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Louna Lahti
ID: 4562
Издательство: Taschen

Finnish architect Alvar Aalto (1898–1976) was strongly influenced by both the landscape of his native country, as well as the political struggle over Finland's place within European culture. After early neoclassical buildings, Aalto turned to ideas based on Functionalism, subsequently moving toward more organic structures, with brick and wood replacing plaster and steel. In addition to designing buildings, furniture, lamps, and glass objects with his wife Aino, he painted and was an avid traveler. A firm believer that buildings have a crucial role in shaping society, Aalto once said, "The duty of the architect is to give life a more sensitive structure."

About the Series:
Every book in TASCHEN's Basic Art Series features:

* a detailed chronological summary of the artist's life and work, covering the cultural and historical importance of the artist
* approximately 100 color illustrations with explanatory captions
* a concise biography

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Louna Lahti
ID: 13147
Издательство: Taschen

Alvar Aalto (1898–1976) made a unique modernist mark. Influenced by both the landscape and the political independence of his native Finland, he designed warm, curving, compassionate buildings, wholly set apart from the slick, mechanistic, geometric designs that characterized much contemporary European practice.

Whether a church, a villa, a sauna, or a public library, Aalto’s organic structures tended to replace plaster and steel with brick and wood, often incorporating undulating, wave-like forms, which would also appear in his chair, glassware, and lamp designs. An adherent to detail, Aalto insisted upon the humanity of his work stating: “Modern architecture does not mean using immature new materials; the main thing is to work with materials towards a more human line.”

Many of Aalto’s public buildings such as Säynätsalo Town Hall, the lecture theatre at Otaniemi Technical University, the Helsinki National Pensions Institute and the Helsinki House of Culture may be seen as psychological as well as physical landmarks in the rebuilding of Finland after the ravages of war.

About the series:

Each book in TASCHEN’s Basic Architecture series features:

- an introduction to the life and work of the architect 
- the major works in chronological order
- information about the clients, architectural preconditions as well as construction problems and resolutions
- a list of all the selected works and a map indicating the locations of the best and most famous buildings
- approximately 120 illustrations (photographs, sketches, drafts, and plans)

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University David Collins
ID: 10568
Издательство: Assouline

“I have always wanted to see things I imagine made into a reality,” renowned architect David Collins once said, a statement that rings powerfully true in the projects of his eponymous studio.

Featuring a foreword by Madonna, ABCDCS showcases a bold portfolio of images that manifest the architect and interior designer’s creative vision, one that pervades the contemporary aesthetic.

Presented alphabetically to reveal David Collins’ myriad influences and inspirations and the motifs within his Studio’s work, this volume is a visually captivating journey from A to Z.

The much-loved and talented David Collins set up his eponymous Studio in 1985, assiduously gathering around him an expert team of designers and architects of diverse disciplines. Across the next 28 years, David Collins Studio has redefined how people live in public and private, creating timeless and beautiful spaces, each of which exhibits a definitive sense of place, whether a hotel, restaurant, residence or retail space.

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ID: 8832
Издательство: Татлин

Объемные постройки ABD architects хоть раз видел каждый москвич: они изменили облик многих центральных улиц и площадей города, от площади Тверской заставы до Нахимовского шоссе и Крылатских холмов. Но в данном издании речь идет о другой, менее заметной для широких масс стороне деятельности бюро – интерьерах общественных и офисных пространств. За 22 года деятельности ABD architects создали 54 коммерческих интерьера, из них в книгу вошли 46. Среди интерьеров, представленных в книге, - офисы крупнейших российских и зарубежных компаний, интерьеры представительств банков, учебных центров, а также частной клиники и самого большого атриума в Москве. Масштабы проектов колеблются от небольших офисов в 80 квадратных метров до шестиэтажных представительств, внутренний облик которых был полностью создан в бюро. Книгу открывает интервью с Борисом Левянтом, генеральным директором ABD architects, и Денисом Кувшинниковым, руководителем Департамента интерьеров компании. Издание может представлять интерес для практикующих дизайнеров и архитекторов, занимающихся разработкой офисных зданий, студентов соответсвующих специальностей и людей, желающих познакомиться с лучшими примерами современного российского офисного проектирования.

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Ruth Hanisch
ID: 2764
Издательство: Prestel

Flagship stores for famous fashion designers have become showcases for high profile architects as well as destinations for style-conscious shoppers.

Absolutely Fabulous! looks at the collaboration between architecture and fashion from numerous perspectives, including recent developments in fashion, branding, shopping, individualization, and globalization. It also shows how designers themselves are flexing their architectural muscle with cutting-edge display concepts and websites, and stores that double as galleries, theaters, and communal spaces. Designed to be as dynamic as its subject matter, Absolutely Fabulous! travels the world to feature the most innovative, revolutionary, and influential examples of the synergies between fashion and architecture.

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ID: 7477
Издательство: АСС

Архитектурный журнал АСС ориентирован на креативный эшелон молодых западных архитекторов. По мнению редакции, этот слой архитектуры более интересен и близок отечественному читателю, кроме того, именно здесь заложен потенциал будущего развития архитектуры в целом.

В журнале представлены аналитические обзоры новейших архитектурных теорий и тенденций, проектных решений и строительных материалов.
Кроме того, АСС следит за достижениями украинской архитектуры, создает площадку для коммуникации ведущих практиков и теоретиков отечественной и зарубежной проектной сферы.
Главная задача публикаций журнала - раскрыть логику и подход к проектированию, а также эффективные методики организации проектного процесса.

АСС 2011: 20 объектов/ 20 архитекторов/ 20 лет – предтеча, подготовка, сбор материалов к фундаментальному изданию «1991-2011: Современная Архитектура Украины».

В номере:

- 20 ключевых архитектурных объектов, реализованных в Украине за 20 лет независимости;
- интервью и суждения ведущих украинских теоретиков и  практиков в сфере архитектуры и градостроительства;
- обзор объектов, построенных в стране к Евро-2012;
- мониторинг лучших архитектурных сооружений мира, реализованных в 2011 году;
- впервые на русском языке отрывки из основополагающих текстов прогрессивного западного эко-движения Ландшафтный Урбанизм;
- анализ проектов и построек ведущих архитектурных бюро, работающих в духе Ландшафтного Урбанизма.

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ID: 8636
Издательство: АСС

Содержание:

АРХПАНОРАМА / ARCHPANORAMA

Global Eco Trend/ Устойчивое развитие / Зеленая архитектура / Энергоэффективность / Реновация, реконструкция / Огород в городе
Премия Притцкера 2012: Made in China
Современная архитектура Словении / выставка                                                                                
Андрей Боков / мастер-класс      
DОCOMOMO / международная конференция
Canactions Winter / фестиваль
Архитектура и дизайн/ фестиваль
Календарь событий 2012

МУНИЦИПАЛЬНОЕ ДЕЛО / MUNICIPALITY

Донецк

20х20х20: УКРАИНА/ АРХИТЕКТУРА / ИТОГИ / UKRAINE/ ARCHITECTURE / RESULTS 

20 объектов / Харьков / Львов / Черновцы / Днепропетровск / Винница / Киев
Архитекторы говорят 1 / Ю. Чудновский / В. Нудельман / В. Выдренко 
Архитекторы говорят 2 / И. Соколов / В. Вадимов / Н. Демин / Г. Фильваров     
Архитекторы говорят 3 / С. Бабушкин / Г. Духовичный / А. Миргородский / А. Коваль / А. Пашенько
Архитекторы говорят 4 / О. Дроздов / В. Шевченко / В. Смирнов / Ю. Бородкин / В. Кудин                
Иосиф Каракис: Ирония судьбы / Андрей Пучков

ГОРОД И РЕКА / CITY AND RIVER

На берегу города / Анна Вязовская                   
Развитие приречных территорий: Анализ опыта / Лондон / Роттердам / Гамбург / Нант / Марианна Давиденко            
Город и река или река и город? / Вадим Вадимов                                  
DNIPROJECT 2011: Метод работы с городскими приречными территориями / Александр Буряк, Анна Вязовская

СОВРЕМЕННАЯ АРХИТЕКТУРА ИСПАНИИ / CONTEMPORARY ARCHITECTURE IN SPAIN

Открывая Испанию / Марьяна Мдзелури                                            
Трансформации испанских городов на рубеже ХХ–ХХI века: поиск новой урбанистической идентичности / Марианна Давиденко                     
Современная архитектура Испании / Город культуры Галисии – топографический эксперимент Питера Айзенмана / Театр и конгресс-центр Ла-Льотха/ Музей в Монтеагудо / Новые помещения музея Сан Телмо / Бильбао АРЕНА/ Жемчужина Алгуены / «Испанская кухня» / Сокровища в недрах «Перекрестного сада» / Барселонские диагонали / Красное на сером -  социальное жилье в Сальбуруа / «Социальная пятиэтажка» / «Сообщающаяся» архитектура / Медицинский центр в Поррерасе / Башни Порта Фира

ДЕТАЛИ /  DETAILS                                                     

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Wolfgang Christ
ID: 7385
Издательство: Birkhauser

Access and accessibility are central themes in architecture and urbanism. The goal is to make buildings accessible both horizontally and vertically, as well as to provide them with technical infrastructure. But the aim is also to ensure the accessibility of whole streets, routes, parks, and squares, and even entire cities and regions. Today, access is a key concept in the most disparate areas of life. Thus, it is also a matter of access to knowledge and education, access to knowledge media like the Internet, access to healthcare, access to languages, etc. In thirteen articles, this book deals with this world of access in architecture, city planning, and neighboring fields. Topics include ensuring the accessibility of entire urban areas, renewing that of areas that were previously utilized differently, including the general populace in concept planning, and how architecture can help provide access to a better quality of life.

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Philipp Meuser
ID: 12664
Издательство: DOM Publishers

Accessible architecture is about much more than wide doorways and low-placed light switches. Accessibility means independent and self-determined living and mobility for people of all ages and in any situation in life. Achieving this requires a clear awareness of the related concepts and principles, which need to be adopted into the planning process at an early stage. This manual presents both accessibility design for public buildings and orientation systems for culture, transport, and education, as well as examples from the world of work and health. Informative essays provide an insight into the theory of signage, while selected projects are described from the perspective of Design for All.

- Large-scale images and drawings illustrate ten design parameters
- Best-of collection of the practical handbooks about accessible architecture and wayfinding
- Combined thinking about two areas of design to ease our daily lif

_______________

Доступная среда – это то, чему необходимо уделить внимание еще на ранней стадии планирования объекта. «Дизайн для всех» – не просто слова, а возможность быть самостоятельными и мобильными для людей всех возрастов и в любой жизненной ситуации.

В книге на примерах показаны основные идеи организации доступной среды. Избранные реализованные проекты; теория систем навигации в культурных, образовательных, медицинских учреждениях, а также офисах и транспорте; дизайн вывесок; подборка справочников по архитектуре доступной среды.

- Качественные крупноформатные иллюстрации станут дополнением к перечню из 10 лучших примеров «дизайна для всех».
- Лучшая подборка справочников по архитектуре доступной среды, вывескам и указателям
- Анализируются две сферы дизайна для улучшения условий повседневной жизни.

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Author Beth Dunlop, Photographs by Steven Brooke
ID: 16378
Издательство: Rizzoli

The work of the acclaimed designer of villas in Spanish, Moorish, Venetian, and Mediterranean style, in all-new color photography.

The go-to architect for the Jazz Age elite of South Florida and beyond, Addison Mizner created a new architectural style and a new lifestyle for the wealthy and socially prominent of Palm Beach--America's preeminent winter resort town of the time. Building mansions, clubs, hotels and apartment houses with a bent toward fantasy and romance, Mizner established a design vocabulary and tradition that to this day influences architects, designers, and builders. Evocative of old Spain, Venice, and the Moorish capitals of Granada and Seville, Mizner's work is a dream realized: courtyards with fountains, trellises with climbing bougainvillea, arched windows, glazed tile floors, spiraling marble columns, expansive interiors with grand proportions.

This book explores Mizner's legacy through the extraordinary houses and other structures he built, including such storied homes as La Guerida, an 11-bedroom Spanish Revival mansion, best known now as the Kennedy Estate -- the place where JFK he composed his Inaugural Address. Known for their beauty, opulence, fantastic detail, as well as the stories of those individuals who have lived or played in them, the houses and buildings of Addison Mizner stand as monuments to grand living and romance made in stone and iron, stucco and tile.

About the Authors:

Beth Dunlop is an Alicia Patterson Fellow writing about the environmental, cultural and architectural consequences of overbuilding. Her newest book, Addison Mizner: Architect of Fantasy and Romance, is the 29th book on architecture and design she has either written or co-written. Most recently she conceived, co-authored and edited the book, Heroes: A Tribute, an homage by the New York artist Doug Meyer to fifty important creative figures who died of AIDS, as well as The Tropical Cottage: At Home in Coconut Grove. She was a Pulitzer-nominated architecture critic for the Miami Herald for more than two decades. From 2011 to 2017 she was editor of Modern Magazine, which was a sister publication to ArtNews and Art in America, and before that, she was editor of HOME MiamiHOME Fort Lauderdale, and the online-only HOME Los Angeles and has contributed widely to prominent design and architecture magazines. A graduate of Vassar College, she divides her time between Miami Beach, Florida and Ipperwash Beach, Ontario. Steven Brooke is a fellow of the American Academy in Rome and winner of the AIA National Institute Honor Award for photography. Based in Miami, he is the photographer for many Rizzoli books, including Historical Houses of Virginia and Miami Deco.

______________

Пролистать книгу Addison Mizner: Architect of Fantasy and Romance

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Lynn Woods, Jane Mackintosh,
ID: 7352
Издательство: Universe

This is the definitive book on the style, architecture, design, and natural beauty of the Adirondack Great Camps

The Adirondack Great Camps, as well as their furnishings, are some of the most iconic of American architecture and design. Harkening back to nineteenth-century tycoons and continuing today, this style is driven by the call to a simpler life in harmony with these mountains. Approximately forty of these camps both historic and contemporary and their glorious environments represent this celebration of one of America's true regional treasures. An afterword by a curator of The Adirondack Museum highlights the craft tradition of the Great Camps.

The wild beauty and serenity of the Adirondacks have always attracted those who sought a simpler life and a connection to nature. This is a land of spectacular beauty, with iconic elements such as the sugar maple and white birch; bobcat, beaver, and moose; majestic loon and great blue heron. It should come as no surprise then, that the robber barons and business tycoons of the 1800s turned to this leafy haven to escape the urban jungle. They constructed compounds in and around Raquette Lake as rustic getaways, and these grand structures became known as the Great Camps of the Adirondacks.

Each Great Camp was more beautiful than the next. The rough-hewn, timber exteriors contrasted the elegant interiors, which included complex stonework and hand-carved furniture. Natural elements such as tree roots, fungi, twigs, and bark, often played an integral part in the décor - the simple yet elegant Adirondack chair has become an international symbol of leisure. Today, approximately 40 Great Camps have survived, including 10 that are National Historic Landmarks. Some are open to the public as landmarks and lodges, while others remain in private hands. These structures echo the greatness of their past and enhance the natural beauty of the region while providing us with a link to our nation's rich history of environmental preservation balanced with economic growth. Just the list of camp names reads like a history of the Adirondacks: Sagamore, Hedges, Pine Knot, Waldheim, The Point, Santanoni, Top Ridge, White Pine, Clear Lake, Prospect Point, Northbrook, Whiteface Lodge, Carolina, Regis/Applejack, Gull Rock, Huntington, Pritz, Three Star, Wononah, Wellscroft, Birch Point, Pinebrook, Hemlock Ledge, North Point, Bluff Point at Raquette Lake, Lake Placid Lodge, Moss Ledge, Wildair, Winnetaska, Boulder Isle, Sekon, Kildare, Uplands, Minnowbrook, Uncas, Covewood, Big Moose Chapel, Potluck, Albedor, and Paownyc.

About the Author

f-Stop Fitzgerald (www.f-stopfitzgerald.com) is a noted photographer whose work has appeared in more than 100 periodicals, including Rolling Stone, GQ, Publishers Weekly, and The Village Voice. His collaboration with Stephen King, Nightmares in the Sky, was a national bestseller. Richard McCaffrey is currently staff photographer for The Providence Phoenix. He is represented by Getty Images and his work appears in numerous national and international books and publications.

Lynn Woods is an award-winning writer who has contributed articles to a variety of regional and national magazines and newspapers, including Travel & Leisure, USA Today, and The Wall Street Journal. She is a frequent contributor to Adirondack Life. Jane Mackintosh is a longtime resident of the Adirondacks and a regular contributor to Adirondack Life. She has also served as a board member of Adirondack Architectural Heritage. Dr. Howard Kirschenbaum was founder of Adirondack Architectural Heritage, the nonprofit historic preservation organization for New York State’s Adirondack Park. AARCH was formed in 1990 with a mission of promoting better public understanding, appreciation, and stewardship of the area’s unique and diverse architectural heritage. Laura Rice is Chief Curator of the
Adirondack Museum.

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August Sarnitz
ID: 1610
Издательство: Taschen

Widely regarded as one of the most significant prophets of modern architecture, Adolf Loos (1870-1933) was a star in his own time, known throughout Vienna as an outspoken, audacious dandy and moralist who defied the establishment. His work not only represented the beginning of modernism, with its stark, unornamented style, but also revolutionized architecture by introducing the concept of "spatial plan" architecture, which allowed for economizing space by designating rooms` sizes and heights based on their purposes. Loos also published numerous essays during his lifetime, the most notable of which is the oft-misunderstood "Ornament and Crime."

About the Series:

Every book in TASCHEN's Basic Architecture Series features:

- approximately 120 images, including photographs, sketches, drawings, and floor plans
- introductory essays exploring the architect's life and work, touching on family and background as well as collaborations with other architects
- the most important works presented in chronological order, with descriptions of client and/or architect wishes as well as construction problems and resolutions
-an appendix including a list of complete or selected works, biography, bibliography, and a map indicating the locations of the architect's most famous buildings

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August Sarnitz
ID: 13151
Издательство: Taschen

Adolf Loos (1870–1933) was a flamboyant character whose presence in the cultural hotbed of early 1900s Vienna galvanized the country’s architectural landscape. An early, impassioned advocate of modernism, he all-out rejected the grand Secessionist aesthetic prevalent at the time, as well as any hallmarks of the European fin de siècle.

Instead, in lectures and essays, such as the milestone Ornament and Crime of 1908, Loos articulated his “passion for smooth and precious surfaces.

He advocated that architectural ornamentation was, by its nature, ephemeral — locked into current trends and styles, and therefore quickly dated. Loos, himself a Classicist at heart, argued instead for simple, timeless designs with time-honoured aesthetic and structural qualities.In this essential introduction, we explore Loos’s writings, projects, and legacy, from his key concept of “spatial plan” architecture to his rejection of decorative fripperies in favour of opulent, fine-quality materials and crisp lines. Featured projects include Vienna’s Café Museum (1899), the fashion store Knize (1913), and the controversial Loos House (1912), which Emperor Franz Joseph I would refuse to travel past, bristling with rage at its insolently minimalist aesthetic.

About the series:

Each book in TASCHEN’s Basic Architecture series features:

- an introduction to the life and work of the architect 
- the major works in chronological order
- information about the clients, architectural preconditions as well as construction problems and resolutions
- a list of all the selected works and a map indicating the locations of the best and most famous buildings
- approximately 120 illustrations (photographs, sketches, drafts, and plans)

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Roberto Schezen
ID: 6953
Издательство: Monacelli Press

Adolf Loos not only was part of the first wave of modern architecture but also served as an important source of inspiration for all architects who followed. He is emblematic of the turn-of-the-century generation that was torn between the traditional culture of the nineteenth century and the innovative modernism of the twentieth. Loos’s masterful “astylistic architecture” is captured in this volume by the esteemed photographer Roberto Schezen in over one hundred exceptional photographs.

Starting with the refurbishment of his own apartment in 1903, twenty of Loos’s most significant buildings are beautifully displayed: Villa Karma, the Kärntner Bar, the Goldman & Salatsch Michaelerplatz Building, the Zentralsparkasse Bank, and the Steiner, Scheu, Moller, and Müller houses. Schezen’s vivid color and luminous black-and-white photographs display each building in detail, showing both the formal characteristics and the rich textures and materials Loos most frequently used.

Complementing this remarkable visual material is Kenneth Frampton’s perceptive essay, which places Loos within the context of Viennese intellectuals of the time. His circle, which included Arnold Schönberg, Ludwig Wittgenstein, and at the center, Karl Kraus, explored the essential nature of architecture, and the other arts and sciences, through linguistic structures. Frampton identifies the hallmarks that Loos derived from these structures and with which he created his work: the blank, “degree-zero” exterior with its luxurious interior; his commentary on architecture’s position between art and function, plus subtle recollections of both the classic and the vernacular. All these ploys were to subvert typical architectural expectations. Joseph Rosa’s accompanying descriptions comprehensively discuss each building, from the circumstances surrounding the realization of the projects to the use of Loos’s architectural conventions.

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Ralf Bock, Philippe Ruault
ID: 3809
Издательство: Skira
In this volume, Ralf Bock reveals for the first time the sensuality of Loosâ interior designs, demonstrating that Loos was not an architect of the âwhite modern movementâ but rather fought against it as he saw the work of purism move in the opposite direction of what he had envisioned. He believed in culture, comfort, intimacy and privacy. He advocated the evolution of tradition and utility, and not revolution and the permanent invention of formal design.
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Издательства
A B C D E F G H I G K L M N O P Q R S T U V W X Y Z 0-9
А Б В Г Д Е Ё Ж З И Й К Л М Н О П Р С Т У Ф Х Ц Ч Ш Щ Ы Э Ю Я