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As the fourth-largest design firm in the world, Atkins was long recognised for its engineering expertise. In 1999, its remarkable architectural design capabilities were propelled into the international arena by its iconic Burj Al Arab hotel in Dubai.
This book, a first for Atkins, presents in one volume the wide diversity of its acclaimed architectural and urban design projects undertaken in the UK, the Middle East, China, the USA and Europe. Projects include hotels, residential, offices, sports and leisure facilities, healthcare, education, transportation and masterplanning.
Пролистать книгу Atkins: Architecture and Urban Design на Google books
Basic is a series about the basic disciplines of graphic design with many examples in each area. The first instalment in the series was about Logos. The earlier books were about Packaging, Corporate Identity, Brochures and Promotions. This new book, Basic Sign, explores the importance of signage and its application in various settings. The book is divided into different categories, including urban, healthcare, corporate, cultural, event and commercial. Within each category, you will find projects that show innovative and creative use of signage.
Basics Urban Analysis is a new addition to the module on city planning. Building on the elements of cities as described in the volume Basics Urban Building Blocks, it provides techniques for analyzing cities. As a basis for city planning and architectural design work, a solid understanding of the existing and surrounding urban structures is indispensable. This volume not only explains the possible approaches; it also describes in practical terms how to implement those approaches in the areas analyzed and how to evaluate the data one has collected.
Другие книги серии:
Basics Architectural Photography
Our cities and neighborhoods are composed of Urban Building Blocks and a knowledge of these elementary components is part of the basic equipment of city planning. It is absolutely essential for urban design that one understands their form and structure, their functional conditions, and the differentiation into private and public spheres, as well as the ways they are networked into their surroundings. Study of these city building blocks represents a first step toward understanding, and successfully developing the built structure of the city as a physical and social habitat.
Themes are - the row, - the block, - the courtyard (the block in reverse), - the passageway, - the line, - the solitaire, - the group, - the "shed"
Другие книги серии:
Basics Architectural Photography
Preservation is ordinarily reserved for architecture that is unique. So how would we go about preserving buildings that are utterly generic? Such is the case with Belyayevo, an ordinary residential district in Moscow. Belyayevo is a typical microrayon – the standardised neighbourhood system that successive Soviet regimes laid out across the USSR in what was the most expansive programme of industrialised construction the world has ever seen. Belyayevo’s buildings, and the desolate spaces between them, are identical to thousands of others, but is it different? Kuba Snopek argues that it is. Home to many of the artists of the Moscow Conceptualism school, the place was written into the character of their art. Snopek argues that this intangible heritage is the key to saving a neighbourhood many feel has had its day. But as Russia comes to terms with its Soviet legacy, will such arguments fall on deaf ears?
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Традиционный советский микрорайон, ничем не примечательный, один из тысячи подобных... Или же проект, достойный списка ЮНЕСКО и внимания исследователей?
Куба Снопек – архитектор, который заставит читателей задуматься о том, что внимания заслуживают не только памятники, известные своей уникальной архитектурой, но и непримечательные здания, формирующие лицо периферийных районов. Куба Снопек уверен, что обычный московский район Беляево должен войти в список объектов всемирного наследия и приводит свои убедительные доводы.
Berlin is a city that continues to fascinate. It has a turbulent history and is the capital of two reconciled Germanys; it is an increasingly popular tourist destination and includes affordable living and working spaces for young people, artists, and other creative minds. The metropolis of 3.7 million people is also the scene for large-scale urban and architectural projects, bottom-up schemes, and citizens' initiatives such as communal gardening and cooperative living. Is the miracle of Berlin's success due to its genius of improvisation, that is to say its ability to adapt to a complex past, to invent specific courses of action, to negotiate all manner of different obstacles?
Since 2016, Berlin's policymakers have been developing an urban strategy to combat real-estate price increases and gentrification. Another challenge for the city is to adapt to demographic change and the growing number of visitors. More participatory, more equitable, and less favourable to cars: Berlin is well-placed for diverse methods of organisation – public-private partnerships, citizen awareness initiatives, social and economic actions.
This book aims to explore the German capital's ability to allow the growth of new ideas and thus to remain a leader in innovation. The processes identified here, and the paradoxes deriving from them, will likely even call into question the methods and strategies being employed in other European cities today.
Berlin was shaped by the events of the twentieth century in a process of “automatic urbanism.” More than any other metropolis, the city absorbed the forces of that epoch — modernity, fascism, two world wars, Stalinism, socialism, the Cold War, revolt, capitalism — and gave them form. This book shows how even today, opposed ideological, political, economic, and military forces continue to produce unplanned structures and activities and urban phenomena beyond the categories of urban design and architecture that conceal rich potential. Berlin reveals particularly clearly phenomena that have shaped urban development in the twentieth century in other places as well: conglomeration, collision of borders, destruction, void, mass, metabolism, and simulation. The present book, which caused a sensation when first published in German twenty years ago, is now being published in English for the first time. Its surprising and informative analysis of Berlin as a prototype of the modern city destroys the ideologies of heroic modernity as well as the new nationalisms and shows how the modern city “as found” can become the point of departure for new forms of context-specific architecture and urban planning.
Taking Berlin as a prototype, Philipp Oswalt’s lucid analysis describes how much the built environment of cities is influenced by the unintended side-effects of political, economic, and technological processes. This “automatic urbanism” reveals modernist master-planning and national building traditions as being a myth. Instead, the book offers a both socially and ecologically more sensitive, more responsible approach to develop cities “as found.”
Saskia Sassen, Columbia University New York
This English edition of Philipp Oswalt’s now-classic study could not be more timely. Every effort to understand the modern city must contend with Berlin, the twentieth century’s anti-capital. Its lessons, presented here with singular insight and authority, remain necessary to anyone thinking about what that word — “city” — might still mean today.
Reinhold Martin, Columbia University New York
Berlin has never only been a theatre in the battle between ideas and ideologies. Rather, it has always been the material means by which these ideas clash against each other. If the struggle for our futures must take place in Berlin, as our historical moment seems to demand, there is no better guide than Philipp Oswalt’s now classic Berlin: City Without Form. His scholarly ingenuity and perceptive architect’s eye are only matched by a commitment to the future of his city.
Eyal Weizman, Goldsmiths/University of London
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Архитектурный облик Берлина сформировался под влиянием совокупности факторов, которые Филипп Освальт объединяет термином «automatic urbanism». Город запечатлел в себе стили, идеологии, политические системы и трагедии прошлого века – и облек их в архитектурную форму. В этом исследовании показано, как противостояние идеологий, политических, экономических и военных сил порождает спонтанные строительные и градостроительные явления, выходящие за рамки архитектуры и урбанистики и обладающие значительным потенциалом.
Облик Берлина также определяется влиянием иных глобальных факторов (что характерно и для многих мегаполисов Европы): образованием конгломератов, вопросами спорных границ территорий, масштабными сносами, дисбалансом пустот и плотной застройки и проч. Эта книга произвела фурор еще двадцать лет назад, когда была опубликована на немецком языке. Теперь она впервые переведена на английский. Не теряющий актуальности подробный анализ Берлина как образца современного города разрушает идеи героического модернизма и нового национализма. И сегодня Берлин XX века становится вдохновением для новых форм в архитектуре и градостроительстве.
Visionary propositions for architecture and utopian worlds by renowned artists and designers.
Beyond Architecture is the first publication of its kind to document the creative exploration of architecture and urban propositions in the contemporary arts. Presenting experimental projects from an array of creative contexts, the book features a multitude of groundbreaking approaches. It demonstrates how not only architects and designers, but also artists are taking architecture as a starting point for experimentation.
The projects collected in this book range from performance, installation art and crafted sculptures to architectural models, alternative ideas for living spaces and furniture, as well as illustration, painting, collage and photography. Through stunning photographs and complementary texts, these visionary concepts reveal the hidden creative potential for architecture and urban environments in inventive ways.
The interplay between architecture and visual culture will certainly pave the future aesthetic and shape the development of architectural practices and urban landscapes in decades to come. Beyond Architecture is not only an essential and inspiring reference for architects, but for anyone interested in visual culture.
Features work by: Tom Sachs, Pipilotti Rist, Erwin Wurm, Rachel Whiteread, Mike Kelley, Do Ho Suh, The Chapman Brothers, Thomas Demand, Kobas Laksa, Arne Quinze, Wang Qingsong, Filip Dujardin, Studio Job, Droog Design, Atelier van Lieshout, Nathan Coley, Olafur Eliasson, eBoy and more.
Bracket is a new book series structured around an open call for entries that highlights emerging critical issues at the juncture of architecture, environment, and digital culture. It is a collaboration between InfraNet Lab and Archinect.
Conceived as an almanac, the series looks at emerging thematics in our global age that are shaping the built environment in radically significant, yet often unexpected ways.
“On Farming” looks at the capacity for architecture to address ideas and issues of productive landscapes and urbanisms. Once merely understood in terms of agriculture, today information, energy, labour, and landscape, among others, can be farmed.
Farming harnesses the efficiency of collectivity and community and represents the local gesture, the productive landscape, and the alternative economy.
The processes of farming are mutable, parametric, and efficient. Farming is the modification of infrastructure, urbanisms, architectures, and landscapes toward a privileging of production.
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Пролистать книгу Bracket 1: On Farming
Michael Van Valkenburgh Associates' 23-year story of transforming 85 acres of Brooklyn waterfront into parkland that reconnects New Yorkers to the East River
Reclaimed from 1.3 miles of New York's postindustrial waterfront, Brooklyn Bridge Park is a place for escape, recreation, and immersion in the natural world. Transforming parking lots and crumbling piers into a living ecosystem, the project is an exemplar of climate resilience, fiscal innovation, and joyful public space. This book examines Michael Van Valkenburgh Associates's process of designing a park that went from a remote possibility to an essential part of the city around it.
About the Authors:
Michael Van Valkenburgh is the founder of Michael Van Valkenburgh Associates, a leading landscape architecture firm with award-winning parks, urban spaces, and campus landscapes across North America. He is the Charles Eliot Emeritus Professor in Landscape Architecture at Harvard GSD.
Julie Bargmann is Professor of Landscape Architecture at the University of Virginia School of Architecture and founding principal of D.I.R.T. Studio.
Amanda Hesser, well-known food writer, editor, and entrepreneur, is founder and CEO of Food52.
A collection of previously unpublished postcards from the former Eastern Bloc – sinister, funny, poignant and surreal, they depict the social and architectural values of the period.
Brutal concrete hotels, futurist TV towers, heroic worker statues – this collection of Soviet-era postcards documents the uncompromising landscape of the Eastern Bloc through its buildings and monuments. They are interspersed with quotes from prominent figures of the time, that both support and confound the ideologies presented in the images.
In contrast to the photographs of a ruined and abandoned Soviet empire we are accustomed to seeing today, the scenes depicted here publicise the bright future of communism: social housing blocks, Palaces of Culture and monuments to Comradeship. Dating from the 1960s to the 1980s, they offer a nostalgic yet revealing insight into social and architectural values of the time, acting as a window through which we can examine cars, people, and of course, buildings. These postcards, sanctioned by the authorities, intended to show the world what living in communism looked like.
Instead, this postcard propaganda inadvertently communicates other messages: outside the House of Political Enlightenment in Yerevan, the flowerbed reads ‘Glory to the Communist Party of the Soviet Union’; in Novopolotsk, art school pupils paint plein air, their subject is a housing estate; at the Irkutsk Polytechnic Institute students stroll past a five-metre tall concrete hammer and sickle.
Project Introduction:
News
004 Smart Highway_Studio Roosegaarde
005 Scene Sensor_James Murray + Shota Vashakmadze
008 Waller Creek_Michael Van Valkenbu rgh Associates
Breaking the Stereotype
012 Breaking Stereotype of Living_Silvio Carta
018 Glass House for Diver_Naf Architect＆Design
030 Atelier-Bisque Doll_UID Architects
042 Toda House_0ffice of Kimihiko Okada
052 Atelier Tenjinyama_Ikimono Architects
Ground Folds
064 In the Folds of the Ground_Marco Atzori
070 HanSeong Baekje Museum_G.S Architects ＆ Associates
086 Monteagudo Museum_Amann—Cánovas—Maruri
100 Brooklyn Botanic Garden Visitor Center_Weiss／Manfredi
114 VanDusen Botanic Garden Visitor Center_ Perkins+Will
128 Emblematic Monument_TEN Arquitectos
Architecture and Recipro-City
138 Decoding the Vernacular: An Architecture of Reciprocity_Nelson Mota
144 Apartments Buso_dmvA Architecten
156 Pattern Housing_IND
168 Qingpu Youth Center_Atelier Deshaus
182 Index
Project Introduction:
Urban How Variation and Transition
026 Buiding Extent and Urban Influence_Silvio Carta
Scenario for Urban Daily Life Experience
028 Scenario for Urban Daily Life Experience_Paula Melaneo
034 The Trapeze House_Louis Paillard Architect & Urbanist
046 Neighborhood Office Building_General Design
056 Hidden House_Teaum +Teatum
060 Step House_Jaques Moussafir Architectes
068 Divina Enfermera 14_Estudio de Arquitectura Javier Terrados
074 Baroque Court Apartments_OFIS Arhitekti
082 Zamora Offices_Alberto Campo Baeza
Facing the Street, I am (not) a Duck
098 Facing the Street, I am (not) a Duck_Diego Terna
104 House 27D_Kraus Schönberg Architects
110 Spain’s Cultural Center in Mexico_JS Arquitectura + Arquitectura 911SC
118 Dream Downtown Hotel_Handel Architects
126 Basket Apartment in Paris_OFIS Arhitekti
Layering Active Urban Surface
136 Re-thinking the Ground Level(s) Simone Corda
140 Cervantes Theater_Ensamble Studio
150 Teruel-Zilla_Mi5 Arquitectos + PKMN Arquitectura
164 Georges-Emile-Lapalme Cultural Center_Menk雜 Shooer Dagenais LeTourneux Architects + Provencher Roy + Associes Architectes
170 SAIT Polytechnic Parkade_Bing Thorm Architects
News
004 The Forest_Atelier WHY
008 Under One Roof_Kengo Kuma & Associates + Holzer Kobler Architekturen
010 Afghanistan National Museum_AV62 Arquitectos
014 Home for Life_Tomas Ghisellini Architects
018 St. Horto_OFL Architecture
020 Archifest Zero Waste Pavilion_WOW Architects
180 Index
