with traditional classifications, The Art Book represents a fresh and original approach to art: an unparalleled visual sourcebook and a celebration of our rich and multifaceted culture.

468 examples from L'Art International d'Aujourd'hui capture geometric, prismatic Art Deco of 20's and 30's. Gardens, dwellings, interiors, furniture, fabrics, stained glass, sculpture, jewelry, graphics by Brandt, Chareau, Fouquet, Vuitton — 171 other artists, architects, and designers.

Over 400 photographs.

A revolutionary 'virtual' museum with easy-to-navigate, colour-coded galleries and rooms

Housing the finest art collection ever assembled, this revised, reformatted edition offers the museum experience without the boundaries of space and time, taking the reader on a tour around the world and through the ages. Its rooms and galleries display some 1,600 artworks, selected from the original collection, including paintings, sculpture, photographs, textiles, installations, performances, videos, prints, ceramics, manuscripts, metalwork, and jewel-work.

Visit the world's most comprehensive and compelling museum in a book – from pre-historic times to the present, – over 1,600 artworks created with the expertise of 28 art world curators and historians.

"Unprecedented, unique, and vast in scope... a visually spectacular survey of world art. Destined to delight, inspire, and educate, as well as to become an invaluable, classic art-reference resource, it is very highly recommended." ―Library Journal

About the Authors:

Twenty-eight curators, critics, art historians, and artists contributed their expertise to create this art-lover's ideal museum. They come from such institutions as: The Metropolitan Museum of Art, New York; the British Museum, London; the Museum of Fine Arts, Boston; the J. Paul Getty Museum, Malibu; the University of California, Berkeley; La Trobe University, Melbourne; the School of African and Oriental Studies, University of London; and The Courtauld Institute of Art, London.

For centuries, the art and culture of China and Japan have exerted a particular fascination on the West. Items from Imperial China once filled the porcelain cabinets of European courts, and Japanese painting and woodcarving made their way to Europe in the nineteenth century. The impressive illustrations in this volume present the reader with the unique wealth of art forms in China and Japan, forms which have also exerted tremendous influence on Western art: artful ceramics, woodcarvings, small sculptures and bronzes, porcelains and ink drawings from China; and from Japan, temple districts, imperial villas and Zen gardens, ukiyo paintings of the Edo period, the famed No masques, as well as precious textiles and costumes. These are only a few of the many aspects selected by the authors to convey the wealth and unbelievable variety of artistic forms of East Asia. An illustrated glossary and extensive bibliography complete the book.

This oversized collector’s edition showcases antique paintings and drawings of birds and animals from the most important natural history collection in France.

An unparalleled collection of the most beautiful—yet scientific—depictions of flora and fauna ever produced, these artworks document three centuries of exploration of the far reaches of the world—a rich visual record harking back to a time when science relied upon painstaking human illustration as the only way to record exotic plants and unknown animals observed during voyages of discovery.

All the artworks included here were depicted on vellum, a high-quality, long-lasting parchment that fell out of use around 1900 when it was supplanted by photography. France’s national collection consists of over 7,000 such artworks and is among the world’s finest. Flora and fauna from every corner of the globe are represented in precisely rendered color and detail.

Sadly, many of the species depicted in these masterful yet hauntingly accurate portraits are now endangered, threatened—or in many cases, already extinct. This volume is both a celebration of the human quest for knowledge and an epitaph for a fast disappearing world—as well as a feast for the eyes for anyone who loves birds or vintage natural history art. This exquisite and timeless book is beautifully presented in a jacketed volume within a slipcase and luxuriously packaged within an illustrated mailer with a handle for portability.

About the Author:

Pascale Heurtel is chief curator and director of libraries and Michelle Lenoir is honorary director of the Muséum national d’histoire naturelle in Paris.

One big slice of cheesecake. Pin-up travels the long road from barracks wall to high art

In the 15 years since TASCHEN released The Great American Pin-up, international interest in this distinctly American art form has increased exponentially. Paintings by leading artists such as Alberto Vargas, George Petty, and Gil Elvgren that sold for $ 2,000 in 1996 are going for $ 200,000 and more today. Pin-up: drawings, paintings and pastels of an idealized female face and figure intended for public display, was produced between 1920 and 1970, for use on calendars, and magazine covers and centerfolds. The majority of original paintings were discarded by publishers and calendar companies after printing, making the surviving art that much more precious. Today it’s popularity is huge, and ripe for an equally huge and truly comprehensive collector’s edition.

Formidably sized, The Art of Pin-up is an impressive book that will be coveted by casual fans as well as hardcore pin-up collectors. The top 10 artists are profiled in depth. Each chapter opens with a tipped-in reproduction of an original calendar or magazine cover by that artist. The reproduction quality of the paintings, pastels, and preparatory sketches that follow — largely sourced from the original art — invites the viewer to trace the brush strokes, while the exquisite period calendars, vintage prints, and original model photos document the artists’ creative process. Much of these ephemera were photographed on-site at the historic Brown & Bigelow Company, home to the world’s largest archive of vintage pin-up calendars.

In addition to the chapters on the 10 featured artists, the book includes thumbnail bios and representative art of 85 additional artists, the most complete compendium of pin-up artists ever compiled. All this adds up to a hard-to-beat book on this popular subject.

Carefully curated and beautifully packaged erotic art through the ages – 170 works from the world's most important artists

This carefully curated and beautifully packaged book spotlights nearly 170 works from the world's most important artists, including Titian, Paul Cézanne, Pablo Picasso, Andy Warhol, Michelangelo, Rembrandt, Edgar Degas, Edvard Munch, Georgia O'Keeffe, Jackson Pollock, Lucian Freud, Louise Bourgeois, Francis Bacon, David Hockney, Gerhard Richter, Cecily Brown, Anselm Kiefer, George Condo, and Anish Kapoor.

With its chronological organization, The Art of the Erotic provides insights into human sexuality throughout the ages.

About the Author:

Rowan Pelling is a journalist, broadcaster and commentator on the arts. She has just launched a new middle-shelf magazine, The Amorist, intended for devotees of love and passion. She first rose to prominence as the editor of the monthly literary/erotic magazine, Erotic Review, and has written for a range of magazines and newspapers, including the Independent on Sunday, Daily Mail, GQ and The Spectator. Pelling lives in Cambridge, England.

The Ballets Russes was a phenomenon of the early twentieth century, permeating daily life wherever the company traveled and leaving a lasting impact on dance, theater, and the visual arts. Sergei Diaghilev, impresario from 1909 until his death in 1929, fused the most avant-garde, groundbreaking movements in dance, choreography, art, design, and costume into unique and stunning productions. The work was exciting, and always new, and it stretched the limits of the possible in art. The color, form, and material in costume and set design astonished audiences, transforming every corner of Western culture in the twentieth century.

Fashion and decor designers and visual artists in particular - including Coco Chanel, Natalia Goncharova, Mikhail Larionov, Léon Bakst, and Pablo Picasso - found inspiration in the Ballets Russes. Designers and artists moved past old boundaries and created costumes and set designs for these extravagant productions, bridging the gaps between tangible and abstract artistic genres.

The Ballets Russes and the Art of Design explores these revolutionary icons and ideas, illuminating Sergei Diaghilev's profound revitalization of the arts, which continues to influence us today. Ten essays by internationally recognized experts and 200 color and black-and-white illustrations - many from private collections and never-before-published - discuss a broad range of topics, including set and costume designs, graphic design and poster art, photographs and postcards, Diaghilev's presence in the media, and private and museum collections of Ballets Russes treasures.

The Blaue Reiter (“Blue Rider”) group of artists was formed in Munich in 1911 on the initiative of two leading artists of Modernism: Wassily Kandinsky, the pioneer of purely abstract painting, and Franz Marc, the creator of mysterious, abstracted animal pictures. The Russian and the German, together with many other visionary painters in their train, hoped to pursue a new spirit in art. They wanted nothing less than an apotheosis of the spiritual in art. The outbreak of the Great War seemed to put a brutal end to what was at the time the most important avant-garde movement in Germany, but its influence continued unabated and inspired whole generations of international artists to create similar utopias.

Featured Artists: Wladimir Burljuk, Heinrich Campendonk, Robert Delaunay, Alexej Jawlensky, Wassily Kandinsky, Paul Klee, Alfred Kubin, August Macke, Franz Marc, Gabriele Münter and Marianne von Werefkin.

About the Series:
Each book in TASCHEN's Basic Genre Series features:

* a detailed introduction with approximately 35 photographs, plus a timeline of the most important events (political, cultural, scientific, etc.) that took place during the time period
* a selection of the most important works of the epoch; each is presented on a 2-page spread with a full-page image and, on the facing page, a description/interpretation of the work and brief biography of the artist as well as additional information such as a reference work, portrait of the artist, and/or citations

Handbook of Visual Experience. An exploration of symbols and their meanings throughout history

The Book of Symbols combines original and incisive essays about particular symbols with representative images from all parts of the world and all eras of history. The highly readable texts and almost 800 beautiful full-colour images come together in a unique way to convey hidden dimensions of meaning. Each of the c. 350 essays examines a given symbol's psychic background, and how it evokes psychic processes and dynamics. Etymological roots, the play of opposites, paradox and shadow, the ways in which diverse cultures have engaged a symbolic image - all these factors are taken into consideration.

Authored by writers from the fields of psychology, religion, art, literature, and comparative myth, the essays flow into each other in ways that mirror the psyche's unexpected convergences. There are no pat definitions of the kind
that tend to collapse a symbol; a still vital symbol remains partially unknown, compels our attention and unfolds in new meanings and manifestations over time. Rather than merely categorize, The Book of Symbols illuminates how to move from the visual experience of a symbolic image in art, religion, life, or dreams, to directly experiencing its personal and psychological resonance.

The Book of Symbols sets new standards for thoughtful exploration of symbols and their meanings, and will appeal to a wide range of readers: artists, designers, dreamers and dream interpreters, psychotherapists, self-helpers, gamers, comic book readers, religious and spiritual searchers, writers, students, and anyone curious about the power of archetypal images.

The editor and author:

Drawing upon Carl Gustav Jung's work on the archetype and the collective unconscious, the Archive for Research in Archetypal Symbolism (ARAS) is a pictorial and written archive of mythological, ritualistic, and symbolic images from all over the world and from all epochs of human experience. The collection of 17,000 photographic images, accompanied by commentary on their cultural and historical context, probes the universality of archetypal themes and provides a testament to the deep and abiding connections of all life.

A little-known and rediscovered illuminated manuscript from the Renaissance is the focal point of this enthralling exploration of Umbrian painting, the role of the Franciscan order, and the artists Bartolomeo and Giacepo Caporali.

The Caporali Missal, a sumptuous and important Renaissance missal—or service book for the priest at the altar—was illuminated by the Caporali brothers for the Franciscan community in the hillside town of Montone, near Perugia, in 1469. This exhibition catalog celebrates this important manuscript, recently acquired by the Cleveland Museum of Art, with exquisite reproductions that bring the illuminated pages to life.

Additional works by the Caporali brothers and relevant art from the museum’s and other collections elucidate the history, style, content, function, and authorship of the missal. Illustrations of a chalice and a paten, a chasuble, and a processional cross enhance the religious and aesthetic context of the manuscript.

A series of essays by eminent scholars examine the influence of Florentine artists on the Caporali brothers and explore the spiritual life of the Franciscan community and the history of the friary at Montone.

Buxom bombshells. Pictures from an age when eroticism was still innocent

They've been exciting generations of men, on calendars and covers, as centrefolds or even on playing cards: pin-ups. What started as an exercise in oils was soon taken up in various media - pin-up mascots graced the fuselages of American fighters, and became an essential feature of the male world of garages and barracks. And the age of political correctness hasn't ended their appeal.

This book tells the tale of a genre as utterly American as the paintings of Edward Hopper, describing its origins and development in detail and showcasing the most important artists. With over 500 illustrations, The Great American Pin-Up is a comprehensive studies of the genre.

The authors:

Charles G. Martignette was an art dealer and collector of original paintings by 20th century American illustrators and artists. His gallery in Hallandale Beach, Florida, housed the world’s largest collection of commercial illustration art. As of 1975 he published numerous articles about magazine, advertising, calendar, pulp, paperback, glamour and pin-up art. Paintings from his collection have been exhibited at the Smithsonian Institution as well as many other American and European museums. Charles G. Martignette died in 2008 in Hallandale, Florida.

Louis K. Meisel, owner-manager of one of the oldest galleries in New York’s Soho, has published several books and articles on contemporary art. In addition to art, he collects pin-up work.

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Посмотреть книгу  1000 Pin-Up Girls

Посмотреть книгу  Gil Elvgren. The Complete Pin-ups

The Book That Changed the World. A complete reprint of the revolutionary Gutenberg Bible “B42”

The printing press has been called the greatest invention of the second millennium. Published in Mainz around 1454, the Gutenberg Bible was the first major Western publication to be printed with movable metal type, ushering in a whole new age of knowledge distribution through mass-produced books.

Before Gutenberg, woodcut printing and early forms of movable type printing had been mastered in Asia, but had yet to reach Europe. Instead, each book had to be copied by hand in a long, labor-intensive process. Not only did Gutenberg’s innovation of mechanical movable type significantly speed up production without sacrificing quality, it irreversibly enriched public knowledge, pioneering mass communication and allowing people to access ideas and participate in discussions like never before. When it comes to radical revolutions in media, the Gutenberg Bible is up there with the Internet.

This facsimile edition derives from one of the very few surviving complete vellum Latin originals worldwide; the Göttingen Library edition, one of the most valuable books in the world, listed in the UNESCO Memory of the World program. All 1,282 pages of this artistic and technological masterwork are included, along with a companion book written by Stephan Füssel, Gutenberg-Chair at Mainz University, introducing Gutenberg, his transformative influence, and two important documents of the time: the Göttingen Model Book which was used to illuminate the Göttingen Library edition and the only surviving notary document by Ulrich Helmasperger, which records the history of this unique invention and its product, the Gutenberg Bible.

The author:

Stephan Füssel is director of the Institute for Book Studies at the Johannes Gutenberg University in Mainz, and holder of the Gutenberg Chair at the same university. He has published prolifically on the early days of printing, the sale and publication of books between the 18th and 20th centuries, and the future of communications.

A sumptuously illustrated history of the Eternal City — the capital of Italy and world art — as captured by painters from Antiquity through the twentieth century.

Traditionally founded by its namesake Romulus in 753 BC, Rome began modestly, as a little village of thatched huts on the Palatine Hill. By the third century BC, it controlled the entire Italian peninsula, and by the first century BC, much of the known world. Rome’s fortunes have stumbled more than once since then — indeed, there have famously been times when cows grazed on the Forum — but it has always reemerged as a leading city, thanks to its status as the seat of Christendom. Through the centuries, artists from all over Europe have been drawn to Rome, both to work in the service of the Church and to learn from the accumulated masterpieces.

This luxuriously oversized book uses Rome’s artistic riches to chronicle the eventful history of the city itself. We are shown the customs and beliefs of the ancient Romans through their own frescoes and mosaics, and their greatest deeds in the history paintings of later masters such as Poussin and David. We follow the fitful rise of Rome, which eventually blossoms forth into the supreme achievements of Michelangelo and Raphael. With eyes uplifted to frescoed vaults, we watch the great decorators of the Baroque add to the city’s store of monuments, which are then deftly — and sometimes quite imaginatively — recorded by the vedutisti of the eighteenth century. Finally, in canvases by a surprising range of nineteenth- and twentieth-century artists — from Sargent to de Chirico, and even de Kooning — we see Rome in its role as the capital of a unified Italy, and of the modern Western imagination.

With its more than three hundred full-color illustrations, including four spectacular gatefolds; its insightful text, written by leading art historians; and its valuable apparatus, including capsule biographies of 175 artists; The History of Rome in Painting is an important achievement in scholarship and publishing and a fitting tribute to the Eternal City.