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Phil Szostak, Doug Chiang
ID: 14681
Издательство: Abrams

his official behind-the-scenes companion to the Disney+ Star Wars series The Mandalorian features exclusive concept art, character and costume sketches, and vehicle and creature designs.

The Art of Star Wars: The Mandalorian takes fans behind the scenes of the first-ever live-action Star Wars television seriesFilled with concept art, sketches, and interviews with key cast, crew, and creatives, including executive producer/showrunner/writer Jon Favreau and executive producer/director Dave Filoni, The Art of Star Wars: The Mandalorian will provide readers with an exclusive look at a whole new universe of Star Wars characters, locations, and vehicles.

Premiering in November 2019 as a key launch title for Disney+, The Mandalorian follows the adventures of galactic gunslinger Din Djarin and the Child as they traverse the outer systems of the galaxy and evade remnants of the Empire. Readers will encounter early visual and conceptual ideas for these new characters and unexplored frontiers, filled with crime syndicates, bounty hunters, and smugglers. The gritty, lived-in cantinas and spaceports are populated by a talented cast that includes Pedro Pascal (Game of Thrones), Werner Herzog (FitzcarraldoGrizzly Man), Nick Nolte (48 Hours), Gina Carano (HaywireDeadpool), Giancarlo Esposito (Breaking Bad), and Carl Weathers (Rocky).

About the Authors:

Lucasfilm creative art manager Phil Szostak has worked in conjunction with Star Wars art departments since 2008. A graduate of the School of Visual Arts in New York, Szostak ran the JAK Films Art Department at Skywalker Ranch for more than three years before joining the narrative design team on LucasArts’ Star Wars: 1313. He is also the author of The Art of Star Wars: The Force Awakens (Abrams, 2015), The Art of Star Wars: The Last Jedi (Abrams, 2017), The Art of Star Wars: The Rise of Skywalker (Abrams, 2020), and The Art of Star Wars: The Mandalorian, Season Two (Abrams, 2022). He lives in San Francisco. 

Doug Chiang is an Academy Award®–winning artist, author, and production designer. As creative director for Industrial Light & Magic, he served as visual effects art director of films such as Terminator 2: Judgment DayThe Mask, and Forrest Gump. In 1995, George Lucas personally selected Chiang to serve as head of the Lucasfilm art department for seven years on Star Wars: Episodes I and II. He left Lucasfilm in 2002 to form his own design studio, IceBlink Studios. Chiang returned to Lucasfilm in 2013 to work on Star Wars: The Force Awakens and currently serves as Lucasfilm VP and executive creative director. He served as production designer and design supervisor on The Mandalorian seasons one and two.

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Phil Szostak, Doug Chiang
ID: 15029
Издательство: Abrams

his official behind-the-scenes companion to the Disney+ Star Wars series The Mandalorian features exclusive concept art, character and costume sketches, and vehicle and creature designs.

The Art of Star Wars: The Mandalorian takes fans behind the scenes of the first-ever live-action Star Wars television seriesFilled with concept art, sketches, and interviews with key cast, crew, and creatives, including executive producer/showrunner/writer Jon Favreau and executive producer/director Dave Filoni, The Art of Star Wars: The Mandalorian will provide readers with an exclusive look at a whole new universe of Star Wars characters, locations, and vehicles.

Premiering in November 2019 as a key launch title for Disney+, The Mandalorian follows the adventures of galactic gunslinger Din Djarin and the Child as they traverse the outer systems of the galaxy and evade remnants of the Empire. Readers will encounter early visual and conceptual ideas for these new characters and unexplored frontiers, filled with crime syndicates, bounty hunters, and smugglers. The gritty, lived-in cantinas and spaceports are populated by a talented cast that includes Pedro Pascal (Game of Thrones), Werner Herzog (FitzcarraldoGrizzly Man), Nick Nolte (48 Hours), Gina Carano (HaywireDeadpool), Giancarlo Esposito (Breaking Bad), and Carl Weathers (Rocky).

About the Authors:

Lucasfilm creative art manager Phil Szostak has worked in conjunction with Star Wars art departments since 2008. A graduate of the School of Visual Arts in New York, Szostak ran the JAK Films Art Department at Skywalker Ranch for more than three years before joining the narrative design team on LucasArts’ Star Wars: 1313. He is also the author of The Art of Star Wars: The Force Awakens (Abrams, 2015), The Art of Star Wars: The Last Jedi (Abrams, 2017), The Art of Star Wars: The Rise of Skywalker (Abrams, 2020), and The Art of Star Wars: The Mandalorian, Season Two (Abrams, 2022). He lives in San Francisco. 

Doug Chiang is an Academy Award®–winning artist, author, and production designer. As creative director for Industrial Light & Magic, he served as visual effects art director of films such as Terminator 2: Judgment DayThe Mask, and Forrest Gump. In 1995, George Lucas personally selected Chiang to serve as head of the Lucasfilm art department for seven years on Star Wars: Episodes I and II. He left Lucasfilm in 2002 to form his own design studio, IceBlink Studios. Chiang returned to Lucasfilm in 2013 to work on Star Wars: The Force Awakens and currently serves as Lucasfilm VP and executive creative director. He served as production designer and design supervisor on The Mandalorian seasons one and two.

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Phil Szostak
ID: 12680
Издательство: Abrams

The official behind-the-scenes concept, production, and post-production art for Star Wars: The Rise of Skywalker.

Go inside the creative process behind the most anticipated film of the century. The latest trilogy in the Star Wars film series brings the Skywalker Saga to a close and The Art of The Rise of Skywalker will take readers into the creative process behind visualizing the epic worlds, creatures, characters, costumes, weapons and vehicles of the landmark conclusion more than 40 years in the making.

About the Author

Lucasfilm creative art manager Phil Szostak has worked in conjunction with Star Wars art departments since 2008. A graduate of the School of Visual Arts in New York, Szostak ran the JAK Films Art Department on Skywalker Ranch for more than three years before joining the narrative design team on LucasArts’s Star Wars: 1313. He is also the author of The Art of Star Wars: The Force Awakens (Abrams, 2015); The Art of Star Wars: The Last Jedi (Abrams, 2017) and The Art of Solo: A Star Wars Story (Abrams, 2018)

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Phil Szostak
ID: 14867
Издательство: Abrams

The official behind-the-scenes concept, production, and post-production art for Star Wars: The Rise of Skywalker.

Go inside the creative process behind the most anticipated film of the century. The latest trilogy in the Star Wars film series brings the Skywalker Saga to a close and The Art of The Rise of Skywalker will take readers into the creative process behind visualizing the epic worlds, creatures, characters, costumes, weapons and vehicles of the landmark conclusion more than 40 years in the making.

About the Author

Lucasfilm creative art manager Phil Szostak has worked in conjunction with Star Wars art departments since 2008. A graduate of the School of Visual Arts in New York, Szostak ran the JAK Films Art Department on Skywalker Ranch for more than three years before joining the narrative design team on LucasArts’s Star Wars: 1313. He is also the author of The Art of Star Wars: The Force Awakens (Abrams, 2015); The Art of Star Wars: The Last Jedi (Abrams, 2017) and The Art of Solo: A Star Wars Story (Abrams, 2018)

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Charles Solomon
ID: 13811
Издательство: Abrams

The official behind-the-scenes art book for four-time Academy Award-nominated animation studio Cartoon Saloon’s and their co-producer Melusine’s stunning new animated fantasy adventure, WolfWalkers

Cartoon Saloon, the Irish animation studio behind the Academy Award-nominated films The Secret of Kells (2009), Song of the Sea (2014), and The Breadwinner (2017), and their co-producer Melusine Productions, returns in 2020 with their latest feature, WolfWalkers, directed by Tomm Moore and Ross Stewart. To be released later this year theatrically, followed by streaming on Apple TV+, this mythic tale tells the story of a young hunter named Robyn, and her unlikely friendship with a wild girl living among wolves. Filled with exclusive hand-drawn sketches, paintings, interviews, and digital renderings that showcase Cartoon Saloon’s unique artistic style, The Art of WolfWalkers takes fans behind the scenes of one of animation’s most celebrated studios.

Through exclusive commentary and interviews with cast and crew, renowned animation critic and historian Charles Solomon showcases the craft and skill behind some of the most lovingly detailed and imaginative 2-D animation currently being produced. Featuring a foreword by award-winning animator James Baxter and an afterword by Cartoon Saloon cofounder and codirector of WolfWalkers Tomm Moore and codirector Ross Stewart, The Art of WolfWalkers is a must-have for animation fans everywhere.

About the Author: 

Charles Solomon is the author of more than a dozen books on the art and making of animated films and television specials, as well as a lecturer in animation at the UCLA School of Theater, Film and Television. He lives in Los Angeles.

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Maggie Malone, Jennifer Lee Monn
ID: 12587
Издательство: Chronicle Books

In Wreck-It Ralph, Disney’s team of artists explores the hidden world of video games, from classic 8-bit arcade games to the most modern of the digital age. 

Wreck-It Ralph is a bad guy who breaks all the rules of the arcade when he sets off on a mission to prove he can be a good guy. This behind-the-scenes look at Disney’s 3-D animated comedy adventure features character sketches, storyboards, colour-scripts, and more. Capturing the artistic journey of the film through interviews with the film’s many artists — plus a foreword by director Rich Moore and a preface by John Lasseter — The Art of Wreck-It Ralph is a treat for video game and animation lovers alike.

About the Authors:

Maggie Malone is director of development at Walt Disney Animation Studios, where she has worked on films including Tangled, Tinker Bell, and The Princess and the Frog.

Jennifer Lee Monn worked in book publishing for eight years before becoming a filmmaker. She co-wrote the screenplay for Disney’s Wreck-It Ralph with Phil Johnston.

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Paul Duncan
ID: 13044
Издательство: Taschen

Brilliance in a bowler hat. Delving into the archives of slapstick genius

Three years in the making, and leaving no document unturned in the vast Chaplin archives, this XL tome follows the making of every one of Chaplin’s films. Featuring personal letters and memos, sketches, storyboards, posters, on-set photos, and oral history from Chaplin and some of his closest collaborators, it reveals the impromptu invention as well as the meticulous planning that together made Chaplin the first international film star. A precious 12 frame strip from City Lights (1931), cut from a 35 mm print in Chaplin’s archives, is included in the first print run.

Within a year of arriving in Hollywood in 1914, British-born Charlie Chaplin had become the slapstick king of America. By the end of his second year on the silver screen, Chaplin’s fame had spread worldwide. He was the first international film star and rapidly one of the richest men in the world, with a million-dollar contract, his own studio and his stock company of close collaborators. From Alaska to Zimbabwe, the bowler hat, cane, baggy trousers and outsized shoes of the Tramp became, and remains an instantly recognizable silhouette.

With unrestricted access to the Chaplin archives, TASCHEN presents the ultimate book on the making of every one of his films. With 900 images, including stills, memos, storyboards and on-set photos, as well as interviews with Chaplin and his closest collaborators, it reveals the process behind the Chaplin genius, from the impromptu invention of early shots to the meticulous retakes and reworking of scenes and gags in his classic movies: The Kid (1921), The Gold Rush (1925), The Circus (1928), City Lights (1931), Modern Times (1936), and the provocative Hitler parody The Great Dictator (1940).

The book includes:

- The Chaplin life history in words and pictures
- 900 images including many previously unseen stills, on-set photos, memos, documents, storyboards, posters, and designs, plus scripts and images for unmade films
- An oral history, told from the point of view of Chaplin himself, drawing upon his extensive writings, many of which have never been reprinted before.
- Supplementary interviews with some of his closest collaborators.
- Material from over 150 books of press clippings in Chaplin’s archives, which range from his early days in music halls to his death
- Chaplin’s short films, from Making a Living (1914) to The Pilgrim (1923), as well as all of his feature-length movies, from The Kid (1921) to A Countess from Hong Kong (1967)
- The first print run of 10,000 copies includes a precious 12 frame strip from City Lights (1931), cut from a 35 mm print in Chaplin’s archives.

Documents from the Chaplin Archives Property and Copyright of Roy Export Company Establishment, scanned by Cineteca di Bologna

The editor:

Paul Duncan is a film historian whose TASCHEN books include The James Bond Archives, The Charlie Chaplin Archives, The Godfather Family Album, Taxi Driver, Film Noir, and Horror Cinema, as well as publications on film directors, film genres, movie stars, and film posters.

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Paul Duncan
ID: 14442
Издательство: Taschen

Brilliance in a Bowler Hat. Delving into the archives of slapstick genius

Within a year of arriving in Hollywood in 1914, British-born Charlie Chaplin had become the slapstick king of America. By the end of his second year on the silver screen, Chaplin’s fame had spread worldwide. He was the first international film star and rapidly one of the richest men in the world, with a million-dollar contract, his own studio and his stock company of close collaborators. From Alaska to Zimbabwe, the bowler hat, cane, baggy trousers and outsized shoes of the Tramp became, and remains, an instantly recognizable silhouette.

With unrestricted access to the Chaplin archives, TASCHEN presents the ultimate book on the making of every one of his films. With 900 images, including stills, memos, storyboards and on-set photos, as well as interviews with Chaplin and his closest collaborators, it reveals the process behind the Chaplin genius, from the impromptu invention of early shots to the meticulous retakes and reworking of scenes and gags in his classic movies: The Kid (1921), The Gold Rush (1925), The Circus (1928), City Lights (1931), Modern Times (1936), and the provocative Hitler parody The Great Dictator (1940).

The book includes:

- The Chaplin life history in words and pictures
- 900 images including many previously unseen stills, on-set photos, memos, documents, storyboards, posters, and designs, plus scripts and images for unmade films
- An oral history, told from the point of view of Chaplin himself, drawing upon his extensive writings, many of which have never been reprinted before.
- Supplementary interviews with some of his closest collaborators.
- Material from over 150 books of press clippings in Chaplin’s archives, which range from his early days in music halls to his death
- Chaplin’s short films, from Making a Living (1914) to The Pilgrim (1923), as well as all of his feature-length movies, from The Kid (1921) to A Countess from Hong Kong (1967)

The editor:

Paul Duncan is a film historian whose TASCHEN books include The Star Wars ArchivesThe James Bond ArchivesThe Charlie Chaplin ArchivesThe Godfather Family AlbumTaxi DriverFilm Noir, and Horror Cinema, as well as publications on film directors, film genres, and movie stars.

Images and documents from the Chaplin Archives, © and/or Property of The Roy Export Company Ltd., scanned by Cineteca di Bologna

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Paul Duncan (Editor), Steve Schapiro (Photographer)
ID: 3590
Издательство: Taschen

Selections from Steve Schapiro's photographs provide an insider's view of the making of the legendary trilogy.This edition is limited to 1,000 copies, each numbered and signed by Steve Schapiro.

Imagine the experience of witnessing renowned actors as they made their most memorable performances. Steve Schapiro has had such a privilege as special photographer on some of American cinema's most beloved movies. For Francis Ford Coppola's Godfather trilogy, Schapiro immortalized actors such as Marlon Brando, Al Pacino, Robert De Niro, James Caan, Robert Duvall, and Diane Keaton. His photographs of the Godfather holding the cat and the whisper in the Godfather's ear have become iconic images known throughout the world. Brought together in a book for the first time is a vast selection of images from all three Godfather films, reproduced from Schapiro's original negatives.

This lavish, limited edition book, which also includes background articles and interviews about the films, contains over 400 color and black & white images, most of which have never been published before. It allows fans a privileged peek behind the scenes at the making of film history and it truly is a once-in-a-lifetime offer you can't refuse.

 

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Paul Duncan, Steve Schapiro
ID: 5643
Издательство: Taschen

As special photographer on the sets and locations of Francis Ford Coppola's The Godfather trilogy, Steve Schapiro had the remarkable experience of witnessing legendary actors giving some of their most memorable performances.

Schapiro immortalized Marlon Brando, Al Pacino, Robert De Niro, James Caan, Robert Duvall and Diane Keaton in photos that have since become iconic images, instantly recognisable and endlessly imitated. Gathered together for the first time in this book are Schapiro's finest photographs from all three Godfather films, lovingly reproduced from the original negatives. With contextual essays and interviews covering the trilogy in its entirety, this book contains over 400 color and black & white images.

Schapiro's images take us behind the scenes of this epic and inimitable cinematic saga, revealing the director's working process, capturing the moods and personalities involved, and providing insight into the making of movie history.

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Paul Duncan (Editor), Bengt Wanselius (Editor)
ID: 4263
Издательство: Taschen

On November 24, 2008 The Ingmar Bergman Archives editors Paul Duncan and Bengt Wanselius won the August Prize 2008 for the Best Non-Fiction Book published in Sweden. This is the most prestigious literary prize in Sweden, voted for by booksellers and librarians throughout the country.

The complete works of Ingmar Bergman: an homage to one of the most esteemed film and theater artists of all time, began in cooperation with Bergman himself and made with full access to his archives

Since 1957, when he released The Seventh Seal and Wild Strawberries, Ingmar Bergman has been one of the leading figures in international cinema. In a career that spanned 60 years, he wrote, produced, and directed 50 films that defined how we see ourselves and how we interact with the people we love, in films like Persona, Scenes from a Marriage, and Fanny and Alexander.

Before his death in 2007, Bergman gave TASCHEN and the Swedish publishing house Max Ström complete access to his archives at The Bergman Foundation, and permission to reprint his writings and interviews, many of which have never been seen outside of Sweden. Picture researcher Bengt Wanselius, who was Bergman’s photographer for 20 years, scoured photo archives all over Sweden, discovered previously unseen images from Bergman’s films, and selected unpublished images from the personal archives of many photographers. Text editor Paul Duncan gathered a team of Bergman experts as contributing editors - Peter Cowie and Bengt Forslund (for film/TV), and Ulla Åberg & Birgitta Steene (for theater) - who have researched and written a narrative that, for the first time, will combine all of Bergman’s working life in film and theater. Such is the depth of Bergman’s writings that most of the story is told in his own words. This book also features a new introduction by Bergman’s close friend, actor and collaborator Erland Josephson, as well as a DVD full of rare and previously unseen material, and an original film strip from Fanny and Alexander.

The publishers have been given complete access to the files and archives of the Swedish Film Institute, Svensk Filmindustri, Sveriges Television, and the Royal Dramatic Theater, as well as many other institutions, publishers, and newspapers, making this not only the most complete book ever published on Ingmar Bergman, but also about an individual director.

Special bonuses

* an original film strip from a copy of Fanny and Alexander (1982) that has been played on Bergman’s own film projector.
* a DVD containing over 110 minutes of new and rare documentary footage: Bergman’s On Set Home Movies (18 mins, with commentary by Marie Nyreröd); Behind the scenes of Autumn Sonata (20 mins); An Image Maker (32 mins), behind the scenes of The Image Makers by Bengt Wanselius; and A Video Diary of Saraband (44 mins), assistant director Torbjörn Ehrnvall’s video diary from Bergman’s last film, in which Bergman talks about his life and work.

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Paul Duncan
ID: 9449
Издательство: Taschen

Shaken, not stirred. The ultimate book on all things Bond

"Bond, James Bond." Since Sean Connery uttered those immortal words in 1962, the most dashing secret agent in the history of cinema has been charming and thrilling audiences worldwide. This impeccably British character created by author Ian Fleming has starred in 23 EON-produced films, played by 6 different actors over five decades.

To celebrate 50 years of this innovative franchise, EON Productions opened their archives of photos, designs, storyboards, and production materials to editor Paul Duncan, who spent two years researching over one million images and 100 filing cabinets of documentation. The result is the most complete account of the making of the series, covering every James Bond film ever made, beginning with Dr. No (1962) and ending with Skyfall (2012), including the spoof Casino Royale (1967) and Never Say Never Again (1983).

The stunning imagery is accompanied by an oral history recounted by over 150 cast and crew members, relating the true inside story of how the Bond films were made. Containing previously unpublished photography and artwork, as well as production memos from filming, this book is a comprehensive tribute to the legend of James Bond

- Celebrating the 50th anniversary of the most successful and longest-running film franchise in cinema history!
- Made with unrestricted access to the Bond archives, this XL tome recounts the entire history of James Bond in words and pictures
- Among the 1,100 images are many previously unseen stills, on-set photos, memos, documents, storyboards, posters, and designs, plus unused concepts, and alternative designs
- Behind-the-scenes stories from the people who were there: producers, directors, actors, screenwriters, production designers, special effects technicians, stuntmen, and other crew members
- Includes every Bond film ever made, from Dr. No (1962) to Skyfall (2012)

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Piers Bizony
ID: 13432
Издательство: Taschen

Hello, HAL. On the set of 2001: A Space Odyssey

Part visual majesty, part meticulous science, part limitless imagination. Previously available as part of the multi-volume and instant sell-out Collector's Edition, this exhaustive compendium of photographs, pre-production paintings, and conceptual designs explores the genius behind 2001: A Space Odyssey, the sci-fi classic that remains the benchmark for all cinema space epics.

Get closer than ever to the movie that changed the movies. This behind-the-scenes spectacular of 2001: A Space Odyssey sheds light on the lead actors, senior production designers, special-effects experts and masterminds of Stanley Kubrick and Arthur C. Clarke, who together revolutionized science fiction and the art of cinema.

Previously available as part of the multi-volume and instant sell-out Collector's Edition, this comprehensive visual record includes on and off set photographs, pre-production paintings, and conceptual designs from the Kubrick archives. These dazzling images offer insight both into Kubrick's meticulous directorial methods and into the mysteries and magnetism of a film at once vast in scope and intricate in its exploration of our relationship to technology.

Written and researched over several years by the outer space, special effects, and technology journalist Piers Bizony, this compendium is both an exhaustive labour of love and a monument to a masterpiece of 20th-century culture.

The author:

Piers Bizony is a science and technology writer. His publications include AtomThe Man Who Ran the MoonStarman, and The Making of Stanley Kubrick’s 2001: A Space Odyssey.

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Paul Duncan, Barbara Peiro
ID: 9450
Издательство: Taschen

The Man from La Mancha

An in-depth exploration of Almodóvar’s complete works


Un film de Almodóvar: whether appearing in his stylish opening credits or on the suggestive poster that invariably accompanies each of his films, this announcement triggers a range of expectations. Sexy and subversive, colorful and controversial, passionate and provocative, Pedro Almodóvar’s world is unlike any other director’s. Thanks to his remarkably cohesive and consistent œuvre, the Manchegan maverick has become a reliable brand, his name a byword for the visual opulence, experimentation and eroticism of post-Franco Spanish cinema.
Almodóvar found fame with self-penned, gender-bending plots depicting the often comic misfortunes of junkies, nuns, housewives, whores, transvestites and transsexuals. Praised by critics, championed by fellow film-makers, adored by actors and adorned with international awards, he is the most successful Spanish film-maker since Luis Buñuel, with films such as Women on the Verge of a Nervous Breakdown, All About My Mother, Talk to Her, and Volver.

A self-taught auteur, Almodóvar draws on influences as diverse as Douglas Sirk, Frank Tashlin, Andy Warhol and John Waters. His feature films borrow liberally from, and frequently invert, traditional genres of classic American cinema - including film noir, melodrama and screwball comedy. Yet they remain unmistakably Iberian, rooted predominantly in the director’s beloved Madrid, exploring Spanish myths and modernity to the rhythms of bolero-laden soundtracks. Most recently, the enfant terrible of the 1980s arthouse scene has matured into the Academy Award-winning director of All About My Mother, a film universally acknowledged for its emotional resonance, sophistication and craftsmanship. Almodóvar’s distinctive, once marginalized world has finally entered the mainstream.

For this unprecedented monograph, Pedro Almodóvar has given TASCHEN complete access to his archives, including never-before-published images, such as personal photos he took during filming. In addition to writing captions for the photos, Almodóvar invited prominent Spanish authors to write introductions to each of his films, and selected many of his own texts to accompany this visual odyssey through his complete works.

  • Over 600 images, including many previously unpublished.
  • Includes images from his new film, The Skin I Live In (2011), which will be released worldwide at the same time as the book.
  • Book includes a film strip from Volver (2006), taken from Almodóvar’s archive.
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Paul Duncan
ID: 13020
Издательство: Taschen

We’re so excited! Pedro Almodóvar gives a unique insider's tour through his mysterious, sexy world

An updated edition of The Pedro Almodóvar Archives, offering inside access to the cult Spanish director who beguiles audiences worldwide with his thrilling dissertations on desire, passion, and identity. With behind-the-scenes pictures and personal reminiscences, Almodóvar himself guides the reader through his singular journey from its early days through to I’m So Excited (2013) and Julieta (2016)

One of the most prolific and influential auteurs at work over the past 40 years, cult Spanish director Pedro Almodóvar has beguiled audiences worldwide with his thrilling dissertations on desire, passion, and identity. Cast an eye over his long list of productions and you’re confronted with intoxicating tales of psychological melodrama, black comedy, familial feud, and violent lust.

This edition of The Pedro Almodóvar Archives offers unique inside access to behind-the-scenes pictures and personal reminiscences as the director guides us through his journey, from his early days right through to I’m So Excited (2013) and Julieta (2016). Based on and expanded from the original TASCHEN XL volume produced in collaboration with Almodóvar himself, the book offers a fascinating insight into the creative process behind such cinematic tours de force as Women On The Verge Of A Nervous Breakdown and the Academy Award-winning All About My Mother and Talk To Her.

Each film is featured with its original poster, full cast and crew listings, as well as an essay by a leading Spanish author. Almodóvar personally supplements the vivid photographic material, captioning each image with his own reflections and comments. As an overview of a true original’s creativity and a luminous era of cinema, this is an indispensable companion to the mighty Almodóvar canon created by the master himself.

The editor:

Paul Duncan is a film historian whose TASCHEN books include The James Bond Archives, The Charlie Chaplin Archives, The Godfather Family Album, Taxi Driver, Film Noir, and Horror Cinema, as well as publications on film directors, film genres, movie stars, and film posters.
 

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