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Ulrike Becks-Malorny
ID: 1853
Издательство: Taschen

The inner properties of colour and form

 

The artist who pioneered new dimensions of expression in art

Wassily Kandinsky was undoubtedly one of the most exciting artists of the twentieth century. He brought an equal passion and commitment to his work as a painter, a theoretician and a teacher of art. After conventional beginnings in Munich, he devoted his intellectual and artistic energies to pioneering new dimensions of expression in art. He ultimately arrived at an abstract style of painting based on the inner properties of colour and form.

Although Kandinsky may not be the first truly abstract artist, he was nevertheless the first to experiment with non-representational forms in a logical manner and to develop out of them a homogeneous style. His writings on art, including his ground-breaking work On the Spiritual in Art, have lost none of their significance, and the Compositions which caused such a furore at the first Blaue Reiter exhibition in 1911 are still full and dazzling today.

The author:
Ulrike Becks-Malorny studied free painting in Geneva and art history in Bochum, Germany. Since gaining her doctorate in 1990, she has worked as an exhibition organizer and freelance author. She lives in Bonn, Germany.

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Essays by Daniel Birnbaum and Eugenie Tsai
ID: 13725
Издательство: Phaidon

A comprehensive monograph on the work of KAWS, one of the most sought-after artists and creative forces of our time

Drawing from Pop art traditions, KAWS's work straddles the line between fine art and popular culture, crossing the mediums of painting and sculpture, along with fashion, merchandise, vinyl toys, and, most recently, augmented reality. This book, made in close collaboration with the artist, features his most well-known works alongside sketches, preparatory drawings, and never-before-seen images of KAWS at work, revealing the meticulous process behind his iconic artworks. Accompanying a major retrospective exhibition at the Brooklyn Museum, it captures the artist's unique ability to reshape the ways we think about contemporary art and culture today.

About the Authors:

Daniel Birnbaum is an art critic, curator, and director of Acute Art, a virtual and augmented reality production company.

Eugenie Tsai is John and Barbara Vogelstein Senior Curator, Contemporary Art at the Brooklyn Museum.

_________

- Captures the magic of exciting talent at the intersection of traditional and current culture whose highly recognizable - and recognized - work is accessible and provocative, entertaining and challenging
- KAWS has a significant social media presence, with over 3 million followers on Instagram alone – 'There may be no other visual artist with as large a fan base.' – Observer
- KAWS has collaborated with brands such as Supreme, Nike, Dior, Uniqlo, and Comme des Garçons – making his name familiar to a wide and diverse audience
- Accompanies a major exhibition opening at the Brooklyn Museum, his city of residence, in February 2021 - and includes photographs from the show itself

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Essays by Daniel Birnbaum and Eugenie Tsai
ID: 13727
Издательство: Phaidon

A comprehensive monograph on the work of KAWS, one of the most sought-after artists and creative forces of our timee

Drawing from Pop art traditions, KAWS's work straddles the line between fine art and popular culture, crossing the mediums of painting and sculpture, along with fashion, merchandise, vinyl toys, and, most recently, augmented reality. This book, made in close collaboration with the artist, features his most well-known works alongside sketches, preparatory drawings, and never-before-seen images of KAWS at work, revealing the meticulous process behind his iconic artworks. Accompanying a major retrospective exhibition at the Brooklyn Museum, it captures the artist's unique ability to reshape the ways we think about contemporary art and culture today.

About the Authors:

Daniel Birnbaum is an art critic, curator, and director of Acute Art, a virtual and augmented reality production company.

Eugenie Tsai is John and Barbara Vogelstein Senior Curator, Contemporary Art at the Brooklyn Museum.

_________

- Captures the magic of exciting talent at the intersection of traditional and current culture whose highly recognizable - and recognized - work is accessible and provocative, entertaining and challenging
- KAWS has a significant social media presence, with over 3 million followers on Instagram alone – 'There may be no other visual artist with as large a fan base.' – Observer
- KAWS has collaborated with brands such as Supreme, Nike, Dior, Uniqlo, and Comme des Garçons – making his name familiar to a wide and diverse audience
- Accompanies a major exhibition opening at the Brooklyn Museum, his city of residence, in February 2021 - and includes photographs from the show itself

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Essays by Daniel Birnbaum and Eugenie Tsai
ID: 13726
Издательство: Phaidon

A comprehensive monograph on the work of KAWS, one of the most sought-after artists and creative forces of our time

Drawing from Pop art traditions, KAWS's work straddles the line between fine art and popular culture, crossing the mediums of painting and sculpture, along with fashion, merchandise, vinyl toys, and, most recently, augmented reality. This book, made in close collaboration with the artist, features his most well-known works alongside sketches, preparatory drawings, and never-before-seen images of KAWS at work, revealing the meticulous process behind his iconic artworks. Accompanying a major retrospective exhibition at the Brooklyn Museum, it captures the artist's unique ability to reshape the ways we think about contemporary art and culture today.

About the Authors:

Daniel Birnbaum is an art critic, curator, and director of Acute Art, a virtual and augmented reality production company.

Eugenie Tsai is John and Barbara Vogelstein Senior Curator, Contemporary Art at the Brooklyn Museum.

_________

- Captures the magic of exciting talent at the intersection of traditional and current culture whose highly recognizable - and recognized - work is accessible and provocative, entertaining and challenging
- KAWS has a significant social media presence, with over 3 million followers on Instagram alone – 'There may be no other visual artist with as large a fan base.' – Observer
- KAWS has collaborated with brands such as Supreme, Nike, Dior, Uniqlo, and Comme des Garçons – making his name familiar to a wide and diverse audience
- Accompanies a major exhibition opening at the Brooklyn Museum, his city of residence, in February 2021 - and includes photographs from the show itself

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Essays by Daniel Birnbaum and Eugenie Tsai
ID: 13730
Издательство: Phaidon

A comprehensive monograph on the work of KAWS, one of the most sought-after artists and creative forces of our time

Drawing from Pop art traditions, KAWS's work straddles the line between fine art and popular culture, crossing the mediums of painting and sculpture, along with fashion, merchandise, vinyl toys, and, most recently, augmented reality. This book, made in close collaboration with the artist, features his most well-known works alongside sketches, preparatory drawings, and never-before-seen images of KAWS at work, revealing the meticulous process behind his iconic artworks. Accompanying a major retrospective exhibition at the Brooklyn Museum, it captures the artist's unique ability to reshape the ways we think about contemporary art and culture today.

About the Authors:

Daniel Birnbaum is an art critic, curator, and director of Acute Art, a virtual and augmented reality production company.

Eugenie Tsai is John and Barbara Vogelstein Senior Curator, Contemporary Art at the Brooklyn Museum.

_________

- Captures the magic of exciting talent at the intersection of traditional and current culture whose highly recognizable - and recognized - work is accessible and provocative, entertaining and challenging
- KAWS has a significant social media presence, with over 3 million followers on Instagram alone – 'There may be no other visual artist with as large a fan base.' – Observer
- KAWS has collaborated with brands such as Supreme, Nike, Dior, Uniqlo, and Comme des Garçons – making his name familiar to a wide and diverse audience
- Accompanies a major exhibition opening at the Brooklyn Museum, his city of residence, in February 2021 - and includes photographs from the show itself

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Essays by Daniel Birnbaum and Eugenie Tsai
ID: 13729
Издательство: Phaidon

A comprehensive monograph on the work of KAWS, one of the most sought-after artists and creative forces of our time

Drawing from Pop art traditions, KAWS's work straddles the line between fine art and popular culture, crossing the mediums of painting and sculpture, along with fashion, merchandise, vinyl toys, and, most recently, augmented reality. This book, made in close collaboration with the artist, features his most well-known works alongside sketches, preparatory drawings, and never-before-seen images of KAWS at work, revealing the meticulous process behind his iconic artworks. Accompanying a major retrospective exhibition at the Brooklyn Museum, it captures the artist's unique ability to reshape the ways we think about contemporary art and culture today.

About the Authors:

Daniel Birnbaum is an art critic, curator, and director of Acute Art, a virtual and augmented reality production company.

Eugenie Tsai is John and Barbara Vogelstein Senior Curator, Contemporary Art at the Brooklyn Museum.

_________

- Captures the magic of exciting talent at the intersection of traditional and current culture whose highly recognizable - and recognized - work is accessible and provocative, entertaining and challenging
- KAWS has a significant social media presence, with over 3 million followers on Instagram alone – 'There may be no other visual artist with as large a fan base.' – Observer
- KAWS has collaborated with brands such as Supreme, Nike, Dior, Uniqlo, and Comme des Garçons – making his name familiar to a wide and diverse audience
- Accompanies a major exhibition opening at the Brooklyn Museum, his city of residence, in February 2021 - and includes photographs from the show itself

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Edited with text by Andrea Karnes. Preface by Marla Price. Text by Michael Auping, Dieter Buchhart. Interview by Pharrell Williams
ID: 11454
Издательство: Distributed Art Publishers

A major survey of KAWS and his eye-popping work, from collectible art toys to UNIQLO T-shirts, from graffiti to museum exhibitions

Appropriating characters, images and effects from pop culture, the work of KAWS blurs the lines between high and low art, and between art and fashion.

Effectively deploying film and television favourites for his toys, large-scale sculpture and bold, nearly abstract painting, KAWS recasts the familiar colours and forms of popular entertainment in cheeky and often poignantly human terms. Influenced by Andy Warhol and other Pop artists, hard-edge abstract painting and graffiti, KAWS’ work deftly straddles consumer culture and artistic innovation, and his distinctive style is as much at home in his toys as in his monumental sculpture. KAWS: Where the End Starts explores the artist’s prolific career in depth, featuring key paintings, sculptures, drawings, toys and fashion and advertising designs.

This extensive monograph, including contributions from Andrea Karnes, Michael Auping, Dieter Buchhart and Pharrell Williams, reveals critical aspects of KAWS’ formal and conceptual development over the past 20 years, as his career has shifted from graffiti to fine art and collaborations with designers and brands such as Comme des Garçons, SUPREME, Nigo (A Bathing Ape) and Nike.

Published in a hardcover edition with more than 150 color reproductions by the Museum of Modern Art, Fort Worth in conjunction with the major 2016 Fall exhibition on KAWS.

About the Authors:

Brooklyn-based KAWS (born in 1974) is widely considered one of the most relevant artists of his generation. Within the Pop art tradition, he has created a prolific body of influential work, which both engages young people with contemporary art and straddles the worlds of art and design to include both product and graphic design, paintings, murals and sculpture.

Marla Price is Director of the Modern Art Museum of Fort Worth.

Michael Auping is Chief Curator at the Modern Art Museum of Fort Worth, Texas, and the author of books on abstract expressionism, Clyfford Still, and Arshile Gorky.

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Alexandra Kolossa
ID: 4151
Издательство: Taschen

By the time of his death from AIDS at the age of 31, Keith Haring (1958-1990) was already a wildly successful and popular artist. Haring`s original and instantly recognizable style, full of thick black lines, bold colours, and graffiti-inspired cartoon-like figures won him the appreciation of both the art world and the general public; his work appeared simultaneously on T-shirts, gallery walls, and public murals. In 1986, Haring founded Pop Shop, a boutique in New York`s SoHo selling Haring-designed memorabilia, to benefit charities and help bring his work closer to the public and especially street kids, with whom he never lost contact.

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Jürgen Döring, Claus von der Osten
ID: 11540
Издательство: Prestel

Bursting with colour and featuring Keith Haring’s powerful messages, this collection of posters includes insightful commentary and dazzling reproductions

Whether Keith Haring was raising awareness of the AIDS epidemic and apartheid or celebrating life, music, and dance, his signature illustrations became part of the cultural landscape of the 1980s. Posters were central to Haring’s oeuvre and the perfect medium for his inclusive, accessible, and figurative style. Author Jurgen Doring offers fascinating insights into Haring’s work, providing commentary on each of the exquisitely reproduced posters. Important reference work and a vibrant celebration of a world-renowned artist, this book will delight Haring’s many fans throughout the world.

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Dieter Buchhart
ID: 11541
Издательство: Prestel

Exuberant, profane, witty, and provocative, the images in this book reveal the political dimension of Keith Haring’s artistic concerns

Through his graffiti-inspired drawings, paintings, sculptures, murals, and other works, Keith Haring created an immediately recognizable visual iconography that spoke to an enormous population — gay and straight, young and old, male and female. His importance in the annals of popular culture is indisputable, but little attention has been paid to his advocacy for social justice.

Haring’s political perspective is the focus of this visually arresting selection of works that traces the artist’s development and historical significance and gives new gravitas to his career. Accompanying a major exhibition at the de Young museum in San Francisco, this book features more than 130 works of art, including large-scale paintings on tarpaulin and canvas, sculptures, and subway drawings. Together they create a narrative that explores Haring’s responses to nuclear disarmament, racial inequality, capitalist excess, environmental degradation, and other prevalent social issues.

Essays and conversations with writers, critics, and art dealers round out this important analysis of Haring’s life, career, and passion.

About the Author:

Dieter Buchhart is an art critic for Kunstforum International and the author of Keith Haring: The Political Line (DelMonico Books·Prestel).

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Dr. Angelika Taschen, (ED)
ID: 833
Издательство: Taschen
"I am rather like a travelling salesman. I deal in ideas. I am far more to people than just someone who paints pictures." Martin Kippenberger (1953-1997) was one of the most complex artists of the 80s and 90s. His œuvre could not be reduced to any one medium. To him, sculpture, painting, photography, drawing, catalogues, invitation cards and posters were all equally valid forms of artistic expression and he constantly played off one against another in an output so prolific that it verged on the inflationary. His maxim was that "good artists are never on holiday" and he demanded the same total commitment from those who viewed his works. This book documents two decades of Martin Kippenberger’s work in 400 illustrations, from the early days of his Berlin office to his works for documenta X in Kassel and for the exhibition of sculpture in Münster, both of which were completed after his death. With this book, the publisher wishes to pay homage to an extraordinary person and artist who died suddenly and unexpectedly in Vienna on 7 March 1997.
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Marco Livingstone
ID: 12605
Издательство: Phaidon

An updated and expanded edition of the definitive monograph on R. B. Kitaj (1932–2007), a major figure of the School of London alongside Lucian Freud, David Hockney and Francis Bacon

R. B. Kitaj (1932-2007) is recognized universally as a modern master. His powerful, controversial and highly personal paintings, pastels and drawings reflect his unfashionable commitment to the human figure as a subject and his complex involvement with the art of the past, with political and social issues and with his own Jewish identity. 

In the fourth and final edition of his definitive and much-praised monograph on the artist, Marco Livingstone has updated his text to include a survey of Kitaj's work from 1999 to 2007. 30 illustrations of recent works and 20 additional illustrations of earlier works have been added. Virtually all of the illustrations that were in black-and-white in earlier editions are now reproduced in full colour. 30 new 'prefaces' written by Kitaj himself have been added, some of them never before published. A full catalogue of every work from his entire career completes the book. 

This updated edition is a significant extension of the volume's scope, providing a more complete picture of the artist's work as a life achievement, as well as greatly enhancing the beauty of the book itself. The previously essential monograph on Kitaj is now the definitive volume.

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Susanna Partsch
ID: 9364
Издательство: Taschen

Geometrical figures and hieroglyphic elements

The delightfully unclassifiable work of a master painter

Designated as "degenerate" by the Nazis, Paul Klee (1879-1940) is today considered one of the most important artists of the 20th century. His works stand out for the variety in their forms of artistic expression.

His Tunisian water-colours depicting landscape, architecture and, above all, the North African light of this Mediterranean land constitute the true beginning of Klee’s painting career. Although these paintings still fall under the heading of ’objective,’ they already exhibit indications of his tendency toward abstraction and a language of forms.

Geometrical figures and hieroglyphic elements characterize the majority of these works, which for this reason seem reminiscent of ’naive’ and playful children’s painting. In reality, however, Klee’s paintings have their roots in theoretical considerations, their recurrent symbols conveying personal and at times political content.

About the Series:
Every book in TASCHEN's Basic Art Series features:

  • a detailed chronological summary of the artist's life and work, covering the cultural and historical importance of the artist
  • approximately 100 color illustrations with explanatory captions
  • a concise biography
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Konrad Klapheck
ID: 5139
Издательство: Steidl Verlag

Since the 1950s, German painter Konrad Klapheck has been producing a rigorous body of work. The bulk of his extraordinarily focused artistic career comprises a continued painterly investigation of technological machines and everyday objects such as typewriters, sewing machines, and ventilators. The artist’s canvases, however, are not mere depictions; the objects Klapheck presents are subtly anthropomorphized and charged with psychological, social, and political meaning. A telephone, for example, takes on a playful, eroticized quality in one canvas, while a typewriter becomes a menacing object evocative of brute power in another. An artist’s artist, Klapheck has never painted according to fashions dictated by the art world; he is a painter guided by his own obsessions. However, his work bears a number of crucial relationships to the history of painting and to the artistic and intellectual concerns of postwar art. In its unexpected combination of deadpan depiction and evocative playfulness, Klapheck’s canvases forge an important link in twentieth-century art, melding elements from Surrealism and Pop Art with a singular painterly sensibility to create a uniquely influential body of work.

This long-overdue English-language monograph comprises an in-depth examination of Klapheck’s work, bringing together an extensive group of paintings that span the continued course of his career. The publication provides an overview of important paintings of technological devices and machinery, while also presenting examples of more recent evocative, figurative work.

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Basel Kunstmuseum
ID: 6779
Издательство: Hatje Cantz

Konrad Witz (c. 1400 – c. 1446) counts among the most radical revivalists of painting in the first half of the fifteenth century. While his achievements testify to his knowledge of the Old Netherlandish painting of his time, they also constitute Witz’s extraordinarily original signature. The uncontested highlight of his work is the Geneva Altar (1444), which features the Biblical scene of Peter fishing embedded in a veduta-like view of Lake Geneva - the first topographically accurate, identifiable landscape in the history of German painting.

There is hardly any doubt among researchers that the approximately twenty panels for four commissioned altars were made by Witz himself. All the more diverse, then, are the opinions about his education, career, sphere of influence, and successors. This publication discusses new theses with respect to Witz’s artistic background.

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