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In the late ’70s, spirited young designer, Perry Ellis introduced a fresh, witty and relaxed new sensibility to American sportswear, initially for women and a few years later, for men. The clothes were easy, oversized, slouchy, but classic at heart and they caused a sensation. Ellis, who once told the New York Times that he "always made a determined effort to do something different," did just that, creating a series of signature looks such as his “dimple” sleeves and single-cabled sweaters that set his clothes apart from everyone else’s. Nearly three decades after his untimely death, the legacy of the designer Ellis is still very much felt : Perry Ellis: An American Original is the first complete monograph to celebrate his exceptional career. 

The beautifully illustrated book showcases Ellis’s designs through a combination of photography and sketches, providing an insightful look at each season of his career, from 1976 to 1986, offering readers unique access to editorial and ad campaign photographs from the archives of brilliant photographer Erica Lennard, with whom Ellis worked almost exclusively.  Included here are ephemera, a treasure trove of drawings, and never-before-published photos from the personal collections of the designer’s friends and family, adding insight to Ellis’s unique aesthetic while solidifying his place as one of the key contemporary designers of American fashion.

About the Author:

Jeffrey Banks is a Coty Award–winning fashion designer of men’s and women’s apparel.  He is the co-author of Tartan: Romancing the Plaid and Preppy: Cultivating Ivy Style.  Erica Lennard is an internationally renowned photographer whose books include Secret Gardens of Hollywood and American Writers at Home.  Doria de La Chapelle is a freelance writer who is co-author of Tartan: Romancing the Plaid and Preppy: Cultivating Ivy Style. She has written on fashion, beauty, and style for Mademoiselle and other publications.  Marc Jacobs is the designer for his eponymous fashion label, and his diffusion line Marc by Marc Jacobs; and he has been Louis Vuitton’s creative director since 1997.

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Пролистать книгу Perry Ellis: An American Original

With pieces drawn from the extensive personal collection of Pharrell Williams, this is a stunning and unprecedented exploration of the “bling” in hip-hop culture and fashion.

Few recording artists have had a greater hand in incorporating the culture of hip-hop into contemporary luxury than Pharrell Williams. Collaborating with Louis Vuitton nearly two decades ago, Pharrell was the first to have his designs integrated into the haute joaillerie of the great maisons. His innovative team-ups continue through to the present day, most memorably with Tiffany and Chanel, and the watchmaker Richard Mille.

The most extravagant of these chains, rings, and pendants — crafted in precious metals and studded with gems — are as much a part of Pharrell’s musical performance as they are of his personal style. His designs, which include one-off pieces such as solid-gold cases for mobile phones and handheld game consoles, have been legendary for featuring iconography of Pharrell’s own brands, Billionaire Boys Club and Ice Cream.

This book was originally published with two different colored covers. Customers will be shipped either of the colors at random. 

Featured in the book are over 100 pieces, many of which he created in tandem with some of the most recognizable designers in the industry — such as Jacob & Co, Yoon & Verbal, and Lorraine Schwartz. With frequent collaborators such as NIGO® and Tyler the Creator, Pharrell discusses his role in the evolution of hip-hop jewelry, the processes involved in the creation of his one-of-a-kind custom pieces, and the state of connoisseurship in a growing market for the most extravagant of hip-hop collectibles.

About the Authors:

Pharrell is a multiplatinum recording artist and a recipient of the CFDA’s Fashion Icon Award. NIGO® is a fashion designer and musician, the founder of *A Bathing Ape & Human Made. Tyler the Creator is a multiplatinum recording artist and designer.

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Пролистать книгу Pharrell: Carbon, Pressure & Time: A Book of Jewels​ на сайте издательства.

The work of one of the most influential and innovative hat designers of this century. Philip Treacy’s career over the last two decades has been prolific and high-profile. A visual delight, this book shares Treacy’s favorite designs in 250 striking photographs, curated by Treacy himself, and showcases his collaborations and personal relationships. Treacy has said, “Every hat I have ever made has begun in my mind as a photograph. I can see it on the model, at the right angle, before I even begin.” Indeed, his hats have been photographed by the most iconic image makers of our time, including Patrick Demarchelier, Richard Avedon, Steven Meisel, Mario Testino, Bruce Weber, and Irving Penn. And his hats have been modeled on equally famous heads, ranging from Grace Jones and Lady Gaga to the Duchesses of Cornwall and Devonshire.  

Since his early friendships with Isabella Blow and Alexander McQueen, Treacy’s imaginative designs have been a synthesis of art and fashion, with materials ranging from silk and lace to Plexiglas and leather, trimmed with feathers or Swarovski crystals. Combining luxury and sophistication, his work has helped shape modern fashion. This first, highly personal book is a glamorous tour through Treacy’s world, and documents how a hat can evoke the magic of life and speak to the transformative power of fashion.

About the Authors:

Philip Treacy is the recipient of numerous international fashion awards (he is a five-time winner of the title British Accessory Designer of the Year at the British Fashion Awards). Marion Hume has been the international fashion editor for The Australian Financial Review since 2006. She contributes to the Financial Times, the Saturday Telegraph Magazine, W, and the New York Times.

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Пролистать книгу Philip Treacy: Hat Designer

Taking the houseplant trend to the next level, this book offers -- in addition to growing tips for over twenty varietals -- rich inspiration for home decoration, crafting, and DIY natural health and beauty projects using nature.

Leafy green houseplants, hardy succulents and cacti, and flowering perennials add as much to your daily sense of well-being as to the beauty of your home once you convert it into a plant paradise. Opening her book with all the essentials you need to cultivate twenty home varietals -- from calathea to monstera to pilea peperomioides -- with practical tips for repotting, watering, and sunlight recommendations, Elle Décor Idée co-editor Camille Soulayrol takes the houseplant trend to the next level by offering a broad program of gorgeous DIY projects. She shares step-by-step inspiration for creating terrariums and aquatic plant habitats, decorative tips for showcasing plants at home with wreathes or geometric frames that allow vines to thrive, and nature-inspired table setting ideas incorporating leaves and dried herbs. Tips on how to frame blossoms and leaves and how to create herbal dyes for textiles, round out a rich palette of home decorating projects. Learn to leverage the benefits of specific plants through recipes for natural cosmetics, essential oils, and herbal infusions sourced from your houseplant haven.

Urban dwellers have finally caught on to the beauty, joy, and mindful benefits of bringing nature into the home, and this innovative book is essential reading to succeed in reinvigorating your interior using the diverse bounties of nature.

About the Author:

Camille Soulayrol, co-editor-in-chief of Marie Claire Idées, is an author, stylist, and visual designer.

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Пролистать книгу Plantopia (Art de vivre & Voyages) ​ на сайте издательства.

Plastic has shaped our daily lives like no other material. Originally associated with convenience, progress, even revolution, today plastic seems to have lost its utopian appeal. Plastic is everywhere, yet most conspicuous as waste and as a key factor in the global environmental crisis. This book examines the success story of plastic in the twentieth century and at the same time presents the different discourses on how we should manage the waste the material produces and also find solutions that take into account its entire life cycle in the future.

Mark Miodownik, Susan Freinkel, and Nanjala Nyabola each contribute an essay that sheds light on the history of plastics from 1850 to today. A material-rich visual chronology illustrates how consumers’ perception of plastics has changed over the decades. Brief descriptions of a selection of 50 objects examine the importance of plastics for material culture. Reprints of fundamental texts about the history of plastics ― for example by Alexander Parkes and Roland Barthes ― provide a context from the history of ideas.

The book reflects the current discourse and state of research on plastic with numerous individual interviews and panel discussions that were held with designers, representatives from industry, researchers, and environmental activists. Underpinning these conversations are comprehensive data visualizations on plastic production and consumption, recycling.

With contributions by Susan Freinkel, Mark Miodownik and Nanjala Nyabola; interviews with Jane Atfield, Diana Cohen, John McGeehan, Klarenbeek & Dros, The Shellworks, and others.

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More about the Exhibition Plastic: Remaking Our World

Published in association with the V&A, a comprehensive history of plywood, from its use in 18th-century furniture to its popularity in the digital age

Plywood is an astonishingly versatile material, made by gluing together layers of cross-grained veneers, creating a pliable board that can be stronger than solid wood. Stylish and practical, plywood offers huge possibilities for experimental design, and it has been used to make a wide range of products, from aeroplanes, boats and automobiles to architecture and furniture. This book traces the history of plywood from its use in 18th-century furniture, through its emergence as an industrial product in the 19th century, to a material celebrated by 20th-century modernists such as Alvar Aalto and Charles and Ray Eames. An ideal material for the digital age, plywood has become popular again in recent years and is widely used in contemporary design and manufacture.

Produced to accompany an exhibition at the V&A, this book is the first comprehensive study of the history of plywood and its myriad applications throughout the ages, unveiling the stories behind objects that surround us and that we often take for granted.

Celebrating the Milanese house of Pomellato’s fiftieth anniversary, this book explores its signature vibrant jewels through the lens of 1967, the year of its founding.

The Italian house of Pomellato’s jewelry merges Italian craftsmanship with audacious design. Celebrating the house’s fiftieth anniversary, this book delves into the links between Pomellato’s jewels and the highlights of 1967 — the year of the firm’s founding — and beyond. Through iconic images captured by Horst P. Horst, Helmut Newton, Peter Lindbergh, and more, Pomellato: Since 1967 relates the cultural, technological, and artistic revolutions of the 1960s and onward.

From the Vespa to the Summer of Love, from Andy Warhol to Twiggy, this book confronts the great cultural moments of the 1960s with stunning shots of Pomellato’s fine jewelry. Emblematic pop art creations, comic designs, and kaleidoscopic prints echo Pomellato’s hallmark rounded, colorful jewels in playful compositions throughout this breathtaking title.

About the Author:

Sheila Weller is an author and contributor to Vanity Fair, the New York Times Book Review, and Glamour. She has written for many magazines, winning numerous awards for her articles.

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Пролистать книгу Pomellato: Since 1967

The definitive publication on the most exuberant design period of the 20th century

Emerging in the late 1970s, the multistranded cultural phenomenon that came to be known as Postmodernism proclaimed the death of modernism. Postmodern architects and designers eschewed the rigid ‘international’ style that many felt dehumanized its inhabitants and cities, promoting a belief that design need not follow rules. Instead, they revelled in borrowing from the past, celebrated colour, pattern and ad-hocism, and produced a dazzling spectrum of objects, spaces and buildings in the process. It became a style of its own, the defining look of the 1980s, and placed the names and objects of Denise Scott Brown, Ettore Sottsass, Charles Jencks, Alessandro Mendini and Michael Graves in our homes. Today, aided by a return to an interest in the hand-made, the aesthetics and the preoccupations of the style are enjoying a revival in a new generation of producers and an older generation of collectors.

<Postmodern Design Complete tells the story of how the movement came into being, introducing the ‘masters’ under whom it flourished, and the principal figures, from around the world, in the fields of architecture, furniture, graphic design, textiles, product and industrial design. It also includes an overview of notable postmodern homes and interiors and contemporary designs influenced by the movement, most of which have rarely been published. Highly informed and accessible texts, including a foreword by Charles Jencks and an afterword by Denise Scott Brown, are illustrated with images that bring together classics and little-seen rarities, unusual objets d’art, and mass-produced items.

Incorporating the most knowledgeable sources and material in a single volume, Postmodern Design Complete is the definitive overview of the movement’s seminal years and one that the design-conscious of any persuasion will want.

Contents List:

Introduction • 1. Masters of Postmodernism • 2. Forms of Postmodernism • 3. Living with Postmodernism • 4. Postmodernism Continues

About the Author:

Judith Gura is a design historian and author whose books include Guide to Period Styles for Interiors, A History of Interior Design (co-author), Design After Modernism: Furniture and Interiors, 1970–2010, and Sourcebook of Scandinavian Furniture: Designs for the 21st Century. She is on the faculty of The New York School of Interior Design, has taught at Pratt Institute and FIT, and lectures frequently about contemporary design and furnishings. She is a contributing editor to Art + Auction, has curated exhibitions at the New York School of Interior Design and worked on exhibitions at the Brooklyn Museum and the Whitney Museum.

Posters from the late 19th century to Robert Indiana's poster designs for Barack Obama tell the story of protest. Contemporary events seen through the eyes of 20th-century artists show a passion for freedom and human rights and demand equality and tolerance.

L'imagination au pouvoir was a slogan devised by artist Pierre Aléchinsky during the May 1968 student riots in Paris. The particular appeal of political posters for avant-garde artists comes from their dual inspiration of utopian ideals and Jive history. The postwar period, when Picasso's unassuming dove image was commandeered by the Communist peace movement, was succeeded by the general willful resistance of the younger generation in the 1960s. In 1968, many supported the students' demands and produced political posters. In the 1970s, the focus turned to freedom for minorities, and this was followed not much later by environmental pollution a great concern of artists such as Joseph Beuys. In the mid-80s, the AIDS scare turned eyes on to discrimination and social marginalisation; and the concept of equality resurfaced, especially in the work of American artists such as Keith Haring and Jenny Holtzer. The fall of the Berlin Wall in 1989, followed by globalization, was reflected in posters by Robert Rauschenberg and others.

This story of international protest movements, narrated through vivid designs by the great artists of our day, is also a story of the art of the period a selective view, perhaps, but nonetheless an expression of astonishing continuity and authenticity.

In addition the publication includes among others works by Andy Warhol, Jasper Jons, Antoni Tàpies, Joan Miró and Roy Lichtenstein.

The first monograph on fashion designer Prabal Gurung, packed with stories, design inspiration, and never-before-seen photographs

In February 2017, Prabal Gurung ended his show with a parade of feminist tees featuring phrases like This Is What a Feminist Looks Like, Voices for Choices, and We Will Not Be Silenced. A year later, his collection took inspiration from two female-dominated Asian cultures.

Activism is built into designer Gurung's ethos and the celebration of female empowerment serves as a constant focal point of his designs. He presents femininity with a bite, beauty with substance, and a diverse, inclusive world that is Stronger in Color.

Prabal Gurung offers a window into Gurung s design process, and it is filled with inspiration, mood boards, sketches, runway shots, and photographs of the clothing from the last 10 years. The Prabal Gurung woman is modern, intelligent, elegant, assured, and socially responsible, and this book is a celebration of people of all ages, races, shapes, sizes, sexualities, and identities.

Founded as a luxury leather goods house in 1913 in Milan, Prada entered the field of fashion when Miuccia Prada took the helm of the family company in 1979. After initially focusing exclusively on accessories, she presented the house’s first fashion collection in 1988. She would soon transform Prada into one of the world’s most influential luxury brands with a deeply personal, sophisticated and subtly subversive approach. 

This definitive publication opens with a concise history of the house, followed by a brief biographical profile of Miuccia Prada, before exploring the collections themselves, organized chronologically. Each collection is introduced by a short text unveiling its influences and highlights, and illustrated with carefully curated catwalk images that showcase hundreds of spectacular clothes, details, accessories, beauty looks and set designs – and, of course, the top fashion models who wore them on the runway, from Naomi Campbell and Gisele to Kate Moss and Kaia Gerber. A rich reference section, including an extensive index, concludes the book.

About the Author

Susannah Frankel is editor-in-chief of Another magazine. Previously, fashion director of Grazia magazine, she was fashion editor of the Independent from 1999 to 2012. She is the author of Visionaries – Interviews With Fashion Designers and has contributed to many books and exhibition catalogues, including Dries Van Noten 1–100, Stephen Jones: Souvenirs, Alexander McQueen: Savage Beauty and The House of Viktor & Rolf.

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Louis Vuitton Catwalk: The Complete Fashion Collections

Yves Saint Laurent Catwalk: The Complete Haute Couture Collections 1962-2002

Vivienne Westwood Catwalk: The Complete Collections

Versace Catwalk: The Complete Collections

Chloé Catwalk: The Complete Collections

Colors are so universally used that every designer should consider when designing. They are so important that they to some degree decide the overall design.

This book introduces two systems of printing colors — CMYK and PMS — in a plain way, explaining how they are produced and the principles behind them with texts and illustrations. Meanwhile, it showcases a substantial selection of projects for reader’s well-rounded understanding of printing colors and their functions.

1. A detailed introduction to the two systems of printing colors — CMYK and PMS
2. Carefully-selected cases covering various types of graphic design
3. A good combination of theory and practice for easy learning

A complete and thorough overview of different production and finishing techniques and how to make the most of them.

Printing Design for Graphic Designers is a reference book that showcases design projects from all over the world and focuses on the processes that were used to print them. The book opens with a thorough introduction of printing history, from the primitive seal rolls used in Mesopotamia more than 5,000 years ago to today's digital technology.

The projects are structured according to their printing specifications, which include cutting and folding, printing and varnishing, UV ink, thermography printing, thermochromic ink, screen printing, abrasive ink, solid colour-gold/silver ink, embossing and debossing and foil stamping. In recent years, with the help of new software tools, designers have incorporated printing finishes into their work. The result is incredibly sophisticated and daring effects applied to a wide variety of items, from business cards to record sleeves, books, posters and art. Printing Design for Graphic Designers is a wonderful journey into distinctive design and surprising creativity and will serve as a remarkable source of inspiration for graphic design and printing sector professionals.

About the Author:

Design 360° is one of the major Asian design magazines. It is dedicated to introducing international advanced design concepts, original works, outstanding designers and prestigious design institutes. It covers graphic, industrial, fashion, illustration and digital, design, among many other related topics. It is an informative source for students in art and design academies, professional designers, and design lovers who take great interest in international design trend. It has built up a bridge between the design industry in China and that of the rest of the world.

Printmaking is a practical and comprehensive guide to printmaking techniques with clear step-by-step illustrations. This fully updated second edition contains new images throughout, including improved process shots and examples of the latest work from contemporary printmakers.

There are expanded chapters on digital and mixed media processes, as well as a brand new ‘Print & Make’ chapter, which explores the opportunities for creative expression within the many processes available to print makers. For example, this edition includes a new, detailed section on Japanese moku hanga woodblock printing while the more traditional techniques of relief, intaglio, collograph, lithography, screen printing and monoprint have also been refreshed.

The addition of new images showing a broader range of subject matter, include more contemporary prints and international artists. Each technique is explored from the development of the printing or digital matrix, through the different stages of creation to image output. Guidance on how to set up a print studio, sections on troubleshooting techniques and the inclusion of up-to-date lists of suppliers, workshops and galleries make this an essential volume for beginner and experienced printmakers alike.

Special attention is given to safe practices, addressing the important concern for health and safety.  Step-by-step illustrations provide an enhanced visual reference – either photographic or diagrams for clarity – and the authors have supplied more information on safer and more sustainable practices. Since nontoxic alternatives are a rapidly growing and ever-evolving landscape, Printmaking 2^nd Edition presents products and practices that are accessible worldwide.

About the Authors:

Bill Fick is Visiting Assistant Professor in the Art Department at Duke University and the director of Supergraphic, a printmaking studio in Durham, North Carolina. He is also an internationally known printmaker.

Beth Grabowski is a print artist and the Zachary Taylor Smith Distinguished Term Professor of Art at the University of North Carolina at Chapel Hill in the USA. She is past president of SGC International (2012–2014), the professional organization for print artists, educators and printmaking enthusiasts. Her work has been exhibited internationally.

From suits to socks, tuxedos to ties, this is an utterly unique and visually exciting look at how fashionable men have been rocking polka dots, plaids, and paisley at home, at work, and at play throughout history and across the globe.

Nothing embraces the post-Covid aesthetic like a good print, and as gender-specific rules become increasingly irrelevant, today’s men are flaunting colorful patterns as proudly as ever before. This engaging and well-researched book brilliantly traces today’s eye-popping prints and embellished fashions from their historical origins. In dazzlingly illustrated chapters that focus on one specific type of print, Kit Neale traces the historical and geographical origins of contemporary trends. As multifaceted as its subject matter, the book examines floral and animal themes, camouflage and paisley, geometrics and type, even storytelling and photography — all with a wide range of relevant imagery, art and cultural history, celebrity images and fashion editorials. Whether your sartorial taste is safe or sparkly, you’ll find inspiration and insight on every page.

About the Author:

Designer Kit Neale has collaborated on projects with leading global brands such as IKEA, Coca-Cola, and Kew Gardens and is currently the Program Director for Textiles at Loughborough University in England. You can find him at www.kitneale.com.