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Jean-Michel Basquiat was only twenty-seven when he died in 1988, his meteoric and often controversial career having lasted for just eight years. Despite his early death, Basquiat's powerful œuvre has ensured his continuing reputation as one of modern art's most distinctive voices. Borrowing from graffiti and street imagery, cartoons, mythology and religious symbolism, Basquiat's drawings and paintings explore issues of race and identity, providing social commentary that is shrewdly observed and biting.

This bestselling book, now available in a compact edition, celebrates Basquiat's achievements in the contexts of the key influences on his art. It not only re-evaluates the artist's principal works and their meaning but also explains what keeps his painting relevant today.

- Unabridged compact edition of a critically acclaimed book, featuring spectacular reproductions of Basquiat's work
- Examines many of Basquiat's individual works in detail, with particular reference to his working methods and technique

Life lines. The 80s art star who put poverty, power, and racism on the wall

An icon of 1980s New York, Jean-Michel Basquiat (1960–1988) first made his name under the graffiti tag "SAMO", before establishing his studio practice and catapulting to fast fame at the age of 20. Although his career lasted barely a decade, he remains a cult figure of artistic social commentary, and a trailblazer in the mediation of graffiti and gallery art.

Basquiat's work drew upon diverse sources and media to create an original and urgent artistic vocabulary, biting with critique against structures of power and racism. His practice merged abstraction and figuration, poetry and painting, while his influences spanned Greek, Roman, and African art, French poetry, jazz, and the work of artistic contemporaries such as Andy Warhol and Cy Twombly. The results are vivid, visceral mixtures of words, African emblems, cartoonish figures, daubs of bold color, and beyond.

This book presents Basquiat’s short but prolific career, his unique style, and his profound engagement with ever-relevant issues of integration and segregation, poverty and wealth.

About the series:

Each book in TASCHEN’s Basic Art series features:

 - a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance
 - a concise biography
 - approximately 100 illustrations with explanatory captions

Brilliant Basquiat. An unprecedented insight into Basquiat’s art and work

A condensed edition of the best-selling Basquiat monograph. Pristine reproductions of Basquiat’s seminal paintings, drawings, and notebook sketches, as well as texts by editor Hans Werner Holzwarth and curator and art historian Eleanor Nairne, bring us up close and personal to a legend synonymous with 1980s New York.

The legend of Jean-Michel Basquiat is as strong as ever. Synonymous with 1980s New York, the artist first appeared in the late 1970s under the tag SAMO, spraying caustic comments and fragmented poems on the walls of the city. He appeared as part of a thriving underground scene of visual arts and graffiti, hip hop, post-punk, and DIY filmmaking, which met in a booming art world. As a painter with a strong personal voice, Basquiat soon broke into the established milieu, exhibiting in galleries around the world.

Basquiat’s expressive style was based on raw figures and integrated words and phrases. His work is inspired by a pantheon of luminaries from jazz, boxing, and basketball, with references to arcane history and the politics of street life—so when asked about his subject matter, Basquiat answered “royalty, heroism and the streets.” In 1983 he started collaborating with the most famous of art stars, Andy Warhol, and in 1985 was on the cover of The New York Times Magazine. When Basquiat died at the age of 27, he had become one of the most successful artists of his time.

First published in an XXL edition, this unprecedented insight into Basquiat’s art is now available in a compact, accessible volume in celebration of TASCHEN’s 40th anniversary. With pristine reproductions of his most seminal paintings, drawings, and notebook sketches, it offers vivid proximity to Basquiat’s intricate marks and scribbled words, further illuminated by an introduction to the artist from editor Hans Werner Holzwarth, as well as an essay on his themes and artistic development from curator and art historian Eleanor Nairne. Richly illustrated year-by-year chapter breaks follow the artist’s life and quote from his own statements and contemporary reviews to provide both personal background and historical context.

The editor:

Hans Werner Holzwarth is a book designer and editor specializing in contemporary art and photography. His TASCHEN publications include Collector’s Editions like Jeff Koons, Christopher Wool, Albert Oehlen, Ai Weiwei, and the David Hockney SUMO A Bigger Book, as well as monographs like the XXL-sized Jean-Michel Basquiat and survey books such as Modern Art and Art Now! Vols 3 and 4.

The author:

Eleanor Nairne is a curator at the Barbican Art Gallery. She has worked on a number of critically acclaimed exhibitions and publications, including Basquiat: Boom for Real (2017) and Imran Qureshi: Where the Shadows are so Deep (2016). Prior to the Barbican, she was curator of the Artangel Collection at Tate. She is a regular catalogue essayist, a writer for frieze, and a previous Jerwood Writer in Residence.

About the series:

TASCHEN is 40! Since we started our work as cultural archaeologists in 1980, TASCHEN has become synonymous with accessible publishing, helping bookworms around the world curate their own library of art, anthropology, and aphrodisia at an unbeatable price. Today we celebrate 40 years of incredible books by staying true to our company credo. The 40 series presents new editions of some of the stars of our program — now more compact, friendly in price, and still realized with the same commitment to impeccable production.

The collaboration between the two artists, legends of the New York avant-garde, through more than a hundred of their joint works

In the spring of 2023, Fondation Louis Vuitton will be holding Basquiat x Warhol... Painting 4 hands, the most important exhibition ever devoted to the collaborative work of these two artists. The exhibition will feature more than 100 jointly signed paintings, in addition to individual works by Basquiat and Warhol, and works by other major artists (Keith Haring, Jenny Holzer, Kenny Scharf, etc.) in order to recreate the New York downtown art scene of the 1980s.

From 1984 to 1985, Jean-Michel Basquiat (1960–1988) and Andy Warhol (1928–1987) jointly produced about 160 paintings, some of the largest in their respective careers. A genuine artistic dialogue of style and form had developed between them that dealt equally well with crucial issues such as the integration of the African-American community into the narrative of North America, a continent where Warhol was a major manufacturer of icons.

Published to accompany an exhibition at Fondation Louis Vuitton from 5 April to 28 August 2023

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Пролистать книгу Basquiat x Warhol: Paintings Four Hands

Tropical Abstractions. The colors and concepts of Beatriz Milhazes in an updated edition

In her vibrant works, the Brazilian painter Beatriz Milhazes fuses two very different worldviews. Her abstract compositions, which can be seen in a line with modernist masters from Henri Matisse to Bridget Riley, are saturated with the colors and light of her native country. Her paintings are strewn with symbols of everyday life in Brazil, invoking carnival, traditional craftsmanship, and motifs from baroque to pop, all choreographed in an exuberant visual rhythm. The colorful atmosphere has an irresistible exotic allure, but as in the works of Paul Gauguin, we find a broken paradise in which darker, more melancholic tones resonate, both in the promises of tropical life and those of modernist abstraction.

In seeking this balance, Milhazes developed a special transfer technique in the late eighties, painting her motifs onto plastic sheets, gluing these to the canvas and letting them dry, and then peeling away the plastic once dry so that the paint remains on the canvas. This method allows the artist to layer surface upon surface and to achieve an iridescence somewhere between radiant aura and shimmering melancholy. Since her breakthrough in the early 1990s, Milhazes has extended the scope of her work to other media, producing screen prints, collages made of chocolate and candy wrappers, sculptures such as giant mobiles made of carnival decorations, site-specific projects that transform building façades into stained glass windows, and experiments with body and rhythm in collaboration with her sister Marcia’s ballet ensemble.

This updated edition, which has been expanded to include works made as recently as 2020, explores all of the artist’s creative phases, from her beginnings to the present, with over 300 of her works. The book was created in close collaboration with the artist, in both the selection of images and specially designed pages between chapters. It includes a conversation with editor Hans Werner Holzwarth in which the artist unravels her working methods and talks about the ideas and cultural background behind her work. An art historical essay by David Ebony, a poetic dictionary of Milhazes’s key motifs by Adriano Pedrosa, and a detailed, updated artist biography by Luiza Interlenghi round off this comprehensive work.

Also available in an Art Edition with a silkscreen print signed by Beatriz Milhazes

The editor:

Hans Werner Holzwarth is a book designer and editor specializing in contemporary art and photography. His TASCHEN publications include the Collector’s Editions Jeff Koons, Christopher Wool, Albert Oehlen, Ai Weiwei, and the David Hockney SUMO A Bigger Book, as well as monographs like the XXL-sized Jean-Michel Basquiat.

A retrospective of Max Beckmann’s career from before the First World War to his years in exile from Germany, first in Amsterdam and then New York

This catalogue is published to accompany the exhibition at the Thyssen-Bornemisza Museum, Madrid, on Max Beckmann (1884–1950), one of Germany’s leading 20th-century artists. Initially close to Expressionism and New Objectivity, Beckmann developed a unique and independent pictorial style, one filled with symbolic resonances that offered a powerful account of the society of his day. Curated by Tomàs Llorens, the exhibition brings together more than fifty works, including paintings, lithographs and sculptures that cover Beckmann’s years in Germany from the period prior to World War I, when he first achieved public recognition, to the rise of National Socialism in the 1930s, when he was expelled from the Frankfurt art school where he taught and was banned from exhibiting in public.

The exhibition also focuses on the artist’s years in Amsterdam and the United States where he lived after he was obliged to leave Germany. This section is based on four metaphors relating to exile, understood both literally and as the existential condition of modern man: Masks, which looks at the loss of identity associated with the condition of exile; Electric Babylon, which focuses on the modern city as the capital of exile; The Long Goodbye, which constructs a parallel between exile and death; and The Sea, a metaphor of the infinite, its powers of seduction and alienation.

A detailed and highly personal account of the life and works of Berthe Morisot, the most influential female impressionist painter.

Berthe Morisot won over the impressionists with her talent and became the first woman of the group alongside Monet, Degas, and Renoir. She was the foremost female painter of the impressionist movement and, to quote Apollinaire, “one of the most complete artists of her day.” Underestimated for more than a century, today her works demonstrate how visionary she was, pioneering a new style of painting.

Including correspondence with key members of the impressionist movement, this book focuses on the most important stages of Morisot’s career: her precocious artistic talent as a child, her participation at age twenty-three in the Salon de Paris of 1864, her marriage in 1874 to Eugène Manet and the birth of their daughter, Julie ― a frequent subject in Morisot’s paintings ― and the expressive freedom of her later works. This intimate portrait of the artist and her work is an essential reference on the impressionists.

About the Author:

The late Jean-Dominique Rey, art historian and writer, curated numerous exhibitions and published many books including Monet: Water Lilies, The Complete Series (Flammarion, 2008/2018).
Sylvie Patry, global artistic director for the Kamel Mennour contemporary art gallery in Paris, is former director of conservation and collections at the Musée d’Orsay, and former conservation consultant at the Barnes Foundation in Philadelphia.

Although Bosch's known works amount to no more than two dozen paintings and a handful of drawings, the artist had an enormous impact on religious imagery during his lifetime and for centuries afterward. His enigmatic and mind-bending depictions of humans, animals, and nature undoubtedly influenced the surrealist movement of the 20th century. This book explores Bosch's works in terms of medieval morality, the religious beliefs of his time, and the Northern Renaissance in general. This elegant volume offers exquisite, full-colour reproductions that afford readers the opportunity to linger over the works-amazing details. The accompanying text examines Bosch's singular place in the canon of Western art, as a revolutionary portrayer of the imagination, and as a pioneer in the depiction of heaven and hell.

Fernando Botero is the best known Colombian artist of all times. His work is found in many international collections and is also known to be very well represented in several important donations he himself has made to his nation. There is no part of the world where people are not familiar with his name and recognize his distinctive artistic language, characterized by the devotion to form and volume found in figurative works which have placed themes drawn from Latin America, Colombia and his native Department (State) of Antioquia in the visual repertory of the history of world art.

Despite his worldwide recognition, the truth is that, in many senses, Botero is an unknown artist. There is a great analytical void about his career which has yet to be filled and above all, would vindicate his merits in historical terms as a painter in search of an identity of his own. It seems strange that even after six decades during which one of the most profilic and original artists of Latin America has produced a staggering abundance of works, there are few who have inquired into the origin of his distinctive approach to volume and color.

Now available in a new edition, this celebration of the life and art of the Renaissance genius presents Sandro Botticelli’s complete paintings and offers a comprehensive and thoroughly up-to-date study of his work.

Botticelli is one of the most admired artists of the Renaissance period and his seductive Venus and graceful Primavera are among the world’s most recognizable works of art. This catalogue raisonné of Botticelli’s paintings offers more than two hundred full color illustrations and meticulous scholarship by the distinguished Renaissance art historian Frank Zöllner, described by The Financial Times, when reviewing this book’s previous edition, as “a fabulous, accessible scholar; his book has luscious reproductions and exquisite detail.” Presented in chronological order, the facts of Botticelli’s life and career are insightfully discussed against the background of the artistic upheaval that marked the Renaissance period. The artist’s reinterpretations of ancient myths as well as his religious paintings are thoughtfully explored in this sumptuously illustrated volume, which will please scholars and delight lovers of fine art books everywhere.

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Пролистать книгу Botticelli

A major monograph on the artist widely regarded as the 16th century's greatest Netherlandish painter, published to mark the anniversary of his death 450 years ago

Pieter Bruegel the Elder and his work have attained a legendary status in our collective consciousness. The most important Netherlandish painter and draughtsman of the 16th century had already achieved great fame during his own lifetime, but was largely forgotten until his rediscovery by art historians in the early 20th century. Just over forty paintings by Bruegel’s own hand survive. His complex, multi-layered compositions, which draw on the earlier pictorial traditions of Hieronymus Bosch, are often moralizing, and teem with characters. The variety of subjects and their originality of execution inspire wonder to this day.

Published to accompany the major exhibition at the Kunsthistorisches Museum in Vienna, this spectacular catalogue allows readers to immerse themselves in the immensely rich pictorial world of the Netherlandish master. In uniting the artist’s works in different media – paintings, drawings and prints – it highlights his perfect handling and execution, his virtuoso use of colour and his draughtsmanship. The book is complemented by an e-book featuring five further essays by the curators, who present the fruits of recent research on the artist’s materials and techniques.

Bruegel’s inventions and stories create artworks with a timeless power, and this volume, presenting a full survey of the artist’s entire oeuvre, will be an indispensable resource for Bruegel fans and scholars alike.

About the Authors:

Manfred Sellink is the director of the Royal Museum of Fine Arts Antwerp, and is the author of Bruegel: The Complete Paintings, Drawings and Prints.

Ron Spronk is a professor (by special appointment) specializing in Hieronymus Bosch and Early Dutch painting at Radboud University.

Sabine Pénot is Curator of Netherlandish and Dutch Paintings, Kunsthistorisches Museum (KHM) at Vienna, Austria.

Elke Oberthaler is Head of Painting Conservation at Kunsthistorisches Museum (KHM) at Vienna, Austria.

Contents List:

Foreword by Geert Bourgeois • Preface by Sabine Haag • Introduction to the exhibition by Elke Oberthaler, Sabine Pénot, Manfred Sellink and Ron Spronk, with Alice Hoppe-Harnoncourt • Short Biography of Pieter Bruegel the Elder • Cat. nos. 1 to 87 • Separate E-book featuring five essays

Divine apples and pears: Cezanne's quest for a harmony parallel to Nature. 

He was the founding father of modern art, the grandmaster who pointed painting forward on its way from Impressionism to the 20th century: Paul Cezanne (1839 - 1906). In Paris, but above all in Provence, Cezanne quested tirelessly for a harmony parallel to Nature discovering it in still lifes of apples, in bathers, or in the renowned landscapes of his beloved Montagne Sainte-Victoire. 

This book discusses this extraordinary artist s major works and his theories of painting and colour.

About the series:

Each book in TASCHEN's Basic Art series features:

- a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance
- a concise biography
- approximately 100 illustrations with explanatory captions

Widely regarded as the bridging link between late nineteenth-century Impressionism and Cubism, Cezanne's work is characterized by his intense study of his subjects. Overflowing with impeccably reproduced images, this book offers full-page spreads of masterpieces as well as highlights of smaller details - allowing the viewer to appreciate every aspect of the artist's technique and oeuvre.

The painter as poet. A world of floating symbols

For Marc Chagall (1887–1985), painting was an intricate tapestry of dreams, tales, and traditions. His instantly recognizable visual language carved out a unique early 20th-century niche, often identified as one of the earliest expressions of psychic experience.

Chagall’s canvases are characterized by loose brushwork, deep colors, a particular fondness for blue, and a repertoire of recurring tropes including musicians, roosters, rooftops, flowers, and floating lovers. For all their ethereal charms, his compositions were often rich and complex in their references. They wove together not only colors and forms, but also his Jewish roots with his present encounters in Paris, markers of faith with gestures of love and symbols of hope with testimonies of trauma.

Across scenes of birth, love, marriage, and death, this dependable artist introduction explores the many versions of Chagall’s rich vocabulary. From visions of his native Vitebsk in modern-day Belarus to images of the Eiffel Tower, we explore the unique aesthetic of one of the most readily identifiable modern masters and one of the most influential Jewish artists of all time.

About the Series:

Every book in TASCHEN's Basic Art Series features:

* a detailed chronological summary of the artist's life and work, covering the cultural and historical importance of the artist
* approximately 100 color illustrations with explanatory captions
* a concise biography

Featuring one hundred works from throughout Chagall’s career, this dazzling exhibition catalog focuses on the artist’s engagement with life’s most primal and universal themes.

Steeped in tradition yet alive with imagination, Chagall’s enormous body of work reflects a profound connection to cultural roots and to the boundless possibilities of creative expression. This monograph brings fresh eyes to the most relevant aspects of Chagall’s oeuvre. It traces how, over eight decades, Chagall responded to his contemporaries’ experimentations with cubism, fauvism, and surrealism by creating his own visual language.

It offers a lively examination of overarching themes ― love and romance; Jewish tradition and history; spirituality and the daily life, based on memory and nostalgia ― and the ways they are reflected through repetition and variation over the years. And it reveals how Chagall’s flexible use of symbols contributes to build a fantastic cosmos grounded on the “logic of the illogical”.

Readers will come to understand how Chagall was essentially a storyteller with an enormous gift for color and line, and a narrative artist who understood the power of symbolism in his own terms.

About the Author:

Gisela Kirpicsenko is curator at the Albertina Museum, Vienna.