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The first overview of Australian architecture from the fifties to the present day

This is the follow-up book of both "Belgian Masters" publications, with all new reports by famous architects and interior designers.

Often associated with traditional styles involving floral motifs, pastel colours and soft fabrics, British interior design used to be rather modest. The contemporary scene however is filled with a wild array of styles juxtaposing the classical with the kitsch, the romantic with the quirky and the rough with the polished.

This volume offers a thrilling glimpse into a range of the most recent and inspiring British interiors from internationally renowned designers as well as talented individuals striking new paths in this dynamic and fascinating world. Whether private homes, offices, clubs, bars or restaurants, the projects presented here reveal a fusion of the utterly familiar with the wonderfully eccentric and place Britain firmly at the forefront of global interior design.

Haymarket Hotel in London (Kit Kemp)
JS Bach Chamber Music Hall in Manchester (Zaha Hadid Architects)
Paramount Bar in London (Tom Dixon, Design Research Studio)
Wales Millennium Center in Cardiff (Capita Architecture)
Collage House in London (Jonathan Tuckey Design)

West Coast Wild. California’s architectural anomalies

In this vivid new examination of a rogue architectural style, discover the roadside structures of California. Fresh discoveries and several pictorial essays explore how these buildings became synonymous with the West Coast and how the power of personal expression championed any architectural establishment with structures eccentric, innovative, and bizarre.

At the dawn of the automobile age, Americans’ predilection for wanderlust prompted a new wave of inventive entrepreneurs to cater to this new mode of transportation. Starting in the 1920s, attention-grabbing buildings began to appear that would draw in passing drivers for snacks, provisions, souvenirs, or a quick meal. The architectural establishment of the day dismissed these roadside buildings as “monstrosities”.

Yet, they flourished, especially along America’s Sunbelt, and in particular, in Southern California, as proprietors indulged their creative impulses in the form of giant, eccentric constructions — from owls, dolls, pigs, and ships, to coffee pots and fruit. Their symbolic intent was guileless, yet they were marginalized by history. But, over the past 40 years, California’s architectural anomalies have regained their integrity, and are now being celebrated in this freshly revised compendium of buildings, California Crazy.

Brimming with the best examples of this architectural genre, California Crazy includes essays exploring the influences that fostered the nascent architectural movement, as well as identifying the unconventional landscapes and attitudes found on Los Angeles and Hollywood roadsides which allowed these buildings to flourish in profusion.

In addition, California Crazy features David Gebhard’s definitive essay, which defined this vernacular movement almost forty years ago. The California Crazy concept is expanded to include domestic architecture, eccentric signage, and the automobile as a fanciful object.

The editor:

Jim Heimann is the Executive Editor for TASCHEN America. A cultural anthropologist, historian, and an avid collector, he has authored numerous titles on architecture, pop culture, and the history of Los Angeles and Hollywood, including TASCHEN’S Surfing, Los Angeles. Portrait of a City, and the best-selling All American Ads series.

The selection of over 50 projects, presented in large-scale photos as well as complementary ground-floor plans and sketches, communicates a differentiated impression of post-Soviet architecture, ranging from the picturesque Vodka Pavilion in the Ostoshenka Forest to the futuristic Main Railway Station in Samara. Capitalist Realism focuses on the artistic aspect of architecture in today’s Russia and has some architectural surprises in store for the reader.

This book presents, through the finished works of a considerable number of Catalan architects (among them; Bonell i Gil, Enric Miralles, Carme Pinós, Carlos Ferrater...), the vision of a phase between 2004 and 2009. This publication aims to spread the work of these architects, while defining the informative and cohesive task of the Col·legi d'Arquitectes de Catalunya (COAC, Architects' Institute of Catalonia). Portrait of a Time, forms part of this trajectory, as well as constituting a point of inflection in various respects. It actually forms part of an even longer trajectory that began in 1874 with the constitution of the Associació d'Arquitectes de Catalunya [Architects' Association of Catalonia], which handed down to us an architectural documentation centre of which we are justly proud. Our Historic Archive houses the professional holdings of some 120 architects whose work is vital to an understanding of the history of Catalan architecture.

Charles Faudree has elevated French Country style to a fine art. With an exuberant decorating attitude based around his favorite principle that "too much is never enough", Faudree has achieved an international reputation for creating settings that have all the elegant accoutrements of a French Country estate, lacking pretension but never charm.

With a discerning taste for the eclectic, Faudree is a master at one of the main tenets of this style-combining traditional prints, patterns, colors, and textures with just the right furnishings. Faudree has always been drawn, almost charismatically, to the charm of Country French. He comments, "There is simplicity, a gentle softness to the furnishings I find very calming and soothing. I love the mix of fabrics, blending plaids with florals and old tapestries. Country French is a truly working-class style."

Faudree is delighted to finally share his extensive knowledge with the public, in this long-overdue book that focuses on how to make any home into an elegant, inviting, and comfortable French Country retreat.

About the Author:

Charles Faudree graduated from Northeastern State University in Tahlequah, Oklahoma, with a degree in art. His client list is international, and he is regarded as a master of Country French style. This is his first book. He lives in Tulsa, Oklahoma.

The oversized volume "China" is sheer beauty from cover to cover, with 238 magnificent photos depicting sites obscure and well-known across the vast, ancient country.

We see scenes from such popular tourist sites as the Forbidden City, the terra-cotta soldiers of the Emperor Qin and the Great Wall. But we also get to see the lakes of Huanglong Valley, the Yungang Grottoes, vast gardens and the spectacular countryside; the imperial palace; the earthen houses of Fujian province; the skylines of China's thriving and modern cities, mountainside temples rising through the mist and much more.

The oversized volume "China" is sheer beauty from cover to cover, with 238 magnificent photos depicting sites obscure and well-known across the vast, ancient country.

We see scenes from such popular tourist sites as the Forbidden City, the terra-cotta soldiers of the Emperor Qin and the Great Wall. But we also get to see the lakes of Huanglong Valley, the Yungang Grottoes, vast gardens and the spectacular countryside; the imperial palace; the earthen houses of Fujian province; the skylines of China's thriving and modern cities, mountainside temples rising through the mist and much more.

With photographer Michael Freeman and author Sharon Leece, visit formal, more traditional metropolitan apartments featuring priceless antique furniture, see examples of Shanghai Art Deco and the unique Peranakan shop house, as well as modern manifestations of China Style-clubs sumptuously furnished with glittering fabrics and Chinese design motifs, minimalist glass houses, restaurants with a cultural-revolution flair, the China doll interior, and many more. The images were photographed in locations as diverse as Shanghai and Anhui in China, New York and Minneapolis in the USA, in Hong Kong, Singapore and other Southeast Asian destinations.

A traditional Chinese temple mingles with a minimalist Shigeru Ban villa, a Shanghai hotel that holds the world record for the tallest hotel, and a luxurious Beijing club in this compact tour of China’s most exceptional interiors. Proposing a refreshing blend of antiquity and modernity, these images exude feelings of simplicity, Zen, and wellbeing.

This is a sweeping portrait of China, its people, and its history since 1949. It is presented as seen by China's most prominent photographers and edited by Pulitzer-winning photojournalist Liu Heung Shing. This book brings together a vast selection of images by Chinese photographers since 1949, giving readers a visual journey across the great People's Republic; edited by esteemed photojournalist Liu Heung Shing, longtime "Associated Press" correspondent and "Time" magazine contributor. In post-Mao China, late Chinese leader Deng Xiaoping urged his one billion countrymen to "seek truth from facts." Taking its cue from Deng's overture, China today is the leading economic story of the 21st century. The process by which China navigated the path from periphery to a central position in world affairs dominates the debate about Asia and China's relationship to the western world. Pulitzer-winning photojournalist Liu Heung Shing charts the visual history of sixty years of the People's Republic (1949 to 2008), and along the way aims to illustrate its humanistic course. Via work by 88 Chinese photographers, this collection of images shows how the Chinese people have blossomed in spite of enduring previous decades of extraordinary hardship. When China opened the curtain at the summer Olympics in 2008 and the world's focus fell upon Beijing, these photographs served to map out the remarkable road the Chinese had travelled to rejoin the rest of the world. To help place the images in context, also included is a chronology listing all the major political events in China.