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Inspired by the romance of Italian villas, Spanish farmhouses, and Moorish courtyards, the Mediterranean Revival style became an archetype for sophisticated suburban homes throughout America in the early 20th century. The characteristic white stucco house, roofed with terra-cotta and ornamented with ironwork, decorative tiles, and fountains, remains the dominant style for new residences in California, the Southwest, and Florida.

The Mediterranean house’s longevity is rooted in an overall simplicity and an emphasis on the outdoors. Its central courtyard, terraces, and loggias provide a fluidity between interiors and exteriors equally prized by the architects of ancient Pompeii and groundbreaking modernists.

The Mediterranean House in America provides the first comprehensive survey of this popular style, beautifully illustrated in full-color photographs by Juergen Nogai, archival photos, and drawings.

In The New Bohemians, LA-based designer Justina Blakeney defines the New Bohemians as creative individuals who are boutique owners and bloggers, entrepreneurs and ex-pats, artists and urban farmers.

They embrace free-spirited, no-rules lifestyles and apply that attitude to all areas of their existence, including their homes. With little distinction between work and play, the new boho home often includes an office, art gallery, showroom, photography studio, restaurant, or even a pop-up shop.

The New Bohemians explores 20 homes located primarily on the East and West coasts. Exclusive interviews with the owners, 12 DIY projects created by Blakeney and inspired by objects found in the homes, and a "Plant-O-Pedia" offer insight into achieving this aesthetic.

In addition, each home is accompanied by an Adopt-an-Idea section that offers general decor, styling, and shopping tips for easy duplication in your own home.

The author-photographer team that brought us The New Eighteenth-Century Style and The New French Décor has returned with 29 all-new homes, decorated in the modernized, eclectic version of Pompadour décor that has become so popular in this young century. The resulting blend of ostentatious luxury and repurposed treasures, the natural and the manufactured, is a warm, lived-in style that perfectly embodies the comforts of home. Gilles Trillard's delightful photographs reveal interiors of breezy elegance, where Pop Art and industrial design mingle with patinaed highboys and carved candelabra; texts by Michèle Lalande highlight the playful, surprising details that personalize these spaces. A perfect companion to the two previous volumes, The New Eighteenth-Century Home proves that the old has been made new once more--and it's here to stay.

Whoever said “Everything old is new again” could have been talking about French Pompadour Style. The flamboyant, opulent, refined aesthetic - so characteristic of the eighteenth century - has enjoyed a spectacular revival in recent years. In The New Eighteenth-Century Style, journalist Michèle Lalande and photographer Gilles Trillard, both experts in the field of interior décor, survey 30 examples of this quintessential blending of exquisite detail and ostentatious affluence. From lush velvet upholstery to the emblematic use of turquoise with gold accents, these perfectly captured interiors beguile the reader with well-worn extravagance. In an era of “shabby chic” the more refined, more pristine accents of Pompadour may be just what the world of interior décor needs - and this beautiful book provides an indispensable guide.

The art of setting, compiling, or combining disparate objects is a difficult art. Yet it has become the chic new decorating style in France, and is now spreading throughout the world. After the success of The New Eighteenth-Century Style, journalist Michèle Lalande and photographer Gilles Trillard team up once again to showcase the most successful combinations of treasured heirlooms and contemporary design.

From precious mundane objects like seashells and glass bottles to priceless works of master craftsmanship like candelabras and carved wooden chests, The New French Décor provides insight into the blend of sophistication, symmetry, confusion, and minimalism that makes each of these rooms successful. Beautifully photographed by Trillard, these rich designs, conceived and executed by top stylists, decorators, and antiquarians, delight the eye on each page with a brilliant patchwork of old and new.

About the author
Michèle Lalande is a journalist and interior decorator. For many years she has been a regular contributor to various French and other foreign shelter magazines.

Gilles Trillard has been a freelance photographer for twenty-five years. He specializes in photographing interiors, and his work is regularly published in Elle Décoration and Campagne et Décoration among other magazines. Both contributors live in Paris.

Through her first book, Bringing Paris Home, Penny Drue Baird established herself as an authority on all things French - interior design, flea market and antiques shopping, Parisian life, and stylish entertaining. In The New French Interior, she moves beyond the traditional historic styles to explore the design elements that make up the fresh, clean look - architectural details adapted from art deco, a monochromatic palette based on creams and ivories highlighted with rich browns and blacks, bold forms in furniture and lighting, and restrained tabletop settings.

To illustrate the style, Baird draws on ten of her own recent projects, apartment and house installations, and presents French precedents and influences through specially commissioned photography of Parisian interiors. Images of cafes, markets, shops, and street scenes add to the magical Parisian ambiance she creates.

About the Author:

Penny Drue Baird is an internationally renowned interior designer, known not only for her design skills but also for her vast knowledge of all things French and for her entertaining and table-top flair. Her firm, Dessins, is based in Paris and New York. An AD Top 100 Designer, she is frequently featured in Architectural Digest and other prestigious magazines.

The New Homesteader provides all the knowledge necessary for anyone thinking of embracing a self-sustaining lifestyle and starting their own homestead or urban farm – or even just tending their own plot to provide fresh ingredients throughout the year.

Starting with the Kitchen Garden, Nick and Bella Ivins discuss designing and planning their plot then move on to choosing and planting fruit and vegetable crops. Next, in The Orchard, they explain how to plant and tend an orchard as well as different varieties of soft fruit. Animals covers the topic of livestock, including bees, chickens and other small poultry, and rearing lambs and pigs. The Garden shows how to make any additional outside space productive by planting a wildflower meadow, a small woodland, and even a nuttery. Following on, The Outbuildings takes a closer look at the places at the heart of a successful homestead - the barn, the woodyard, the workshop, and the store, where summer produce is stored to keep the homestead going during the lean winter months. Finally, in The Farmhouse, Nick and Bella move on to the hub of the homestead, the backdrop for day-to-day farm life. The farmhouse kitchen is the place where produce is preserved, bread is baked, and dairy products are produced. Other sections address homestead housekeeping with natural cleaning products.

Whether you dream of starting a homestead in the city, the country, or the suburbs to become fully or partially self sufficent, The New Homesteader puts the dream within reach.

About the Authors:

Bella and Nick Ivins have spent the last ten years restoring Walnuts Farm and its surrounding five acres into a beautiful, productive modern homestead. Here, the couple have embraced the 'good life' along with their two daughters, Flora and Peggy. Walnuts Farm is also a location house for the film and photographic industry, with clients including John Lewis, Net a Porter and Neal's Yard.

The first book in an attractive and informative new series that focuses on innovative architectural design and the primary materials in your home. The New Wood House features projects from prominent and emerging architects with designs both classic and cutting-edge, most of which have not been previously published. The book is heavily visual and filled with gorgeous photographs, as well as floor plans and elevations. The text is an accessible discussion of the benefits and challenges of the materials used, the design goals, and the context in which each house is built. More inspirational than how-to, THE NEW WOOD HOUSE is an indispensable and innovative guide for anyone building, renovating, or updating a home. A resources section at the back of the book describes the types of woods and finishes selected for each project.

Nearly a quarter-million people bought this ground-breaking book when it was published in Fall 1998. Since then, the books simple message -- that quality should come before quantity -- has started a movement in home design. Homeowners now know to expect more. And the people responsible for building our homes have also gotten the message. Architects and builders around the country report clients showing up with dog-eared copies of The Not So Big House, pages marked to a favorite section.

Why are we drawn more to smaller, more personal spaces than to larger, more expansive ones? At parties, why do we spend more time in the kitchen and family rooms than we do in the formal living and dining rooms? What makes the sunny, intimate breakfast nook more inviting than the vaulted spaciousness of a cathedral-ceiling great room? The Not So Big House proposes clear, workable guidelines for creating homes that serve both our spiritual needs and our material requirements, whether for a couple with no children, a family, empty nesters, or one person alone.

In 1938, Life magazine commissioned Frank Lloyd Wright to design a dream home for America. The result was the Usonian house, an enduring model of modest-sized residential architecture. Now, Sarah Susanka, architect and principal with Mulfinger, Susanka, Mahady & Partners, the firm selected to design the 1999 Life Dream House, brings Wright's same common-sense, human-scale design principles to our generation. Consider which rooms in your house you use and enjoy most, and you have a sense of the essential principles of The Not So Big House. Whether you seek comfort and calm or activity and energy at home, The Not So Big House offers a place for every mood.

Dena Fishbein believes that putting a paintbrush in someone’s hands opens up the imagination to a new world of color and design opportunities.

The woman behind internationally acclaimed merchandise company Dena Designs shows how her hand-painted style combines vintage and traditional elements with a modern twist. Here she walks the reader through her own home, room by room, and discusses her inspirations and methods for encouraging creativity.

The Painted Home features simple DIY projects, useful design tips, and personal stories from one of the most successful entrepreneurs in the textile and design business. The book also includes a custom stencil so that readers can launch into the DIY projects themselves.

Style is a luxury, and luxury is simply what makes you happy.

Over the years, founding editor in chief of domino magazine Deborah Needleman has seen all kinds of rooms, with all kinds of furnishings. Her conclusion: It’s not hard to create a relaxed, stylish, and comfortable home. Just a few well-considered items can completely change the feel of your space, and The Perfectly Imperfect Home reveals them all.

Ranging from classics such as “A Really Good Sofa” and “Pretty Table Settings” to unusual surprises like “A Bit of Quirk” and “Cozifications,” the essential elements of style are treated in witty and wonderfully useful little essays. You’ll learn what to look for, whether you are at a flea market or a fancy boutique — or just mining what you already own.

Celebrated artist Virginia Johnson’s original watercolour illustrations bring the items and the inspiring rooms of world-famous tastemakers to vibrant life. Styling tips and simple how-tos show you techniques to put it all together to create, say, a beautifully made bed (the fast way and the fancy way), an inviting reading nook, or an effortlessly chic display of pictures.

According to Deborah, the point of decorating is to create the background for the best life you can have, with all its joys and imperfections.
This book will show you how.

The Provencal House will look at what is, for many, one of the region's main attractions - its stunning architecture. An indelible part of the landscape, provencal houses are constructed with traditional methods in local stone, whether old or new, and often around gardens, courtyards or pools. With chapters dedicated to the Town House, the Country House and the Manor House, this stunning book is a visual exploration of Provencal architecture and interior design. The Provencal House will document the setting and individual character of the featured homes, which range from the contemporary to the classic. A traditional exterior may often hide a surprising interior but they all possess an elusive quality which renders them quintessentially Provencal.

The Regency Country House is the twelfth in what The Sunday Telegraph called ‘the magisterial Aurum Press series based on beautiful… photographs from the archives of Country Life’. As critics recognised on publication of the original hardback edition, it is the first book to provide a comprehensive survey of the key English country houses of 1800 to 1830. The book is divided into three parts: it looks first at the princely palaces and houses associated with the Prince Regent, from Brighton Pavilion to Buckingham Palace, then at nobleman's houses such as Tregothnan, Eastnor Castle and Goodwood and finally at gentleman's residences such as Southill, Bedfordshire and Sheringham, Norfolk. The duotone and colour illustrations, the work of some of Britain’s leading architectural photographers, show work by leading country houses architects including the Wyatt dynasty, Henry Holland, John Nash, Thomas Hopper, Humphry Repton and Sir John Soane—as well as regional designers such as Dobson of Newcastle and Webster of Kendal. John Martin Robinson will also be looking critically at important architectural themes of the Regency, from the development of the Graeco-Roman style associated originally with the Wyatts, the Gothic Revival, the Picturseque and cottage ornee and the role of Thomas Hope. Mid-20th century Country Life authors such as Christopher Hussey and Margaret Jourdain played a significant role in rediscovering and popularising the Regency period, a time when the English country house took on many of the qualities and attributes that we still take for granted today, and make Regency country houses as enjoyable to live in as when they were first built.