Архитектура

London is huge, sprawling, and chaotic, so before you set out on a shopping spree we recommend you arm yourself with this handy guide to make sure you never get lost and don’t miss out on anything - from the oldest traditional establishments to the most avant-garde boutiques. And because we want you and your purchases to stay nice and dry, we’ve kindly included the address of a legendary umbrella maker!

Highlights:
• For “today’s grooming needs,” the classic barbershop & perfumer Geo F. Trumper
• Opened in 1882, James Purdey & Sons exquisitely crafted guns & hunting clothes
• Leading English fashion designer Stella McCartney’s shop
• Furniture shop owned by Paul Smith, who reupholsters vintage pieces with his own fabric
• putting H&M to shame, the Topshop flagship store
• all-natural, hand-crafted cheese and yoghurts from Neal’s Yard Dairy
• legendary umbrella makers James Smith & Sons, the perfect place to pick up a walking stick as a souvenir

Special features:
• exclusive hand-illustrated cover
• exclusive hand-illustrated map for each area
• information such as opening hours, history, and signature dishes
• hand-illustrated postcard
• softcover with a sturdy PVC jacket

London Calling. A photographic journey through the history of this epic city

Samuel Johnson famously said that: “When a man is tired of London, he is tired of life.” London’s remarkable history, architecture, landmarks, streets, style, cool, swagger, and stalwart residents are pictured in hundreds of compelling photographs sourced from a wide array of archives around the world. London is a vast sprawling metropolis, constantly evolving and growing, yet throughout its complex past and shifting present, the humor, unique character, and bulldog spirit of the people have stayed constant. This book salutes all those Londoners, their city, and its history. In addition to the wealth of images included in this book, many previously unpublished, London’s history is told through hundreds of quotations, lively essays, and references from key movies, books, and records.

From Victorian London to the Swinging ’60s; from the Battle of Britain to Punk; from the Festival of Britain to the 2012 Olympics; from the foggy cobbled streets to the architectural masterpieces of the millennium; from rough pubs to private drinking clubs; from royal weddings to raves, from the charm of the East End to the wonders of Westminster; from Chelsea girls to Hoxton hipsters; from the power to glory: in page after page of stunning photographs, reproduced big and bold like the city itself, London at last gets the photographic tribute it deserves.

Photographs by: Slim Aarons, Eve Arnold, David Bailey, Cecil Beaton, Bill Brandt, Alvin Langdon Coburn, Anton Corbijn, Terence Donovan, Roger Fenton, Bert Hardy, Evelyn Hofer, Frank Horvat, Tony Ray-Jones, Nadav Kander, Roger Mayne, Linda McCartney, Don McCullin, Norman Parkinson, Martin Parr, Rankin, Lord Snowdon, William Henry Fox Talbot, Juergen Teller, Mario Testino, Wolfgang Tillmans, and many, many others.

The editor:

Reuel Golden is the former editor of the British Journal of Photography and the Photography editor at TASCHEN. His TASCHEN titles include: Mick Rock: The Rise of David Bowie, both London and New York Portrait of a City books, The Rolling Stones, Her Majesty, Football in the 1970s, the National Geographic editions, the David Bailey SUMO and Andy Warhol. Polaroids.

Have you ever wished that you could have seen King Solomon's mighty Temple in Jerusalem or climbed to the top of the legendary Tower of Babel? What must it have been like to have paraded up and down the great glass galleries of the Crystal Palace in London in 1851? Why is the Euston Arch, demolished in 1961, still missed? What would buildings described in much loved books have been like if these had existed outside their author's imaginations? Imagine walking through the labyrinthine corridors of Mervyn Peake's mythical Gothic fortress Gormenghast, or visiting Toad Hall. And what of the current trend for reconstructing buildings which were destroyed in wartime or for political reasons? "Lost Buildings" is an invitation to visit buildings long vanished or those demolished within living history, some by dim politicians, others by war or "acts of God", that we would pay good money and travel a long way to see, if only they existed, today. It looks, too, at buildings from literature, myth and children's stories, and some lost opportunities - fantastic, ambitious designs that were never built. There are countless buildings that remain vivid in the collective memory, whether they were once real or were only ever imagined. "Lost Buildings" brings these together for the reader's curiosity and delight.

Introduction; 1: Legendary Buildings'; 2: Lost in Peace; 3: Lost in War; 4: Acts of God; 5: Political Dreams and Nightmares; 6: Fictional Buildings; 7: Self-Destructing Buildings; 8: Architectural Fantasies; Index.

Over the course of the twentieth century, Country Life’s influential weekly articles on gardens have resulted in an unrivalled archive of gardening history, which forms the basis for this book. The ephemeral nature of gardens means that they can very easily become ‘lost’. The 45 lost English gardens illustrated and discussed in detail are organised by region and cover a wide range of period and style from the 1890s through to the 1930s, revealing the magic of Victorian and Edwardian garden design.

Beautifully reproduced in duotone, the 160 stunning photographs bear testament to the rich and varied heritage of English gardens and of the people who created them. Kathryn Bradley-Hole has revisited the locations and her carefully researched, perceptive text explains their background and their fate.

Born in Estonia in 1901, Louis Isidore Kahn was to become one of the United States’ most important architects of the post-war period, alongside the Modern masters Mies van der Rohe, Walter Gropius and Le Corbusier.

Although renowned for a number of seminal modern works, he came to question many of the precepts of the Modern Movement. In particular, he questioned the ability of the International Style of Modernism to house the social spaces required by the latter half of the century.

In 1947 Kahn was appointed Professor at Yale University. He was to continue teaching throughout his architectural career, influencing a younger generation of architects along the way. His teaching enabled him to further develop his own concepts and to inform his ever-evolving definition of design. He was drawn to investigate monumentality in architecture, creating buildings out of heavy, solid materials and forms and incorporating vivid plays of light, in complete contrast to the lightweight glass and steel structures being created elsewhere by his peers. This monumentality was also imbued with his concern for the ritual of human experience. His career, although extending to just over twenty years, was a rich and varied one, where he continually readdressed the issues of light, mass, structure, monumentality, geometry and materials.

This monograph follows a predominantly chronological order, identifying major themes and examining key works according to these themes. A comprehensive list of projects by Kahn spanning his lifetime and drawn from the Louis I Kahn Collection at the University of Pennsylvania Archives is also included, listing over 231 projects, of which at least c30 were previously unattributed.

Brilliant Buildings. Louis Isadore Kahn and a luminous modernist language

Louis Isadore Kahn (1901–1974) treated each building like a temple. Across the United States, in India, Bangladesh, Pakistan, and Israel, his designs combined the sleek, utilitarian surfaces of modernism with a devotion to geometric forms and a reverence for natural light that suffused his structures with a monumental and breathtaking spirituality.

This essential introduction brings together 17 of Kahn’s most important buildings across his cultural, governmental, religious, and residential repertoire. Plans, views, descriptions, and quality photographs trace the context and development of each project, while an introductory essay explores Kahn’s unique architectural ideology and his legacy as one of the most important 20th-century American architects since Frank Lloyd Wright.

Through Kahn masterworks, such as the National Assembly Building in Dhaka, Bangladesh, or Kimbell Art Museum in Fort Worth, Texas, we’ll explore Kahn’s his “back to basics” grammar inspired by ancient sites in Italy, Greece, and Egypt; and his unique vocabulary of mass, void, and light that suffused the International Style with a near-celestial luminescence.

The author:

Joseph Rosa is the Director of the University of Michigan Museum of Art. He is author of numerous publications and has taught at Southern California Institute of Architecture (SCI-Arc), the California College of the Arts, The College of Environmental Design at the University of California in Berkeley, and the Graduate School of Architecture, Planning, and Preservation at Columbia University.

The editor:

Peter Gössel runs an agency for museum and exhibition design. He has published TASCHEN monographs on Julius Shulman, R. M. Schindler, John Lautner, and Richard Neutra, as well as several titles in the Basic Architecture series.

About the series:

Born back in 1985, the Basic Art Series has evolved into the best-selling art book collection ever published. 

Each book in TASCHEN’s Basic Architecture series features:

- an introduction to the life and work of the architect
- the major works in chronological order
- information about the clients, architectural preconditions as well as construction problems and resolutions
- a list of all the selected works and a map indicating the locations of the best and most famous buildings
- approximately 120 illustrations (photographs, sketches, drafts, and plans)

Though Louis Isidore Kahn (1901–1974) started his career late in his life, the few projects he was able to undertake were realized to perfection. With the Jonas Salk Institute in La Jolla, California (1959–1965) Kahn created a workspace with superb functional and aesthetic qualities; the institute`s Minimalist elements radiate a sense of eternal beauty. The Kimbell Art Museum in Fort Worth (1966–1972) occupies the somewhat faceless city like an island of spiritual space, an effect that is achieved by simplicity in design and materials. Also, the Indian Institute of Management in Ahmedabad (1962–1974) and the Sher-e-Bangla Nagar, National Assembly of Bangladesh in Dhaka that was finished after his death are buildings of monumental importance, demonstrating the vision of a talented and very unusual man. 

This book brings together 17 Kahn projects, ranging from private housing to commercial architecture, religious buildings, exhibition spaces, and government buildings.

About the Series:

Every book in TASCHEN's Basic Architecture Series features:

- approximately 120 images, including photographs, sketches, drawings, and floor plans
- introductory essays exploring the architect's life and work, touching on family and background as well as collaborations with other architects
- the most important works presented in chronological order, with descriptions of client and/or architect wishes as well as construction problems and resolutions
-an appendix including a list of complete or selected works, biography, bibliography, and a map indicating the locations of the architect's most famous buildings

An exploration of the dynamic and innovative architecture and interiors commissioned by Louis Vuitton.  A prescient advocate of contemporary interiors and architecture, Louis Vuitton continues to encourage innovation and playfulness in the designs of their retail spaces without losing sight of the essence of luxury central to its identity. This process of designing places to display high-style objects has created a new venue for cutting-edge architecture and transformed city streetscapes.

This exploration of Louis Vuitton’s international stores, as well as industrial sites and unrealized projects, includes interviews with some of today’s most talented architects and designers who discuss the beautiful and complex structures they have produced in collaboration with Louis Vuitton. This book examines the physical aspects of these buildings as well as the ideas that went into their composition.

Acting as both a backdrop for luxurious retail goods and the physical manifestation of the brand, these spaces are a genre unto themselves that invite exploration. With luxurious finishes and unexpected textures, these fantastic buildings represent the intersection of fashion and interior design.  The book includes interviews with Jun Aoki, Peter Marino, Christian de Portzamparc, David McNulty, and Christian Reyne.

About the Authors:

Mohsen Mostafavi is an architect and dean of the Harvard Graduate School of Design. Frederic Edelmann has been the architecture critic for Le Monde since 1977. Ian Luna is an author and editor. Rafael Magrou is an architect, journalist, and curator based in Paris

Luxury and art have never been more closely linked than they are in these early years of the twenty-first century.

Virtually all the world’s major luxury houses have associated themselves with contemporary art through sponsorships, commissions, or foundations, and these points of exchange nourish the increasingly symbiotic relationship between fashion, art, and other design disciplines. Of all modern luxury brands, Louis Vuitton can claim to maintain the richest and most varied associations with the world of art. Included in this volume are Louis Vuitton’s important collaborations with an elite group of artists, architects, designers, and photographers, such as Jun Aoki, Shigeru Ban, Vanessa Beecroft, Olafur Eliasson, Zaha Hadid, David LaChapelle, Jean Larivière, Annie Leibovitz, Takashi Murakami, Richard Prince, Stephen Sprouse, James Turrell, Inez Van Lamsweerde, and Vinoodh Matadin.

The book is structured as a seductive anthology of the house’s most visible collaborations. Critical essays examine and position Louis Vuitton’s patronage — under the guidance of Artistic Director Marc Jacobs — during one of the most fertile periods of contemporary art and design.

About the Author:

Marc Jacobs is the Creative Director of Louis Vuitton Malletier and the chief designer of Vuitton’s ready-to-wear collections.

________

Пролистать книгу Louis Vuitton: Art, Fashion and Architecture

With the term lounge, one associates a place accompanied with lingering physical relaxation and a pleasant atmosphere. Relaxing in contemporarily designed surroundings thus becomes an attitude toward life. This volume shows over 60 international design examples that illuminate exactly this lounge feeling from various perspectives and so offers an up-to-date and comprehensive survey of this topic for the first time. Divided into chapters on airline lounges, corporate lounges, public facilities, gastronomy, hotels, and trade fair and events, contractor, planners, and interested parties will find a wealth of inspiring and useful stimuli.

One of the toughest challenges for architects and interior designers is providing a high-quality product whilst juggling with a budget. The delicate economic climate in many countries across the globe has further reinforced this trend, or need. This book presents a vast range of projects – houses, prefab dwellings, tree houses, eco-friendly homes, etc. – and solutions which couple low budgets with masterful architectural design that also offers every home comfort.

At times architecture does appear to be all luxury and splendour, depending on the client, but in the majority of cases architects are in fact working to a fixed budget for the region and the client’s prospective. In spite of this, architects are still considered to be a source of inspiration, with the ability to stick to a tight budget and excel themselves, even within the established boundaries of a project.

The low-tech architecture comes to the oil crisis, in opposition to the coldness of modern architecture, and proposes an active user participation in the design and implementation of Community building with an accent. This book presents a curated selection of projects with different organic materials such as wood, straw, mud, stone and reeds from rural and urban areas.