Частные дома

This Old House is America’s longest-running home improvement show, airing on PBS since 1979. In this book, host Kevin O’Connor will chronicle 10 of the finest transformations rendered by the craftsmen and artists from the past decade of filming the show. Never before have completed projects from This Old House been displayed in such detail. From interiors to exteriors, with insights from every step of the process, the works presented in this book will give devotees of This Old House something they’ve never had before - the rarely shown finished spaces. With more than 200 stunning photographs showing the before-and-after of the best houses on the show, and unique insights and stories from O’Connor and some of the well-known crew members, fans of This Old House will be clamoring for this volume.

75 Award-Winning Plans for Your Dream House, 1,250 Square Feet or Less

Now available in paperback, this collection of 75 plans for small homes offers more than 500 usable blueprints and other illustrations for a variety of living spaces suitable for every environment and style, from a New England farmhouse to a sophisticated townhouse in the city to a Santa Fe ranch.

The designs include site drawings, floor plans, elevation drawings, section drawings, perspective drawings, and exploded views. A brief introduction to each home describes its setting, the philosophy behind the design and its intended use, materials used, recommended landscaping, and more. Many of the homes come with money-saving and environmentally sound features such as solar panels and water heaters, wood stoves, ceiling fans, airlock entries, wind power alternatives, and natural gas heaters.

This book illustrates trends in contemporary living on the basis of around twenty projects carried out by leading architects and interior designers. The reports demonstrate that contemporary living nowadays calls for more than the harmonious integration of the latest designer furniture in a modern context.

Over a million houses were built in Britain during the Edwardian period and another four million in the years between the two World Wars; most of these are still in use as homes today. This book explains to current owners of such houses why and by whom their properties were built, how the original occupants would have decorated, furnished and used them, and the development of the distinctive architectural styles of the time. The leading architects of the Edwardian period were enthusiasts for a return to English vernacular styles, in contrast to what they considered the dry rigidities of classicism and the extravaganzas of the Gothic revival and they were also obliged for the first time to address the changes necessary to incorporate innovations such as modern sanitation, bathing facilities and the use of electricity into their designs. The first half of the book looks at the styles which these men created for showpiece developments such as Hampstead Garden Suburb and Letchworth Garden City and the way in which their designs were copied by speculative builders and adapted for the first council houses as the suburbs started to spread ever-outwards along the railway lines and the new arterial roads from the centre of London and other great cities. There are also chapters on the gardens of the period. In the second half of the book individual chapters are devoted to the various elements of the house - fireplaces and chimneys, doors and windows, kitchens, bathrooms and WCs, staircases, etc - to the methods and materials used in their construction and to the decorative styles and materials fashionable at the time. For anyone who now owns or lives in a house built between 1900 and 1939 and who is interested in its history or in maintaining or restoring its period character this book will be an invaluable resource. Richard Russell Lawrence is the co-author, illustrator and designer of The Period Home: Style, Detail and Decoration 1774-1914 and the co-author or editor of six other books.

This beautifully illustrated book celebrates the Parisian mansion that has served as the residence of successive British Ambassadors to France since 1814.

The British Ambassadors Residence in Paris is one of the most splendid historic homes in the French capital and the most impressive of all British ambassadorial residences abroad. The author, Tim Knox, charts the stirring story of the house, from its origins as the home of the Ducs de Charost, to its opulent heyday under Napoleons sister, Pauline Bonaparte, Princess Borghese, much of whose luxurious furniture and decoration survives intact. Since 1814, when Pauline sold the house to the 1st Duke of Wellington, the mansion has served as the residence of successive British Ambassadors to France, who altered the house to suit their taste and character, notably Sir Duff Cooper and his beautiful wife, Lady Diana, whose Empire-style study is still redolent of their brilliant social circle in post-war Paris.

This beautiful house on the rue du Faubourg St. Honoré, furnished with masterpieces of French Empire furniture and decorative arts, English silver, and paintings by British artists, remains a splendid but hard-working setting for promoting the Franco-British relationship.

Over 150 superb photographs from the Country Life archive are selected especially here to highlight 25 major houses and their architects in a stunning and astoundingly thorough display.

In The Classical Country House architectural historian David Watkin takes a fresh and innovative look at the traditional British country house and shows how Classicism has been a seminal influence on British architecture since the seventeenth century. He demonstrates how the antecedents of the British Classical house, which lie in both Greek and Roman antiquity, were vigorously revived in the masterpieces of the Italian Renaissance, and enjoyed new life when transplanted to Britain by Inigo Jones, after his Grand Tour of the Continent in 1613 14. The book consists of five parts. The first looks at the birth of English Classicism in the seventeenth century, when houses such as Wilton House in Wiltshire (where Jones and John Webb designed the celebrated Double Cube Room) and Coleshill in Berkshire, reflect a rejection of contemporary styles in favour of a Renaissance-influenced design. The second part shows how the flowering of Classic design in the eighteenth century led to the creation of some of the most celebrated houses of the period: Chiswick House, Holkham Hall, Sir John Soane's Pitzhanger Manor, and the Grecian templar house, Grange Park. The third part recounts how the austerity of many buildings designed in the 18th century gave way to the richer styles of the Italian Renaissance Revival in the 19th century seen, for example, in Kingston Lacy, Dorset and Brodsworth Hall, Yorkshire. The final two chapters, on the twentieth century and beyond, reveal how even as individual an architect as Sir Edwin Lutyens immersed himself in a Classical language of design, in houses as diverse as Nashdom, Gledstone and the British Embassy in Washington D.C; and how, as the influence of Modernist design has waned, Classical styles have been revived most notably in the houses of Raymond Erith after the Second World War, and more recently by architects such as Quinlan Terry. David Watkin has selected over 150 of the finest images from the Country Life archive to illustrate an incisive study of 26 major houses and their architects. This highly informative and enlightening survey of Classicism through the centuries is a major addition to architectural history.

A revealing look at new city living, featuring seventy of the world’s most innovative, extreme and ingenious houses

Featuring some of the world’s most innovative, extreme and ingenious urban interventions, The Contemporary House looks at the many ways in which modern residential design is integrated into the existing urban fabric. Every house represents a challenge, from new takes on traditional typologies through to radical proposals for unconventional sites. As well as the houses themselves, the book provides an insight into the conditions that shape the architecture of some of the world’s major cities, through recent history, signature styles and current conditions on the ground.

With seventy spectacular houses from around the world, including London, New York, Paris, Tokyo, Cape Town, Sydney and beyond, this is a vital look at new city living.

Contents List:

Introduction • 1. North America • 2. Latin America • 3. Europe • 4. Africa • 5. Asia • 6. Australia

About the Authors:

Jonathan Bell is an Editor-at-Large at Wallpaper* magazine. He is also the author and editor of nine books, including Carchitecture, The 21st Century House, Penthouse Living and The Modern House.

Ellie Stathaki is Architecture Editor at Wallpaper* magazine. She trained as an architect at the Aristotle University of Thessaloniki and studied architectural history at the Bartlett in London. She is the co-author of The New Modern House: Redefining Functionalism and Todd Saunders: Architecture in Northern Landscapes.

Block and solid wood make up one of the oldest construction methods and one that ever more people are opting for when building their homes. Not only are contemporary log homes environmentally sustainable and planet-friendly, they provide comfortable and healthy living. In addition, many of these buildings use sustainable heating and power systems, taking advantage of renewable energies and raw materials. Their natural beauty enhances the quality of life for both home and work. In over 300 photos and plans, this book offers 30 ambitious, contemporary block and solid wood houses that have been built around the globe. They show the diversity of available designs that can be achieved in today’s wooden homes. If you are fascinated with building with logs and living closer to nature, this book is for you.

The magnificent country houses built in Britain between 1890 and 1939 were the last monuments to a vanishing age. Many of these great mammoths of domestic architecture were unsuited to the changes in economic and social priorities that followed the two world wars, and rapidly became extinct. Those that survive, however, provide tangible evidence of the life and death of an extraordinarily prosperous age.

Originally published in 1980, long out of print and now thoroughly revised and reillustrated, this book recounts the architectural and social history of the era, describing the clients, the architects, the styles and accoutrements of the country houses. The people who could afford them - the Carnegies, the Astors, the Leverhulmes - had grown rich by exploiting the new economic opportunities of the age, and the houses they built in the years before the First World War reflect the desire for two contrasting ways of life. The social country house was the setting for the opulent world associated with Edward VII. The romantic country house was simpler, more genuinely rural, for those who wanted to be in closer contact with the countryside and the vanishing rural crafts, or who wanted an idyll of the past that did not suggest the world of the motor car. These traditions lost coherence after the war, and the period ended with a number of spectacular, and often eccentric, houses. Some of the most remarkable were those that not only replicated the look of old buildings, but used genuinely old materials and even incorporated whole Tudor buildings moved from other places.

Clive Aslet writes of the immense changes in the way country houses of this period were lived in and used. The shortage of servants, aggravated by the First World War, spurred numerous developments in the technology of the country house - vacuum cleaners, washing machines, telephones and central heating were called upon to replace the army of servants who never returned from the trenches or the factories. Interior decorators, becoming increasingly in vogue, developed the style Louis Seize into the last word in Edwardian chic. Gardens came to be seen as integral to the concept of the country house and reconciled formal planning with informal planting.

This fascinating world, so popularly depicted in Downton Abbey, can now be viewed from a new perspective. The Edwardian Country House will enlighten and entertain all those interested in glimpsing the lost life style of another age.

Ranging from Kentchurch Court, a former fortified medieval manor house that has been the seat of the Scudamore family for nearly 1,000 years, to a delightful Strawberry Hill-style Gothic house in rural Cornwall to a ducal palace (Badminton) to car-crazed Goodwood House, this beautifully illustrated book showcases ten outstanding British country houses all still in the hands of descendants of the original owners.

James Peill recounts the ups and downs of such deep-rooted clans as the Cracrofts, landowners in Lincolnshire since the twelfth century, whose late 18th-century Hackthorn Hall is a perfect example of the kind of house Jane Austen describes in her novels (indeed, she appears on their family tree), as well as the relatively newly arrived Biddulphs, who constructed Rodmarton, an Arts & Crafts masterpiece, in the first decades of the last century.

James Fennell has once again provided superb photographs of a wealth of gardens, charming interiors, bygone sporting trophies, fine art collections and fanciful family memorabilia, making The English Country House a delicious treat for Anglophiles and lovers of old houses.

This title guides the reader on a tour of the interiors and exteriors of some of the most alluring buildings in England. It reveals the rich span of architectural and interior styles from the decorative to the humble dwelling. A beautifully illustrated book featuring houses that have been decorated by some of the most famous British designers, 'The English House' is a great reference book providing inspiration for all those interested in English architecture and interior design.

The English House is a vivid photographic tour of the private homes and lifestyles of the storied English countryside that offers England's rich span of architectural and interior styles as wonderfully inspiring and intriguing examples of current influential decorating trends. Whether a charming and humble cottage or a grand Georgian and Palladian manor house, all the homes featured in this stunning book illustrate the epitome of styles that define the English house.

The delightful text details each house's quirks while highlighting the decorating approaches and design ideas-startling juxtapositions, new takes on tradition, witty visual puns, and bold new combinations. This is an ideal book for any anglophile and is equally appealing to anyone with an interest in interior decoration, with many design ideas that easily translate into interiors on either side of the Atlantic.

About the Author:

Sally Griffiths started writing after her own home was featured in British House & Garden 20 years ago. She runs a photo library called Red Cover and is the author of The English Country Cottage.

An English Manor House represents an architectural ideal. For generations it has embodied civilised taste. These houses have formed a core part of "Country Life" features over the decades and this book contains fantastic photography of them. Here are Cranborne, Canons Ashby and Chastleton which are houses of timeless charm and tranquillity. Also, there are many houses that fell upon hard times only to rise again, such as Sissinghurst and Hidcote. The architects of the English manor House are many of the great names in the field and here are examples by Lutyens, Blow and Blomfield.

The book is a magnificent reminder of the architectural glory of the English manor house and charts the evolution of their different styles. There are over 200 images beautifully produced in duotone which conjure up the era of the Manor House.

This is the first of 2 launch titles of paperback versions of the sumptuous "Country Life" series. It covers the great manor houses in England. It is illustrated with the pick of "Country Life's" archive of photographs of manor houses taken over the past hundred years. It is written by the foremost expert on manor houses.

This new book provides unique access to 9 distinct interiors from renowned Belgian architects and designers who have a deep understanding of family life. Belgian architects are best known for their exceptional craftsmanship and refined sophistication, for their attention to space and light, as well as their expert use of sumptuous materials and details.

 A “Family Home” blends comfort with elegance, authenticity with simplicity. Understated luxury is a common theme of the family interiors featured in this book, with custom-designed furnishings, artisanal pieces and an emphasis on serenity, simple forms, and a soft, warm palette. 

Through 9 carefully constructed interior and exterior spaces, these family residences are rich with inspirational ideas, with a particular focus on craftsmanship in design and simplicity.

The French Country House celebrates what the French call l'art de vivre (“the art of good living”) within the intimacy of private dwellings deep in the countryside. Here are places of retreat—old manor houses, small châteaux, stud farms, even a former convent—that, because of their great age and accumulated memories, are beloved by their owners and provide no end of delight for family and friends. Each country house is a treasure trove of history, with beautiful furnishings as well as family albums, faded love letters, attics full of old toys, fancy dresses, retired pianos, left-over brocades and wallpapers—even libraries hidden at the tops of towers. With 220 photographs in full color—illustrating rooms from the salon to the kitchen below and the attic above, together with details of silver, crystal, tapestries, paintings, and much more—The French Country House is rich in the colors, textures, and history of these treasured homes. Franco- philes as well as lovers of décor, architecture, and gardens will be captivated by this inside look at life in the French countryside.