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Alain Silver
ID: 1584
Издательство: Taschen

From birth, Katharine Hepburn seemed destined to become a symbol of the modern woman on stage, on-screen, and in the world.

Fiercely competitive, private, and independent, Hepburn was one part Olympic athlete Babe Didrikson, one part Amelia Earhart, and two parts Greta Garbo.

Although often paired with the greatest actors in Hollywood — Humphrey Bogart (The African Queen); Cary Grant (Bringing Up Baby), James Stewart (The Philadelphia Story), and Spencer Tracy (Adam`s Rib, Woman of the Year) — Hepburn was able to carry her own films like Summertime, Little Women, and Sylvia Scarlett over a stage and screen career that spanned eight decades.

Her home was never in Hollywood (where she won four Oscars) or New York but in Connecticut, where she died lamenting "I could have accomplished three times as much. I haven't realized my full potential."

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Jean Druesedow, Kohle Yohannon
ID: 9307
Издательство: Rizzoli

The first book to celebrate the irreverent and original style of Katharine Hepburn -- icon of stage and screen.

Glamorous when she wanted to be and tomboyish when she didn’t, Katharine Hepburn developed her personal style and public image as a style rebel. Whether on stage, on screen, or in private life, Hepburn had a firm grasp on the power of her appearance. Rather than submit to studio image makers, she controlled her image and drew on her own proclivities to create a distinct antifashion persona.

This book presents the famously headstrong star in a new light: as a style icon. Through images of Hepburn’s on-screen and off-screen wardrobes and essays by top fashion historians, this book reveals how modern Hepburn’s insouciance and idiosyncratic manner of dressing really was and shows her as an inspirational, self-styled counterpoint to the over-managed looks of celebrities today.

Full of never-before-published images of Hepburn’s costumes and personal wardrobe, Katharine Hepburn is a refreshing look at a true fashion original.

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Bob Willoughby
ID: 5375
Издательство: Merrell Publishers

A unique collection of photographs of one of the greatest and most beautiful Hollywood legends
A private album of photographs, taken during Elizabeth Taylor’s classic years by a trusted friend
Candid shots of Elizabeth Taylor’s personal life and images of the star on the sets of such films as Who’s Afraid of Virginia Woolf? and Raintree County
Bob Willoughby is one of the foremost iconographers of Hollywood’s greatest stars
Many of the photographs have never been published
Will appeal to fans everywhere of one of the most enduring idols of the silver screen

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Peter Cowie
ID: 1167
Издательство: Rizzoli

Louise Brooks has become one of the most spectacular icons of early cinema. Her distinctive "bob" haircut looks as modern as they did when she first appeared in films in 1925. Louise Brooks was born on November 14, 1906 in Cherryvale, Kansas, and by eighteen had established herself as a dancer with the Ziegfeld Follies, and was receiving film offers from both MGM and Paramount.

In 1928, she starred in William Wellman's Beggars of Life. Meanwhile, she was mingling with the high and mighty of Hollywood, having a passionate affair with Charlie Chaplin, spending weekends at William Randolph Hearst's castle and captivating such men as William S. Paley, the founder of CBS. Her brief, yet spectacular role in Howard Hawks' A Girl in Every Port impressed G.W. Pabst, the German maestro who was seeking an actress for his upcoming production, Pandora's Box. He rejected Marlene Dietrich in favor of Brooks, who went to Berlin and made not only Pandora's Box but also Diary of a Lost Girl, forever ensuring her status as a screen icon.

This exquisitely produced album celebrates Lulu with rare film footage stills, private photos, letters, interviews, and text by renowned film critic Peter Cowie, exploring this influential cult figure and abiding symbol of the Jazz Age.

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Bill Krohn
ID: 1418
Издательство: Taschen
Cinema has been a fortunate art form. It had the immense good fortune to seduce Orson Welles and Marcel Pagnol away from theatre, Pasolini and Jean Cocteau away from poetry, and Stanley Kubrick away from chess. It was a comparable stroke of luck that Luis Buñuel, one of the most brilliant representatives of the surrealist movement, chose to make films and was able to make them with unflagging fidelity to his principles for fifty years. After an audacious Parisian showing of Un Chien Andalou in 1929 (Buñuel carried stones in his pockets in case he needed them to fend off the audience), Buñuel’s subsequent career in Spain (Las Hurdes), Hollywood and Mexico (Los Olvidados, Robinson Crusoe, El, Nazarin) before returning to France (Diary of a Chambermaid, Belle de jour, The Discreet Charm of the Bourgeoisie, That Obscure Object of Desire), showed that the only subjects he cared to make films about were the three that are never supposed to be discussed in polite society: sex, religion, and politics. This book was made with full access to Luis Buñuel’s archives.
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Dominique Mainon, James Ursini
ID: 4721
Издательство: Taschen

The statue of libido

In terms of celebrity icons, few attained the highest levels of fame and controversy as rapidly as Mae West. Labeled a "pornographer" by censorship boards, she was also one of 1930s Hollywood’s most lucrative box-office draws (causing Variety in 1933 to label the star "as hot an issue as Hitler"). Nicknamed by critic George Jean Nathan "the Statue of Libido" and paid homage to in the title song of Cole Porter's musical Anything Goes, her voluptuous image and signature platinum blond air became recognizable worldwide and for decades beyond her prime years of fame in the 1930s. In fact, even by the 1960s when the Beatles wanted to use her image on the cover of their Sgt. Pepper’s Lonely Hearts Club Band album, those long-haired icons of a new generation were required to deliver a handwritten plea to the icon (which they dutifully did), since West herself always objected, as she said, to belonging to any "lonely hearts club."

The Movie Icon series: People talk about Hollywood glamour, about studios that had more stars than there are in heaven, about actors who weren't actors but were icons. Other people talk about these things, TASCHEN shows you. Movie Icons is a series of photo books that feature the most famous personalities in the history of cinema. These 192-page books are visual biographies of the stars. For each title, series editor Paul Duncan has painstaking selected approximately 150 high quality enigmatic and sumptuous portraits, colorful posters and lobby cards, rare film stills, and previously unpublished candid photos showing the stars as they really are. These images are accompanied by concise introductory essays by leading film writers; each book also includes a chronology, a filmography, and a bibliography, and is peppered with apposite quotes from the movies and from life.

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Nick Yapp
ID: 9027
Издательство: Endeavour London Ltd

Beautifully illustrated with rare and unpublished material, Marilyn recounts the life of one of America's most loved actresses. This is the unseen and beloved Marilyn from childhood to Hollywood from beautiful starlet to wife of the nation's greatest sporting hero, one of its most acclaimed intellectuals and lover of a President..

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Norman Mailer, Bert Stern
ID: 9355
Издательство: Taschen

Three legends. "Monroe" by Mailer and Stern.

Now TASCHEN has paired Mailer's original text with Bert Stern's photographs from the legendary "Last Sitting" - widely considered the most intimate photographs of Monroe ever taken - to create a fitting tribute to the woman who, at the time of her death in 1962, was the world's most famous, a symbol of glamour and criticism for an entire generation. But though she was feted and adored by her public, her private life was that of a little girl lost, desperate to find love and security.

Mailer's Marilyn is beautiful, tragic, and complex. As Mailer reflects upon her life - from her bleak childhood through to the mysterious circumstances of her death - she emerges as a symbol of the bizarre decade during which she reigned as Hollywood's greatest female star.

This book, conceived by Lawrence Schiller, Mailer's collaborator on five works, combines the author's masterful text with Stern's penetrating images of the 36-year-old Marilyn. Photographed for "Vogue" magazine over three days at the Bel-Air Hotel, Marilyn had never allowed such unfettered access, nor had she looked so breathtakingly beautiful. Six weeks later, mysteriously, she was dead. In this bold synthesis of literary classic and legendary portrait sitting, Mailer and Stern lift the veils of confusion surrounding Monroe - the woman, the star, the sex symbol - and offer profound insight into an iconic figure whose true personality remains an enigma even today.

First published as a TASCHEN limited collector's edition, this book is now available in a popular hardcover version, published on the 50th anniversary of Bert Stern's "Last Sitting" and of Marilyn Monroe's death, August 5, 1962.

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Marie Clayton
ID: 9026
Издательство: Pulteney Press

Marilyn Monroe, born Norma Jeane Mortenson - American actress, singer, model and film producer was one of the most iconic stars of the 20th century. She became known as one of Hollywood`s greatest sex symbols, was praised for her comedic ability in such films as Gentlemen Prefer Blondes, and won a Golden Globe for her performance in Some Like It Hot. Monroe was hailed as one of the greatest female stars of all time by the American Film Institute. This book charts the extraordinary life of this Hollywood legend, from her early life through her illustrious career, with rare and classic photographs.

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F. X. Feeney
ID: 3042
Издательство: Taschen

"Forget everything you think you know about this person," Elia Kazan cautioned, in his autobiography. The icon we cherish under the name Marilyn Monroe was in truth the inspired creation of a smart, voluptuous, star struck and self-motivated fantasist named Norma Jean Mortenson. A pure product of Hollywood, she abides across time as brightly as two other self-inventors, Charlie Chaplin and Cary Grant. Few things make an afterlife blaze more mythically than a sexual reputation - ask Cleopatra. Norma Jean paid a huge price to become Marilyn, yet here she is - still setting the bar high for all other would-be goddesses.

The Movie Icon series: People talk about Hollywood glamour, about studios that had more stars than there are in heaven, about actors who weren't actors but were icons. Other people talk about these things, TASCHEN shows you. Movie Icons is a series of photo books that feature the most famous personalities in the history of cinema. These 192-page books are visual biographies of the stars. For each title, series editor Paul Duncan has painstaking selected approximately 150 high quality enigmatic and sumptuous portraits, colorful posters and lobby cards, rare film stills, and previously unpublished candid photos showing the stars as they really are. These images are accompanied by concise introductory essays by leading film writers; each book also includes a chronology, a filmography, and a bibliography, and is peppered with apposite quotes from the movies and from life.

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Pierre-Henri Verlhac
ID: 4006
Издательство: Anova

Icon, legend, actress, star - all these words can be used to describe Marilyn Monroe and yet they simply do not do her justice, because she was so much more.

Norma Jean has inspired and created more headlines than any other movie actress - yet her marriages, affairs and life choices all distract us from the talent of this very beautiful woman. Part of the successful " Life in pictures" series, this book presents Marilyn at her very best. Following her from toddler to teen, to one of Hollywood's best-loved celebrities, we gain a unique insight into her life, loves and career.

Over 160 pictures represent impressive iconographic research, including personal photos, images from national archives, private collections and press agencies - some not published before. Famous quotes on and from Monroe further reveal the thoughts of her closest friends, collaborators and admirers.

This is both a unique collection and a visual reminder of why Marilyn has endured as one of our most fascinating and best-loved Hollywood stars. 

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David Wills
ID: 8458
Издательство: Harper Collins Publishers

There have been many Marilyn Monroe photo books - but nothing like this.

Curator and photographic preservationist David Wills has amassed one of the world’s largest independent archives of original Marilyn Monroe photographs. Now, in Marilyn Monroe: Metamorphosis, he has gathered spectacular, museum-quality work from Marilyn’s key photographers - Richard Avedon, George Barris, Cecil Beaton, Bernard of Hollywood, Andre de Dienes, Elliott Erwitt, Milton Greene, Philippe Halsman, Tom Kelley, Douglas Kirkland, Willy Rizzo, Sam Shaw, and many others - to create this dazzling portfolio of images from every period of Marilyn Monroe’s adult life, from her wedding day in 1942 till just weeks before her death two decades later. Marilyn Monroe: Metamorphosis pays homage to her continually evolving style and extraordinary beauty.

Among the highlights:

Previously unseen Kodachrome, dye transfer, and Carbro prints of Norma Jeane from her modeling career.

Classic portraits and pinups in luscious full color, digitally restored from the original transparencies.

Never-before-seen photos from the sets of The Seven Year Itch, Some Like It Hot, The Misfits, and Something’s Got to Give.

Rare candids of Marilyn with Marlon Brando, Clark Gable, Humphrey Bogart, Lauren Bacall, Ronald and Nancy Reagan, Queen Elizabeth II, Joe DiMaggio, Arthur Miller, and others.

Previously unpublished photos by Richard Avedon, George Barris, Cecil Beaton, David Conover, Elliott Erwitt, John Florea, Tom Kelley, Richard C. Miller, Frank Powolny, Willy Rizzo, Zinn Arthur, and many others.

Pairing more than two hundred first-generation photos with reflections on Marilyn from her friends, work associates, and admirers—and including her last interview, in which she reflects on her life and fame—Marilyn Monroe: Metamorphosis is an unforgettable showcase of the actress’s transformation from an unknown factory worker to one of the most recognized faces in history.

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James Ursini
ID: 1583
Издательство: Taschen

Marlene Dietrich once said, "I am not a myth." But by referencing the term, Dietrich only reinforces the fact more emphatically. For, using almost any common dictionary definition of that word, Dietrich is a myth. Her image was fashioned by director Josef von Sternberg in films like The Blue Angel, Shanghai Express, and The Scarlet Empress, after which she maintained a Hollywood career that included Destry Rides Again, Rancho Notorious, and an accomplished performance in Billy Wilder's Witness for the Prosecution. She has been an object of worship to millions throughout the decades, up to and including this jaded, post-modern 21st century. She is the "intellectual's pin up girl," as author Herman G. Weinberg called her, of filmmakers and film critics alike. She is the "Monstre Sacre" as one of her recent biographers has labeled her. She is her own "Superior Product," (her daughter's words) manufactured and refined in her fertile brain. In other words, Marlene Dietrich is an icon for all ages.

The Movie Icon series: People talk about Hollywood glamour, about studios that had more stars than there are in heaven, about actors who weren't actors but were icons. Other people talk about these things, TASCHEN shows you. Movie Icons is a series of photo books that feature the most famous personalities in the history of cinema.

These 192-page books are visual biographies of the stars. For each title, series editor Paul Duncan has painstaking selected approximately 150 high quality enigmatic and sumptuous portraits, colorful posters and lobby cards, rare film stills, and previously unpublished candid photos showing the stars as they really are. These images are accompanied by concise introductory essays by leading film writers; each book also includes a chronology, a filmography, and a bibliography, and is peppered with apposite quotes from the movies and from life.

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F. X. Feeney
ID: 3001
Издательство: Taschen
Had he not been an actor, Marlon Brando once wrote, he would have become a criminal - specifically, a con artist. Take him at his word. Too many complain that Brando, the greatest actor of his generation, wasted his life in futile rebellions and left far too few masterworks in his wake, especially measured against his potential; but considering his sincere confession of criminal potential, we can be grateful for the little we do have. The actor who starred so unforgettably in A Streetcar Named Desire, The Wild One, On the Waterfront, The Godfather, Apocalypse Now, and Last Tango in Paris certainly owes no apologies to posterity.
 
The Movie Icon series: People talk about Hollywood glamour, about studios that had more stars than there are in heaven, about actors who weren't actors but were icons. Other people talk about these things, TASCHEN shows you. Movie Icons is a series of photo books that feature the most famous personalities in the history of cinema. These 192-page books are visual biographies of the stars. For each title, series editor Paul Duncan has painstaking selected approximately 150 high quality enigmatic and sumptuous portraits, colorful posters and lobby cards, rare film stills, and previously unpublished candid photos showing the stars as they really are. These images are accompanied by concise introductory essays by leading film writers; each book also includes a chronology, a filmography, and a bibliography, and is peppered with apposite quotes from the movies and from life.
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Douglas Keesey
ID: 3038
Издательство: Taschen

"The surprising thing about this film was that I succeeded in not going crazy," said director Leo McCarey about working with the manic Marx Brothers on Duck Soup. The madcap antics of Groucho, Chico, Harpo, and (sometimes) Zeppo have driven audiences wild with laughter in such unforgettable films as A Night at the Opera and A Day at the Races. Whether it's wise-cracking Groucho with his big cigar and bushy eyebrows, street-smart Chico with his fake Italian accent, or skirt-chasing Harpo honking his horn, the Marx Brothers' inimitable and irrepressible humor continues to inspire us today.

The Movie Icon series: People talk about Hollywood glamour, about studios that had more stars than there are in heaven, about actors who weren't actors but were icons. Other people talk about these things, TASCHEN shows you. Movie Icons is a series of photo books that feature the most famous personalities in the history of cinema. These 192-page books are visual biographies of the stars. For each title, series editor Paul Duncan has painstaking selected approximately 150 high quality enigmatic and sumptuous portraits, colorful posters and lobby cards, rare film stills, and previously unpublished candid photos showing the stars as they really are. These images are accompanied by concise introductory essays by leading film writers; each book also includes a chronology, a filmography, and a bibliography, and is peppered with apposite quotes from the movies and from life.

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