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A complete and thorough overview of different production and finishing techniques and how to make the most of them.

Printing Design for Graphic Designers is a reference book that showcases design projects from all over the world and focuses on the processes that were used to print them. The book opens with a thorough introduction of printing history, from the primitive seal rolls used in Mesopotamia more than 5,000 years ago to today's digital technology.

The projects are structured according to their printing specifications, which include cutting and folding, printing and varnishing, UV ink, thermography printing, thermochromic ink, screen printing, abrasive ink, solid colour-gold/silver ink, embossing and debossing and foil stamping. In recent years, with the help of new software tools, designers have incorporated printing finishes into their work. The result is incredibly sophisticated and daring effects applied to a wide variety of items, from business cards to record sleeves, books, posters and art. Printing Design for Graphic Designers is a wonderful journey into distinctive design and surprising creativity and will serve as a remarkable source of inspiration for graphic design and printing sector professionals.

About the Author:

Design 360° is one of the major Asian design magazines. It is dedicated to introducing international advanced design concepts, original works, outstanding designers and prestigious design institutes. It covers graphic, industrial, fashion, illustration and digital, design, among many other related topics. It is an informative source for students in art and design academies, professional designers, and design lovers who take great interest in international design trend. It has built up a bridge between the design industry in China and that of the rest of the world.

Printmaking is a practical and comprehensive guide to printmaking techniques with clear step-by-step illustrations. This fully updated second edition contains new images throughout, including improved process shots and examples of the latest work from contemporary printmakers.

There are expanded chapters on digital and mixed media processes, as well as a brand new ‘Print & Make’ chapter, which explores the opportunities for creative expression within the many processes available to print makers. For example, this edition includes a new, detailed section on Japanese moku hanga woodblock printing while the more traditional techniques of relief, intaglio, collograph, lithography, screen printing and monoprint have also been refreshed.

The addition of new images showing a broader range of subject matter, include more contemporary prints and international artists. Each technique is explored from the development of the printing or digital matrix, through the different stages of creation to image output. Guidance on how to set up a print studio, sections on troubleshooting techniques and the inclusion of up-to-date lists of suppliers, workshops and galleries make this an essential volume for beginner and experienced printmakers alike.

Special attention is given to safe practices, addressing the important concern for health and safety.  Step-by-step illustrations provide an enhanced visual reference – either photographic or diagrams for clarity – and the authors have supplied more information on safer and more sustainable practices. Since nontoxic alternatives are a rapidly growing and ever-evolving landscape, Printmaking 2^nd Edition presents products and practices that are accessible worldwide.

About the Authors:

Bill Fick is Visiting Assistant Professor in the Art Department at Duke University and the director of Supergraphic, a printmaking studio in Durham, North Carolina. He is also an internationally known printmaker.

Beth Grabowski is a print artist and the Zachary Taylor Smith Distinguished Term Professor of Art at the University of North Carolina at Chapel Hill in the USA. She is past president of SGC International (2012–2014), the professional organization for print artists, educators and printmaking enthusiasts. Her work has been exhibited internationally.

From suits to socks, tuxedos to ties, this is an utterly unique and visually exciting look at how fashionable men have been rocking polka dots, plaids, and paisley at home, at work, and at play throughout history and across the globe.

Nothing embraces the post-Covid aesthetic like a good print, and as gender-specific rules become increasingly irrelevant, today’s men are flaunting colorful patterns as proudly as ever before. This engaging and well-researched book brilliantly traces today’s eye-popping prints and embellished fashions from their historical origins. In dazzlingly illustrated chapters that focus on one specific type of print, Kit Neale traces the historical and geographical origins of contemporary trends. As multifaceted as its subject matter, the book examines floral and animal themes, camouflage and paisley, geometrics and type, even storytelling and photography — all with a wide range of relevant imagery, art and cultural history, celebrity images and fashion editorials. Whether your sartorial taste is safe or sparkly, you’ll find inspiration and insight on every page.

About the Author:

Designer Kit Neale has collaborated on projects with leading global brands such as IKEA, Coca-Cola, and Kew Gardens and is currently the Program Director for Textiles at Loughborough University in England. You can find him at www.kitneale.com.

Problem Solved is the only book that teaches students and professionals how to recognize the recurring problems common to all areas of communication and explains how to solve them.

Each chapter explores a different problem and concludes with a case study exploring a particular solution in detail. Themes include: producing innovative work, avoiding repetition, standing out in the market place, reinventing a tired brand, keeping a brand young and trendy, using shock tactics, and word-based advertising in a world over-run with images and sound-bites.

This new edition is brought up-to-date with new images and updated text throughout as well as a new chapter, examining the contemporary phenomenon of flexible identity schemes.

Examples of companies featured include Saks Fifth Avenue, Google, Aol, The Natural History Museum, the BBC 2 and Channel 4 Idents and The Tate. The book provides an unparalleled overview of the design industry, including over 1000 images from throughout the 20th Century to today and bringing together for the first time discussions and case studies that reveal the working methods of major advertising and graphic design firms.

Featured agencies and designers include: Saatchi and Saatchi, Paul Rand, Saul Bass, Bob Gill, Milton Glaser, Wolff Olins, Pentagram and George Lois, as well as examples from the johnson banks archive. An entertaining and thorough primer, Problem Solved is essential reading for students and professionals in all areas of the design and communication industries

About the Author:

Michael Johnson is the award-winning creative director and founder of johnson banks, a London-based design consultancy recognised as one of the most innovative design companies in the world and whose clients include Virgin Atlantic, the British Government, the V&A, the Design council and Proctor & Gamble. He writes and lectures worldwide on design theory and practice.

Since its emergence in the United States in the 1960s, the art movement Minimalism has gathered momentum in various creative fields worldwide. The product designers are particularly affected in terms of aesthetics and function. In this book we start with an introduction to Minimalism, from its European roots to the force of Japanese minimalist aesthetics.

By showcasing the contemporary product designs, we are able to observe the current developments of Minimalism in this field, the characteristics and nuances of Minimalism from different cultural backgrounds.

1 A brief study on minimalism
2 Dialogues with some representative designers
3 Presentation of a series of outstanding projects and the unique ways of design thinking

A thrilling photographic adventure around an offbeat selection of the world’s abandoned buildings, captured by one of the videogame industry’s most beloved creatives.

Urban exploration is a way of life for those who choose it as their passion. The secrets and mysteries that disused places incite can be intoxicating and inspiring. As Nakamura has said herself, ‘I love breaking boundaries and making people say “WOW”. As artists, we use our imagination to see the INVISIBLE.

Project UrbEx documents a multitude of abandoned spaces, placing them into thematic sections – from lost hotels and ex-military sites to factories, laboratories and hospitals. A bright Pantone orange ink is used throughout for the text and chapter openers – popping on the page to reflect Nakamura’s sense of fun, vibrance and imagination.

With a foreword by videogame-designer-turned-photographer Liam Wong, the book also features sections of Nakamura’s personal travel diary, printed on pages with a narrower width, in a rich Pantone black. She has also created, and in some cases specially commissioned, exclusive manga drawings to illustrate her words – bringing her much-loved sense of humour to the forefront of the narrative and displaying her keen interest in exploring many mediums of creativity.

About the Author:

Ikumi Nakamura is an independent creative, explorer and videogame designer. Since 2004 she has explored and photographed abandoned and uninhabited places and spaces across Europe, Asia and the United States to find inspiration for her games. Influenced by the videogame S.T.A.L.K.E.R., she created a mysterious style of wearing a hoodie and gas mask when exploring. She also aspires to become a secrets hunter on the Japanese TV show Discovery of the World’s Mysteries. The experiences and records of her photography pursuits are published on the website Tomboy Urbex.

Following on from the success of Lan Nguyen-Grealis’s first book, Art & Makeup, The ProMakeup Design Book invites the reader to use their artistic flair and get hands-on with practical application. 

Hundreds of stunning photographs provide inspiration and advice for creating key looks for magazine editorials, celebrities, fashion shows and advertising campaigns.

Organized by technical themes, dozens of different looks demonstrate how to use embellishments, glitter and gloss, colour and graphic lines to produce stunning results for the camera or catwalk.

The ProMakeup Design Book includes 30 face-chart templates for testing out and adapting your looks, and advice on application and professional presentation.

Watch out for Lan’s collaboration with the Revolution Pro makeup brand, released alongside this book. The Revolution PRO X Lan Ultimate Artist’s Palette, the ultimate sleek and stylish full face palette for any artist to rely on. A glossy black case embellished with gold and filled with rich, long-lasting pigments to create an all-purpose makeup playbook.

With 3 bronze powders perfect for contouring, a highlighter to illuminate the cheekbones and Cupid’s bow along with 4 blush shades in lilac, pink, coral and red, ideal for all skin tones. You’ll want to use them all for your everyday and evening beauty routines.

About the Author:

Lan Nguyen-Grealis is an established name in the fashion and beauty industry. Her work has featured in Russian Vogue, Vanity Fair, Elle UK, Glamour, Grazia and Stella. She is currently beauty editor of Phoenix magazine, and published Art & Makeup in 2015. Lan is the youngest Golden Mask Award Winner for Makeup Art.

PROMO! is a visually impressive collection of the latest proposals in promotional materials: sales catalogues, pamphlet design, business cards, event invitations, posters, samples, advertising giveaways, calendars, T-shirts, shopping bags, greeting cards, etc… From the hands of some of the best designers and creative professionals in the world we will delight in everything from the classic and elegant to the most cutting-edge designs using more uncommon materials and techniques. Promo! is a reference book full of solutions, resources, original ideas and inspiration, perfect for both professionals and design students searching for an original and captivating way to advertise.

This classic sourcebook of decorative motifs contains 100 plates of royalty-free Gothic designs, meticulously reproduced from rare 19th-century engravings. Many are floral and foliate designs rendered from panels, capitals, borders, brackets, friezes, grotesques, and other decorative elements from such architectural landmarks as New College Chapel at Oxford and Rouen Cathedral.

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From the intriguing mind behind Codex Seraphinianus comes this beautifully illustrated tribute to the famed Neapolitan character Pulcinella (or "Punch" as he is referred to in English). This short monograph on Pulcinella is conceived as a extension of the Codex Seraphinianus, an encyclopedia filled with variations and fantasies on a theme. Pulcinellopaedia Seraphiniana contains over one hundred extraordinary graphite illustrations with scarlet accents, some of which are depicted in comic-strip style. Conceived as a musical Suite, it is divided into nine scenes with an intermission. It features the oddly surreal and globally recognized character, whose origins have been lost in the mists of the time. An ancestor of Pulcinella was certainly Maccus, the protagonist of the Atellanae Fabulae, very popular farces in ancient Rome, but it was in the early seventeenth century that the character assumed the name and costume that we all know.

Distinguished by a long nose and typically dressed in white with a black mask, Pulcinella is often depicted in various kinds of misadventures and singing about love, hunger, and money. As he famously did in the Codex, Luigi Serafini, has created Pulcinellopaedia Seraphiniana in a unique language all its own, and has filled it with fascinating and mysterious illustrations that will no doubt prompt devotees to obsessively try to decipher the artist’s intention. Written by Serafini’s imaginative coauthor and alter ego "P. Cetrulo," who represents Pulcinella himself, the book artfully presents the struggles of a rebellious antihero who must come to grips with the challenges of everyday life.

Originally, a book about Pulcinella and his world appeared in 1984, after Serafini’s involvement with the 1982 Carnival of Venice, the first revival of the famous festivity after two centuries of silence. Now more than three decades later, this new edition has been extensively revised and includes a new afterword by the author. Like its predecessor, the original edition became immensely sought after and highly valuable, fetching more than one thousand dollars if book collectors were lucky enough to get their hands on a copy. All fans of Serafini’s work will treasure this volume. Rizzoli will also publish a deluxe limited edition with a signed and numbered print.

About the Author:

Luigi Serafini was born in Rome in 1949. He is an artist with an eclectic background as architect, ceramicist, glassmaker, set designer, and writer. He is best known for the cult classic book Codex Seraphinianus, also available from Rizzoli.

Machine Dazzle, to my mind, [is] a true theatrical genius who has created some of the most inventive costumes and sets I have ever seen. — Hilton Als, The New Yorker

Machine Dazzle is the much-in-demand designer and artist behind popular cabaret, drag, and performance stars such as Taylor Mac and transgender icon Mx. Justin Vivian Bond. For the first time, his over-the-top stage creations, made for himself and others, are collected here alongside stage environments, ephemera, and photos from his career.

In Machine Dazzle’s world, costumes are transformative objects with world-making capacity. The artist’s “queer maximalism” encapsulates a more-is-better attitude to making and creating, which looks to counter elitist notions that spectacle and extravagance are vapid. For him, these associations are embraced as queer for their affirmation of hybridity and the rejection of hierarchies of every kind.

On the occasion of a major exhibition at the Museum of Arts and Design, curator Elissa Auther brings together an expansive collection of essays and reminiscences from fellow performers, historians, and cultural critics that consider every aspect of Machine Dazzle’s rich body of work.

About the Authors:

Elissa Auther is deputy director of curatorial affairs and William and Mildred Lasdon Chief Curator at the Museum of Arts and Design. Mx. Justin Vivian Bond is a transgender singer, writer, performance artist, and activist. Mike Albo is a writer, comedian, and performance artist. madison moore is a cultural critic, DJ, and professor of queer studies at Virginia Commonwealth University. David Román is professor of English and American studies at the University of Southern California. Taylor Mac is a theater artist. Sally Gray is an independent scholar. Kalle Westerling is a theater and performance PhD candidate.

With this book in one hand and a brush in the other, you can learn how to create different paint finishes and effects to change everyday rooms and furniture into something special, all for the price of a pot of paint.

The first section of the book tells you everything you need to know before you start – how to prepare surfaces properly, choose the right paint for the right place and use the best tools. Then, the 50 projects are divided into five sections: Ageing and Distressing; Working with the Base; Working with Colour; Handpainting; and Crackle, Gilding and Decoupage.

There are step-by-step images showing how to achieve the finished look, before shots and inspirational photography showing the effects used on walls and doors, furniture and floors. Learn how to bring old second-hand furniture bang up to date, or how to give modern pieces a softly aged appearance, as well as ways to treat and transform floorboards, doors and plastered walls.

Whatever the style of your interiors, Quick and Easy Paint Transformations will show you the best way to makeover your home.

About the Author:

Annie Sloan is one of the world’s most respected experts in the field of decorative painting. She runs highly successful workshops from her store in Oxford, and teaches in the US and Europe. Annie has written more than ten books, including the bestselling Quick and Easy Paint Transformations, Creating The French Look, The Painted Garden and Annie Sloan’s Painted Kitchen (all published by CICO Books), and has featured prominently on PBS television and the Homes & Gardens TV channel. She also sells her own highly acclaimed range of chalk paint which is available from almost 300 locations worldwide, including over 200 outlets in the US. The author is based between Oxford, UK and France.

Pattern-Thinking reassesses the work of Buckminster Fuller — unique hybrid between theoretician, architect, designer, educator, inventor, and author — as advancing contemporary models of design research, practice, and pedagogy. Drawing extensively on Fuller’s archive, the book follows his unique process of translation between the physical and conceptual dimensions of design, to redefine our understanding of the relationships between geometry, structure, language, and intellectual property.

Rather than being organized around a chronology of distinct narratives, Pattern-Thinking follows these parallel explorations as the basis for Fuller’s artifacts and inventions. In the space between lines, models, words, and patents, it traces his ambition to measure physical experience in an ever-expanding pattern of relationships, while coordinating these into a conceptual network of words and concepts that shape the basis for his thinking. Advocating a multidisciplinary and political perspective, Fuller’s transversal logic expands the knowledge base of contemporary models of design, which seek to find broader participation and to address new publics.

About the Authors:

Daniel López-Pérez, who has a PhD in the history and theory of architecture at Princeton University, is an Associate Professor and a founding faculty member of the Architecture Program at the University of San Diego. López-Pérez edited Fuller in Mexico/Fuller en México! and R. Buckminster Fuller: World Man, awarded as Design Book of the Year 2013 by Architect magazine.

Richard Buckminster Fuller was born on July 12, 1895, in Milton, Massachusetts. After spending most of his youth in Massachusetts and on Bear Island in Maine, he fell out of Harvard and into the US Navy during World War I. He married Anne Hewlett, the daughter of a prominent New York architect, in 1917 and spent around five years working with his father-in-law on new techniques of housing construction after leaving the navy. From 1927 on he became independent and committed himself to completely rethinking the question of shelter — relentlessly challenging every assumption about structure, function, materials, technology, aesthetics, services, distribution, mobility, communication, collaboration, information, recycling, politics, property, and social norms. He started from first principles to develop a radical philosophy of doing “vastly more with vastly and invisibly less.” The constant goal was a much more efficient and equitable distribution of planetary resources to enable the survival and ongoing evolution of the human species. His work paralleled, radicalized, and critiqued the mainstreams of modern architecture and still defies categorization today. He was a nonstop teacher and communicator around the globe in every possible medium — becoming probably the single most exposed designer and design theorist of the twentieth century. He died on July 1, 1983, in Los Angeles at the bedside of his wife, who died thirty-six hours later.

Adapted from jewelry, textiles, hardware, ceramic, inlays, carvings, and more, 852 full-color designs, collected by famed French artist Racinet, offer decorative ornamentation from every major culture of the world. Highlighting the achievements of artisans from ancient Egypt to 18th-century France, this treasury of historic motifs is an unparalleled source of beauty and inspiration.

Embodying a chic casualness that is uniquely American, the Polo shirt is a cultural symbol, worn by everyone from movie stars and presidents to athletes and artists.

The Polo shirt is to Ralph Lauren what Mickey Mouse is to Disney or the Empire State Building is to New York City. Whether worn with the collar popped up, open and untucked, or dressed up under a suit jacket, the Polo embodies the optimism of American style. In Lauren’s words, “It’s honest and from the heart and hopefully that is what touches the diversity of all who wear it. It was never about a shirt, but a way of living.

”Featuring a gallery of stars from the worlds of sports, politics, film, and music — from Leonardo DiCaprio and Spike Lee, to Bill Clinton and Oprah Winfrey, to Pharrell Williams and Venus Williams — as well as everyday people who make the Polo their canvas for self-expression, The Polo Shirt looks at the enduring cool of a wardrobe classic.

Included are the full range of colors, styles, and fits the shirt has been produced in during its more than 50 year history. From the classic white to the weathered Polo, from the striped Polo to the US Olympic, US Open, and Wimbledon Championship collaborations, this catalogue celebrates the full spectrum of the Polo, making it a collector’s dream.

About the Author:

Ralph Lauren began his career in 1967, designing neckties under the label Polo. He has received numerous awards for his work in fashion, philanthropy, and human-itarian causes and is the only designer to receive the CFDA’s four highest honors: Womenswear Designer of the Year; Menswear Designer of the Year; Retailer of the Year; and Lifetime Achievement. In 2019 he received an honorary KBE for Services to Fashion from the Prince of Wales. Ken Burns is an Academy Award–winning film-maker. David Lauren is the Chief Innovation Officer of Ralph Lauren, Vice Chairman of the Board, and President of the Ralph Lauren Foundation.

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