Учебники по искусству

Calla Editions brings James Gurney's bestselling tale of mystical humans and intelligent dinosaurs to a new generation in this 20th anniversary edition. Digitally re-rendered from the original transparencies, Gurney's spectacular artistry takes on new vitality. Includes a new Afterword by Gurney as well as a special section of behind-the-scenes studies and maquettes he used in developing his paintings.

About the Author:

James Gurney is the author and illustrator of the New York Times bestselling Dinotopia book series. He designed the World of Dinosaurs stamps for the U.S. Postal Service and has worked on over a dozen assignments for National Geographic magazine, painting reconstructions of Moche, Kushite, and Etruscan civilizations. He has won the Hugo, Chesley, Spectrum, and World Fantasy Awards. Solo exhibitions of his artwork have been presented at the Smithsonian Institution, the Norman Rockwell Museum, and currently at the Lyman Allyn Museum of Art. He has recently been named a "Grand Master" by Spectrum Fantastic Arts and a "Living Master" by the Art Renewal Center. His most recent book, colour and Light: A Guide for the Realist Painter, was Amazon's #1 bestselling book on painting for over 100 weeks and is based on his daily blog gurneyjourney.blogspot.com. For more information, visit www.dinotopia.com or www.jamesgurney.com

Utilizing as few words as possible, but presenting a tremendous variety and volume of illustrations, this all-in-one guide details the fundamentals of drawing in its various phases and fields. In the opening pages, the author points out the first step on the road to creative achievement: artists must learn how to see people and things in terms of pictures, then master the techniques needed to express themselves on paper.
Geared to newcomers and yet still beneficial for more experienced artists, Moranz’s illuminating advice covers everything from nude and draped figures to the art of portraits and sketching animals. He covers the effective use of various mediums, including pencil, charcoal, pen, and wash. Plus, he offers helpful tips on developing a sixth sense about perspective, the basics of composition, reflecting light and shadow, and more. There's even a chapter on taking drawing one step further — from a pleasurable hobby to a successful commercial venture.
Reprint of Mastery of Drawing, Richard R. Smith Publisher Inc., New York, 1950.

Rediscover a more child-like approach to creating with Drawing and Painting Imaginary Animals! Through fun and creative exercises, Carla Sonheim teaches you to draw a variety of fun animals and creatures, including:

- Dogs
- Birds
- Elephants
- Fish
- Cats
- Rabbits
- And many others

You'll also find a variety of unique mixed-media techniques to help you bring your creatures to life, resulting in a unique finished art piece. Improve your drawing skills, expand your creativity, and learn new art techniques - and have loads of fun doing it! - with Drawing and Painting Imaginary Animals.

This is a botanically based (as opposed to free-form drawing) practical manual on how to paint a vast range of plants in watercolour and other media.

Drawing on her experience as a botanical art teacher, Christina Brodie takes a holistic approach to botanical art, covering: botanical terminology; drawing and painting techniques in a wide range of media; dissection and examination of plants; fieldwork studies; microscope work and tips on presentation.

Having been taken through the various techniques in clear steps, the reader will be able to draw and paint flowers, fruit, leaves, stems and roots, trees, fungi, ferns and horsetails, seaweeds and other algae, mosses and lichens with remarkable precision and stunning detail.

A book whose sales have not diminished but rather increased dramatically since its publication 45 years ago, this bestselling classic is the ultimate manual of drawing taught by the late Robert Beverly Hale, who’s famed lectures and classes at New York City’s Art Student League captivated artists and art educators from around the world.

Faithfully producing and methodically analyzing 100 master drawings - including works of Michelangelo, Leonardo da Vinci, Rodin, Goya, and Rembrandt among others - Hale shows how these artists tackled basic problems such as line, light and planes, mass, position and thrust, and anatomy. With detailed analytical captions and diagrams, every lesson is clearly delineated and illustrated. Throughout, also, is commentary that sheds light on the creative process of drawing and offers deep insight into the unsurpassed achievements of the masters.

Analyses the visual approaches and techniques of 100 great artists, and shows readers how to weave some of this magic into their own drawings

Drawing Masterclass explores the act of vision of the world’s great artists, describing how the images were created to allow you to weave some of this magic into your own drawings. The book is organized into seven chapters covering important genres: nudes, figures, landscapes, still life and studies, heads, fantasy and abstraction.

Each chapter selects a cross section of artists and examines their practice in detail, using key drawings. Each artist is described through one of 100 selected masterpieces, plus a biographical profile and a practical look at the way the drawing was made: the materials and technique, as well as an examination of the ideas and inspiration behind its making and how the artist’s life might reflect their concerns. Light and shade, rhythm, form, space, contour and composition are all covered in detail.

The book covers a broad historical and geographic sweep, and includes many of the most celebrated male and female artists.

This retrospective showcases the works of a leader of the Decadent movement, Baron Hans Henning Voigt (1887–1969). Better known as Alastair, the artist created works that are frequently likened to those of Aubrey Beardsley, Harry Clarke, and Edward Gorey. Alastair's highly ornate and distinctively ominous style blossomed with a series of erotic illustrations for the publisher and literary renegade Harry Crosby. This original selection of striking black-and-white drawings invites close examination and appreciation of the artist's skillful, sensual tone.

These shadowy, sinuous images include characters from stories by Oscar Wilde and Flaubert, as well as scenes from La Tosca and The Magic Flute. An informative Introduction by editor David A. Beronä, a historian of illustrated books, offers background on Alastair and his unique place in twentieth-century art and illustration. Art historians, bibliophiles, and collectors and students of drawing and book illustration will treasure this affordable compilation of hard-to-find works.

Following the highly successful Fantasy Workshop, the ImagineFX team is back with the ultimate guide for digital and fantasy artists who want to take their skills out of this world.

Referencing such programs as Photoshop, Illustrator, and Corel Painter, Fantasy Creatures explains how to go from basic “pencil” roughs to first-stage line art to finished color art.

Step-by-step instruction and screen grabs show artists how they can use the latest techniques to create a variety of mythical and futuristic creatures, fight scenes, habitats, and close-ups.

This title presents the work of some of the top international illustrators from 26 countries and organizes it into three styles. Some are sensualists who work in ink or acrylic, using brushstrokes, layered colour, and textured papers and paints. Others focus on characters: gamine girls with eyes a la Twiggy; or sophisticated elegant figures who carry on the tradition of the 50s diva. Also included in the book is the work of technocrats - designers who work on the computer - as well as work from artists private collections, and international fashion magazines. This work is designed to be a reference guide for media and fashion industry professionals and a textbook for students.

Figure Drawing for Concept Artists is an essential primer that aims to bring traditional figure drawing techniques and knowledge to every concept artist's skill set.

Accessibly written and lavishly illustrated by respected concept artist Kan Muftic, this book celebrates the common ground between traditional life drawing and the fast-paced world of the concept art industry. Learn about the skills, techniques, and mindset needed to make successful life drawings, how to capture the forms of the human body on paper, and how to improve your character and concept art with a dynamic approach to figures and anatomy. Figure Drawing for Concept Artists offers a unique, up-to-date perspective on classical skills, with the contemporary practitioner in mind.

About the Author:

Kan Muftic was born in 1976 in Sarajevo, Bosnia and Herzegovina, where he attended the Academy of Fine Arts from 1991–1992. In April 1992, he left Sarajevo due to violent political conflict in his country. During his time as a refugee, he helped his father with anti-war propaganda, creating illustrations and posters. After moving to Zurich, Switzerland, Kan attended the F F School for Art and Media Design, graduating in painting. Kan has now worked on film, television, and games projects for the past decade, for companies including the Moving Picture Company, Rocksteady Studios, and Axis. His credits include Jungle Book (2018), Godzilla, Doctor Strange, Guardians of the Galaxy, the Batman: Arkham series, and many more. He is currently Animation Director for an upcoming Netflix show.

Contents and contributors:
Materials
Why draw from life?
The roots
01 | Attitude
02 | Setting up
03 | Three-tiered approach
04 | Drawing techniques
05 | Problem areas
06 | Figure drawing classes
07 | Going forward
08 | Friends’ gallery
09 | Reference gallery
Closing thoughts
Recommended resources

There is probably no subject more intimidating and complex to artists than the human figure. Even artists who have otherwise mastered their chosen medium are unable to render figures successfully. How can artists develop or apply their drawing skills to portray the figure as animate and made of muscle and bone, but without overpowering form with anatomical detail?

In Figure Drawing Workshop, a veteran artist guides readers through a series of progressive lessons designed to help artists draw the figure with accuracy, simplicity, and skill. Step by step, readers learn how to see and render basic shapes; use line to express energy and movement; depict light and shadow; convey a sense of underlying musculature without overworking a drawing; and draw convincing heads, hands, and feet. Finally, they’ll learn how to liberate themselves from unproductive habits and develop their own creative style.

• Figure and anatomy drawing are perennially popular among artists
• One of the only figure drawing books that offers a series of progressive lessons aimed at beginners
• Presents elegant drawings that reflect all phases of image development

A fresh new approach to teaching the fundamentals of human proportions.

Figure It Out! Human Proportions gives artists the tools they need to draw the head and figure right — every time. This comprehensive book provides all the essential information for artists at all skills levels, demonstrating proportional relationships of the head and body from all angles — front, side, and back — and for both men and women.

About the Author:

Christopher Hart is the world's bestselling author of manga, basic drawing and cartooning books. His titles have set the standard for art instruction with more than 3 million copies in print in eighteen languages. Renowned for up-to-the-minute content and easy-to-follow steps, all of Hart's books have become staples for a new generation of aspiring artists and professionals.

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Пролистать книгу Figure It Out! Human Proportions: Draw the Head and Figure Right Every Time

Perspective is a discipline often set aside when it comes to general art study, though it is essential to master in order to produce any piece of art that is and feels realistic. As intimidating as perspective may seem to aspiring artists, celebrated artist and author Marcos Mateu-Mestre takes the mystery out of understanding and applying it correctly with his highly anticipated two-volume collection, Framed Perspective.

In Framed Perspective, Vol. 1: Technical Drawing for Visual Storytelling, Mateu-Mestre equips artists with the technical knowledge needed to produce successful visual storytelling–related drawings: from understanding the basics of the space around us and how we perceive it, to more sophisticated endeavors such as creating entire environments that are believable.

Sure to be one of the most popular books in your art library, thanks to Mateu-Mestre’s thorough step-by-step explanations and awe-inspiring illustrations, Framed Perspective, Vol. 1 will train you to enjoy every curve and slope you see in the world and, more importantly, translate that vision into art with a solid comprehension of depth and proportion — in short, accuracy. Your perspective will never be the same!

About the Author:

Born in Palma de Mallorca, Spain, Marcos Mateu-Mestre is a lead animation designer and graphic novel artist with three decades of experience in feature animation. Some of his film credits include Balto, The Prince of Egypt, Asterix and The Vikings, Surf's Up, and How to Train Your Dragon 2. His work in film, primarily for DreamWorks Animation, Netflix Animation and Sony Pictures Animation, has focused on the design and cinematic aspects of frame composition, lighting, and visual continuity, experience he shared in his international best-sellers, Framed Ink: Drawing and Composition for Visual Storytellers, Framed Perspective Vol.1, Framed Perspective Vol. 2, and Framed Drawing Techniques. In addition to his work in film, he has taught drawing, illustration, and visual storytelling techniques for more than a decade. Mateu-Mestre currently lives in Los Angeles and is a production designer at Netflix.

This study of picture frames by Newbery, a framer and frame conservator, is illustrated entirely from the Ashmolean's diverse collection of original frames, dating from early 14th century Italy to 20th century England.

Frames fulfil a variety of functions, from the protective to the decorative; they can indicate ownership or they can assert the importance of the paintings they enclose. In their shape and ornamentation, frames are linked to architectural forms or to furniture and interior design, while many styles of decoration can be related to the work of goldsmiths and of sculptors. Few pictures survive in their original frames because of changing ownership: they were re-framed so as to harmonise with different settings, whether in princely galleries or private houses. The way that a picture is framed strongly affects its visual appearance and impact. When a painting retains its original frame, we can appreciate the visual relationship between the two that the artist would have intended. Framings by subsequent owners with different frame styles can tell us much about the taste and priorities of a particular period or place. This book looks at frame history and design in the context of the Ashmolean Museum's collection of frames, and aims to provide a sense of the importance of the picture frame in the history of art as a whole.