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This is a new edition of the diary kept by Federico Fellini, in which the great director faithfully recorded his dreams and nightmares.

A highly colourful journey into the boundless territory of a genius's imagination, this is a work that added a fundamental element to the study of Federico Fellini and his creative experience. From the late 1960s until 1990, the great director used this diary to represent his nocturnal visions in the form of drawings or, as he himself described them, "scribbles, rushed and ungrammatical notes."

Currently out of print, this new edition will include a critical introduction, as well as updated graphic design. It will be published in collaboration with the Municipality of Rimini as well as the Museo Nazionale del Cinema, the Centro Sperimentale di Cinematografia, and the Cineteca di Bologna (the three main Italian institutions in the field of cinema).

The volume will be released to coincide with the centenary of Federico Fellini's birth (January 2020), which will be celebrated in Italy with a travelling exhibition on the director that will start its journey from Milan in December 2019.

About the Authors:

Sergio Toffetti, born in Turin in 1951, is president of the Museo Nazionale del Cinema and has published essays on Italian and international cinema, and on the conservation and restoration of film. Felice Laudadio is president of the Fondazione Centro Sperimentale di Cinematografia in Rome. He has overseen numerous cinema events, such as MystFest, EuropaCinema, and RomaFictionFest. Gian Luca Farinelli has been director of the Cineteca of Bologna since 2000. In 1986 he created, together with Nicola Mazzanti, Il Cinema Ritrovato an event dedicated to the history of cinema and the activity of film libraries. Together with Martin Scorsese, Raffaele Donato, Thierry Frémaux, and Alberto Luna he founded the World Cinema Foundation, which brings together about twenty great international directors for the restoration of third-world films.

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Пролистать книгу Federico Fellini: The Book of Dreams

Beginning with a general overview of film noir and covering its most important themes chapter by chapter (lovers plan murder, corrupt police, doomed love, psychological noir, etc.), this copiously illustrated handbook provides instant and in-depth access to the film noir genre for amateurs and aficionados alike. Among the films covered are these "top ten": Double Indemnity, Kiss Me Deadly, Gun Crazy, Criss Cross, Detour, In A Lonely Place, T-Men, Out of the Past, The Reckless Moment, and Touch of Evil.

Shadows and smoke

Classic noir flicks of the 1940s-50s, illustrated and examined

Beginning with a general overview of film noir and covering its most important themes chapter by chapter (lovers plan murder, corrupt police, doomed love, psychological noir, etc.), this copiously illustrated handbook provides instant and in-depth access to the film noir genre for amateurs and aficionados alike. Among the films covered are these "top ten": Double Indemnity, Kiss Me Deadly, Gun Crazy, Criss Cross, Detour, In A Lonely Place, T-Men, Out of the Past, The Reckless Moment, and Touch of Evil.

Into the shadows. From The Cabinet of Dr. Caligari to Drive, 100 all-time favorite film noirs and neo-noirs

Enter a world populated by private eyes, gangsters, psychopaths, and femmes fatales, where deception, lust, and betrayal run rampant. The first film-by-film photography book on film noir and neo-noir, this essential collection begins with the early genre influencers of German and French silent film, journeys through such seminal works such as Double Indemnity, The Postman Always Rings Twice, and Vertigo, and arrives at the present day via Chinatown, Pulp Fiction, Heat, and the recent cult favorite Drive.

Entries include posters, tons of rare stills, cast/crew details, quotes from the films and from critics, and analyses of the films. Film director, film noir scholar, and Taxi Driver screenwriter Paul Schrader provides the introduction to this feast of noir worship. Populated by the genre’s most revered directors, like Hitchcock, Wilder, Welles, Polanski, Mann, and Scorsese, the book also pays homage to its iconic faces, including Mitchum, Bogart, Hayworth, Bergman, Grant, Bacall, Crawford, Nicholson, Pacino, and so many more.

The 70's gave the world "Star Wars, Grease", "The Godfather", "Mad Max", "Alien", "Taxi Driver", "Texas Chainsaw Massacure", "Halloween", "Rocky" and a very blood thirsty shark who changed human perception of sharks for decades to come named "Jaws". These films along with other greats fill this book. Roger Moore also took over from Connery as James Bond and Clint Eastwood made a heap of Westerns. Find them here as well.

The 1980s was a decade in which filmmakers pulled put all the stops to dazzle audiences and make them jump out of their seats. And just as they marked the development of the special effects technology that sparked a wave of blockbuster films, the Eighties also saw the advent of the cutting edge computer techniques used by graphic artists in the promotional posters for these unforgettable films. It was the decade when filmmakers finally had the technology to transfer their visions to the screen, challenging graphic artists and illustrators to catch up, and many of its most enduring images are represented in this volume: the glow behind the lenses of Arnold Schwarzenegger's gargoyle-framed sunglasses that characterized the monolithic menace of "The Terminator"; the sarcastically simple crossed-out cartoon ghost that enticed audiences into the theaters to see "Ghostbusters"; the silhouette of the mysterious, domino-clad stranger that haunts the unbalanced mind of "Mozart in Amadeus"; the wisp of cigarette smoke that bisects the image of Sean Young's stoic face on the poster for "Blade Runner"; and many more.

The poster art presented in this volume represents the work of a new generation of graphic artists and designers, equipped for the first time with a brand new technology, in collaboration with visionary filmmakers - from Spielberg to Kurosawa, from Cameron to Ramis, from Foreman to Attenborough - who continually managed to keep our eyes riveted to the screen.

Back in the USSR. 250 film posters capture the cultural energy of the pre-Stalin era

At the intersection of the visual, graphic, and cinematic arts, film posters are a unique and thrilling record of a particular cultural Zeitgeist. This book brings together 250 posters from the pre-Stalin Soviet Union of the 1920s and 1930s to explore the energy and invention of this period before Soviet Realism became the official art doctrine.

Drawn from the private collection of connoisseur Susan Pack, the selection includes the work of 27 different artists. From bold figuration to architectural elements, each artist displays a distinct style and aesthetic, as much as they collectively eschew the glamour of Hollywood for more stark, striking, even challenging images, often marked by unusual angles, dynamic compositions, and startling close-ups.

About the series:

Bibliotheca Universalis — Compact cultural companions celebrating the eclectic TASCHEN universe at an unbeatable, democratic price!

Since we started our work as cultural archaeologists in 1980, TASCHEN has become synonymous with accessible, open-minded publishing. Bibliotheca Universalis brings together more than 100 of our all-time favourite titles in a neat new format so you can curate your own affordable library of art, anthropology, and aphrodisia.

Bookworm’s delight — never bore, always excite!

Back in the USSR. 250 film posters capture the cultural energy of the pre-Stalin era

At the intersection of the visual, graphic, and cinematic arts, film posters are a unique and thrilling record of a particular cultural Zeitgeist. This book brings together 250 posters from the Soviet Union of the 1920s and early 1930s to explore the energy and invention of this period, before Soviet Realism became the official art doctrine.

Drawn from the private collection of connoisseur Susan Pack, the selection includes the work of 27 different artists. From bold figuration to architectural elements, each artist displays a distinct style and aesthetic, as much as they collectively eschew the glamour of Hollywood for more stark, striking, even challenging images, often marked by unusual angles, dynamic compositions, and startling close-ups.

About the Author:

Susan Pack graduated from Princeton in 1973. For 10 years she worked in advertising, latterly as senior copywriter at Saatchi & Saatchi in New York. She began collecting rare advertising posters in the 1970s, in due course acquiring one of the world’s foremost collections of avant-garde Russian film posters.

Actors often say they only really assume the identity of their character when they have donned the costumes painstakingly created for them by the costume designer. In this volume of the Filmcraft series, sixteen of the worlds greatest costume designers come together to share their inspiration and knowledge with the world. They provide insights into the challenges of building a team, working with budgets, and collaboration with production designers, actors and directors. Designers featured include Academy Award winners like Aggie Guerard Rodgers, Janty Yates and Lindy Hemming and nominees Julie Weiss and Mary Zophres, and BAFTA winner Michael Kaplan.

Ultimately responsible for the creative content on screen, directors are the captains of the ship on every film.

All actors and heads of department report to them. Some directors are also writers, employing unique styles of dialogue and characterisation; others, like Pedro Almodóvar, create inimitable visual and tonal styles which mark their films out from the crowd. Unlike the other volumes in the series, the directing book covers all the disciplines of the film art, from development and writing, to working with actors, designers and cinematographers, to postproduction and distribution.

Among the filmmakers giving glimpses of their processes in this volume will be US legend Clint Eastwood, Latin visonary Guillermo Del Toro as well as Park Chan-wook, Stephen Frears, Terry Gilliam, Susanne Bier, the Dardenne Brothers, Istvan Szabo, Amos Gitai and Paul Greengrass.

From The 400 Blows to Jules and Jim to The Last Metro, François Truffaut (1932-1984) practically defined the French cinema of his era and was one of the founders of the New Wave which took the industry by storm in the late 1950s. His endlessly touching and romantic films — always tinged by a touch of reflective sadness — made him one of France’s favorite and most successful directors. This book traces Truffaut’s career and includes rare images drawn from his archives.

From The 400 Blows to Jules and Jim to The Last Metro, François Truffaut (1932-1984) practically defined the French cinema of his era and was one of the founders of the New Wave which took the industry by storm in the late 1950s. His endlessly touching and romantic films — always tinged by a touch of reflective sadness — made him one of France`s favorite and most successful directors. This book traces Truffaut`s career and includes rare images drawn from his archives.

About the Series:

Every book in TASCHEN's Basic Film series features:

* an introduction to the director and coverage of every film he or she directed
* over 100 scenes from the movies, shots of the director at work, and film posters, with explanatory captions
* rare images from around the world
* informative text by acknowledged experts
* a chronology, filmography, and bibliography