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The Art of The Batman is the official behind-the-scenes illustrated tie-in book to the highly anticipated film The Batman by Matt Reeves (Cloverfield, Dawn of the Planet of the Apes, War for the Planet of the Apes), coming to theaters March 4, 2022. The Batman stars Robert Pattinson as Bruce Wayne/The Batman, Zoë Kravitz as Selina Kyle/Catwoman, Paul Dano as Edward Nashton/ The Riddler, Colin Farrell as Oswald Cobblepot/The Penguin, Jeffrey Wright as Lieutenant James Gordon, Andy Serkis as Alfred Pennyworth, and John Turturro as Carmine Falcone.

Two years of stalking the streets as The Batman, striking fear into the hearts of criminals, has led Bruce Wayne deep into the shadows of Gotham City. As the evidence surrounding a series of crimes begins to lead closer to home and the scale of the perpetrator’s plans becomes clear, Batman must forge new relationships, unmask the culprit, and bring justice to the abuse of power and corruption that has long plagued Gotham City.

Readers will get an insider’s look at the design and production process for The Batman, including insightful interviews with the filmmaking team and cast; never-before-seen conceptual paintings and set photos exploring this new version of Gotham City; shot-by-shot comparisons between the film and storyboards; and a closer look at the designs for the costumes, vehicles, gadgets, riddles, and more.

About the Author:

James Field has worked in the film industry since 2006. The International Winner of the Nickelodeon Writing Program 2016/17, Field has since divided his time between marketing and writing for film, television, and audio. He worked as Production Liaison for both The Batman and The Flash. He lives in the UK with his partner and children.

The bestselling classic celebrating animation legend Walt Disney by author and photographer Christopher Finch — revised and updated to celebrate Disney 100 Years of Wonder

Since it was first published in 1973, The Art of Walt Disney: From Mickey Mouse to the Magic Kingdoms and Beyond has established itself as an indispensable classic of illustrated book publishing, selling hundreds of thousands of copies. Offering a comprehensive history and tribute to the career and legacy of Walt Disney, the book was the first to reveal the wealth of concept art, animation drawings, and archival material that is created in the course of animating films.

Now back in print to celebrate Disney 100 Years of Wonder, this groundbreaking work collects a century of timeless animation.

- Foreword by legendary Disney animator Floyd Norman (Sleeping Beauty, One Hundred and One Dalmatians, Mary Poppins, and The Jungle Book)
- Presented for the first time in a deluxe foil slipcase and real-cloth binding with foil stamping

About the Authors:

Christopher Finch was the author of many books about art in America, including Chuck Close: Work, Chuck Close: Life, Norman Rockwell’s America, and Jim Henson: The Works. 

At 88 years old, Disney legend Floyd Norman (animator, storyman, and beloved “troublemaker”) is the picture of perseverance in the animation industry. As the first African American animator at Disney, arriving in 1956, Floyd worked on classics like Sleeping Beauty, One Hundred and One Dalmatians, Mary Poppins, and The Jungle Book. On the latter title, Floyd was handpicked by Walt Disney to join the story team. Impressed? This is just the start of his ongoing 67 years in animation—as told in his documentary, Floyd Norman: An Animated Life.

The official behind-the-scenes art book for four-time Academy Award-nominated animation studio Cartoon Saloon’s and their co-producer Melusine’s stunning new animated fantasy adventure, WolfWalkers

Cartoon Saloon, the Irish animation studio behind the Academy Award-nominated films The Secret of Kells (2009), Song of the Sea (2014), and The Breadwinner (2017), and their co-producer Melusine Productions, returns in 2020 with their latest feature, WolfWalkers, directed by Tomm Moore and Ross Stewart. To be released later this year theatrically, followed by streaming on Apple TV+, this mythic tale tells the story of a young hunter named Robyn, and her unlikely friendship with a wild girl living among wolves. Filled with exclusive hand-drawn sketches, paintings, interviews, and digital renderings that showcase Cartoon Saloon’s unique artistic style, The Art of WolfWalkers takes fans behind the scenes of one of animation’s most celebrated studios.

Through exclusive commentary and interviews with cast and crew, renowned animation critic and historian Charles Solomon showcases the craft and skill behind some of the most lovingly detailed and imaginative 2-D animation currently being produced. Featuring a foreword by award-winning animator James Baxter and an afterword by Cartoon Saloon cofounder and codirector of WolfWalkers Tomm Moore and codirector Ross Stewart, The Art of WolfWalkers is a must-have for animation fans everywhere.

About the Author: 

Charles Solomon is the author of more than a dozen books on the art and making of animated films and television specials, as well as a lecturer in animation at the UCLA School of Theater, Film and Television. He lives in Los Angeles.

From such cult hits as Raising Arizona (1987) and The Big Lebowski (1998) to major critical darlings Fargo (1996), No Country for Old Men (2007), and Inside Llewyn Davis (2013), Ethan and Joel Coen have cultivated a bleakly comical, instantly recognizable voice in modern American cinema. In The Coen Brothers: This Book Really Ties the Films Together, film critic Adam Nayman carefully sifts through their complex cinematic universe in an effort to plot, as he puts it, “some Grand Unified Theory of Coen-ness.” The book combines critical text — biography, close film analysis, and enlightening interviews with key Coen collaborators — with a visual aesthetic that honors the Coens’ singular mix of darkness and levity. Featuring film stills, beautiful and evocative illustrations, punchy infographics, and hard insight, this book will be the definitive exploration of the Coen brothers’ oeuvre.

About the Author:

Adam Nayman is a contributing editor for Cinema Scope and writes on film for The Ringer, Sight and Sound, Reverse Shot, and Little White Lies. He has written books on Showgirls and the films of Ben Wheatley, and lectures on cinema and journalism at the University of Toronto and Ryerson University.

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Audrey Hepburn, Humphrey Bogart, Gregory Peck, Rita Hayworth, Marilyn Monroe — the brightest stars of the silver screen couldn't resist curling up with a good book. This unique collection of rare photographs celebrates the joy of reading in classic film style.

The Hollywood Book Club captures screen luminaries on set, in films, in playful promotional photos, or in their own homes and libraries with books from literary classics to thrillers, from biographies to children's books, reading with their kids, and more.

Featuring nearly 60 enchanting images, lively captions about the stars and what they're reading by Hollywood photo archivist Steven Rea, and a glamorous stamped case design, here's a real page-turner for booklovers and cinephiles.

Become inspired, find your voice, and create work that matters.

Why are human beings driven to make?

It’s as if we collectively intuited, long before science gave us the language, that the universe bends toward entropy, and every act of creation on our part is an act of defiance in the face of that evolving disorder.

When we pick up a paintbrush, or compose elements through our camera viewfinders, or press fingers into wet clay to wrestle form from a shapeless lump, we are bending things back toward Order and wrestling them from Chaos.

But making things is often not enough.

We also want the things we make to be filled with meaning. We’re each trying to describe what we know about life, to create a collective sense of “safety in numbers.” When we reach the end of our traditional descriptive powers, it’s time to weave collective meaning from poetry, painting, writing, dancing, photographing, filmmaking, storytelling, singing, animating, designing, performing, carving, sculpting, and a million other ways we daily create Order out of the Chaos and share it with each other for comfort.

On this journey we need a creative philosophy which will help us find our voice, discover our message, deal with the responses to our work, maintain inspiration, and stay mentally healthy and motivated creators as we strive to find “the meaning in the making.”

Table of Contents:
Chapter 1: Order
Chapter 2: Logos
Chapter 3: Breath
Chapter 4: Voice
Chapter 5: Ego
Chapter 6: Control
Chapter 7: Attention
Chapter 8: Envy
Chapter 9: Critique
Chapter 10: Feel
Chapter 11: Shadows
Chapter 12: Meaning
Chapter 13: Time
Chapter 14: Benediction

About the Author:

Sean Tucker is a professional photographer and filmmaker based in the United Kingdom.

Welcome to the Wes Anderson museum — a place packed with illustrations, ephemera, trivia, and insightful commentary, and as whimsical and visually arresting as the cult director’s films themselves.

This museum in book form takes readers deep into the world of Wes Anderson. Bursting with an exhaustive and eclectic collection of film stills, accessories, clothes, souvenirs, books, and delightfully bizarre ephemera, this immersive treasury offers extraordinary insight into Wes Anderson’s literary, musical, and cinematic influences, which range from Indian cinema, French pop music, Italian speed car racing, to The New Yorker magazine and the work of J. D. Salinger.

Among the museum’s artifacts are a recipe for a ham sandwich from The French Dispatch’s Le Sans Blague café; the history of Tang — the drink of choice for the campers in Moonrise Kingdom; and the secret of L’Air de Panache, the cologne worn by the concierge of the Grand Budapest Hotel.

Readers will discover Anderson’s connections to the balalaika, The Beatles, and Benjamin Britten, and they’ll discover how the filmmaker was inspired by the works of Hal Ashby, Satyajit Ray, Orson Welles, Mike Nichols, and Francis Ford Coppola. Perfect for dipping into and filled with information that will surprise even the most diehard Wes Anderson fan, this technicolor treasury is as profoundly entertaining as it is authoritative.

This New York Times bestselling overview of Wes Anderson's filmography features previously unpublished behind-the-scenes photos, artwork, and ephemera, with an introduction by Michael Chabon.

Writer/director Wes Anderson guides movie/television critic Matt Zoller Seitz through Anderson's life and career in a hardcover book-length conversation, woven together with original illustrations and production images from Bottle Rocket, Rushmore, The Royal Tenenbaums, The Life Aquatic with Steve Zissou, The Darjeeling Limited, Fantastic Mr. Fox, and Moonrise Kingdom.

The result is a meticulously designed book that captures and reflects the spirit of Wes Anderson's movies: melancholy, playful, wise, and wonderfully unique.

Also available from Matt Zoller Seitz: The Oliver Stone Experience, The Wes Anderson Collection: Bad Dads, The Wes Anderson Collection: The Grand Budapest Hotel, and Mad Men Carousel.

About the Authors:

Matt Zoller Seitz, a finalist for the Pulitzer Prize in criticism, is the TV critic for New York Magazine and Vulture.com, as well as the editor-in-chief of RogerEbert.com.
A Brooklyn-based writer and filmmaker, Seitz has written, narrated, edited, or produced more than a hundred hours' worth of video essays about cinema history and style for The Museum of the Moving Image and The L Magazine, among other outlets. His five-part 2009 video essay, "Wes Anderson: The Substance of Style," was later spun off into a New York Times bestselling hardcover book series: The Wes Anderson Collection (Abrams, 2013) and The Wes Anderson Collection: The Grand Budapest Hotel (Abrams, 2015). 
Seitz is the founder and original editor of The House Next Door, now a part of Slant Magazine, and the publisher of Press Play, a blog of film and TV criticism and video essays. He is the director of the 2005 romantic comedy Home.
Michael Chabon is the Pulitzer Prize-winning author of many novels, the most recent being Telegraph Avenue. He lives in Berkeley, California, with his wife and four children.
Max Dalton is a graphic artist living in Buenos Aires, Argentina, by way of Barcelona, New York, and Paris. He has published a few books and illustrated some others, including The Wes Anderson Collection: The Grand Budapest Hotel (Abrams, 2015). Max started painting in 1977, and since 2008, he has been creating posters about music, movies, and pop culture, quickly becoming one of the top names in the industry.

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The Wes Anderson Collection: Isle of Dogs is the only book to take readers behind the scenes of the beloved auteur’s newest stop-motion animated film. ​

Through the course of several in-depth interviews with film critic Lauren Wilford, writer and director Wes Anderson shares the story behind Isle of Dogs’s conception and production, and Anderson and his collaborators reveal entertaining anecdotes about the making of the film, their sources of inspiration, the ins and outs of stop-motion animation, and many other insights into their moviemaking process. Previously unpublished behind-the-scenes photographs, concept artwork, and hand-written notes and storyboards accompany the text. The book also features an introduction by critics and collaborators Taylor Ramos and Tony Zhou, and a foreword by critic Matt Zoller Seitz. The fourth volume of the New York Times bestselling Wes Anderson Collection, Isle of Dogs stays true to the series with its rich design and colorful illustrations, capturing Anderson’s signature aesthetic vision and bringing the series's definitive study of Anderson's filmography up to date.

Isle of Dogs tells the story of Atari Kobayashi, a 12-year-old ward to corrupt Mayor Kobayashi. When, by Executive Decree, all the canine pets of Megasaki City are exiled to a vast garbage-dump called Trash Island, Atari sets off alone in a miniature Junior-Turbo Prop and flies across the river in search of his bodyguard-dog, Spots. There, with the assistance of a pack of newly-found mongrel friends, he begins an epic journey that will decide the fate and future of the entire Prefecture. The film features the voices of Bryan Cranston, Koyu Rankin, Edward Norton, Bob Balaban, Bill Murray, Jeff Goldblum, Kunichi Nomura, Akira Takayama, Greta Gerwig, Frances McDormand, F. Murray Abraham, Tilda Swinton, Akira Ito, Yoko Ono, Mari Natsuko, Harvey Keitel, Courtney B. Vance, Ken Watanabe, Scarlett Johnasson, Fisher Stevens, Nijiro Murakami, and Liev Schreiber.

About the Author:

Lauren Wilford and Ryan Stevenson are editors at Bright Wall/Dark Room, a magazine that publishes long-form, carefully considered takes on film. They have been married and collaborating since 2015, and are currently based in Providence, Rhode Island.

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The official behind-the-scenes companion to The French Dispatch and the latest volume in the bestselling Wes Anderson Collection series.

The French Dispatch - tenth feature film from writer-director Wes Anderson a love letter to journalists set at the titular American newspaper in the fictional 20th-century French city of Ennui-sur-Blasé. The film stars a number of Anderson's frequent collaborators, including Bill Murray as the newspaper's editor in chief; Owen Wilson, Tilda Swinton, and Frances McDormand, as well as new players Jeffrey Wright, Benicio del Toro, Elisabeth Moss, and Timothée Chalamet, who bring to life a collection of stories published in The French Dispatch magazine.

In this latest one-volume entry in The Wes Anderson Collection series - the only book to take readers behind the scenes of The French Dispatch-everything that goes into bringing Anderson's trademark style, meticulous compositions, and exacting production design to the screen is revealed in detail. Written by film and television critic and New York Times bestselling author Matt Zoller Seitz, The Wes Anderson Collection: The French Dispatch presents the complete story behind the film's conception, anecdotes about the making of the film, and behind-the-scenes photos, production materials, and artwork.

About the Author:

Matt Zoller Seitz is the editor in chief of RogerEbert.com; the TV critic for New York magazine; the author of The Wes Anderson Collection, The Wes Anderson Collection: The Grand Budapest Hotel, The Oliver Stone Experience, and Mad Men Carousel; and the coauthor of The Sopranos Sessions. He is based in New York City.

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This companion to the New York Times bestselling book The Wes Anderson Collection takes readers behind the scenes of the Oscar®-winning film The Grand Budapest Hotel with a series of interviews between writer/director Wes Anderson and movie/television critic Matt Zoller Seitz.

Learn all about the film's conception, hear personal anecdotes from the set, and explore the wide variety of sources that inspired the screenplay and imagery — from author Stefan Zweig to filmmaker Ernst Lubitsch to photochrom landscapes of turn-of-the-century Middle Europe. Also inside are interviews with costume designer Milena Canonero, composer Alexandre Desplat, lead actor Ralph Fiennes, production designer Adam Stockhausen, and cinematographer Robert Yeoman; essays by film critics Ali Arikan and Steven Boone, film theorist and historian David Bordwell, music critic Olivia Collette, and style and costume consultant Christopher Laverty; and an introduction by playwright Anne Washburn. Previously unpublished production photos, artwork, and ephemera illustrate each essay and interview.

The Wes Anderson Collection: The Grand Budapest Hotel stays true to Seitz's previous book on Anderson's first seven feature films, The Wes Anderson Collection, with an artful, meticulous design and playful, original illustrations that capture the spirit of Anderson's inimitable aesthetic. Together, they offer a complete overview of Anderson's filmography to date.

About the Authors:

Matt Zoller Seitz, a finalist for the Pulitzer Prize in criticism, is the TV critic for New York Magazine and Vulture.com, as well as the editor-in-chief of RogerEbert.com.
A Brooklyn-based writer and filmmaker, Seitz has written, narrated, edited, or produced more than a hundred hours' worth of video essays about cinema history and style for The Museum of the Moving Image and The L Magazine, among other outlets. His five-part 2009 video essay, "Wes Anderson: The Substance of Style," was later spun off into a New York Times bestselling hardcover book: The Wes Anderson Collection (Abrams, 2013). 
Seitz is the founder and original editor of The House Next Door, now a part of Slant Magazine, and the publisher of Press Play, a blog of film and TV criticism and video essays. He is the director of the 2005 romantic comedy Home.
Anne Washburn's plays include Mr. Burns, The Internationalist, A Devil at Noon, and a trans adaptation of Euripides’s Orestes. She lives in New York City and, occasionally, Buenos Aires.
Max Dalton is a graphic artist living in Buenos Aires, Argentina, by way of Barcelona, New York, and Paris. He has published a few books and illustrated some others, including The Wes Anderson Collection (Abrams, 2013). Max started painiting in 1977, and since 2008, he has been creating posters about music, movies, and pop culture, quickly becoming one of the top names in the industry.

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Originally an influential memo Vogler wrote for Walt Disney Animation executives regarding The Lion King, The Writer’s Journey details a twelve-stage, myth-inspired method that has galvanized Hollywood’s treatment of cinematic storytelling. A format that once seldom deviated beyond a traditional three-act blueprint, Vogler’s comprehensive theory of story structure and character development has met with universal acclaim, and is detailed herein using examples from myths, fairy tales, and classic movies. This book has changed the face of screenwriting worldwide over the last 25 years and continues to do so.

About the Author:

Christopher Vogler made documentary films as an Air Force officer before studying film production at the University of Southern California, where he encountered the ideas of mythologist Joseph Campbell and observed how they influenced the story design of 1977 s Star Wars. He worked as a story consultant in the development departments of 20th Century Fox, Walt Disney Pictures and Animation, and Paramount Pictures, and wrote an influential memo on Campbell s Hero s Journey concept that led to his involvement in Disney s Aladdin, The Lion King, and Hercules. After the publication of The Writer s Journey, he developed stories for many productions, including Disney s remake of 101 Dalmatians, Fox s Fight Club, Courage Under Fire, Volcano, and The Thin Red Line.

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As the Walt Disney Studio entered its first decade and embarked on some of the most ambitious animated films of the time, Disney hired a group of “concept artists” whose sole mission was to explore ideas and inspire their fellow animators.

They Drew as They Pleased showcases four of these early pioneers and features artwork developed by them for the Disney shorts from the 1930s, including many unproduced projects, as well as for Snow White and the Seven Dwarfs, Pinocchio, and some early work for later features such as Alice in Wonderland and Peter Pan. Intro¬ducing new biographical material about the artists and including largely unpublished artwork from the depths of the Walt Disney Archives and the Disney Animation Research Library, this volume offers a window into the most inspiring work created by the best Disney artists during the studio’s early golden age.

They Drew as They Pleased is the first in what promises to be a revealing and fascinating series of books about Disney’s largely unexamined concept artists, with six volumes span¬ning the decades between the 1930s and 1990s.

Copyright ©2015 Disney Enterprises, Inc. All rights reserved.

About the Author:

Didier Ghez is the author and editor of numerous books about the Disney studio and its artists, including the books in the Walt’s People series and in the They Drew as They Pleased series. In 2018, Ghez received the prestigious June Foray Award for significant and benevolent impact on the art and industry of animation. He lives in Coral Gables, Florida.

In the 1970s and 1980s, the Disney animation studio redefined its creative vision in the wake of Walt Disney’s death. This latest volume from renowned Disney historian Didier Ghez profiles Ken Anderson and Mel Shaw, whose work defined beloved classic Disney characters from films like The Jungle Book, The Aristocats, Robin Hood, and The Rescuers.

With vivid descriptions of passages from the artists’ autobiographies and interviews, accompanied by never-before-seen images of their art and process, this visually rich collection offers a rare view of the Disney leg­ends whose work helped shape the nature of character and story development for generations to come.

Copyright ©2019 Disney Enterprises, Inc. All Rights Reserved

About the Author:

Didier Ghez is the author and editor of numerous books about the Disney studio and its artists, including the books in the Walt’s People series and in the They Drew as They Pleased series. In 2018, Ghez received the prestigious June Foray Award for significant and benevolent impact on the art and industry of animation. He lives in Coral Gables, Florida.

Tim Burton: Designing Worlds is the official catalogue for the Design Museum exhibition opening in October 2024, as well as the first publication to explore the relationship between Tim Burton’s artistic creations and the world of design. The reader will be invited into an examination of what is now broadly referred to as the ‘Burtonesque’, exploring his iconic style and the impact his unique design aesthetic has on broader visual culture.

The catalogue will unpack Tim Burton’s distinctive visual language, exploring the intersection of gothic, carnivalesque and fantastical elements that define his cinematic masterpieces. Insightful essays by design experts and film critics, interspersed with images featured in the exhibition, will offer a deeper understanding of the director’s creative process, making this catalogue an homage to the role that design practice plays in the hauntingly beautiful worlds he creates.

"One advantage I think is my design sense. When you’re drawing, every element, every line, makes up what it is; and there is a feeling of that when I think about a shot." – Tim Burton