Книги о стилях архитектуры

The world's enthusiasm for Art Nouveau reached its apex at The World Fair in Paris in 1900. There René Binet created the main entrance, "la Porte Monumentale." To coincide with the exposition, Binet published in Esquisses decoratives (1896) the plate designs for the gate, along with other sketches of furniture, jewelry, wallpaper, lighting, stained glass windows, signs, wrought iron, and architectural details.

The entire collection of Binet's sketches for Esquisses decoratives are beautifully presented here in color and black and white. Like his renowned gate, they feature the organic structures and intricate embellishments that mirror the great variety of patterns and ornamentation found in the microcosm of nature and epitomize the Art Nouveau aesthetic. Binet credited scientist and artist Ernst Haeckel's work on radiolarians as his inspiration. Two prominent experts on art and architectural history lend their perspectives to this important work in the realm of the decorative arts.

Illustrated on nearly every page with color photographs, reproductions of art, drawings, or maps, this overview of Romanesque art and architecture is a visual feast of Western culture during the spread of Christianity, revealed here in hundreds of paintings, religious objects and sculpture, and buildings that have stood for nearly a thousand years.

By the end of the first millennium, both Christianity and Roman architecture were established throughout Europe. As the empire collapsed and Rome withdrew, the architectural traditions left behind — most notably the round arch — were the foundation of what became essentially Christian architecture. Later classified as Romanesque, this style of art and building flourished with the expanding influence of Christianity and monastic culture through the mid-13th century. In sections that explore the evolution of the Romanesque in various regions, this book spotlights such buildings as the fanciful gingerbread collegiate cathedral of St. George in Limburg an der Lahn, Germany, and the picturesque pilgrims' bridge across the Somport in Puente de la Reina, France. Here too are apocalyptic visions in manuscript illuminations in Christian Spain, "tainted" as they were by Moorish influences, and a stunning cathedral-shaped reliquary from Cologne that is domed, gilded, and peopled with saints carved from walrus tusk.

Showcases over 40 conservatories, greenhouses and sun lounges in Belgium and The Netherlands.

An investigative record of the architectural movement emblematic of the Soviet Orient.

After World War II, Tashkent, Uzbekistan, was designated as the capital of the Soviet Orient, a vitrine of socialism in the East. Conceived by both local and Moscow architects, the distinctive quality of Tashkent modernism (1964-91) emerges from the tension between the Soviet Union's ambition for the city and the locals' endeavor to retain their city's character.

This volume is an outgrowth of the Tashkent Modernism XX/XXI project, a research and preservation effort organized around a conference and exhibition held in 2023. The conference's title, "Where in the World Is Tashkent," was drawn from the 2000 American Institute of Architects conference "Where in the World Is Chicago," and its organizers shared a similar aim in re-situating the city of Tashkent as a paradigm for modernist architecture.

The book consists of two interwoven layers. The first section contains a series of written and visual essays, while the second includes 15 building monographs, detailing their histories, protection inventories and intervention strategies. Case studies include the Cosmonauts metro station and the Tashkent outpost of the Vladimir Lenin museum. Altogether, the volume explores key themes related to the architectural, social and cultural history of Tashkent and its current condition. More than just another "peripheral case" of multiple modernities or a white spot on the world map of architectural modernism of the 20th century, this architecture--being relevant to the global cultural scene--reflects the colonial, postcolonial and, at the same time, decolonial aspects of the Soviet social and cultural experiment.

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Given its geographical location, developed resources and multicultural history, Tashkent, the capital of Uzbekistan, continues to be one of the most important centers of Central Asia. Since the Soviet era, numerous efforts were made to conserve and restore architectural monuments that speak to the rich ancient and medieval history of the region. By contrast, the modernist architecture of the 1960s–1980s, which articulated the idea of a modern, forward-looking society, was never perceived as heritage. With the arrival of the market economy and after the independence of Uzbekistan in 1991, the architecture of the previous three decades, which focused on social issues and economy of means, lost relevance. Today, this modernist layer of Tashkent is gaining recognition as a unique artistic, cultural and social phenomenon that is best equipped to reveal the specific character of the modernization of Soviet Central Asia. More than just another “peripheral case” of multiple modernities or a point on the global map of twentieth-century architectural modernism, this architecture is relevant to the global cultural scene, reflecting the radical aspects of the Soviet social and cultural experiment.

This publication combines the materials of the Tashkent Modernism XX/XXI project, for which an international team of architects, historians and restoration experts joined forces on recording and restoring the city’s modernist legacy. This comprehensive book presents research results alongside insights that contextualize the work in a broader framework of Soviet and Uzbekistan history. It provides a strategic plan for conservation and adaptation of this important architectural heritage which resonates with preservation ambitions of modernist architectures on a global scale.

The publication consists of two parts. The first part contains a series of written and visual essays, while the second encompasses twelve building monographs that present histories, protection inventories and intervention strategies for the selected buildings.

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Edited by Boris Chukhovich, Davide Del Curto, Ekaterina Golovatyuk
Foreword by Saida Mirziyoyeva, Gayane Umerova
Preface by Francesco Bandarin
Interview with Rem Koolhaas
With photographs by Armin Linke
With essays by Sofia Celli, Boris Chukhovich, Davide Del Curto, Federica Deo, Ekaterina Golovatyuk, Nicola Russi

Terry Farrell was one of the pioneers of the Postmodern style, as seen in his iconic early TV-am building. This is the first book to focus on his interiors, where he consciously developed that style in its heyday and beyond.

As well as the original design for TV-am, the book includes 19 of his most striking interiors, such as the Charles Jencks House, The Dean Gallery, Edinburgh, and Charing Cross Station. Divided into three chapters on home interiors, gallery and museum interiors and workplace interiors, the book shows how Farrell’s designs have been influenced by his work as one of the world’s foremost urban planners and how they are integrated with their urban context.

Terry Farrell Interiors and the Legacy of Postmodernism will appeal to all those interested in contemporary architecture and interior design. It serves as a unique and invaluable document of the Postmodern era and makes Farrell’s argument for the continuing legacy of Postmodernist architecture.

 Terry Farrell is a widely renowned architect whose work can be found all over the world and includes such major works as the MI6 building and the Charing Cross redevelopment in London, The Peak in Hong Kong and Incheon International Airport in South Korea.

Easily the most recognizable architectural style in America, with its brick or shingled facades trimmed in white and ornamented with restrained classical detail, the Colonial Revival emerged in the late nineteenth century and is still the basis for classical design today. The American Style surveys the evolution of the Colonial Revival from the 1890s to the present, focusing on the period from 1900 to the 1930s when New York City was a major center of architecture and decorative arts. Leading architects, including McKim Mead & White, Delano & Aldrich, and Mott B. Schmidt, used its vocabulary for private residences and clubs as well as institutional buildings - banks, schools, churches, and museums.

Richly illustrated with archival photographs and objects from the collections of the Museum of the City of New York and other major institutions, The American Style will be the definitive record of an enduring aesthetic in architecture and decorative arts.

Once in every generation comes a scholar who is a master of both the documentary evidence and the buildings themselves. Such a man is Christoph Luitpold Frommel who, after winning a world-wide reputation, here distils his learning into a new synthesis that is both up-to-date and securely based on primary sources.

The book is not only illustrated throughout with photographs, drawings, plans and reconstructions, but social context, technical innovation and aesthetic judgement are all given due weight, with particular emphasis on the way in which each architect balanced individual inspiration with the accepted canon.

Christoph Luitpold Frommel was born in 1933 and has held academic posts in Germany (Bonn University), the USA (Institute of Advanced Study, Princeton, and the University of California, Berkeley) and Italy (La Sapienza, Rome). He was Director of the Bibliotheca Herziana, Rome, from 1980 to 2001.

• A definitive account of the most innovative and most influential 150 years in the history of architecture
• A work that brings scholarship in English into line with the most advanced continental research
• Over 300 photographs, architects’ drawings and plans
• Authoritative, readable, deeply considered
• The fruit of a lifetime’s study

468 examples from L'Art International d'Aujourd'hui capture geometric, prismatic Art Deco of 20's and 30's. Gardens, dwellings, interiors, furniture, fabrics, stained glass, sculpture, jewelry, graphics by Brandt, Chareau, Fouquet, Vuitton — 171 other artists, architects, and designers.

Over 400 photographs.

The Georgian house - whether on a Georgetown street or in a leafy suburb- is considered among the most desireable and comfortable of homes. The Georgian style has stood the test of time, and continues to be popular today. Houses built over two hundred years ago still stand as proud and dignified as when they were first erected.

The book describes the development of the Georgian style, beginning with its intro in the early 18th century up to the mid 19th century. Chapters are also devoted to each element of the house to help understand the ideas, techniques, and materials employed by the original builders. The most complete study of the historical development and importance of the Georgian style, this book is also a practical guide to preserving and restoring a Georgian house.

Adventure through the princely Thurn und Taxis estate, an enchanted palace where 1,000 years of history meets a thoroughly modern family. For 200 years the Thurn und Taxis family have called the palace of St. Emmeram home. Regarded as one of Germany’s finest examples of historicist architecture, the Regensburg residence’s myriad rooms trace centuries of distinctive styles: a Romanesque-Gothic cloister built between the twelfth and fourteenth centuries, a neo-Renaissance marble staircase, a number of Rococo and neo-Rococo staterooms, and a Baroque library frescoed in 1737. Celebrated photographer Todd Eberle captures the confluence of high art and grand architecture within the 500-room palace to reveal the curious tale of the Thurn und Taxis family. Complete with stately portraits and scenes of life at St. Emmeram, this monograph offers a glimpse into the world and glamour of one of the most important dynasties of the European aristocracy.

About the Authors:

Sir John Richardson is a British art historian and Picasso biographer. Princess Gloria von Thurn und Taxis is the matriarch of the princely house of the Thurn and Taxis. André Leon Talley is an author and contributing editor of Vogue. Alexander Count von Schoenburg is a journalist and author. Elisabeth von Thurn und Taxis is an author and writer for Vogue.

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Пролистать книгу The House of Thurn und Taxis

В этой книге широко представлена одна из самых ярких страниц истории мирового искусства - Итальянский Ренессанс. Итальянский Ренессанс - это эпоха безмерного взлета творческой фантазии, невиданной прежде свободы человеческого гения, равно гармонично покорявшего все области доступной ему деятельности - архитектуру, скульптуру, живопись.

В период раннего Возрождения сосредоточившиеся и вскормленные во Флоренции и Италии искусство и культура претерпели радикальное обновление, которое постепенно распространилось по всей Европе различными средствами и стилистическими проявлениями. Возрождение основывалось на обновленном интересе к Древнему миру - от философии до литературы, от мифологии до изобразительного искусства, - неоплатонической философии и гуманизму. Научные интересы включали познание природы и человека, в том числе, его анатомии, и поиск новых технологий. Гармоничное сочетание основных искусств вырастало над уровнем механического воспроизведения, чтобы превратиться в свободное выражение теперь уже консолидированных интеллектуальных прерогатив мастера. Перечень великих имен, которые сделали этот художественный период таким плодотворным включает Мазаччо, Брунеллески, Леонардо, Микеланджело и Рафаэля.

Содержание:

Архитектура во Флоренции и Тоскане ........................4
Архитектура в Северной Италии................................50
Архитектура в Центральной и Южной Италии.........108
Скульптура во Флоренции и Тоскане .......................144
Скульптура в Северной Италии.................................224
Скульптура в Центральной и Южной Италии...........260
Живопись во Флоренции и Тоскане...........................292
Живопись в Северной Италии...................................388
Живопись в Центральной и Южной Италии..............502

Through her first book, Bringing Paris Home, Penny Drue Baird established herself as an authority on all things French - interior design, flea market and antiques shopping, Parisian life, and stylish entertaining. In The New French Interior, she moves beyond the traditional historic styles to explore the design elements that make up the fresh, clean look - architectural details adapted from art deco, a monochromatic palette based on creams and ivories highlighted with rich browns and blacks, bold forms in furniture and lighting, and restrained tabletop settings.

To illustrate the style, Baird draws on ten of her own recent projects, apartment and house installations, and presents French precedents and influences through specially commissioned photography of Parisian interiors. Images of cafes, markets, shops, and street scenes add to the magical Parisian ambiance she creates.

About the Author:

Penny Drue Baird is an internationally renowned interior designer, known not only for her design skills but also for her vast knowledge of all things French and for her entertaining and table-top flair. Her firm, Dessins, is based in Paris and New York. An AD Top 100 Designer, she is frequently featured in Architectural Digest and other prestigious magazines.

Originated by art theorists in the Nineteenth Century, the term "Romanesque" refers to a school of religious architecture and design from the early medieval period. As with all terms that attempt to summarise an epoch, "Romanesque" artificially constructs the notion of one unified style, but as this book makes clear, the Romanesque tendency consisted of many different, eclectic characteristics. The investigation back through time leads us across the ancient pilgrim routes of the Pyrenees, and then into a vast range of devotional structures - churches, tombs, monuments, cathedrals and basilicas. Each one carries its own regional imprint and spiritual iconography. Containing rigorously detailed and comprehensive insights into all aspects of Romanesque symbolism and ritual, this book includes analysis of liturgical equipment, and explores the significance of many features of the buildings.

Focusing on the Gothic period, this book gives readers the tools they need to grasp the architectural language and building forms of this style.

Part of a new, accessibly written, and generously illustrated series on architecture through the ages, this book features the Gothic period’s most important architects, buildings and cities, interior and exterior photographs, detailed images, and drawings and plans. The book offers a general introduction to the Gothic period and discusses the primary characteristics of the style, along with the commonly used techniques and materials. A hallmark of the medieval period, Gothic architecture originated in twelfth-century France and lasted until the sixteenth century. Its lofty style expressed spiritual ideals, yet it was also an incredibly innovative movement that introduced such iconic forms as the pointed arch, ribbed vault, and flying buttress. Some of the world’s most famous castles, universities and churches, including Westminster Abbey in London, were designed according to Gothic principles.