Учебники по искусству

Often seen as dark and gloomy, oils can, in fact, be used to create colourful and light paintings that are wonderfully expressive. One significant characteristic of oil paint is its richness and depth of colour, something that is of particular interest to Nicholas Verrall. Immediately striking in all his pictures is the skilful way he handles colour to interpret the special qualities of light and mood found in a certain moment in time. In this book he discusses his working methods and the importance of colour, at the same time placing these issues within the general context of painting in oils, with all that this has to offer.

'Colour and Light in Oils' includes information, demonstrations and many inspirational finished paintings to help painters understand the value of colour in interpreting ideas with feeling and impact. It provides guidance on a wide range of skills, techniques and advice on subject matter and associated topics. Illustrated throughout, the book covers: the medium of oils; understanding oils; materials and equipment; painting techniques; and the studio

A complete guide to achieving a fantastic spectrum of colourful glazes for the studio potter, Colour in Glazes looks at all the methods of acheiving colour in glazes, focusing on colouring oxides in detail, including the newly available rare earth oxides. Types of base glazes and the fluxes used to make them are discussed in relation to colour response. Emphasis is placed on using colouring oxides to achieve depth and variety of colour, rather than just resorting to commercial ceramic stains. The practical aspects of mixing, applying, testing and adjusting glazes are explained. and a large section of test tiles and glaze recipes is included, for use on white earthenware, stoneware and porcelain fired in electric, gas and salt kilns. A very useful book aimed at making glazes to achieve the colour you want, and to help you broaden your palette.

Taking a practical approach to colour, Colour: A workshop for artists and designers is an invaluable resource for art students and professionals alike. With its sequence of specially designed assignments and in-depth discussions, it effectively bridges the gap between colour theory and practice to inspire confidence and understanding in anyone who works with colour.

This second edition has been carefully reviewed and revised throughout. Presented in a new larger format, it includes much-enhanced sections on key colour principles such as colour perception, visual structure, materials and techniques, psychological experience of colour, and colour composition in digital formats.

Generously illustrated – including all-new, contemporary examples – this book provides a unique set of tools that makes the complex theory of colour accessible and practical.

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Посмотреть третье издание книги Colour: A Workshop For Artists and Designers

The Complete Pebble Mosaic Handbook is the most complete sourcebook for enthusiasts and landscape designers -- an accessible and illustrated guide that covers materials, design, tools and techniques.

The book lists the best sources to find or buy pebbles; how to choose and test pebbles for strength and quality; and which materials to avoid. There are practical instructions for ensuring the mosaic can withstand frost, foot and vehicle traffic, pollutants, and water.

The book explains in detail the principles of creating walkways and patios, precast slabs, fountains, pools, and cascades. Illustrated sample projects are followed step-by-step. Designing is also fully explained whether using simple sketches or professional graphic design software.

A showcase of pebble mosaic from around the world by leading artists demonstrates the craft's vast creative potential. In addition, a section of design ideas features many popular subjects and patterns including animals, heavenly bodies, spirals, borders, floral, fish, flowers, and many more.

Building on the success of the previous two volumes, Digital Painting Techniques: Volume 3 continues to explore the latest digital painting techniques.

Digital Painting Techniques: Volume 3 presents another collection of inspiring and motivational tutorials for artists of all levels. A range of top industry professionals share the benefits of their years of experience in the digital art industry and offer tips, tricks and advice intended to help the next generation of artists reach new heights.

The chapters contained within this book are wide-ranging and comprehensive, offering something for everyone. Robh Ruppel and Ignacio Bazan Lazcano tackle the subject of futuristic cities; Thomas Pringle and Craig Sellars look at creating concept art for games, and Peter Swigut rounds things off by covering matte painting. Their in-depth tutorials are rich in advice about improving workflows and producing artwork worthy of any portfolio, making Digital Painting Techniques: Volume 3 an essential resource for any digital artist.

The successful Digital Painting Techniques series celebrates its fourth year by offering another volume chocked full of advice, tips and techniques for digital artists.

Digital Painting Techniques: Volume 4 continues the tradition established by its predecessors by exploring a variety of painting subjects and styles with some of the most talented artists in the industry. These include veterans like Ian McQue, who looks at vehicle design from concept through to completion; Serge Birault, who shares the secrets behind his amazing pin-up style and Simon Dominic Brewer, who covers the art of fairytale illustration. So whether you’re looking to learn more about these subjects, want to know how to create new worlds and design customs brushes or simply wish to experiment with painting tribal warriors and comic art, Digital Painting Techniques: Volume 4 will serve as an invaluable tool in your artistic arsenal.

Calla Editions brings James Gurney's bestselling tale of mystical humans and intelligent dinosaurs to a new generation in this 20th anniversary edition. Digitally re-rendered from the original transparencies, Gurney's spectacular artistry takes on new vitality. Includes a new Afterword by Gurney as well as a special section of behind-the-scenes studies and maquettes he used in developing his paintings.

About the Author:

James Gurney is the author and illustrator of the New York Times bestselling Dinotopia book series. He designed the World of Dinosaurs stamps for the U.S. Postal Service and has worked on over a dozen assignments for National Geographic magazine, painting reconstructions of Moche, Kushite, and Etruscan civilizations. He has won the Hugo, Chesley, Spectrum, and World Fantasy Awards. Solo exhibitions of his artwork have been presented at the Smithsonian Institution, the Norman Rockwell Museum, and currently at the Lyman Allyn Museum of Art. He has recently been named a "Grand Master" by Spectrum Fantastic Arts and a "Living Master" by the Art Renewal Center. His most recent book, colour and Light: A Guide for the Realist Painter, was Amazon's #1 bestselling book on painting for over 100 weeks and is based on his daily blog gurneyjourney.blogspot.com. For more information, visit www.dinotopia.com or www.jamesgurney.com

Utilizing as few words as possible, but presenting a tremendous variety and volume of illustrations, this all-in-one guide details the fundamentals of drawing in its various phases and fields. In the opening pages, the author points out the first step on the road to creative achievement: artists must learn how to see people and things in terms of pictures, then master the techniques needed to express themselves on paper.
Geared to newcomers and yet still beneficial for more experienced artists, Moranz’s illuminating advice covers everything from nude and draped figures to the art of portraits and sketching animals. He covers the effective use of various mediums, including pencil, charcoal, pen, and wash. Plus, he offers helpful tips on developing a sixth sense about perspective, the basics of composition, reflecting light and shadow, and more. There's even a chapter on taking drawing one step further — from a pleasurable hobby to a successful commercial venture.
Reprint of Mastery of Drawing, Richard R. Smith Publisher Inc., New York, 1950.

Rediscover a more child-like approach to creating with Drawing and Painting Imaginary Animals! Through fun and creative exercises, Carla Sonheim teaches you to draw a variety of fun animals and creatures, including:

- Dogs
- Birds
- Elephants
- Fish
- Cats
- Rabbits
- And many others

You'll also find a variety of unique mixed-media techniques to help you bring your creatures to life, resulting in a unique finished art piece. Improve your drawing skills, expand your creativity, and learn new art techniques - and have loads of fun doing it! - with Drawing and Painting Imaginary Animals.

This is a botanically based (as opposed to free-form drawing) practical manual on how to paint a vast range of plants in watercolour and other media.

Drawing on her experience as a botanical art teacher, Christina Brodie takes a holistic approach to botanical art, covering: botanical terminology; drawing and painting techniques in a wide range of media; dissection and examination of plants; fieldwork studies; microscope work and tips on presentation.

Having been taken through the various techniques in clear steps, the reader will be able to draw and paint flowers, fruit, leaves, stems and roots, trees, fungi, ferns and horsetails, seaweeds and other algae, mosses and lichens with remarkable precision and stunning detail.

A book whose sales have not diminished but rather increased dramatically since its publication 45 years ago, this bestselling classic is the ultimate manual of drawing taught by the late Robert Beverly Hale, who’s famed lectures and classes at New York City’s Art Student League captivated artists and art educators from around the world.

Faithfully producing and methodically analyzing 100 master drawings - including works of Michelangelo, Leonardo da Vinci, Rodin, Goya, and Rembrandt among others - Hale shows how these artists tackled basic problems such as line, light and planes, mass, position and thrust, and anatomy. With detailed analytical captions and diagrams, every lesson is clearly delineated and illustrated. Throughout, also, is commentary that sheds light on the creative process of drawing and offers deep insight into the unsurpassed achievements of the masters.

Analyses the visual approaches and techniques of 100 great artists, and shows readers how to weave some of this magic into their own drawings

Drawing Masterclass explores the act of vision of the world’s great artists, describing how the images were created to allow you to weave some of this magic into your own drawings. The book is organized into seven chapters covering important genres: nudes, figures, landscapes, still life and studies, heads, fantasy and abstraction.

Each chapter selects a cross section of artists and examines their practice in detail, using key drawings. Each artist is described through one of 100 selected masterpieces, plus a biographical profile and a practical look at the way the drawing was made: the materials and technique, as well as an examination of the ideas and inspiration behind its making and how the artist’s life might reflect their concerns. Light and shade, rhythm, form, space, contour and composition are all covered in detail.

The book covers a broad historical and geographic sweep, and includes many of the most celebrated male and female artists.

This retrospective showcases the works of a leader of the Decadent movement, Baron Hans Henning Voigt (1887–1969). Better known as Alastair, the artist created works that are frequently likened to those of Aubrey Beardsley, Harry Clarke, and Edward Gorey. Alastair's highly ornate and distinctively ominous style blossomed with a series of erotic illustrations for the publisher and literary renegade Harry Crosby. This original selection of striking black-and-white drawings invites close examination and appreciation of the artist's skillful, sensual tone.

These shadowy, sinuous images include characters from stories by Oscar Wilde and Flaubert, as well as scenes from La Tosca and The Magic Flute. An informative Introduction by editor David A. Beronä, a historian of illustrated books, offers background on Alastair and his unique place in twentieth-century art and illustration. Art historians, bibliophiles, and collectors and students of drawing and book illustration will treasure this affordable compilation of hard-to-find works.

Following the highly successful Fantasy Workshop, the ImagineFX team is back with the ultimate guide for digital and fantasy artists who want to take their skills out of this world.

Referencing such programs as Photoshop, Illustrator, and Corel Painter, Fantasy Creatures explains how to go from basic “pencil” roughs to first-stage line art to finished color art.

Step-by-step instruction and screen grabs show artists how they can use the latest techniques to create a variety of mythical and futuristic creatures, fight scenes, habitats, and close-ups.