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A comprehensive make-up manual that details all aspects of make-up application, solutions to common problems, as well as tips and tricks for perfecting your look every time. 

Starting with Skin Secrets, make-up artist Lisa Potter-Dixon teaches you everything you need to know about skincare and perfecting your base. In Beautiful Brows, Lisa explains how to enhance your brows, before styling a Natural, Full, Ombre and Feathered look. In Go with the Glow, she explains why we add colour and takes a look at Contouring, Strobing, Blushing and Bronzing. In The Eyes Have It, things really get interesting, with looks for Smokey, Colourful, Nude, Smudged and Glittery Eyes. And in Luscious Lips, Lisa helps you understand the difference between types of lipsticks, pencils, glosses and all that's in between before teaching you how to achieve the perfect lip, no matter what your style. Finally, Lisa offers up Looks to Dazzle, from Extreme Glitter to using sequins, feathers and transfers, as well as enhancing your look with accessories. Whether you’re looking for a fun and youthful, elegant and sophisticated or one-off look, Lisa will show you how to make the most of your facial features and complexion in this Make-up Manual.

About the Author:

Lisa Potter-Dixon is Head Make-up and Trend Artist and Brow Expert for Benefit Cosmetics. A regular on the London Fashion Week scene, she has styled looks for Matthew Williamson. Her work has appeared in print and online for ‘Elle’, ‘Glamour’ and ‘Red’ magazines, as well as the ‘Telegraph’. She regularly appears on TV, promoting Benefit products on QVC and performing makeovers on ‘Lorraine’ (ITV) and her clients include Editor-in-chief of ‘Elle’ UK, Lorraine Candy. Lisa lives in London, UK and this is her first book. Benefit Cosmetics was founded in San Francisco in 1976. The action-packed, beauty brand offering quick fix solutions for every gal's beauty dilemmas. Famous for high quality iconic products with clever names, compelling packaging and innovative formulas, Benefit has grown into a global brand that continues to captivate women of all ages with unique shopping experiences like the Benefit Brow Bar. With over 2,000 locations in over 30 countries, it is one of the world’s biggest make up brands.

A one-stop resource providing comprehensive information about all the 'design' material types and new technology developments

Today’s designers are often presented with a seemingly infinite number of creative choices, with the ability to push their materials to the limits of what they can do. Understanding these materials properly helps designers make inspired decisions in a practical and confident manner. The Materials Sourcebook for Design Professionals is the one-stop resource for all design professionals, providing comprehensive, accurate information about the basic materials with which they work on a daily basis, as well as a complete breakdown on new and exciting developments in high-tech materials.

Written by Rob Thompson, The Materials Sourcebook for Design Professionals comprises six main parts on all the major ‘design’ material groups. These parts are then separated further into chapters that examine the properties of individual types of materials, e.g. ‘Iron’, ‘Steel’ and ‘Aluminium’. In total, there are nearly 100 material types featured, each one supported by examples of how it can be used in a variety of industries, an outline of its most desirable properties and details on its form and texture. With 450 vibrant illustrations and a clear layout, the design professional or student is presented with a long-term reference tool that tells them everything they need to know about the materials they use habitually, with information delivered in a wholly unbiased and accessible manner.

Contents List:

How to use this book * Introduction 1 METAL Ferrous Metal: Cast Iron • Steel Non-Ferrous Metal: Aluminium • Magnesium • Titanium • Copper • Brass • Bronze and Nickel Silver • Zinc Precious Metal: Silver, Gold 2 PLASTIC Thermoplastic: Polypropylene (PP) • Polyethylene (PE) • Ethylene Vinyl Acetate (EVA) • Polyvinyl Chloride (PVC) • Acid Copolymers and Ionomers • Polystyrene (PS) • Styrene Acrylonitrile (SAN) and Acrylic Styrene Acrylonitrile (ASA) • Acrylonitrile Butadiene Styrene (ABS) • Polycarbonate (PC), Polyethylene Terephthalate (PET) Polyester • Polyamide (PA) • Nylon • Polymethyl Methacrylate(PMMA) Acrylic • Polyacrylonitrile (PAN) Acrylic Fibre • Polyoxymethylene (POM) Acetal • Polyetheretherketone (PEEK) • Fluoropolymer • Thermoplastic Elastomer (TPE) Thermoset: Polyurethane (PU) • Polysiloxane • Silicone • Synthetic Rubber Formaldehyde-Based: Melamine (MF) • Phenolic (PF) and Urea (UF) • Unsaturated Polyester (UP) Resin • Polyepoxide • Epoxy Resin Super Fibre: Carbon-Fibre-Reinforced Plastic (CFRP) • Aromatic Polyamide • Aramid • Polyphenylene Benzobisthiazole (PBO) Bio-Derived: Natural Rubber and Latex • Cellulose Acetate (CA) and Viscose • Starch Plastic • Polylactic Acid (PLA) 3 WOOD Wood Products: Wood Pulp • Paper and Board • Bark • Cork • Veneer • Engineered Timber Softwood: Spruce • Fir and Pine • Hemlock • Larch • Douglas-Fir • Cypress Family Hardwood: Poplar • Aspen and Cottonwood • Willow • Maple • Birch • Beech • Oak • Chestnut • Walnut • Hickory and Pecan • Ash • Elm • Cherry • Apple and Pear Tropical Hardwood: Acacia • Iroko • Teak • Mahogany Family • Exotics • Balsa 4 PLANT Stem and Leaf: Rattan • Bamboo • Grass • Rush and Sedge • Leaf Fibres Bast Fibre: Flax • Linen • Jute and Kenaf • Hemp • Ramie Seed Fibre: Cotton • Coconut Coir 5 ANIMAL Animal Fibres: Silk • Wool • Hair Bone and Horn: Horn • Bone • Antler Leather and Fur: Cowhide • Sheepskin and Goatskin • Pigskin • Horsehide • Deerskin and Kangaroo Hide • Exotics • Fur 6 MINERAL Rock: Stone • Diamond and Corundum Ceramic: Clay • Plaster • Cement • Technical Ceramic Glass: Soda-Lime Glass • Lead Glass • High-Performance Glass Directory • Glossary and Abbreviations • Featured Designers, Artists and Manufacturers • Selected Bibliography • Illustration Credits • Sources • Index

About the Author:

Rob Thompson is an award-winning designer and the author of Manufacturing Processes for Design Professionals.

Become inspired, find your voice, and create work that matters.

Why are human beings driven to make?

It’s as if we collectively intuited, long before science gave us the language, that the universe bends toward entropy, and every act of creation on our part is an act of defiance in the face of that evolving disorder.

When we pick up a paintbrush, or compose elements through our camera viewfinders, or press fingers into wet clay to wrestle form from a shapeless lump, we are bending things back toward Order and wrestling them from Chaos.

But making things is often not enough.

We also want the things we make to be filled with meaning. We’re each trying to describe what we know about life, to create a collective sense of “safety in numbers.” When we reach the end of our traditional descriptive powers, it’s time to weave collective meaning from poetry, painting, writing, dancing, photographing, filmmaking, storytelling, singing, animating, designing, performing, carving, sculpting, and a million other ways we daily create Order out of the Chaos and share it with each other for comfort.

On this journey we need a creative philosophy which will help us find our voice, discover our message, deal with the responses to our work, maintain inspiration, and stay mentally healthy and motivated creators as we strive to find “the meaning in the making.”

Table of Contents:
Chapter 1: Order
Chapter 2: Logos
Chapter 3: Breath
Chapter 4: Voice
Chapter 5: Ego
Chapter 6: Control
Chapter 7: Attention
Chapter 8: Envy
Chapter 9: Critique
Chapter 10: Feel
Chapter 11: Shadows
Chapter 12: Meaning
Chapter 13: Time
Chapter 14: Benediction

About the Author:

Sean Tucker is a professional photographer and filmmaker based in the United Kingdom.

Mandy Aftel is one of the world’s preeminent natural perfumers, with a clientele ranging from the singer-songwriter Leonard Cohen to Ivy Ross, head of hardware design at Google. Eschewing the synthetic molecules that dominate commercial perfumes, Aftel creates her complex and subtle fragrances using only natural essences. For her, each of these essences is a gateway to a lost world of scent, stretching back to the beginnings of human civilization and intertwined with the history of medicine, cuisine, adornment, sexuality, and spirituality. In 2017, Aftel opened a one-room museum ― the Aftel Archive of Curious Scents ― in her backyard in Berkeley, California, to help a modern audience rediscover the enchantment of this lost world. Her museum has attracted thousands of enthusiastic visitors and has been featured in the New York Times, Vogue, Goop, O: The Oprah Magazine, and numerous other media outlets.

Now Aftel has created this beautiful book, illustrated with treasures from her museum’s collection, so that readers at home can immerse themselves in the world of scent. She guides us through the different families of botanical fragrances (including flowers, woods, leaves and grasses, and resins), depicting each plant with a hand-colored antique woodcut and revealing its olfactory notes and lore. Special chapters are devoted to the most rare and precious fragrances ― such as ambergris, formed of a rare secretion of the sperm whale ― and to antique essential oil bottles, handwritten recipe books, and other evocative artifacts. The Museum of Scent, which includes a bookmark subtly scented with a natural essence, invites us on a sensuous, imaginative journey.

About the Authors:

Mandy Aftel, an internationally known artisan perfumer and authority on natural fragrance, is the owner of Aftelier Perfumes and the Aftel Archive of Curious Scents in Berkeley, California. Her other books include Essence and Alchemy: A Natural History of Perfume, which helped sparked the natural perfume renaissance and has been translated into eight languages. Aftel's work has been featured in the New York Times, Vogue, Vanity Fair, and numerous other major outlets.

In this beautiful new book, Olivier Dupon introduces the finest modern jewelers practising today. Featuring 108 both up-and-coming and established designers, the book is inspired not by traditional jewelry typology, but by style and look. Rough stones appear with exquisitely faceted gems; organic forms vie with geometric structures; feathers and leather take their place next to platinum and diamonds.

The book showcases fine jewelry, fashion jewelry, luxe jewelry, conceptual jewelry, and much much more.

Over 800 mainly colour photographs display the jewelry alongside portraits of the designers at work, shots of sketches and works in progress, studios and boutiques. Complete with short, informative profiles and useful contact details for the designers, as well as a listing of recommended shops, this publication offers a wealth of inspiring material and is a must for any aficionado of jewelry, design or craft.

The catalogues of the Paris Salons at the turn of the 19th to the 20th century provide a unique archive of illustrations of the decorative arts at a pivotal time in their development, the five previous volumes covering Jewellery, Furniture, Ceramics and Glass, and Objets d'Art.

The fabric designers of the Art Nouveau style who exhibited at the Paris Salons produced a remarkable oeuvre in printed and woven fabric, silk, lace, embroidery and tapestry.

Bookbinding was, and still is, a well-established French tradition, and bibliophiles commissioned unique bindings from artist-designers who, at the same time, were also creating and exhibiting non-bound leather goods - handbags, blotters, upholstery.

This volume is probably the most important in the series. Because of wear and tear, practically none of the approximate 1,200 textile and leatherware pieces illustrated have survived outside museum collections or appeared at auction, unlike the items covered by the earlier volumes.

This handy, portable version of the authoritative Universal Methods of Design provides the same thorough and critical presentation, updated and expanded to include 125 research methods, synthesis/analysis techniques, and research deliverables for human-centred design.

Each method of research is distilled down to its most powerful essence, in a format that will help individual practitioners, as well as design teams, select and implement the research methods best suited to their design culture within the constraints of their projects. This valuable guide: 

- Dismantles the myth that user research methods are complicated, expensive, and time-consuming
- Creates a shared meaning for cross-disciplinary design teams
- Illustrates methods with compelling visualizations and case studies
- Characterizes each method at a glance 

With the concise, accessible format of The Pocket Universal Methods of Design, you and your team will be designing in a completely new, more effective way.

The titles in the Rockport Universal series offer comprehensive and authoritative information and edifying and inspiring visual examples on multidisciplinary subjects for designers, architects, engineers, students, and anyone who is interested in expanding and enriching their design knowledge.

About the Authors:

Bruce Hanington is an associate professor, director of graduate studies, and former program chair of industrial design in the School of Design at Carnegie Mellon University in Pittsburgh, Pennsylvania. He has dedicated his teaching and research to methods and practices for human-centred design, with an emphasis on design ethnography, participatory design, and the meaning of form in context. He has consulted on design projects with GE Appliance and Johnson and Johnson, and his work has been published in Design Issues, The Design Journal, and Interactions, with chapters in Designing Inclusive Futures and Design and Emotion: The Experience of Everyday Things. Bella Martin is a design practitioner and independent consultant in Atlanta, Georgia, where she brings her expertise for design research methods to companies who are new to user-centred design but eager to give their users a voice in the design process. She holds a Master of Design in Communication Planning and Information Design from Carnegie Mellon University, where she first began her ongoing work in visualizing user-centred research methods.

Bella Martin is a design practitioner and independent consultant in Atlanta, Georgia, where she brings her expertise for design research methods to companies who are new to user-centred design but eager to give their users a voice in the design process. She holds a Master of Design in Communication Planning and Information Design from Carnegie Mellon University, where she first began her ongoing work in visualizing user-centred research methods.

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Пролисать книгу The Pocket Universal Methods of Design: 125 Ways to Research Complex Problems, Develop Innovative Ideas, and Design Effective Solutions, Revised and Expanded на Google Books.

“A riveting book . . . few stones are left unturned.” — Roberta Smith’s “Top Art Books of 2019,” The New York Times

This fascinating and enlightening study of the tie-on pocket combines materiality and gender to provide new insight into the social history of women’s everyday lives — from duchesses and country gentry to prostitutes and washerwomen — and to explore their consumption practices, sociability, mobility, privacy, and identity. A wealth of evidence reveals unexpected facets of the past, bringing women’s stories into intimate focus.

“What particularly interests Burman and Fennetaux is the way in which women of all classes have historically used these tie-on pockets as a supplementary body part to help them negotiate their way through a world that was not built to suit them.” — Kathryn Hughes, The Guardian

.”A brilliant book.” — Ulinka Rublack, Times Literary Supplement

About the Authors:

Barbara Burman is an independent scholar, and Ariane Fennetaux is an associate professor of eighteenth-century history at the Université de Paris.

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Пролистать книгу The Pocket: A Hidden History of Women's Lives, 1660-1900

Featuring the star pieces from fashion designer Yves Saint Laurent's art collection – including works by Cézanne, Picasso, Mondrian and Matisse

Yves Saint Laurent was more than a designer of clothing – he was, for many, one of the great style arbiters of the twentieth century. His talent made him the youngest and brightest star in the firmament of fashion, first with Christian Dior, who chose him as his successor, and later in his own right as the shy but daring creator of the modern woman’s wardrobe.

His private life was the subject of constant public fascination, and the homes that he shared with his lifelong friend and business partner Pierre Bergé were extraordinary private cocoons of taste and style. Ivan Terestchenko’s photographs – taken after Yves Saint Laurent’s death in 2008 – capture these exquisite surroundings and cultured luxury for the last time.

Yves Saint Laurent and Pierre Bergé amassed an exceptional collection of furniture and paintings over some forty years. It included important works by Picasso, Matisse and Mondrian, Old Master paintings by Goya, Ingres and Géricault, and masterpieces of furniture, sculpture and silver from the Renaissance to Art Deco.

Not a single piece from the collection was sold until the year following Saint Laurent’s death. A historic sale by auction at the Grand Palais in Paris became the stuff of legend months before it even took place.

This book, revealing a rare union of passion, taste and supreme connoisseurship, stands as a monument to two of the greatest taste-makers of our time.

About the Authors:

Robert Murphy is Paris correspondent for American fashion and lifestyle magazines W and Women’s Wear Daily
Born in England and educated in France, Ivan Terestchenko read History of Art at the Ecole du Louvre and was a painter until the age of 30 when he switched to photography and landed his first assignment with French Vogue. He contributes to many international publications.

This book provides the first authorised account of the history of the finest diamond jewellery in the world. Published on the occasion of the Diamond Jubilee of H. M. Queen Elizabeth II, it tells the story of the magnificent royal inheritance of diamonds from the time of Queen Adelaide in the 1830s to the present day.

Illustrated with a wealth of archive materials as well as extensive new photography of the jewels, this important publication includes stones of international importance as well as items of great historic significance, and will be a standard work of reference on diamond jewellery for many years to come.

Table of Contents:

Acknowledgements
Introduction
Queen Adelaide
Queen Victoria
Queen Alexandra
Queen Mary
Queen Elizabeth I
Queen Elizabeth II
Royal Family Tree
Glossary
Bibliography and Abbreviations
Picture Credits
Index

An important book on Shaker art and life, offering a fresh look at a style that has endured through centuries and continues to inspire designers and homeowners. This book presents the elegantly austere and simply styled objects of the Shakers in the context of their faith and community at Mount Lebanon, N.Y., the spiritual and administrative center of the Shaker world. Outstanding examples of furniture, textiles, tools, and other objects-drawn primarily from the collection of  Shaker Museum | Mount Lebanon-bring the fascinating world of the Shakers to life. The book also explores the equally compelling material culture of Sabbathday Lake in New Gloucester, Maine, the last active Shaker community, and how this group of Shakers continued to thrive while other Shaker communities elsewhere gradually disappeared.

Accompanying a major exhibition organized by the Farnsworth Art Museum, this book presents a new and authentic perspective on the Shaker community. Specially commissioned photography, archival imagery, essays by prominent scholars, and a firsthand interview with a member of the Sabbathday Lake Shaker community deepen our understanding of this influential movement and style.

About the Authors:

Michael K. Komanecky is chief curator at the Farnsworth Art Museum, in Rockland, Maine. Stephen J. Stein is a historian of American religion at the University of Indiana. Jerry V. Grant is the director of research and library services at the Shaker Museum. Michael S. Graham is the director of the Sabbathday Lake Shaker Village. Brother Arnold Hadd is a member of the Sabbathday Lake Shaker community. Leonard L. Brooks is the former director and David Stocks is the president of Shaker Museum | Mount Lebanon.

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Пролистать книгу The Shakers: From Mount Lebanon to the World

A tale from the Brothers Grimm provides inspiration for three gifted students from the world-renowned Art Center College of Design in Pasadena, California. Khang Le, Mike Yamada, and Felix Yoon were guided by their instructor, Scott Robertson, to create original design solutions for the environments, characters, props, and vehicles found within The Skillful Huntsman.

The trio’s sketches and full-color renderings thoroughly document the creative process of concept design, revealing a host of intriguing places — from sci-fi cities to castles, and people — from giants to royalty. A must for artists, aspiring entertainment designers, comic aficionados, and anyone interested in the creative process, The Skillful Huntsman offers insight into the mysterious world of the imagination.

An incisive and startling international review of the evolution of dentistry from the Bronze Age to the present day, presented in a beautifully crafted book of cult appeal book

This achingly jawdropping book follows the evolution of dentistry throughout the world from the Bronze Age to the present day, presenting captivating and grim illustrations of the tools and techniques of dentistry through the ages. Organized chronologically, The Smile Stealers interleaves beautiful and gruesome technical illustrations and paintings from the Wellcome Collection’s unique archive of material from Europe, America and the Far East with seven authoritative and eloquent themed articles from medical historian Richard Barnett. A comprehensive review of the development of the trade and discipline of dentistry, it covers topics as diverse as the very first dentures (produced by the Etruscans in the seventh century bce); the smile revolution in 18th-century portraiture; and the role of dentistry in forensic science – all in one beautifully illustrated volume.

Extending the cult of the medically macabre begun by its predecessors The Sick Rose and Crucial Interventions, The Smile Stealers is guaranteed to appeal to lovers of the horrific and the beautiful alike as it probes the growth of dentistry – from pulling out bad teeth to reconstructing jaws, and from painful action to pain-free interventions and the pursuit of the perfect smile.

Oklahoma native and proud member of the Muscogee-Creek Nation, Summer Lee shares her knitting secrets for creating all shapes and sizes of socks with dots, zigzags, stripes, and a near-neon palette of happy colors.

Sock projects are universally loved by knitters, but popular knitting creator Summer Lee has turned this favorite pastime topsy turvy with designs that feature the most electric colors and wow-patterns ever dreamt up. The Sock Project is a book for every crafter: beginners who want to learn, knitters who want to improve their sock skills, and anyone who wants to fill their knitting needles — and sock drawers — with jazzy colors and new designs.

Build your skills month-by-month with 12 levels of sock knitting. First, start with the humble-but-mighty Basic Sock, then try more complicated patterns for lace socks, cabled socks, socks with Estonian Inlay, and socks done in stranded knitting. You’ll be able to sample 18 fresh and zippy patterns, plus new variations on favorite designs! The Sock Project is a joyful Starburst-color explosion for adventurous knitters everywhere.

Includes Color Photographs

About the Author:

Before she discovered knitting, Summer Lee worked as a political reporter and commercial photographer. An Oklahoma native and proud member of the Muscogee-Creek Nation, Lee is inspired by the landscapes and wild lands surrounding her home; her love of color is a defining feature of her work. She lives in Bixby, Oklahoma.

Still life is a classic back in bloom. The Still Life showcases the evolution of this age-old genre in striking product portraiture by some of today’s most imaginative photographers, designers, and stylists.

In contrast with the immobility of the objects it depicts, still life has been speedily making a comeback onto contemporary platforms — from glossy magazines to Instagram feeds. This book showcases new directions in product portraiture by some of our time's most imaginative photographers, designers, and stylists.

Still life staples such as dead game and fruit bowls can still be seen in today’s of-the-moment arrangements, but they are now presented alongside the latest fashion accessories or luxury gadgets. The elaborate tabletops, collages, installations, and photographic illustrations featured in The Still Life bridge past and present, and skillfully meld elements of scenography and sculpture with the art of selling.

The book illustrates how a combination of quality handcraft and inspired flair are being used to put familiar products into surprising new contexts, ranging from minimalistic understatement to opulent glamour. The included examples meticulously style objects into elaborate compositions that bridge past and present, and skillfully meld elements of scenography and sculpture with the art of selling.