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Pieced together much like the fine garments it portrays, this colourful volume guides the reader on an international textile tour, presenting in over 700 glorious photographs a raft of remarkable clothing, people and fabric from all over the world.

Taking the reader from Vietnam to Benin, from Central America to Eastern Europe, the book is brimful of stunning costumes, sumptuous fabrics and breathtaking detail.

Both an ethnographic textile map and a fabric-inspired travelogue, it explores and reveals many secrets about international textile crafts, including weaving, dyeing and appliqué. All designers, as well as anyone who loves fashion, will find this volume a huge source of inspiration, as will fans of off-the-beaten-track travel destinations.

Textiles explores the cultural meaning and exquisite workmanship found in the Museum of International Folk Art’s vast collection that spans centuries and includes pieces from seventy countries around the world. Handcrafted work in beautiful, vivid colors typifies the clothing, hats, robes, bedding, and shoes that represent the lives and passions of the people who created and used them.

Bobbie Sumberg is curator of Textiles and Costume at the Museum of International Folk Art in Santa Fe, New Mexico. She is the coauthor of Sleeping Around: The Bed from Antiquity to Now. For more than fifty years, the Museum of International Folk Art in Santa Fe, New Mexico, has been documenting, collecting, preserving, and interpreting the creative works of traditional artists from cultures throughout the world.

This vibrantly illustrated book, which is newly available in paperback, is an original look at the myriad roles played by textiles in all aspects of human life, from ancient weavings to light-sensitive and other futuristic fabrics of our own era. Beverly Gordon discusses how textiles are an integral part of the human life journey from cradle to grave in a multitude of practical, symbolic and spiritual ways.

The many uses of textiles in our everyday lives and their sources are illustrated, along with a discussion about how, as a valuable commodity, in some communities textiles function as money. Finally, the author outlines how textiles are a means of communication functional, political and artistic and a metaphor for transcendence.

This book will captivate and inspire anyone who has a passion for textiles and textile arts, whether educational, creative or professional.

The A–Z of Visual Ideas explains the key ideas, sources of inspiration and visual techniques that have been used throughout design history. Showing where ideas and inspiration come from, the book provides numerous strategies to help unlock the reader’s creativity.

Using a dynamic and easy-to-understand A–Z format, the book reveals techniques that can be exploited to deliver ideas with greater impact, each entry offering a different starting point. Looking at everything from, Art to Zeitgeist, Intuition and Instinct to Happy Accidents and Hidden Messages, the book also features a section explaining how to use the idea or technique, providing readers with an infallible ‘tool kit’ of inspiration.

Including hundreds of inspirational quotes and packed with great examples of advertising campaigns, posters, book and magazine covers and illustrations, this is an indispensable primer that shows design students and professionals how to solve any creative brief.

This encyclopedia, containing more than 2800 colour illustrations, is the most comprehensive guide available to international product design of the twentieth and twenty-first centuries. Now fully revised and updated, it includes more than 300 entries on influential designers and studios and the most important design-led manufacturers worldwide, both past and present, from Frank Lloyd Wright, Raymond Loewy and Philippe Starck to Apple, Ikea and BMW. Each entry consists of an informative profile, a biography or company history, and a detailed product chronology, while the many products featured range from ceramics, furniture and cars to the latest MP3 players. The result is a truly indispensable guide to the design of the last 100-plus years.

- More than 300 entries, profusely illustrated with over 2800 colour photographs
- An A–Z format, extensive cross-referencing and a simple colour-coded system of entries ensure quick access to information
- Includes useful biographies of designers, company histories and chronological listings of products
- An essential reference for students and all those interested in modern design2800 colour illustrations

The Ad-Makers looks at the cinematic form where commerce and creativity collide most dramatically: the TV commercial.

Featuring interviews from top professionals in the field, the book provides the kind of behind-the-scenes expertise that it usually takes a lifetime of professional practice to acquire.

Gathered from the disciplines of cinematography, directing, producing and editing, the filmmakers tell the stories behind the making of some of the world’s top commercials. Each chapter includes an overview of best practice and a host of images stills from the spots themselves and concept visuals.

Exploring the creative process from conception to post-production, The Ad-Makers also covers developments within the industry precipitated by the digital age and the new challenges placed on ad-making by the explosion of social media.

With special focus on the shooting and production elements of making a television advert, this book is ideal for all filmmakers who want to build a career in advertising, or, as is increasingly common, feature films.

• The stories behind some of the best-known TV commercials, as told by the people who made them
• Top producers, designers, storyboarders, directors, editors and visual effects creatives reveal the secrets of the television advertising industry

In creative advertising, no amount of glossy presentation will improve a bad idea. That’s why this book is dedicated to the first and most important lesson: concept.

Structured to provide both a complete course on advertising and a quick reference on particular topics, it covers every aspect of the business, from how to write copy and learn the creative process to how agencies work and the different strategies used for all types of media.

This edition features a substantially revised and expanded chapter on interactive advertising.

Pete Barry outlines simple but fundamental rules about how to ‘push’ an ad to turn it into something exceptional, while exercises throughout will help readers assess their own work and that of others. Fifty years’ worth of international, award-winning ad campaigns – in the form of over 450 ‘roughs’ specially produced by the author, fifty of which are new to this edition – also reinforce the book’s core lesson: that a great idea will last forever.

The Ambassador has been described as 'probably the most daring and enterprising trade magazine ever conceived'. With the motto 'Export or Die!', the magazine was renowned for its innovative design and adventurous editorial approach in promoting British manufacturing in the post-war period. This book takes a detailed look at the background and impact of The Ambassador. The magazine was driven by the vision of its founder Hans Juda and his wife, Elsbeth, who was responsible for much of the magazine's striking photography. Focusing on the perceived strengths of British industry, they set up ambitious photo shoots to showcase the latest couture fashions by the likes of Charles Creed and Victor Stiebel. The magazine promoted fine art as an inspiration for design, and commissioned artists such as John Piper and Henry Moore for their covers.

Why do we dress the way we do? Why has fashion changed and evolved over the centuries? How did the 3-piece suit come about? Why have hemlines risen and fallen over time?  In The Anatomy of Fashion, respected fashion commentator Colin McDowell goes beyond standard fashion histories and narrative surveys to answer these questions and many more. 

Uniquely structured, taking the reader through fashion and dress from head to toe - the whole body is anatomized into sections including ‘The Body Unclothed’(Skin and Body Adornment, Materials and Texture, and Colour and Pattern), ‘The Body Anatomized’(‘Head to Waist’and ‘Hips to Feet’), and ‘The Body Clothed’(Looks and Themes in Dress). Visually rich, with over 500 photographs, illustrations, paintings and film stills, the book includes work by designers and labels such as Ralph Lauren, Chanel, Yves Saint Laurent, Alexander McQueen, Versace, Carhartt, Diesel and more.

The book's dynamic structure and layout are equally suited for browsing and for serious reference, but The Anatomy of Fashion is not simply a picture book. It is a sourcebook by one of the world's leading fashion scholars that seeks nothing less than a thorough analysis of the roots of every aspect of fashion today.

About the Author:

Colin McDowell is a fashion historian and a senior fashion writer for The Sunday Times. He is the author of many books, including Literary Companion to Fashion (1995), Galliano (1997) and Phaidon's Fashion Today (2000).

A prominent figure in the Victorian art world, Walter Crane not only participated in the late nineteenth century's publishing revolution but also led the way toward the Golden Age of Illustration. Crane was instrumental in the transition from simple black-and-white illustrations for children's books to gallery-quality artwork. This original collection features more than one hundred of the influential artist's brilliant images. It constitutes a survey of his paintings as well as a visual history of the development of the first color illustrations.
Few artists of Crane's generation achieved careers as varied and successful as his. This compilation reflects the diversity of his subjects, from images for alphabet books, nursery rhymes, and fairy tales to scenes from stories of King Arthur and Robin Hood to illustrations inspired by the classics of Shakespeare, Hawthorne, and Spenser. Editor Jeff A. Menges provides an Introduction that places the artist and his works in historic context.

Extravagant and supersexy, the fashions of Gianni Versace (1946-1997) combined the expert craftsmanship and luxury of haute couture with the sheer creativity of the street. Instantly recognizable for their glamour quotient-who could forget Elizabeth Hurley in her slit-up-to-there "Safety-pin Dress"?-the deceptively fragile designs utilized innovative fabrics and meticulous construction to anchor their illusions. Although thoroughly modern, the clothes also drew inspiration from fine art: Versace counted Delaunay, Calder, and Klimt among his influences. This fun, flamboyant paperback befits Versace's duality-high art mixed with media hype, delicate garments built from durable materials. The two separate sections address Versace's artistry and skill individually.

Published to accompany a major exhibition at the Victoria and Albert Museum, London, this colorful book celebrates the lifework and remarkable legacy of a perennially popular and highly respected designer.

Over 300 of the most sought-after examples of poster art created between the wars are included in this definitive volume.

This cavalcade of international poster design is organized by subject: aviation, communication, fashion and many more. Featuring rare and even unique examples by masters of the art form, including Nizzoli, Cassandre and Beall, each poster – carefully re-photographed – is accompanied by an extended caption that addresses the aesthetic, social, economic, and/or political context of the image.

Posters were by their very nature ephemeral: on a billboard or tacked to a newsstand, they lasted only a few weeks until advertisers issued another argument for a soap or an ocean voyage. While few contemporary observers understood the richness of their design or appreciated the ingenuity of their unsung creators, they are now highly prized by collectors.

Introduced by Art Deco specialist Alastair Duncan, The Art Deco Poster is an essential book for all interested in graphic design, Art Deco, and life and culture in the Jazz Age.

About the Authors:

William W. Crouse is the author of Grand Prix Automobile de Monaco Posters: The Art, The Artists and the Competition 1929-2009.
Alastair Duncan is the author of many books on the Art Deco period, including Art Deco Complete, American Art Deco, Art Deco and Art Deco Furniture, Art Deco Furniture: The French Designers

Posters by their very nature are ephemeral: crookedly plastered on a roadside billboard, tacked to the back of a tabac, they lasted a few weeks until advertisers issued another imaginative argument for soap or an ocean voyage. While few contemporary observers understood the richness of their design or appreciated the ingenuity of their unsung creators, they are now highly prized. William Crouse, long-time poster aficionado, has selected over three hundred of the most sought-after examples of poster art created between the wars to include in this definitive volume.

Organized thematically into subject categories (aviation, communication, fashion, etc.), The Art Deco Poster presents a jaunty cavalcade of international poster design and includes highly rare and even unique examples by masters of the art form, including Nizzoli and Beall.

Each poster — digitally photographed under carefully controlled conditions — is accompanied by an expanded caption that addresses the aesthetic, sociological, economic, and/or political context of the image. Introduced by Art Deco specialist Alastair Duncan, The Art Deco Poster is an essential addition for all interested in graphic design, Art Deco, and life and culture between 1919 and 1939.

William W. Crouse is a long-time collector of twentieth-century posters. He is the author of Grand Prix Automobile de Monaco Posters: The Art, The Artists, and the Competition 1929–2009. He lives in Florida and New York.

Alastair Duncan was for many years an officer and consultant of Christie’s, New York, and is now an independent consultant on the decorative arts of the nineteenth and twentieth centuries. He is the author of many books on the Art Deco period, including Art Deco Complete, Art Nouveau and Art Deco Lighting, Art Deco Furniture, American Art Deco and Art Nouveau, and Art Deco Bookbinding. He lives in New York.

This best-selling, international review of the year’s most innovative works in visual communication, this annual features, in full color, the winners of the toughest competition in the field - the Art Directors Club Annual Awards. The book presents, with exceptional clarity and detail, the work of gold and silver medallists and distinctive merit winners in national and international advertising, graphic design, interactive design, interactive media, photography, and illustration. Its annual awards honor visual innovation and excellence in the communication arts.

To the general public, Alphonse Maria Mucha (1860-1939) is perhaps best known for his posters of Sarah Bernhardt and magnificent decorative panels such as "The Seasons" — works that continue to grow in popularity and value as the resurgence of interest in Art Nouveau increases. Among graphic artists and commercial designers, Mucha is praised for the innovative style books that pioneered the use of Art Nouveau in commercial packaging, design, and ornament.

The most important of these style books was Documents Décoratifs, published in 1901 at the height of Mucha's fame as the high priest of the Art Nouveau movement. While the artist's fame rests largely on his posters, it is in the smaller works of the style books, or design portfolios, that the refinement of his technique can best be appreciated. The present volume, carefully reproduced from an extremely rare and valuable set of originals, contains all 72 plates of the Documents Décoratifs portfolio. Included are designs for jewellery, wallpaper, stained glass, furniture, and tableware; figure and botanical studies; and a selection of Mucha's famous panneaux décoratifs. Eighteen of the plates are in full colour, while the remaining 54 are reproduced in two or more colour tones.

In addition to numerous innovative designs for practical and decorative objects, the elegant craftsmanship and meticulous execution that characterized all of Mucha's work is evident in studies of langorous nudes, portrait sketches, delicately rendered plant and animal motifs, exquisite modelling of drapery and cloth, and the flowing, fantastic forms created as experiments in pure design. In the Foreword by Gabriel Mourey, specially translated for this edition, Mucha's own philosophy of art, and the relation of the Documents to the rest of his work, receive an appreciative and informative discussion.

Hitherto available only in scattered sources, or in the libraries of wealthy collectors, the complete Documents Décoratifs is now available in this inexpensive one-volume edition. Lovers of Mucha's work, admirers of Art Nouveau, and the application of that style to the decorative arts, will want to own this fine royalty-free collection by one of the greatest masters of the technique.

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