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May the Force Be With You. Volume two of the definitive exploration of the Star Wars galaxy

From the moment Star Wars burst onto the screen in 1977, audiences have been in equal parts fascinated and appalled by the half-man/half-machine hybrid Darth Vader. In 1999, creator George Lucas began the story of how Anakin Skywalker grew up to train as a Jedi under Obi-Wan Kenobi, found love with the Queen of Naboo, Padmé Amidala, before turning to the dark side of his nature and becoming more machine than man.

After driving the development of nascent digital technology, George Lucas perceived how he could create new creatures and new worlds on a grander scale than ever before. He created the first digital blockbuster, and met fierce resistance when he pushed for widespread digital cameras, sets, characters, and projection – all of which are now used throughout the industry. He essentially popularized the modern way of making movies.

Made with the full cooperation of George Lucas and Lucasfilm, this second volume covers the making of the prequel trilogy — Episode I The Phantom Menance, Episode II Attack of the Clones, and Episode III Revenge of the Sith — and features exclusive interviews with Lucas and his collaborators. The book is profusely illustrated with script pages, production documents, concept art, storyboards, on-set photography, stills, and posters.

The author:

Paul Duncan is a film historian whose TASCHEN books include The James Bond Archives, The Charlie Chaplin Archives, The Godfather Family Album, Taxi Driver, Film Noir, and Horror Cinema, as well as publications on film directors, film genres, movie stars, and film posters.

An updated edition – with completely new chapters – of the most accessible and compelling history of the cinema yet published, and complements Mark Cousins’ fascinating 15-hour film documentary The Story of Film: An Odyssey.

Filmmaker and author Mark Cousins shows how filmmakers are influenced both by the historical events of their times, and by each other. He demonstrates, for example, how Douglas Sirk’s Hollywood melodramas of the 1950s influenced Rainer Werner Fassbinder’s despairing visions of 1970s Germany; and how George Lucas’ Star Wars epics grew out of Akira Kurosawa’s The Hidden Fortress.

The Story of Film is divided into three main epochs: Silent (1885–1928), Sound (1928–1990) and Digital (1990–Present). Films are discussed within chapters reflecting both the stylistic concerns of the film-makers and the political and social themes of the time. This edition includes new text that encompasses the further-reaching scope of world cinema today, and the huge leaps in technology that have changed cinema screens forever.

Film is an international medium, so as well as covering the great American films and film-makers, The Story of Film explores cinema in Europe, Africa, Asia, Australasia and South America, and shows how cinematic ideas and techniques cross national boundaries. Avoiding jargon and obscure critical theory, the author constantly places himself in the role of the moviegoer watching a film, and asks: ‘How does a scene or a story affect us, and why?’ In so doing he gets to the heart of cinematic technique, explaining how film-makers use lighting, framing, focal length and editing to create their effects. Clearly written, and illustrated with over 400 stills, including numerous sequences explaining how scenes work, The Story of Film is essential reading for both film students and moviegoers alike.

About the Author:

Mark Cousins is an Irish-Scottish filmmaker and author. His films – including The Story of Film, The First Movie, The Eyes of Orson Welles, Atomic, I am Belfast, Stockholm My Love and Women Make Film: A New Road Movie Through Cinema – have won the Prix Italia, a Peabody and the Stanley Kubrick Award. They have premiered at the world’s major film festivals. Their themes are looking, cities, cinema, childhood, and recovery. 

His other books include Imagining Reality: The Faber Book of Documentary, and The Story of Looking. He loves walking across cities such as Los Angeles, Moscow, Paris, Beijing, Berlin, London and Mexico City with his camera. 

This New York Times bestselling overview of Wes Anderson's filmography features previously unpublished behind-the-scenes photos, artwork, and ephemera, with an introduction by Michael Chabon.

Writer/director Wes Anderson guides movie/television critic Matt Zoller Seitz through Anderson's life and career in a hardcover book-length conversation, woven together with original illustrations and production images from Bottle Rocket, Rushmore, The Royal Tenenbaums, The Life Aquatic with Steve Zissou, The Darjeeling Limited, Fantastic Mr. Fox, and Moonrise Kingdom.

The result is a meticulously designed book that captures and reflects the spirit of Wes Anderson's movies: melancholy, playful, wise, and wonderfully unique.

Also available from Matt Zoller Seitz: The Oliver Stone Experience, The Wes Anderson Collection: Bad Dads, The Wes Anderson Collection: The Grand Budapest Hotel, and Mad Men Carousel.

About the Authors:

Matt Zoller Seitz, a finalist for the Pulitzer Prize in criticism, is the TV critic for New York Magazine and Vulture.com, as well as the editor-in-chief of RogerEbert.com.
A Brooklyn-based writer and filmmaker, Seitz has written, narrated, edited, or produced more than a hundred hours' worth of video essays about cinema history and style for The Museum of the Moving Image and The L Magazine, among other outlets. His five-part 2009 video essay, "Wes Anderson: The Substance of Style," was later spun off into a New York Times bestselling hardcover book series: The Wes Anderson Collection (Abrams, 2013) and The Wes Anderson Collection: The Grand Budapest Hotel (Abrams, 2015). 
Seitz is the founder and original editor of The House Next Door, now a part of Slant Magazine, and the publisher of Press Play, a blog of film and TV criticism and video essays. He is the director of the 2005 romantic comedy Home.
Michael Chabon is the Pulitzer Prize-winning author of many novels, the most recent being Telegraph Avenue. He lives in Berkeley, California, with his wife and four children.
Max Dalton is a graphic artist living in Buenos Aires, Argentina, by way of Barcelona, New York, and Paris. He has published a few books and illustrated some others, including The Wes Anderson Collection: The Grand Budapest Hotel (Abrams, 2015). Max started painting in 1977, and since 2008, he has been creating posters about music, movies, and pop culture, quickly becoming one of the top names in the industry.

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The official behind-the-scenes companion to The French Dispatch and the latest volume in the bestselling Wes Anderson Collection series.

The French Dispatch - tenth feature film from writer-director Wes Anderson a love letter to journalists set at the titular American newspaper in the fictional 20th-century French city of Ennui-sur-Blasé. The film stars a number of Anderson's frequent collaborators, including Bill Murray as the newspaper's editor in chief; Owen Wilson, Tilda Swinton, and Frances McDormand, as well as new players Jeffrey Wright, Benicio del Toro, Elisabeth Moss, and Timothée Chalamet, who bring to life a collection of stories published in The French Dispatch magazine.

In this latest one-volume entry in The Wes Anderson Collection series - the only book to take readers behind the scenes of The French Dispatch-everything that goes into bringing Anderson's trademark style, meticulous compositions, and exacting production design to the screen is revealed in detail. Written by film and television critic and New York Times bestselling author Matt Zoller Seitz, The Wes Anderson Collection: The French Dispatch presents the complete story behind the film's conception, anecdotes about the making of the film, and behind-the-scenes photos, production materials, and artwork.

About the Author:

Matt Zoller Seitz is the editor in chief of RogerEbert.com; the TV critic for New York magazine; the author of The Wes Anderson Collection, The Wes Anderson Collection: The Grand Budapest Hotel, The Oliver Stone Experience, and Mad Men Carousel; and the coauthor of The Sopranos Sessions. He is based in New York City.

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This companion to the New York Times bestselling book The Wes Anderson Collection takes readers behind the scenes of the Oscar®-winning film The Grand Budapest Hotel with a series of interviews between writer/director Wes Anderson and movie/television critic Matt Zoller Seitz.

Learn all about the film's conception, hear personal anecdotes from the set, and explore the wide variety of sources that inspired the screenplay and imagery — from author Stefan Zweig to filmmaker Ernst Lubitsch to photochrom landscapes of turn-of-the-century Middle Europe. Also inside are interviews with costume designer Milena Canonero, composer Alexandre Desplat, lead actor Ralph Fiennes, production designer Adam Stockhausen, and cinematographer Robert Yeoman; essays by film critics Ali Arikan and Steven Boone, film theorist and historian David Bordwell, music critic Olivia Collette, and style and costume consultant Christopher Laverty; and an introduction by playwright Anne Washburn. Previously unpublished production photos, artwork, and ephemera illustrate each essay and interview.

The Wes Anderson Collection: The Grand Budapest Hotel stays true to Seitz's previous book on Anderson's first seven feature films, The Wes Anderson Collection, with an artful, meticulous design and playful, original illustrations that capture the spirit of Anderson's inimitable aesthetic. Together, they offer a complete overview of Anderson's filmography to date.

About the Authors:

Matt Zoller Seitz, a finalist for the Pulitzer Prize in criticism, is the TV critic for New York Magazine and Vulture.com, as well as the editor-in-chief of RogerEbert.com.
A Brooklyn-based writer and filmmaker, Seitz has written, narrated, edited, or produced more than a hundred hours' worth of video essays about cinema history and style for The Museum of the Moving Image and The L Magazine, among other outlets. His five-part 2009 video essay, "Wes Anderson: The Substance of Style," was later spun off into a New York Times bestselling hardcover book: The Wes Anderson Collection (Abrams, 2013). 
Seitz is the founder and original editor of The House Next Door, now a part of Slant Magazine, and the publisher of Press Play, a blog of film and TV criticism and video essays. He is the director of the 2005 romantic comedy Home.
Anne Washburn's plays include Mr. Burns, The Internationalist, A Devil at Noon, and a trans adaptation of Euripides’s Orestes. She lives in New York City and, occasionally, Buenos Aires.
Max Dalton is a graphic artist living in Buenos Aires, Argentina, by way of Barcelona, New York, and Paris. He has published a few books and illustrated some others, including The Wes Anderson Collection (Abrams, 2013). Max started painiting in 1977, and since 2008, he has been creating posters about music, movies, and pop culture, quickly becoming one of the top names in the industry.

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The sixth volume in the They Drew as They Pleased series from award-winning Disney historian Didier Ghez!

They Drew as They Pleased Volume 6: The Hidden Art of Disney's New Golden Age explores the Disney Animation Studios from the 1990s through 2010s.

This gorgeous volume is the culmination of this landmark series, profiling artists Joe Grant, Hans Bacher, Mike Gabriel, and Michael Giaimo.

-  Blockbusters like The Little Mermaid, The Lion King, Beauty and the Beast, Aladdin, Frozen, and Moana captivated audiences around the globe.
-  Explores how Disney navigated the dramatic shift to computer animation
-  Filled with vivid descriptions, never-before-seen art, and interviews with the artists themselves

This visually rich collection offers a rare view of the artists whose collective talents exemplify Disney's storied past and visionary leap forward.

As Disney shifted to computer animation, the featured artists were part of the animation process through it all ― as they had been since the studio's inception.

-  Ideal for anyone looking for a unique visual history of Disney's artists, as well as unprecedented access to concept art
-  Makes a wonderful gift for fans of Disney, animation, pop culture, and film history
-  A visually gorgeous volume that can be displayed on the coffee table or on the shelf
- Perfect for those who loved The Illusion of Life: Disney Animation by Ollie Johnston and The Animator's Survival Kit by Richard Williams

©2020 Disney Enterprises, Inc. All Rights Reserved.

About the Authors:

Didier Ghez is the author and editor of numerous books about the Disney studio and its artists, including the books in the Walt’s People series and in the They Drew as They Pleased series. In 2018, Ghez received the prestigious June Foray Award for significant and benevolent impact on the art and industry of animation. He lives in Coral Gables, Florida.

Burny Mattinson is the longest-serving employee in Disney history and one of the few remaining artists who worked with Walt Disney. The veteran Disney filmmaker has worked on a number of classics including Lady and the Tramp, The Jungle Book, Beauty and the Beast, and Tarzan, and he was officially inducted as a Disney Legend in 2008. He lives in San Francisco.

Learn film-making techniques through the movies you know and love with This Is How You Make a Movie!

Using key scenes from some of the best-loved movies of all time, Tim Grierson explores everything from cinematography to the secrets of talking to camera. Deep focus is explored through Citizen Kane, forced perspective through Elf, and slow motion through Reservoir Dogs. Examples from blockbusters (Wonder Woman) to Oscar-winners (Rocky), silent-era gems (Intolerance) to recent art-house treasures (American Honey), give readers a glimpse of cinema’s breadth and potential.

A fascinating read for film buffs who want to understand what goes on behind the camera, and above all an essential read for students and beginners in the industry.

With sections on acting, directing, lighting and camera, writing and editing, this book includes all the technical help you need to get your film career off the ground.

Including these directors, and more:

Steven Spielberg
Martin Scorsese
Mike Leigh
Sofia Coppola
Spike Lee
Barry Jenkins
Francis Ford Coppola
Steve McQueen
Tim Miller
Stanley Kubrick
Alfred Hitchcock
Barry Jenkins
Charlie Chaplin
Roman Polanski
Andrea Arnold
Tim Burton
Kenneth Branagh
Including these films, and more:
Atonement
If Beale Street Could Talk
Ferris Bueller’s Day Off
Deadpool
The Godfather
We Need to Talk About Kevin
Star Wars
Reservoir Dogs
The Shining
Birdman
Psycho
Goodfellas
Casino Royale
Inception
Free Solo
King Kong
Gone with the Wind
Reservoir Dogs
Rocky
Apocalypse Now
Moonlight

About the Author:

Tim Grierson is the senior U.S. film critic for Screen International and a contributing editor at MEL. He frequently appears in Rolling Stone and Vulture and is the vice president of the Los Angeles Film Critics Association. He is the author of seven books, including FilmCraft: Screenwriting and Martin Scorsese in Ten Scenes.

Tim Burton: Designing Worlds is the official catalogue for the Design Museum exhibition opening in October 2024, as well as the first publication to explore the relationship between Tim Burton’s artistic creations and the world of design. The reader will be invited into an examination of what is now broadly referred to as the ‘Burtonesque’, exploring his iconic style and the impact his unique design aesthetic has on broader visual culture.

The catalogue will unpack Tim Burton’s distinctive visual language, exploring the intersection of gothic, carnivalesque and fantastical elements that define his cinematic masterpieces. Insightful essays by design experts and film critics, interspersed with images featured in the exhibition, will offer a deeper understanding of the director’s creative process, making this catalogue an homage to the role that design practice plays in the hauntingly beautiful worlds he creates.

"One advantage I think is my design sense. When you’re drawing, every element, every line, makes up what it is; and there is a feeling of that when I think about a shot." – Tim Burton

A collection of wildly inventive portraits of musician Tom Waits, the result of a 30-year collaboration with photographer and illustrator Matt Mahurin

This visually arresting book is a testament to the unique collaboration, going back three decades, between the photographer and illustrator Matt Mahurin and the musician Tom Waits. Having shot magazine portraits, album covers, and music videos of Waits, Mahurin was inspired to resurrect 100 dormant film negatives as a jumping-off point to explore his own surreal, poetic, and occasion­ally dark vision.

The images vary from traditional por­traits to ones that capture Waits in concert — but the majority are richly imagined scenes in which Waits is more muse than musician.

In addition to the diverse images, the book includes a foreword by Waits, an essay by Mahurin on their longtime collaboration, and 20 original paintings, drawings, photographs, and digital images inspired by Waits’s song titles.

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Showcasing 52 Essential films from the silent era through the 1980s, Turner Classic Movies invites you into a world filled with stirring performances, dazzling musical numbers, and bold directorial visions that mark the greatest moments in film history.

Since its inception on Turner Classic Movies in 2001, The Essentials has become the ultimate series for movie lovers to expand their knowledge of must-see cinema and discover or revisit landmark films that have had a lasting impact on audiences everywhere.

Based on the TCM series, The Essentials book showcases fifty-two must-see movies from the silent era through the early 1980s. Readers can enjoy one film per week, for a year of stellar viewing, or indulge in their own classic movie festival. Some long-championed classics appear within these pages; other selections may surprise you. Each film is profiled with insightful notes on why it’s an Essential, a guide to must-see moments, and running commentary from TCM’s Robert Osborne and Essentials guest hosts past and present, including Sally Field, Drew Barrymore, Alec Baldwin, Rose McGowan, Carrie Fisher, Molly Haskell, Peter Bogdanovich, Sydney Pollack, and Rob Reiner.

Featuring full-color and black-and-white photography of the greatest stars in movie history, The Essentials is your curated guide to fifty-two films that define the meaning of the word “classic.”

About the Author:

Jeremy Arnold, a writer and film historian, is the author of Lawrence of Arabia: The 50th Anniversary, a coffee-table book companion to that film's Blu-ray release. In addition to his work for numerous film trade publications, he has written over five hundred programming articles for the Turner Classic Movies website and contributed audio commentaries and historical essays to the DVD and Blu-ray releases of classic films.Jeremy lives in Los Angeles.

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Visual Storytelling covers all major components of creating powerful images including lighting, camera functions, composition and storytelling. However, the main focus of the book is not just creating compelling visuals, but more importantly creating images that inform and move the audience. Images carry emotional weight and Visual Storytelling teaches readers how to harness these emotions to maximize the emotion of the story, while minimizing the amount of dialogue necessary.

What makes Visual Storytelling unique is that it not only covers the theoretical concepts of filmmaking but also the technical elements necessary to achieve the emotional outcome. This combination of theory and practice helps to create well-informed and skilled filmmakers.

About the Author:

Morgan Sandler is a professor of Digital Film Production at the University of La Verne in Southern California. Although he teaches a wide array of classes, he specializes in film production and theory. His love of visual storytelling and creating powerful images guides his teaching and curriculum as does his passion for education. Previously, he helped design the Digital Cinematography program at California State University, Los Angeles where he also served as an adjunct professor. He also previously served as the Course Director of Cinematography at The Los Angeles Film School, where he taught for 10 years. Morgan has spent nearly 20 years working professionally as a cinematographer and camera operator for the film and television industries, which he continues to do when outside of the classroom. Morgan holds an M.F.A. in Film, Television and Theatre from California State University Los Angeles. Morgan is also an avid landscape photographer, who enjoys travelling with his family and documenting their journeys. He is a proud husband and father of two wonderful daughters; Stella and Eleanor.

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In this official centennial history of the greatest studio in Hollywood, unforgettable stars, untold stories, and rare images from the Warner Bros. vault bring a century of entertainment to vivid life.

The history of Warner Bros. is not just the tale of a legendary film studio and its stars, but of classic Hollywood itself, as well as a portrait of America in the last century. It's a family story of Polish-Jewish immigrants-the brothers Warner-who took advantage of new opportunities in the burgeoning film industry at a time when four mavericks could invent ways of operating, of warding off government regulation, and of keeping audiences coming back for more during some of the nation's darkest days.

Innovation was key to their early success. Four years after its founding, the studio revolutionized moviemaking by introducing sound in The Jazz Singer (1927). Stars and stories gave Warner Bros. its distinct identity as the studio where tough guys like Humphrey Bogart and strong women like Bette Davis kept people on the edge of their seats. Over the years, these acclaimed actors and countless others made magic on WB's soundstages and were responsible for such diverse classics as Casablanca, A Streetcar Named Desire, A Star Is Born, Bonnie & Clyde, Malcolm X, Caddyshack, Purple Rain, and hundreds more.

It's the studio that put noir in film with The Maltese Falcon and other classics of the genre, where the iconic Looney Tunes were unleashed on animation, and the studio that took an unpopular stance at the start of World War II by producing anti-Nazi films. Counter-culture hits like A Clockwork Orange and The Exorcist carried the studio through the 1970s and '80s. Franchise phenomena like Harry Potter, the DC universe, and more continue to shape a cinematic vision and longevity that is unparalleled in the annals of film history. These stories and more are chronicled in this comprehensive and stunning volume. Copyright © 2023 Warner Bros. Entertainment Inc.

About the Author:

Mark A. Vieira is a filmmaker, photographer, and writer. He creates educational films for the Cecil B. DeMille Foundation. He makes portraits in the classic Hollywood mode and restores studio imagery to fine art standards. He has written seventeen previous books, including Cecil B. DeMille and Forbidden Hollywood. He has lectured at the Academy of Motion Picture Arts and Sciences, UCLA, and USC, and he has appeared in documentaries such as TCM's Complicated Women. Vieira resides in Los Angeles.
 

The definitive reference for all Wes Anderson fans. 

Loaded with rich imagery and detailed analysis of his incredible films – including the classics The Grand Budapest Hotel, Rushmore, The Royal Tenenbaums and Moonrise Kingdom as well as Anderson's highly anticipated new release The French Dispatch – this is the first book to feature all of Wes Anderson's movies in a single volume.

Acclaimed film journalist Ian Nathan provides an intelligent and thoughtful examination of the work of one of contemporary film’s greatest visionaries, charting the themes, visuals, and narratives that have come to define Anderson’s work and contributed to his films an idiosyncratic character that's adored by his loyal fans. From Anderson’s regular cast members – including Bill Murray and Owen Wilson – to his instantly recognisable aesthetic, recurring motifs and his scriptwriting processes, this in-depth collection will reveal how Wes Anderson became one of modern cinema’s most esteemed and influential directors.

Presented in a slipcase with 8-page gatefold section, this stunning package will delight all Wes Anderson devotees and movie lovers in general. 

Unauthorised and Unofficial.

About the Author:

Ian Nathan, who lives and works in London, is one of the UK’s best-known film writers. He is the author of nine previous books, including Alien Vault, the best-selling history of Ridley Scott’s masterpiece, Terminator Vault, Tarantino, Tim Burton, The Coen Brothers and Anything You Can Imagine: Peter Jackson and the Making of Middle-earth. He is the former editor and executive editor of Empire, the world’s biggest movie magazine, where he remains a contributing editor. He also regularly contributes to The Times, The Independent, The Mail on Sunday, Cahiers Du Cinema and the Discovering Film documentary series on Sky Arts. 

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The last book completed by William Klein within his lifetime: A landmark retrospective encompassing Klein's legacy of creativity across photography, filmmaking, painting, book design, graphic design and beyond.

Photographer. Filmmaker. Artist. Designer. To master one of those disciplines would be a lifetime achievement for any creative individual, yet William Klein's career was celebrated in each of them over the last eight decades. Klein was one of the great image makers of the 20th century and one whose work remains an enduring creative influence on the work of contemporary artists, photographers and filmmakers.

With over 250 images, this career retrospective explores the late William Klein's entire creative and artistic arc. Directed by Klein himself, from the selection of content to book design, this large-format publication looks back at his uncompromisingly creative lifetime, showcasing Klein's prolific and relentlessly innovative contribution to the world of photography, art, design and filmmaking.

Published in association with a major retrospective at the International Center of Photography, this book is a comprehensive take on his career. While best known as a photographer who broke all the rules and conventions, William Klein: Yes focuses on the full range of Klein’s work, from his abstract paintings through to his startling, authentic street photography and photobooks and his dynamic, satirical take on filmmaking. With a flowing, chronological text by David Campany, this book will be both an introduction to William Klein for a new generation and a source of fresh insights for those who already know who William Klein was: a true original.

About the Author:

William Klein (1926-2022) was an American photographer, painter, designer and filmmaker. New York-born, Klein settled in Paris in 1948, where he studied at the Sorbonne and pursued his artistic career working briefly under Fernand Léger. Best known as a photographer, achieving fame with a series of acclaimed photobooks, including Life is Good and Good for You In New York (1956) and through his fashion photography in Vogue magazine. Klein was also a filmmaker, directing both feature films and documentaries, a graphic designer and art director.

The definitive illustrated monograph on one of the major writer-directors of modern cinema

In this retrospective, Tom Shone reviews Woody Allen’s entire career, providing incisive commentary on his films and shedding light on this uniquely self-deprecating filmmaker, with the help of comments contributed by Allen himself. Superbly illustrated with more than 250 key images, this is a fitting tribute to one of the masters of modern cinema, published to mark Woody Allen’s eightieth birthday.

Woody Allen is a uniquely innovative performer, writer and director with nearly fifty movies to his credit, from cult slapstick films and romantic comedies to introspective character studies and crime thrillers. Classics such as Annie Hall, Manhattan, Stardust Memories, Broadway Danny Rose and Hannah and Her Sisters still resonate, and more recently Midnight in Paris and Blue Jasmine have been notable successes.

Born Allan Stewart Konigsberg on 1 December 1935 and raised in New York City, he was destined for a show-business career when he began writing scripts for TV shows while still a teenager. He then achieved recognition as a stand-up comedian with the release of three albums of his nightclub performances. Allen first tried writing a screenplay in the mid-1960s for What’s New Pussycat?. Not satisfied with the final film, he decided that he would direct as well as write his next picture, What’s Up, Tiger Lily?, in 1966.

Woody Allen’s output has always been prodigious; he has made a film a year, more or less, since the early 1970s. Famously indifferent to award ceremonies, and having never accepted an Oscar in person, Allen has won numerous accolades for his directing and writing, including four Oscars, nine BAFTAs, two Golden Globes and, in 2014, the prestigious Cecil B. DeMille award for his contribution to cinema.

Contents List:

Introduction • The Early Years • The Hollywood Years • The Director • Take the Money and Run • Bananas • Play it Again, Sam • Everything you Always Wanted to Know about Sex... • Sleeper • Love and Death • Annie Hall • Interiors • Manhattan • Stardust Memories • A Midsummer Night’s Sex Comedy • Zelig • Broadway Danny Rose • The Purple Rose of Cairo • Hannah and her Sisters • Radio Days • September • Another Woman • Crimes and Misdemeanors • Alice • Shadows and Fog • Husbands and Wives • Manhattan Murder Mystery • Bullets over Broadway • Mighty Aphrodite • Everyone Says I Love You • Deconstructing Harry • Celebrity • Sweet and Lowdown • Small Time Crooks • The Curse of the Jade Scorpion • Hollywood Ending • Anything Else • Melinda and Melinda • Match Point • Scoop • Cassandra’s Dream • Vicky Cristina Barcelona • Whatever Works • You Will Meet a Tall Dark Stranger • Midnight in Paris • To Rome with Love • Blue Jasmine • Magic in the Moonlight • Conclusion • Filmography

About the Author:

Tom Shone was the film critic of the Sunday Times from 1994 until 1999, when he moved to New York. His articles have appeared in many newspapers and periodicals, including the New Yorker, the New York Times, the Times Literary Supplement, Intelligent Life, Areté and Vogue. He is the author of Blockbuster: How Hollywood Learned to Stop Worrying and Love the Summer, In the Rooms and Scorsese: A Retrospective, the last also published by Thames & Hudson. He currently teaches film history and criticism at New York University.