Сборники работ по искусству

This magnificent boxed-set features stunning, accordion-fold, color reproductions of Monet’s essential works, accompanied by a separate booklet with a background and descriptions of each painting.

Fans of Impressionism will delight in seeing some of their favorite works presented in generously sized accordion fold pages, which bring Monet’s representations of nature to exquisite life. Arranged chronologically, this volume helps readers appreciate the achievements of a long and fruitful career. Natural beauty, color and light were the object of Monet’s incessant research, and he never lost sight of what was essential to him — the truth of his sensations. From the faithful transcription of the landscape in his early days to the gestural drawing of the final water lilies at Giverny, this book allows us to follow and understand the evolution of his creativity. The themes of Monet’s work (the seashore, the Seine, gardens, the seasons) are discussed, as well as the techniques he used, such as the decomposition of light and color through the brushstroke; the use of repetition and series to better reflect atmospheric variations; and the progressive dissolution of forms, which led to him being considered the precursor of abstraction.

Packaged in an elegant slipcase, this volume reflects the beautiful artistry and timeless traditions that are embodied in the artworks themselves.

About the Author:

Anne Sefrioui is the author of numerous art books, including Hiroshige: Famous Views of the Sixty-odd Provinces (2017), Kingfisher with Lotus Flower: Birds of Japan (2022), and Van Gogh: The Bigger Picture (2024), all published by Prestel.

A complete overview of the Giorgio Morandi exhibition in NY and Bologna.

Giorgio Morandi is an undisputed master of twentieth-century painting. His greatness lies in the balance between an outlook typical of the Age of Enlightenment and the formal synthesis of Cézanne and modernism.

Often remembered as a reserved and reclusive man, inclined toward a “cloistered” lifestyle, Morandi, in reality, was a highly sensitive interpreter of the spirit of his times. Through constant attention to differing artistic and cultural movements, he succeeded in translating the aspirations they embodied into the variants of an unfailingly autonomous approach to painting.

This volume provides a complete overview of the major exhibition of masterpieces by Giorgio Morandi at the Metropolitan Museum of Art in New York and the Museo d’Arte Moderna in Bologna (MAMbo). Over one hundred paintings, watercolors, drawings, and etchings illustrate the artist’s entire creative and poetic course from the landscapes and still lifes of 1913–1914 to his final works of 1963–1964. Particular attention is focused on the masterpieces of the 1920s and 1930s, in which Morandi perfected his extraordinary approach to image-making through in-depth investigation of the world and of human existence as filtered through the metaphor of the still life.

The Metropolitan Museum of Art New York, New York
16 settembre – 14 dicembre 2008
MAMbo – Museo d’Arte Moderna di Bologna
22 gennaio – 12 aprile 2009

The life of America’s most beloved artist, in his own words — back in print with restored text and drawings, new illustrations, and more.

The wit, humanity, and many-sided talent of Norman Rockwell (1894-1978) are on full display in his classic autobiography. Rockwell’s New York City boyhood, his apprentice days at the Art Students League, his first fateful visit to the Saturday Evening Post, his adventures abroad, his move to rural Vermont – all are recounted with a mix of sharp observation and self-deprecating humor. Throughout Rockwell invites the reader into his artistic process: he introduces his favourite models, candidly reveals his biggest flops, and documents the creation of a Post cover step by step.

This Definitive Edition restores the original 1960 text of My Adventures as an Illustrator, as well as the playful vignettes that Rockwell drew to head each chapter. Thanks to a massive image digitisation effort undertaken by the Norman Rockwell Museum, it is also illustrated with more than 150 of Rockwell’s paintings and drawings, many of which highlight lesser-known aspects of his work. A new introduction by the artist’s granddaughter Abigail Rockwell adds reference value, as do an illustrated chronology and an annotated bibliography prepared by the staff of the Norman Rockwell Museum.

This attractive volume will be the essential source on the life of Norman Rockwell, and delightful reading for anyone who enjoys his art. Plus, its publication coincided with a major exhibition at the Norman Rockwell Museum in 2019 concerning the autobiographical elements in the artist’s work (Norman Rockwell: Private Moments for the Masses).

About the Author:

Norman Rockwell (1894–1978) is one of America’s most celebrated artists.

The first book on the brilliant yet little-seen drawings of Norman Rockwell — including side-by-side comparisons of his drawings and his finished paintings.

Before Norman Rockwell put paintbrush to canvas, he had a precise idea of what he wanted to create. A perfectionist and analytical thinker, Rockwell completed numerous preparatory drawings in the process of developing his paintings, much like the Old Masters before him. He worked in several stages, including thumbnail sketches and studies of particular details – culminating in a meticulous tonal drawing that served as a basis for the final painting. But Rockwell’s drawing was not only in the service of his painting: he also executed finished illustrations in pencil and charcoal; kept travel sketchbooks; and shared illustrated letters, caricatures, and comics with his family and friends.

This abundantly illustrated book reveals the entire scope of Rockwell’s work as a draftsman. It reproduces the full sequence of preliminary drawings (and reference photographs) that led up to some of his most famous Saturday Evening Post covers – and it also presents a generous sampling of his standalone drawings, many of them rarely published. The text, by curators at the Norman Rockwell Museum, illuminates and contextualises the different aspects of Rockwell’s drawing practice.

Norman Rockwell: Drawings, which accompanies an exhibition at the Norman Rockwell Museum, will be a must-have reference for artists and illustrators, and a delight for art lovers.

About the Authors:

Stephanie Haboush Plunkett is Deputy Director/Chief Curator of the Norman Rockwell Museum. She currently leads the Rockwell Center for American Visual Studies and has organized many illustration-based exhibitions, including Inventing America: Rockwell and Warhol; Rockwell and Realism in an Abstract World; The Unknown Hopper: Edward Hopper as Illustrator; William Steig: Love & Laughter; and Ephemeral Beauty: Al Parker and the American Women’s Magazine, 1940–1960; as well as the international traveling exhibition Enduring Ideals: Rockwell, Roosevelt & the Four Freedoms. Her most recent publication is Drawing Lessons from the Famous Artists School: Classic Techniques and Expert Tips from the Golden Age of Illustration.

Jesse M. Kowalski, Curator of Exhibitions, joined Norman Rockwell Museum in 2015. Since coming on board, he has curated Enchanted: A History of Fantasy Illustration; Hanna-Barbera: The Architects of Saturday Morning; Inventing America: Rockwell and Warhol; The Art & Wit of Rube Goldberg; Superheroes and Superstars: The Art of Alex Ross; and Never Abandon Imagination: The Fantastical Art of Tony DiTerlizzi, and is currently preparing additional exhibitions. Prior to joining Norman Rockwell Museum, Kowalski served as Director of Exhibitions at The Andy Warhol Museum, where he was employed for eighteen of the Museum’s 20 years, curating many of the Warhol Museum’s popular traveling and in-house exhibitions.

Louis Henry Mitchell is the Creative Director of Character Design for Sesame Workshop, where he directs and oversees all aspects of character art. Most recently, he designed Julia, the first Sesame Street character on the autism spectrum, from initial character illustration to final sculpted Muppet. Mitchell studied at the School of Visual and The Art Students League, and credits Norman Rockwell as a major inspiration in his desire to become an artist.

Mighty nature: The pioneering forms of Georgia O'Keeffe

Georgia O'Keeffe (1887-1986) was a major figure in modern American art for some seven decades. Importantly, her fame was not associated with shifting art styles and trends, but rather with her own unique vision, based on finding essential and abstract forms in nature.

O'Keeffe s primary subjects were landscapes, flowers, and bones, each explored in successive series over several years. Certain works went on for decades, producing 12 or more variations of an original image. Among these, O'Keeffe s magnified pictures of calla lilies and irises are her most famous. Enlarging the tiniest petals to fill an entire canvas, O'Keeffe created a proto-abstract vocabulary of shapes and lines, earning her the moniker mother of American modernism. In 1946, O'Keeffe became the first female artist to be given a solo show at the MoMA in New York.

This introductory book from TASCHEN Basic Art 2.0 traces O'Keeffe s long and luminous career through key paintings, contemporary photographs, and portraits taken by Alfred Stieglitz, to whom O'Keeffe was married. We follow the artist through her pioneering innovations, major breakthroughs, and her travels and inspirations in Southeast Asia, India, the Middle East, and, above all, New Mexico, where she was particularly inspired by the majestic landscapes, vivid colours and exotic vegetation.

About the series:

Each book in TASCHEN's Basic Art series features:

- a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance
- a concise biography
- approximately 100 illustrations with explanatory captions

The dazzling life story of the quintessential painter of the Art Deco twenties - as she told it to her own daughter

Illustrated with vibrant colour reproductions of Lempicka's finest works, and exclusive family photos. Out of print for ten years, now back in print in a handsome yet affordable hardcover edition. This edition includes a new chapter about Lempicka's legacy by her granddaughter and great-granddaughter. We've entered the centennial of the 1920s, and interest in Lempicka is high: her paintings continue to smash auction records, and her life is the subject of a new musical.

An attractive new hardcover edition of the classic biography of Tamara de Lempicka, whose paintings defined Art Deco and whose life epitomised the Jazz Age.

As F. Scott Fitzgerald portrayed the mad glories of the 1920s on the printed page, Tamara de Lempicka (1898-1980) captured them on canvas. A seductive Garbo-esque beauty with an irresistible force of personality, this refugee of the Russian Revolution successively conquered Paris, Hollywood, and New York with coruscating portraits of the world's rich and famous. Her Art Deco paintings earned for her a life more fabulously excessive than anything Fitzgerald dreamed of.

Passion by Design, authored by Tamara de Lempicka's own daughter, is an intimate look at a fascinating personality, and remains the best account of her life and work. This new edition is illustrated with vibrant colour reproductions of her finest paintings, as well as exclusive photographs from family albums. An additional chapter by Victoria de Lempicka, the artist's granddaughter, explores the ever-evolving legacy of Tamara de Lempicka, from the record eight-figure price fetched by her painting La Tunique Rose in November 2019 to the new musical based on her life.

About the Author:

Baroness Kizette de Lempicka-Foxhall, the daughter of Tamara de Lempicka, enjoyed an unequalled firsthand knowledge of her mother's life and exclusive access to her papers.

Portrait of an Artist in the Early Days of Modernism

The incomparable play of light and color in Paul Cezanne’s work was the foundation of his reputation as a forerunner of modernism. From the start he went his own way, and his paintings initially evoked a lack of understanding in art critics of the time, as well as ridicule. Despite his Romantic, Baroque, Impressionist, and finally Classical influences, it is still difficult to ascribe Cezanne to any particular art movement. Still, which specific places left lasting impressions on the scion of a provincial banker’s family? What and who were major influences supporting and advancing his innovative oeuvre? James H. Rubin traces Cezanne’s life and work from A to Z in this brief volume, creating an image of a painter who wanted to transform painting itself. The author—and established connoisseur — succeeds in closely approaching the artist while at the same time maintaining the necessary distance to his inimitable paintings.

Paul Cezanne (1839–1906) was one of the most influential painters in the early days of modernism and has often been described as a pioneer of Neues Sehen, or New Vision. His work still exercises undiminished influence to this day.
James H. Rubin (*1944) is an art historian and professor at the State University of New York in Stony Brook. His research focuses on nineteenth-century European art, especially the history, theory, and critique of French Modernism.

New insights into Picasso’s Blue Period, through innovative technology that reveals hidden compositions, motifs and alterations, plus hitherto unknown information on the artist's materials and process

This lavishly illustrated volume reexamines Pablo Picasso’s famous Blue Period (1901–04) in paintings, works on paper and sculpture. Relying on new information gleaned from technical studies performed on The Blue Room (Le Tub) (1901), Crouching Beggarwoman (La Miséreuse accroupie) (1902) and The Soup (La Soupe) (1903), this multidisciplinary volume combines art history and advanced conservation science in order to show how the young Picasso fashioned a distinct style and a pronounced artistic identity as he adapted the artistic lessons of fin-de-siècle Paris to the social and political climate of an economically struggling Barcelona.

Essays, a chronology and a summary of conservation findings contextualize Picasso’s experimental approach to painting during the Blue Period. A major contribution to the burgeoning field of technical art history, Picasso: Painting the Blue Period advances new scholarship on one of the most critical episodes in 20th-century modernism.

To commemorate the 50th anniversary of Picasso’s death, this spectacular volume of the artist’s early paintings and sculptures is being reissued.

The paintings from his so-called Blue and Rose periods to early Cubism, created between 1901 and 1907, are milestones on Picasso’s path to becoming the most famous artist of the twentieth century. In 2019, the Fondation Beyeler presented some 80 masterpieces from renowned museums and private collections in its most prestigious exhibition to this date. They are not only among the most valuable works of art ever to exist, but are widely viewed as some of modernism’s most beautiful and emotive artworks. This volume brings the early work of this exceptional artist to life in a unique way.

About the Artist:

Pablo Picasso is regarded as the epitome of the twentieth-century artist. In addition to his paintings and sculptures, his graphic works also enjoy special fame.

The first book dedicated to Picasso’s self-portraits, many held in private collections and published here for the first time

Much has been said and written about Picasso’s life and art, but until now his self-portraits have never been studied and presented in a single book, perhaps because the artist always left many doubts about his work. However, there is no doubt that Picasso represented himself ceaselessly, whether in a dashed-off pencil sketch, as a flourish at the bottom of a letter, or on a giant canvas.

At the suggestion of Picasso’s widow Jacqueline, the distinguished art historian Pascal Bonafoux began researching Picasso’s self-portraits more than forty years ago. This meticulously researched book presents the fruits of his decades-long project. From the first attributed painting in 1894 as a thirteen-year-old boy, until Picasso's final self-portrait in 1972, a year before his death, Bonafoux charts the evolution of the artist's life and art. Here is Picasso as a student; as a young bohemian; an impetuous artist in Paris; as harlequin; as lover, husband and father; and finally, as an old man confronting his mortality. The book comprises about 170 drawings, paintings and photographs, some from private collections and previously unpublished, bringing together for the first time the attributed self-portraits of this genius of 20th-century art.

About the Author:

Pascal Bonafoux is a French writer, novelist, art critic and art historian, specializing in self-portraiture. He is the author of many books, including Rodin & Eros, also published by Thames & Hudson.

These pages are intended as a compact up-to-date guide for readers wishing to find out more about one of the greatest artistic geniuses of all time, an artist epitomising the highest ideals of the age of Humanism whose complex personality challenges even the experts in this field of studies.

This monograph is dedicated to one of the greatest Italian masters, Piero della Francesca (San Sepolcro 1416/1417 approx. - 1492), whose towering multifaceted genius dominates the entire artistic and cultural panorama of the early Italian Renaissance.

Each work, from the Baptism of Christ to the Nativity at National Gallery in London, is presented with full-page images and is analysed in depth from the historical point of view, as well as for its style and considering its critical fortune during the centuries.

A specific focus is on the magnificent cycle of frescoes of the Legend of the True Cross, in the Basilica of San Francesco in Arezzo, which is considered as Piero's masterpiece.

The author of the book, in charge of a conservation and restoration project of the Chapel, presents in her study the results of the conservation work on half of the painting surface, completed with the images of the frescoes after their cleaning.

This book is intended as a compact up-to-date guide for readers wishing to find out more about one of the greatest artistic geniuses of all times, who was numbered among the greatest artists of his time and highly praised by his contemporaries, beginning with Vasari in the Life that he dedicated to the artist of excellence from Sansepolcro.

Windmills, Foxtrot and Yves Saint-Laurent

Pivotal in modern art’s move towards abstraction, Piet Mondrian’s oeuvre is extraordinarily versatile and complex. Not only did he paint and draw, he also wrote extensively about his thoughts and theories on art and life. Moving from traditional Dutch landscape painting to a pronounced rhythmic framework focusing on compositional structure rather than naturalistic representation, Mondrian was profoundly impressed by contemporary culture. Thus, he was not only inspired by the pattern of the extensive Dutch canal system, but also by the rhythm of jazz and the foxtrot. Demonstrating the impact of his oeuvre, Yves Saint-Laurent's famous "Mondrian Dress" even made him a fashion icon posthumously.

Celebrating the 150th anniversary of his birth, Ulf Küster entertainingly leads through well- and lesser-known aspects of Mondrian's life and work offering inspiring impulses for reflection and further engagement with the fascinating artist.

Piet Mondrian’s (1872–1944) early work was influenced by the Dutch landscape painting of the 19th century. However, it was his strictly abstract geometric compositions that gained the artist world fame. He worked in Paris, London and New York, where he was active in the avant-garde circles of his time.

The art historian Ulf Küster (*1966, Stuttgart) has been working at the Fondation Beyeler in Riehen | Basel since 2004, where he curates internationally acclaimed exhibitions. He has written numerous publications, among them his text on Louise Bourgeois in the series Art to Read and Edward Hopper A-Z, published by Hatje Cantz.

The Art of Dave Cooper is the first comprehensive monograph encompassing all of the illustrations, paintings, comics, toys, and animations created by Dave Cooper.

From his first published cartoons, created when he was a teenager, to his most recent oil paintings and exhibitions, this beautiful compilation delivers an intimate look into Cooper's life and work.

Containing an impressive 300 pages of detailed reproductions with an accompanying introduction by Guillermo del Toro and essays by famous friends, The Art of Dave Cooper will be a great addition to your art book library.

About the Author:

Dave Cooper is a cartoonist, illustrator and graphic designer who lives in Ottawa, Ontario. First known for his comics, he has also worked extensively as a designer, producer, and creator in the field of animation: his designs have been used in Futurama, Nickelodeon's Pig Goat Banana Cricket, of which he was co-creator, and Teletoon's The Bagel and Becky Show, which he created. As of 2003, Cooper has focused on oil painting and fine art, exhibiting in galleries in New York, Los Angeles and Paris, where he has gathered a celebrity cult following that includes David Cross, David Cronenberg, and Guillermo del Toro. 

The first exploration of Piranesi’s work as a draughtsman, published to coincide with an exhibition at the British Museum

The Venetian-born artist Giovanni Battista Piranesi (1720–1778) is best known for his dramatic etchings of the architecture and antiquities of his adopted city, Rome, and for his extraordinary flights of spatial fancy, such as Le Carceri (‘Prisons’).

Published to coincide with an exhibition at the British Museum, this original volume explores Piranesi’s skill as a draughtsman. While many studies focus on Piranesi’s activities as a printmaker, this beautifully illustrated book examines the many unanswered questions about his drawings. It establishes a clear relationship between his drawings and his prints, discuss the involvement of studio hands in his late works, and examine how his style as a draughtsman evolved. Piranesi Drawings reveals the quality and impact of the pen and chalk studies of a remarkably talented artist, as shown by the British Museum’s superb collection.

Contents List:

Preface by Hugo Chapman • Introduction • Catalogue • Chronology • Notes • Bibliography

About the Author:

Sarah Vowles is Hamish Swanston Curator of Italian and French Prints and Drawings at the British Museum. Hugo Chapman is Simon Sainsbury Keeper of Prints and Drawings at the British Museum.

Abstract Action. The splattered oeuvre of a cultural icon

The rebel hero of Abstract Expressionism, Jackson Pollock careened through his life like a firework across the American art landscape, with his urgent, splattered drip paintings his most explosive legacy. This essential introduction traces Pollock’s work and his fame to understand his masterpieces in the greater modernist story and explore his making as a cultural icon.

The rebel hero of Abstract Expressionism, Jackson Pollock (1912–1956) careened through his life like a firework across the American art landscape. Channeling ideas from sources as diverse as Picasso and Mexican surrealism, he rejected convention to develop his own way of seeing, interpreting, and expressing.

Pollock’s most famous works are his drip paintings, where he dripped and poured household enamel paint over the canvas with a variety of instruments, from sticks to syringes, hardened brushes to broken bits of glass. The splattered results pulsate with energy, replacing the refinement of easel and brush with something altogether more immediate, vivid, and physical. To evade the viewer’s search for figurative elements in his paintings, Pollock abandoned titles and identified each work with a neutral number only.

Notoriously reclusive and volatile, struggling with alcoholism, married to fellow Abstract Expressionist Lee Krasner, and killed in a car crash aged just 44, Pollock is as much a compelling celebrity icon as an artistic pioneer. This essential artist introduction explores both his work and his fame to shed light on masterpieces of the modernist story, and the making of a cultural icon.

The author

Leonhard Emmerling received his doctorate from the University of Heidelberg for a thesis titled “Jean Dubuffet’s Art Theory.” He is the Director of South Asia Programmes at the Goethe-Institute’s office in New Delhi and was previously active as a curator at various art institutions in Germany. His publications include TASCHEN’s Jean-Michel Basquiat and Jackson Pollock.

About the series:

Each book in TASCHEN's Basic Art series features:

- a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance
- a concise biography
- approximately 100 illustrations with explanatory captions