From high-society balls and fashion shoots to portraits of artists and scenes from urban life in France, this handsome volume — which features an open spine binding so that it lays flat to show off the photographs to their best advantage — showcases Doisneau’s best photographs for Vogue Paris.

Celebrated photographer Robert Doisneau worked for Vogue from 1949 until 1965, illustrating a postwar France filled with a renewed zest for life. His little-known images of haute couture featured models like Brigitte Bardot and Bettina, who he photographed in the studio and out on the streets. He chronicled the members of the café society in their stately homes and at glamorous costume galas, dancing the night away. Best known for his humanist approach, he masterfully captured scenes from everyday life — from the grace of a wedding procession over a footbridge to the petulance of a child impatient for cake. Doisneau’s photographs captured the spirit of the era and featured celebrities like Karen Blixen, Picasso, Colette, and Jean Cocteau, as well as jazz musicians, movie stars, and humble craftsmen at work. Legendary Vogue editor in chief Edmonde Charles-Roux’s personal homage to the photographer — who was her friend and colleague — offers intimate insight into the man behind the camera, as complex and beautiful as the people and places he immortalized.

In Vogue: The Shoe, Harriet Quick has curated more than 300 fabulous images from a century of British Vogue, featuring remarkable styles that range from the humble clog to exquisite hand-embroidered haute couture stilettoes via fetishistic cuissardes and outrageous statement heels.

Contains some of the best fashion photography available, including shots from Vogue's peerless archive of fashion images by the likes of Hoyningen-Huene, Irving Penn, Corinne Day, Norman Parkinson, Arthur Elgort and Nick Knight.

Reissued with a luxurious real cloth cover, this is essential reading for fashionistas everywhere.

Includes a foreword written by Alexandra Shulman, former editor-in-chief of British Vogue.

'Whatever the style, shoes have a message to be heard, and nowhere is it clearer than in this collection of some of the best fashion images of their age.' - Alexandra Shulman

About the Author:

Harriet Quick is an award-winning journalist, editor and author. She is a Contributing Editor to British Vogue and previously Fashion Features Director (2000-12) and Editor of Frank magazine (1998-2000) Harriet has worked in the fashion and design arena for 20 years. She won the prestigious Vogue Writing Talent Award and the Guardian/Jackie Moore Award and now contributes to a wealth of global titles including Vogue in the UK and China, Modern Weekly, WSJ Magazine, Love, Modern Weekly, the Financial Times and Wallpaper*. Harriet is the author of Catwalking: A History of the Fashion Model (Hamlyn 1996), Richard Prince (Sadie Coles Gallery 2003) and contributed to Sample (Phaidon 2006) and London Uprising (Phaidon 2017). Harriet works as editor-at-large for Lane Crawford and copywriter for brands including Chanel, Holland & Holland, Ochre and Manhattan Loft Corporation.

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Illustrated with fabulous images from Vogue‘s archive, Vogue: The Jewellery is the ultimate book for fashion and jewellery lovers.

From couture to costume jewellery, the brilliant pieces featured on the pages of British Vogue for more than a century have encapsulated the fashion zeitgeist of each new age for which they were created. Adorning princesses and rock chicks alike, the jewels shown in Vogue: The Jewellery reveal a dazzling array of styles and moods – from fairytale romance to Jazz-age glamour, sculptural modernism to timeless elegance. On every page sumptuous jewellery is the star of the show, nourishing dreams in us all.

Carol Woolton has curated a collection of more than 300 fabulous images within five thematic chapters: Show-stoppers, Rock Chick, Minimalist, Exotic and Classic. From diamond-encrusted tiaras and intricate jet chokers to sculptural silver cuffs and simple strings of pearls, the book provides an evocative celebration of a century of jewellery, while showcasing British Vogue’s best photographers including Norman Parkinson, David Bailey, Arthur Elgort, Corinne Day, Cecil Beaton and Tim Walker.

A dream book of empowering and fantastical fashion narratives — from Brothers Grimm to futuristic scenarios — told in Vogue’s inimitable style

Lavishly illustrated, Vogue: Fantasy & Fashion celebrates the magazine’s strong and deeply rooted tradition of storytelling through magical, narrative portfolios. Fashion’s greatest power is its ability to make people dream; to create new worlds. Whether falling down a rabbit hole, conquering new, digital frontiers, or exploring the limits of surrealism, the heroines who feature in photographs by great talents like Annie Leibovitz, Steven Meisel, Irving Penn, and Steven Klein are writing their own tales, defining their own destinies.

Featuring well-known images as well as unexpected gems from the archive, Vogue: Fantasy & Fashion documents fashion at its most magical and affirms its transformative power.

About the Author: 

Vogue, founded in 1892, defines the culture of fashion and always leads readers to what will happen next.

An updated and expanded edition, covering the past five years of the Met Costume Institute’s exhibitions and galas through the lens of Vogue

The Metropolitan Museum of Art Costume Institute’s annual fashion exhibition is the most prestigious of its kind, featuring subjects that both reflect the zeitgeist and contribute to its creation. Each exhibition — from 2005’s Chanel to 2011’s Alexander McQueen: Savage Beauty and 2012’s Schiaparelli and Prada: Impossible Conversations — creates a provocative and engaging narrative drawing hundreds of thousands of visitors. This updated edition includes material from 2015’s China: Through the Looking Glass, 2018’s Heavenly Bodies: Fashion and the Catholic Imagination (the most visited exhibition in the museum’s history), and 2019’s Camp: Notes on Fashion. The show’s opening-night gala, produced in collaboration with Vogue magazine, is regularly referred to as the party of the year, and draws a glamorous A-list crowd, drawing an unrivaled mix of Hollywood fashion. This updated edition of Vogue and the Metropolitan Museum of Art Costume Institute once again invites you into the stunning spectacle that comes when fashion and art meet at The Met.

About the Authors:

Hamish Bowles is the international editor at large of Vogue and has worked for more than two decades at the magazine, where he has written extensively on style and contemporary culture. Chloe Malle is a freelance writer and Vogue contributing editor.

‘One is never over-dressed or under-dressed with a Little Black Dress’
Karl Lagerfeld

Ninety years after Vogue dubbed Coco Chanel’s simple short black ‘Ford’ dress ‘the frock that all the world will wear’, Chloe Fox celebrates the best LBDs in Vogue Essentials: Little Black Dress. From the bold, dramatic designs of Zandra Rhodes to the eye-catching LBDs by Vivienne Westwood, from the pared-down simplicity of Calvin Klein’s shift dresses to an asymmetric shoulder evening gown by Versace, Vogue Essentials: Little Black Dress celebrates the very best of the LBD.

Published simultaneously with Vogue Essentials: Handbags. This irresistible new series from Conran Octopus and British Vogue explores the key pieces in a stylish woman’s wardrobe and features photographs from Vogue‘s peerless archive of more than a million pictures.

‘Lingerie is what comes nearest to a woman’s heart and naturally, it gives her more real and intimate satisfaction than any other part of her wardrobe.’ – Vogue, 1918

Images of lingerie have been showcased in British Vogue since its launch in 1916. They demonstrate more than just changing fashion; they serve as a commentary on ideas of propriety, the progress of female emancipation and technological advancements as well as ever-changing ideals of the female silhouette and concepts of beauty.

Divided into categories of Action, Pretty, Curvy and Boudoir, Vogue Essentials: Lingerie explores the evolution of lingerie over the 100 years of Vogue‘s history, commenting on changing fashions, influence on popular culture, the psychology of lingerie and its role as a liberator, accompanied by more than 100 images from the British Vogue archive.

Published simultaneously with Vogue Essentials: Heels. This irresistible series from Conran Octopus and British Vogue explores the key pieces in a stylish woman’s wardrobe and features photographs from Vogue‘s peerless archive of more than a million pictures.

‘From silk slips to bondage bras and Kate Moss’ barely-there vest top – the evolution of lingerie over 100 years of Vogue’s history is revealed in a stunning new book.’ – Mail Online

‘Any woman can wear shoes and handbags: it’s not a question of how tall you are, how skinny you are, how blonde or blue-eyed or tanned or whatever.’ 
Marc Jacobs

Carolyn Asome reveals the fashion accessory that can make any woman feel fabulous – from the myriad surrealist creations of Karl Lagerfeld at Chanel to Prada’s democratic nylon backpack, from the exclusive Hermés Birkin bag to individual vintage gems, the handbag is fashion’s most inventive accessory. 

No shock, then, that the handbag market today is worth more than a hundred billion dollars. From each season’s must-have to five-figure rarities, the handbag symbolizes the inexplicable power of fashion desire. Vogue Essentials: Handbags explores all the greatest hits in a collection that any fashion devotee will covet.

Published simultaneously with Vogue Essentials: Little Black Dress. This irresistible new series from Conran Octopus and British Vogue explores the key pieces in a stylish woman’s wardrobe and features photographs from Vogue‘s peerless archive of more than a million pictures.

Domenico Dolce and Stefano Gabbana are the most successful design partnership in fashion history.

Since they burst on to the scene in Milan in the eighties, their multi-million-dollar women's line, menswear, underwear, shoes jewellery and swimwear empire has become one of the dominating forces in Italian – and world – fashion. Every year, the opulent and dramatic presentations, in ever-more spectacular locations, of their successful 21st-century haute couture line Alta Moda are rapturously received by the fashion press.

Their hot-blooded, theatrical style is inspired by the Sicily of Visconti's 1963 film The Leopard, by Catholic imagery and by the Italian screen sirens like Sophia Loren and Monica Bellucci who wear the designs captured here by Vogue’s stable of photographers: curvaceous dresses, spectacularly colourful coats, Swarovski-crystal-embroidered corsets, tulle ball-gowns hand painted with beautiful floral images, baroque brocades and lashings of leopard-print.

The Dolce and Gabbana woman – characterised, according to Vogue, as having ‘a life that reaches beyond, complete with fantasy, turmoil and always a story’– is sensual but proper: actress Isabella Rosselini describes ‘The first piece of theirs I wore was a white shirt, very chaste, but cut to make my breasts look as if they were bursting out of it,’ while Madonna, more prosaically, simply says: ‘I like their designs because they make clothes for a womanly body.’

Vogue: The Covers chronicles the extraordinary images that have reflected — and transformed — the world of style for more than 120 years.

In this stunning updated edition of the successful Vogue: The Covers, Vogue continues to pay tribute to its tradition of beauty and excellence with a compilation of even more spectacular cover art.

In addition to featur­ing classic covers from the magazine’s 125-year history, this updated edition features every cover since 2010, with each cover displaying the magazine’s cutting-edge takes on style, fashion, and culture. Unforgettable new covers feature such celebrated subjects as Michelle Obama, Kim and Kanye, Lena Dunham, and more.

This lavish, beautifully illustrated book even includes five new frameable Vogue cover prints that can be removed from the back of the book.

Vogue: The Covers (Updated Edition) is a must-have for every fashion lover and collector.

About the Author:

Dodie Kazanjian has covered the art world for Vogue since 1989. She is also the founder and director of Gallery Met, the nonprofit contemporary art space at the Metropolitan Opera. She is the author of Vogue: The Covers and lives in New York City.

From high-society balls and fashion shoots to portraits of artists and scenes from urban life in France, this handsome volume — which features an open spine binding so that it lays flat to show off the photographs to their best advantage — showcases Doisneau’s best photographs for Vogue Paris.

Celebrated photographer Robert Doisneau worked for Vogue from 1949 until 1965, illustrating a postwar France filled with a renewed zest for life. His little-known images of haute couture featured models like Brigitte Bardot and Bettina, who he photographed in the studio and out on the streets. He chronicled the members of the café society in their stately homes and at glamorous costume galas, dancing the night away. Best known for his humanist approach, he masterfully captured scenes from everyday life — from the grace of a wedding procession over a footbridge to the petulance of a child impatient for cake. Doisneau’s photographs captured the spirit of the era and featured celebrities like Karen Blixen, Picasso, Colette, and Jean Cocteau, as well as jazz musicians, movie stars, and humble craftsmen at work. Legendary Vogue editor in chief Edmonde Charles-Roux’s personal homage to the photographer — who was her friend and colleague — offers intimate insight into the man behind the camera, as complex and beautiful as the people and places he immortalized.

In Vogue is a fascinating look at the history of the world's most influential magazine.

The complete compendium is illustrated with hundreds of covers and archival interiors of past Vogue editions, featuring the work of some of the twentieth century's most respected artists, cover illustrators, and photographers - from Edward Steichen, Toni Frissell, and Erwin Blumenfeld to Irving Penn, Richard Avedon, David Bailey, Helmut Newton, Annie Leibovitz, Mario Testino, Steven Klein, Bruce Webber, and Herb Ritts.

In 1909, an entrepreneurial New Yorker named Condé Nast took charge of a struggling society journal and transformed it into the most glamorous fashion magazine of the twentieth century. In Vogue traces the history, development and influence of this media colossus - from its beginning as a social gazette in the late nineteenth century, to the exploration of modern fashion photography and new visuals in the mid-twentieth century, to its status as the top style magazine today.

The book explains the makings of the magazine - from runways, to editorial meetings, to the pages of Vogue.

The thoroughly researched story incorporates first-person accounts, interviews with editors and photographers, and excerpts from stories written in the magazine by many world-renowned writers, including Truman Capote, Aldous Huxley, Richard Burton, Federico Fellini, and Marcello Mastroianni. Unparalleled in its scope and exceptionally illustrated, In Vogue is sure to be among the most important publications on the subjects of culture, art, fashion, photography, and media.

About the Author:

Alberto Oliva and Norberto Angeletti have been working in journalism for 35 years. They have both been keynote speakers at the Magazine Publishers Association of America (MPA) as well as at other international journalism forums, taught magazine courses at the University of Stanford in California and the University of Salamanca in Spain, and are co-authors of the book Magazines that Make History (Florida University Press, 2004).
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Пролистать книгу  In Vogue: An Illustrated History of the World's Most Famous Fashion Magazine

Vogue: The Editor’s Eye celebrates the pivotal role the fashion editor has played in shaping America’s sense of style since the magazine’s launch 120 years ago.

Drawing on Vogue’s exceptional archive, this book focuses on the work of eight of the magazine’s legendary fashion editors (including Polly Mellen, Babs Simpson, and Grace Coddington) who collaborated with photographers, stylists, and designers to create the images that have had an indelible impact on the fashion world and beyond.

Featuring the work of world-renowned photographers such as Richard Avedon, Irving Penn, and Annie Leibovitz and model/muses, including Marilyn Monroe, Verushka, and Linda Evangelista, The Editor’s Eye is a lavishly illustrated look at the visionary editors whose works continue to reverberate in the culture today.

A lavishly illustrated celebration of the 70-year reign of Queen Elizabeth II and the British Royal Family from the unrivalled archive of British Vogue.

Four monarchs (crowned and uncrowned); one abdication; one royal investiture; a jewel box of jubilees and many, many royal marriages… British Vogue has borne witness to a century of royal history. The Crown in Vogue is the magazine’s ‘special royal salute’ to our longest serving monarch and her ‘assured and unwavering’ presence in the lives of a nation.

Vogue‘s first star photographer, Cecil Beaton, was entranced by the House of Windsor and the admiration was mutual. A younger star photographer, Antony Armstrong Jones, left Vogue to marry the Queen’s sister and returned as Lord Snowdon. The Queen’s cousin, Vogue‘s Lord Lichfield proved an insightful photographer of royal style along with many of Vogue‘s fashion photographers including Horst, Norman Parkinson and David Bailey.

With visual treasures from Vogue‘s unrivalled archive and contributions through the decades from the most perceptive of royal commentators – from Evelyn Waugh to Zadie Smith – The Crown in Vogue is the definitive, authoritative portrait of Queen Elizabeth II’s magnificent reign – and of royalty in the modern age.

‘Vogue, like the royal family, has been through many evolutions of its own, and to view Her Majesty’s life though the record of our pages is truly a document of history.’ – Edward Enninful, Editor-in-Chief of British Vogue

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Пролистать книгу The Crown in Vogue на Google Books.

A collection of Parkinson's greatest photographs taken for Vogue magazine, gathering pioneering fashion shoots, iconic cover images, royal portraits, celebrity pieces and more. Accompanied by detailed captions and features on key models and collaborators.

Meet the man who invented style. Through his beautiful photographs for British, American, French and Australian Vogue magazines, Norman Parkinson defined the way we saw fashion in 20th century, from the New Look of 1950s Paris to the Swinging Sixties in London.

The breathtaking book collects hundreds of Parkinson's greatest photographs taken for Vogue magazine, gathering pioneering fashion shoots, iconic cover images, royal portraits, celebrity pieces and more.

Accompanied by detailed captions and features on key models and collaborators – from Grace Coddington and Jerry Hall to Iman and HRH Princess Anne – STYLE: Photographs for Vogue is a sublime, glamorous tribute to an eternally stylish magazine and the dazzling vision of a man who shaped the face of fashion across six decades.

About the Author:

In a career that spanned six decades, Norman Parkinson is one of greatest photographs fashion has ever seen, shooting some of the most iconic photographs to appear in Vogue, Harper's Bazaar, Queen and Town & Country. He was awarded a CBE and also honoured with a major retrospective exhibition at the National Portrait Gallery in London.