Дизайн

An updated and expanded edition, covering the past five years of the Met Costume Institute’s exhibitions and galas through the lens of Vogue

The Metropolitan Museum of Art Costume Institute’s annual fashion exhibition is the most prestigious of its kind, featuring subjects that both reflect the zeitgeist and contribute to its creation. Each exhibition — from 2005’s Chanel to 2011’s Alexander McQueen: Savage Beauty and 2012’s Schiaparelli and Prada: Impossible Conversations — creates a provocative and engaging narrative drawing hundreds of thousands of visitors. This updated edition includes material from 2015’s China: Through the Looking Glass, 2018’s Heavenly Bodies: Fashion and the Catholic Imagination (the most visited exhibition in the museum’s history), and 2019’s Camp: Notes on Fashion. The show’s opening-night gala, produced in collaboration with Vogue magazine, is regularly referred to as the party of the year, and draws a glamorous A-list crowd, drawing an unrivaled mix of Hollywood fashion. This updated edition of Vogue and the Metropolitan Museum of Art Costume Institute once again invites you into the stunning spectacle that comes when fashion and art meet at The Met.

About the Authors:

Hamish Bowles is the international editor at large of Vogue and has worked for more than two decades at the magazine, where he has written extensively on style and contemporary culture. Chloe Malle is a freelance writer and Vogue contributing editor.

‘Any woman can wear shoes and handbags: it’s not a question of how tall you are, how skinny you are, how blonde or blue-eyed or tanned or whatever.’ 
Marc Jacobs

Carolyn Asome reveals the fashion accessory that can make any woman feel fabulous – from the myriad surrealist creations of Karl Lagerfeld at Chanel to Prada’s democratic nylon backpack, from the exclusive Hermés Birkin bag to individual vintage gems, the handbag is fashion’s most inventive accessory. 

No shock, then, that the handbag market today is worth more than a hundred billion dollars. From each season’s must-have to five-figure rarities, the handbag symbolizes the inexplicable power of fashion desire. Vogue Essentials: Handbags explores all the greatest hits in a collection that any fashion devotee will covet.

Published simultaneously with Vogue Essentials: Little Black Dress. This irresistible new series from Conran Octopus and British Vogue explores the key pieces in a stylish woman’s wardrobe and features photographs from Vogue‘s peerless archive of more than a million pictures.

‘Lingerie is what comes nearest to a woman’s heart and naturally, it gives her more real and intimate satisfaction than any other part of her wardrobe.’ – Vogue, 1918

Images of lingerie have been showcased in British Vogue since its launch in 1916. They demonstrate more than just changing fashion; they serve as a commentary on ideas of propriety, the progress of female emancipation and technological advancements as well as ever-changing ideals of the female silhouette and concepts of beauty.

Divided into categories of Action, Pretty, Curvy and Boudoir, Vogue Essentials: Lingerie explores the evolution of lingerie over the 100 years of Vogue‘s history, commenting on changing fashions, influence on popular culture, the psychology of lingerie and its role as a liberator, accompanied by more than 100 images from the British Vogue archive.

Published simultaneously with Vogue Essentials: Heels. This irresistible series from Conran Octopus and British Vogue explores the key pieces in a stylish woman’s wardrobe and features photographs from Vogue‘s peerless archive of more than a million pictures.

‘From silk slips to bondage bras and Kate Moss’ barely-there vest top – the evolution of lingerie over 100 years of Vogue’s history is revealed in a stunning new book.’ – Mail Online

‘One is never over-dressed or under-dressed with a Little Black Dress’
Karl Lagerfeld

Ninety years after Vogue dubbed Coco Chanel’s simple short black ‘Ford’ dress ‘the frock that all the world will wear’, Chloe Fox celebrates the best LBDs in Vogue Essentials: Little Black Dress. From the bold, dramatic designs of Zandra Rhodes to the eye-catching LBDs by Vivienne Westwood, from the pared-down simplicity of Calvin Klein’s shift dresses to an asymmetric shoulder evening gown by Versace, Vogue Essentials: Little Black Dress celebrates the very best of the LBD.

Published simultaneously with Vogue Essentials: Handbags. This irresistible new series from Conran Octopus and British Vogue explores the key pieces in a stylish woman’s wardrobe and features photographs from Vogue‘s peerless archive of more than a million pictures.

A dream book of empowering and fantastical fashion narratives — from Brothers Grimm to futuristic scenarios — told in Vogue’s inimitable style

Lavishly illustrated, Vogue: Fantasy & Fashion celebrates the magazine’s strong and deeply rooted tradition of storytelling through magical, narrative portfolios. Fashion’s greatest power is its ability to make people dream; to create new worlds. Whether falling down a rabbit hole, conquering new, digital frontiers, or exploring the limits of surrealism, the heroines who feature in photographs by great talents like Annie Leibovitz, Steven Meisel, Irving Penn, and Steven Klein are writing their own tales, defining their own destinies.

Featuring well-known images as well as unexpected gems from the archive, Vogue: Fantasy & Fashion documents fashion at its most magical and affirms its transformative power.

About the Author: 

Vogue, founded in 1892, defines the culture of fashion and always leads readers to what will happen next.

Vogue: The Editor’s Eye celebrates the pivotal role the fashion editor has played in shaping America’s sense of style since the magazine’s launch 120 years ago.

Drawing on Vogue’s exceptional archive, this book focuses on the work of eight of the magazine’s legendary fashion editors (including Polly Mellen, Babs Simpson, and Grace Coddington) who collaborated with photographers, stylists, and designers to create the images that have had an indelible impact on the fashion world and beyond.

Featuring the work of world-renowned photographers such as Richard Avedon, Irving Penn, and Annie Leibovitz and model/muses, including Marilyn Monroe, Verushka, and Linda Evangelista, The Editor’s Eye is a lavishly illustrated look at the visionary editors whose works continue to reverberate in the culture today.

The fantastic collection of artworks by the globally active digital artist wataboku is now available!

This book is a collection of artworks by wataboku, the digital artist who continues attracting attention both in Japan and worldwide. The artist's illustrations of beautiful, yet somewhat shadowy, shojo girls, rendered with a watercolor touch, have been acclaimed on social media not only in Japan but across the world. This book comprehensively covers wataboku's work, from works presented at solo exhibitions around the world to more recent works.

The title VSI means "VS (versus)" "I (myself)," and comes from the wakaboku's desire to "highlight the importance of feelings I had as a teenager, which forms the basis of my work. Or to put it bluntly, to focus on a time when I was 'edgy.'" This book offers a complete archive that condenses five years of evolution since wataboku's first art book was released. Even as the environment around them changed, wataboku continuously protected this sense of self, which has been the central pillar and source of creation for the artist's work.

About the Author:

wataboku is a Japanese digital artist whose fanbase continues to expand all over the world in response to their works based on the original shojo schoolgirl icon, SAI, developed on social media. In 2016, wataboku's first art book, Kan 0, was published by Pony Canyon. Since then, in addition to exhibitions throughout Japan, the artist has held solo exhibitions in various cities, mainly in Asia. More recently, wataboku has been expanding their range of activities as a contemporary artist. Representative works include a collaboration with Yohji Yamamoto, a music video for "Mela!" by Ryokuoushoku Shakai (Ryokushaka), and book design for 12 Suicidal Teens (Bunshun Bunko). The name "wataboku" comes from the Japanese words for "I" "watashi" and "boku."

The definitive collection of W’s most iconic and boundary-pushing photographic stories, published over the magazine’s fifty-year history.

Since its founding in 1972, W has worked with the world’s best photographers and writers, celebrating their most ambitious and creative work. The stories in this book offer a knowing, insider’s peek into the top echelons of the world of style over the past 50 years.

Historic and boundary-breaking stories include “One for the Ages,” by Steven Klein, in which the model Amber Valletta is seen aging over the course of a century; hallucinatory photographs by Tim Walker of Tilda Swinton bringing to life eccentric historical characters; an art project by the artist Richard Prince, in which he both comments on and appropriates celebrity imagery; exclusive shoots of pop culture icons like Dolly Parton; playful series of fabulous faux advertising campaigns shattering the sacrosanct lines between advertising and editorial by Steven Meisel; daring covers that perfectly capture the era of the supermodel including Naomi, Kate, Cindy, Linda, Christy, and Gisele; revealing portraits of the most original and creative personalities that includes fashion designers, film directors, artists, interior designers, and musicians; and 1970s party coverage in the early, halcyon days of W.

This book will appeal to those with a great appreciation for art, fashion, design, interiors, music, and culture.

About the Author:

Sara Moonves is the editor-in-chief of W.

__________

Пролистать книгу W Magazine: 50 Years / 50 Stories

Through some 300 objects, this book explores contemporary Japanese design: from everyday objects and packaging to interior design and lighting elements.

Ultimately the book aims to explore the way in which Japanese design manages to harness its materials – whether natural or synthetic – and at the same time combines respect for tradition with forward-thinking and experimentation.

The objects featured were chosen because of their strong Japanese character and the influence this 'Japaneseness' has had on Western culture. Rather than following a chronological order or concentrating on the designers, this book focuses on the objects and is categorized by material, highlighting the strong link between design and material in Japan.

The book will include examples from some of the most important Japanese designers from Sori Yanagi and Shiro Kuramata to Naoto Fukasawa and Tokujin Yoshioka and there will be an introductory essay about Japanese design by Kenya Hara.

 - In this exquisitely produced book, readers can explore the beauty, essence, and enduring impact of Japanese design through 300 key objects, ranging from calligraphy brushes and traditional lacquered bento boxes to Isamu Noguchi’s paper lamps and other modern classics
 - Features contributions from the most important Japanese designers, such as Shiro Kuramata, Naoto Fukasawa and Sori Yanagi, alongside contemporary pieces from up-and-coming designers
 - Printed on craft paper and bound in the traditional Japanese style, the book itself is a beautiful object sure to inspire anyone interested in design

Contents and Sections:

Reinventing Tradition: From Craft to Design Rossella Menegazzo
The Origins of Japanese Design Kenya Hara

Wood, Bamboo & Lacquer
Paper
Metal
Fabric & Textiles
Ceramic
Synthetic/new materials

About the Authors:

Rossella Menegazzo is Associate Professor of History of East Asian Art at the Università degli Studi of Milan. She completed her PhD Course in Oriental Studies at Ca’ Foscari University of Venice in 2009, with a dissertation on Japanese art history and photography. She has curated several events and exhibitions and is the author of numerous texts on Japanese photography, graphic design and ukiyoe. She is a regular contributor to a number of national newspapers, writing articles on Japanese culture and art.

Stefania Piotti received her BA in East Asian studies from Ca' Foscari University of Venice specializing in Japanese textiles and the development of kimono design and patterns in particular. She has worked as translator and scientific coordinator in various exhibitions on Japanese art and as editor of Italian and English publications such as Imai. A Retrospective (Electa, 1998), Hokusai (Phaidon, 2004) and Japan Style (Phaidon, 2007).

“An antidote to the veneer of perfectionism so often presented by books of its kind, Wabi-Sabi Welcome offers readers license to slow down and host guests with humility, intention, and contentment.” —Nathan Williams, founder of Kinfolk

Wabi-Sabi Welcome is sharing a pot of tea with friends. It is preparing delicious food to nourish, not to show off. It’s keeping a basket of cozy slippers at the door for guests. It is well-worn linens, bouquets of foraged branches, mismatched silverware, and heirloom bowls infused with the spirit of meals served with love.

In this lush entertaining manual, author Julie Pointer Adams invites readers into artful, easygoing homes around the world — in Denmark, California, France, Italy, and Japan — and teaches us how to turn the generous act of getting together into the deeper art of being together.

In this book, readers will find: unexpected, thoughtful ideas and recipes from around the world; tips for creating an intimate, welcoming environment; guidelines for choosing enduring, natural decor for the home; and inspiring photographs from homes where wabi-sabi is woven into daily living.

About the Author:

Julie Pointer Adams grew up in Santa Barbara, California, where backyard barbecues, perpetually open doors, and picnics at the beach strongly shaped her sense of what intimate, casual entertaining should be. A background in the studio arts and literature led her to pursue a master of fine arts in environment design, specifically exploring how spaces can better connect us and provide a sense of belonging — especially through sharing our homes and eating together. Having developed and managed Kinfolk magazine's original dinner and workshop series alongside editor Nathan Williams for several years, Julie has planned, hosted, and overseen hundreds of both small and not-so-small gatherings all over the world. Julie currently resides in Santa Barbara with her husband, Ryan, in a tiny, light-filled artist's studio, where they love to cook together, take photographs, host friends, and lounge in the sun.

____________

Пролистать книгу Wabi-Sabi Welcome: Learning to Embrace the Imperfect and Entertain with Thoughtfulness and Ease на Google Books.

The first publication devoted to the textile designs of one of the twentieth century’s greatest artists, showcasing a rarely discussed aspect of the Pop Art superstar’s career

Andy Warhol (1928–1987), a giant of twentieth century art, is known to most people for his iconic images of soup cans, Coke bottles, and Marilyn Monroe. Before his meteoric rise to fame in the early 1960s as a Pop Art superstar, Warhol was a highly successful commercial artist in New York.

The late Matt Wrbican, former chief archivist of the Warhol Museum in Pittsburgh, once said “there are very few stories left to tell about Warhol, but textiles is one of them”. This is the first book devoted to the commercial textile designs of this leading figure in the history of art. With stunning new photography throughout, including unpublished images of newly discovered textiles, the book sheds new light on a previously undocumented but important aspect of Warhol’s oeuvre.

Featuring over 30 different textiles, from ice cream sundaes to acrobatic clowns, Warhol: The Textiles offers a unique record of the beginnings of one of the twentieth century’s greatest artists.

About the Author:

Geoffrey Rayner and Richard Chamberlain are independent gallery owners, researchers, curators, and authors. 

With nearly two million followers on social media, the go-to street style authority  —known as “The People’s Paparazzi” — Watching New York’s first book highlights the best in NYC street fashion.

Watching New York is an A-Z visual exploration capturing the best street style New York City has to offer. Dubbed the “The People’s Paparazzi,” Johnny Cirillo has been making a name for himself with his candid shots of everyday people walking the streets of NYC— from Williamsburg to Soho — and capturing their creative, one-of-a-kind looks on his popular Instagram and TikTok accounts @watchingnewyork, where he has amassed millions of dedicated followers.

The book is a continuation of Johnny’s mission of highlighting the best, quirkiest, and most authentic looks and the incredibly creative minds behind them. A combination of Humans of New York meets The Sartorialist, Watching New York includes new and old photos and is organized by look or style from A to Z (from accessories to zebra stripes) with a heavy emphasis on interviews and quotes appearing throughout to showcase the people who make NYC the fashion capital of the world.

About the Author:

Johnny Cirillo was born in Jackson Heights, Queens, in 1980 to a father who delivered UPS packages in the Garment District of Manhattan and a very creative stay-at-home mom. During high school on Long Island, he developed a passion for photography when his mom gave him his first 35mm and shared with him some of her black-and-white work from the sixties. Film and photography became an obsession. He rolled his own film, built his own darkroom, and bugged every one of his friends to sit for him as he explored all facets of the medium.

A lavishly illustrated collection of essays on drawing as a vital intellectual, artistic and life practice, by the artists of the Royal Drawing School.

Drawing is among the most profound ways of engaging with the world. It is absorbing, instinctive – a way not just of seeing, but of understanding what we see.

Ways of Drawing brings together a range of reflections and creative propositions by contemporary artists and teachers associated with the Royal Drawing School, generously illustrated with images by alumni of the School and the work of significant artists past and present. From explorations of artistic development to short, imaginative strategies for seeing the world afresh, it repositions this art form as a vital force in the contemporary world.

Advocating passionately for drawing as both deeply personal and utterly essential, this book is an invaluable companion for artists with all levels of experience looking for new inspirations for their practice.

About the Authors:

Julian Bell is a well-known artist, writer and critic. His books include What is Painting? and Mirror of the World. Julia Balchin is Principal at the Royal Drawing School. Claudia Tobin is a writer, curator and academic. Her recent book publications include Oh, to be a Painter! and Modernism and Still Life: Artists, Writers, Dancers.

Around the world, dandies embrace style while respecting their local cultural traditions. Dandyism transcends fashion — it is a committed way of life. An international survey of the global dandy community from the creators of I am Dandy.

From America to Africa to Asia, dandyism is a way of life. It is fashion in the best sense, self-esteem through style. And, in every country, it takes a unique form as dandies draw on the local context and fashion culture to shape their looks. We are Dandy throws open the doors of the wardrobe and explores the dandy as a global phenomenon. With texts as witty as the subjects are stylish, the book pokes between the folds to let us know these exceptional individuals. For them, their dandy fashion is more than a trend or a phase — it is who they are, the outer expression of their inner selves. Photographs and profiles paired with clever histories reveal what it takes to look your best around the world. We are Dandy unfolds with a foreword by the illustrious Dita Von Teese that conveys the authenticity of these aesthetes, their passions, and their bravely curated philosophies.

Nathaniel „Natty“ Adams has been involved with the historical and contemporary Dandy phenomenon for many years — it even informs his own wardrobe. A research grant-aided the studied journalist in travelling around the world and into the eclectic homes of various Dandies.

New York is more than the current home of filmmaker and photographer, Rose Callahan; the city is also the site and start of her involvement with the Dandy. In 2008, she created the blog The Dandy Portraits, where she documents the many facets of the modern gentleman. Shortly afterwards, she met Natty Adams and the idea for I am Dandy was born.

The first collection of Makura Kurama's art.

The world of Makura Kurama is full of darkness and beauty. The owners, guests, neighbors, and other characters that appear in the antique shop suffer from grief, fear, or pain in their minds. The gothic-style costumes and motifs, such as skeletons, dolls, corpses, taxidermy, natural specimens, and of course love, lends a dark, fantastical atmosphere to the stories. But these stories never become incurable tragedies.

Makura Kurama's refined brushwork and the sense of hope, of finding light in the darkness, always bring a redemptive element to the stories.

This book is the first art collection of Makura Kurama's work and includes short stories, comics, and illustrations. Even those who know Makura Kurama's work will be fascinated by these stories, which are never as despairing and painful as they first seem as they end in happiness. Why not ring the bell of a peculiar antique shop and see for yourself?

About the Author:

Makura Kurama is an up-and-coming creator who became an instant star upon the release of the short story comic The Peculiar Antique Shop: Plague Doctor and Mrs. Antlers on Twitter in 2018.