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Celebrate the history and explore the unique universe of tokidoki in this nearly 400-page monograph

tokidoki, which translates to “sometimes” in Japanese, is an internationally recognized and iconic lifestyle brand based on the vision of Italian artist Simone Legno. Since debuting in 2005, tokidoki has amassed a cult-like following for its larger-than-life characters and has emerged as a sought-after global lifestyle brand.

tokidoki has managed to develop commercial public collaborations with brands and organizations like Sephora, Levi's, MLB, the San Francisco Giants, and T-Mobile, while also developing more artistic partnerships with Karl Lagerfeld and the Guggenheim museum, and crossovers with other iconic pop culture characters like Barbie, Hello Kitty, Marvel heroes, and Peanuts.

About the Authors:

Simone Legno (Co-Founder/Chief Creative Officer) of tokidoki was born in Rome, Italy.  Legno, who has always had a deep love of Japan and a fascination with world cultures, chose the word tokidoki because he feels “everyone waits for moments that change one’s destiny, by chance or by meeting a new person.”  Simone has become a sought-after speaker around the world at museums, universities, and conferences, from MOCA to the Adobe MAX conference, Flash Film Festival, Art Center College of Design, Apple store in Osaka, Istituto Europeo di Design, STGCC, and Grafika Manila. While the company is based in L.A., he has recently moved to Tokyo with his family. 

Pooneh Mohajer, an entrepreneur at heart who sold her first company Hard Candy Inc. to LVMH, Moët Hennessy Louis Vuitton SA, is the cofounder and chief executive officer of tokidoki. Pooneh received her Juris Doctor from California Western School of Law and her BA from Vanderbilt University. Pooneh’s passion is making a positive impact on the hearts and minds of others by sharing Simone Legno’s art and creativity with the world.  

A fashion icon, provocative American designer Tom Ford brings us his highly anticipated second book, which takes readers through the illustrious trajectory of his billion-dollar luxury empire established in 2005.

Synonymous with high-octane glamour, opulent sexuality, and fearless fashion, Tom Ford is an iconic designer whose namesake label has devout followers across the globe, from Milan and New Delhi to Shanghai and New York. Seventeen years after his best-selling debut book Tom Ford (2004), which detailed his time as creative director for the Italian label Gucci, this second volume is a visual ode to Ford’s eponymous brand created in 2005 and encompasses cosmetics, eyewear, menswear, and his critically acclaimed womenswear line.

The revered designer not only catapulted his brand to the highest echelons of the fashion world — receiving accolades from the Council of Fashion Designers of America and Time magazine’s Best Designer of the Year — but also commanded the attention of Hollywood by featuring loyal A-list fans such as Julianne Moore, Lauren Hutton, Pat Cleveland, and Nicholas Hoult in his runway shows and advertising campaigns. This gorgeous slipcased volume includes dazzling imagery of Ford’s clothing and accessories designs, fashion editorials featuring top models such as Gigi Hadid, Joan Smalls, Mica Argañaraz, and Jon Kortajarena, and his signature sexually-charged advertising campaigns by photographers such as Inez & Vinoodh, Nick Knight, Steven Meisel, and Mert & Marcus.

This volume, printed with Forest Stewardship Council approved materials and edited by Ford personally, reflects his exceptional taste and unapologetic sensual aesthetic and is a true collector’s item for his devotees and connoisseurs of fashion, style, and design.

About the Author:

Tom Ford is a celebrated American designer, creative director of his namesake fashion empire, and acclaimed filmmaker. Bridget Foley is executive editor of Women’s Wear Daily (WWD).

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Traditional clothing represents the regions where it is produced along with their cultures and handcraft. Its creativity and longevity is inspiring high fashion designers of today and tomorrow.

In Traditional Couture, German fashion photographer Gregor Hohenberg portrays the individuals, young and old alike, who currently wear authentic, traditional attire throughout his homeland. With an eye and sensibility with which he usually works with magazines including Elle, Vogue, and T: The New York Times Style Magazine, Hohenberg captures the dignity of the wearers, the beauty of their surroundings, and the glorious details of their distinctive clothing and its intricate tailoring.

Together, the dazzling photographs and insightful texts in Traditional Couture succeed in giving heritage fashions a contemporary context that fits perfectly with today’s passion for handcraft and paves the way for future styles.

Traditional clothing is essentially haute couture. Made with high-quality fabrics and elaborate workmanship, it embodies cultural heritage and style. Encompassing a surprising variety of garments, it represents premium handcraft, an awareness of tradition, a sense of belonging, and an affinity to one’s homeland.

At the same time, folkloric clothing is inspiring some of today and tomorrow’s most ambitious and radical fashion designers. In Traditional Couture, photographer Gregor Hohenberg succeeds in building a visual bridge between the outmoded and the avant-garde in German folkloric fashion. He portrays the individuals, young and old alike, who wear traditional attire in 22 regions of his homeland, as well as their surroundings.

About the Author:

His work for Vogue, GQ, Architectural Digest, Stern, Die Zeit, and other renowned publications established the reputation of German photographer Gregor Hohenberg. In 2006, he won Germany’s prestigious Lead Award for his sophisticated fashion editorial with supermodel Nadja Auermann in Achtung. He has been the magazine’s chief photographer since 2001. With a keen eye for detail, Hohenberg remains interested in the people behind fashion phenomena. His interest in German culture and history led him to the subject of traditional clothing, which, in his opinion, is an undeservingly neglected topic with almost inexhaustible potential.

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Посмотреть видео о книге Traditional Couture: Folkloric Heritage Costumes

The ultimate visual encyclopaedia of type, featuring more than 1,800 typefaces

Wherever we go and whatever we do, the printed word plays a part in every aspect of our day-to-day lives. Behind all the messages we see, read, and absorb, the design and choice of typeface dictate the tone, context and immediacy of these words. From advertising and news headlines to book jackets or wayfinding at an airport, choosing the most appropriate typeface is not an easy task, nor one based on aesthetic alone.

With such a diverse and inspiring range of types now on offer, Type Directory separates and identifies these forms to provide a comprehensive selection of available typefaces. Over 1,800 typefaces are organized by category – Serif, Sans Serif, Display and Script – and subsequently arranged by recognized sub-categories. This allows the reader to make a direct comparison of typefaces with a similar appearance, thus facilitating a deeper understanding of the design and selection process. A visual celebration of the craft, innovation and beauty of these letterforms is presented throughout, from classic typefaces like Garamond, Bodoni and Times through to the contemporary Bliss, Gotham and Meta.

The ultimate visual encyclopedia, Type Directory is an essential creative tool for novices and aficionados alike. This sumptuous sourcebook will inform, educate, inspire and stimulate as a must-have reference title.

About the Authors:

Peter Dawson co-founded his design practice, Grade, in 2000. He is a fellow and a former chair and board member of the International Society of Typographic Designers, and has also acted as a visiting typography lecturer at a number of universities. He is the author of The Field Guide to Typography, also published by Thames & Hudson.
Tobias Frere-Jones is the creator of some of the world’s most widely used typefaces. In 2013 he received the AIGA Medal in recognition of exceptional achievements in the field of design.

Once upon a time, only typesetters needed to know about kerning, leading, ligatures and hanging punctuation.

Today, however, most of us work on computers, with access to hundreds of fonts, and we’d all like our letters, reports and other documents to look as good – and be as readable – as possible. But what does all the confusing terminology about ink traps, letter spacing and visual centring mean, and what are the rules for good typography?

Type Matters! is a book of tips for everyday use, for all users of typography, from students and professionals to anyone who does any layout design on a computer.

The book is arranged into three chapters: an introduction to the basics of typography; headline and display type; and setting text.

Within each chapter, there are sections devoted to particular principles or problems, such as selecting the right typeface, leading and the treatment of numbers.

Examples show precisely what makes good typography – and, crucially, what doesn’t. Authoritatively written and designed by a practitioner and teacher of typography, Type Matters! has a beautifully clear layout that reinforces the principles discussed throughout.

• The ultimate book of typography tips for anyone interested in improving the look of their type
• Clear subject-by-subject structure helps the reader quickly identify the relevant topic
• Elegantly designed, with soft flexi binding, ribbon placeholders and an elastic enclosure, ideal for handy desktop reference

An essential reference of independent foundries and innovative type designers.

The rapidly expanding online market for digital typefaces is exciting and diverse. With new fonts and type foundries launching on an almost daily basis, it has been difficult to keep track of notable developments — until now. Type Navigator is a useful current handbook of modern fonts, independent foundries, and innovative type designers that provides an overview of today’s vast market. This comprehensive publication offers a valuable overview of international sources for quality fonts. In addition to concise profiles of type foundries and recent typefaces, Type Navigator features inspirational visual examples of fonts in use. A free digital collection of 100 typeface variations from 20 choice foundries accompanies the 320-page book.

In the past, there were only a few specialists worldwide who worked intensively with typography. Since the introduction of digital fonts and their dissemination via the internet, typography has gained a new significance. More and more designers are creating fonts for a variety of applications. Simultaneously, more and more of these designers are founding type foundries to sell their fonts themselves. Supply and demand in this area have been growing considerably for years. The expanding market for typography is exciting and diverse, but it has been difficult to keep track of notable developments –– until now. Type Navigator is a comprehensive handbook of the best independent sources for quality fonts. Structured and indexed according to practical criteria, it offers not only a valuable overview but also possibilities for effective targeted searches. Whether a reader is in need of a specific type of font, is looking for fonts by a select designer, from a certain country, or even just wants to compare prices, 

Type Navigator will provide the necessary information. In addition to abundant examples of fonts as well as concrete applications for typefaces and alphabets, this essential compendium features concise profiles of type foundries and designers. Select interviews with managers of type foundries show how their creative visions are influencing the characteristics of their font libraries. Type Navigator is a valuable reference for agencies, designers, consultants, and customers who are looking for an overview of the modern typefaces currently available and the innovative people and companies behind them. Type Navigator is edited by typography expert Jan Middendorp as well as the former Hort designer Martin Lorenz and his wife Lupi Asensio, who currently work together as TwoPoints.Net.

Typography Essentials: 100 Design Principles for Working with Type is a practical, hands-on resource that distils and organizes the many complex issues surrounding the effective use of typography. An essential reference for designers since 2009, Typography Essentials is now completely refreshed with updated text, new graphics and photos, and a whole new look. 

Divided into four sections — The Letter, The Word, The Paragraph, and The Page — the text is concise, compact, and easy to reference. Each of the 100 principles, which cover all practical aspects of designing with type, has an explanation and inspiring visual examples drawn from international books, magazines, posters, and more.

Typography Essentials is for designers of every medium in which type plays a major role, and is organized and designed to make the process enjoyable and entertaining, as well as instructional.

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Typography for Screen features various creative typography projects for screens in different devices and applications, such as motion graphics, webpage design, and conceptual experiments and explores typographic application in visual and information hierarchies within the digital screen environment. Exclusive interviews with designers and studios integrate different knowledge and design philosophies constituting a true source of inspiration for designers and students. It includes QR codes with links to the designers' webpages showing the typefaces in use.

About the Author:

Wang Shaoqiang is a professor at the Guangzhou Academy of Fine Arts (China) and Doctoral Supervisor at the College of Arts and Humanities of the Macau University of Science and Technology. He is a prolific editor whose titles focus on design, art and lifestyle. He is also the editor of Design 360° magazine and Asia-Pacific Design yearbook. He has been invited to lecture at numerous universities, design academies and organizations, and he has been a jury member for China's most prestigious design and illustration awards.

Nearly 120 of the world’s leading typographers and graphic designers open up their private sketchbooks to reveal their creative processes

Aimed at all those who use type, whether by hand or on-screen and selected by the world’s most knowledgeable and well-connected graphic-design commentator, Steven Heller, this survey gets into the minds of designers who create typefaces, word-images and logos through their private sketchbooks.

Arranged by designer, this collection reveals how the world’s top typographers and designers strive to find new and exciting ways of communicating through letters and words.

Contributors include both the world-renowned – Milton Glaser, Erik Spiekermann, Peter Bilak and Jean Baptiste Levée – and the up and coming, while Steven Heller and Lita Talarico’s text provides invaluable commentary on the designers’ creative process, their design philosophies, inspirations, techniques and influences.

About the Authors:

Steven Heller is co-chair of the MFA Design: Designer as Author programme at the School of Visual Arts, New York. He is the author of many books, including Stencil Type, Graphic, Typography Sketchbooks, New Ornamental Type and New Vintage Type, all published by Thames & Hudson.

Lita Talarico is the founding editor of American Illustration & Photography and the other co-chair of the MFA Designer as Author Department at the School of Visual Arts. She is also reporter-at-large for Italian Design Graphics.

New in paperback, The Typography Workbook provides an at-a-glance reference book for designers on all aspects of type.

The book is part of Rockport's popular Workbook series of practical and inspirational workbooks that cover all the fundamental areas of the graphic design business. This book presents an abundance of information on type - the cornerstone of graphic design - succinctly and to the point, so that designers can get the information they need quickly and easily.

Whereas many other books on type are either very technical or showcase oriented, this book offers ideas and inspiration through hundreds of real-life projects showing successful, well-crafted usage of type. The book also offers a variety of other content, including choosing fonts, sizes, and colors; incorporating text and illustrations; avoiding common mistakes in text usage; and teaching rules by which to live (and work) by.

About the Author:

Timothy Samara is a graphic designer based in New York City, where he divides his time between teaching, writing, lecturing, and consulting through STIM Visual Communication. His 18-year career in branding and information design has explored projects in print, packaging, environments, user interface design, and animation. He has been a senior art director at Ruder Finn, New York's largest public relations firm, and senior art director at Pettistudio, a small multidisciplinary design firm. Before relocating to Manhattan, he was principal of Physiologic in Syracuse, located in upstate New York. In 1990, he graduated a Trustee Scholar from the Graphic Design program at the University of the Arts, Philadelphia. Mr. Samara is a faculty member at New York's School of Visual Arts, New York University, Purchase College/SUNY, and The New School, and has published six books on design and typography, all through Rockport Publishers: Making and Breaking the Grid; Typography Workbook; Publication Design Workbook; Type Style Finder; Design Elements, Design Evolution, and, most recently, Letterforms, released in September, 2018. Mr. Samara and his partner live in the Williamsburg neighbourhood of Brooklyn.

The first comprehensive book on the work of Jun Takahashi of UNDERCOVER, an icon of Harajuku streetwear and the presumptive heir to the heavy mantle of Japanese deconstruction. Takahashi Jun’s fashion is not born out of an excessively intellectualized agenda. While not quite populist, his generative influences are instead romantic — even gothic. A fixture of the Paris collections for more than ten years — plus seventeen uninterrupted seasons in Tokyo prior to that — Takahashi’s life’s work confirms a maturation from self-conscious artifice and rebel pastiche to a steely, withering elegance all his own. Hailing from Gunma Prefecture like his friend NIGO® of *A Bathing Ape®, Takahashi’s long association with the undisputed king of Ura-Harajuku in the early 1990s is now the stuff of local fashion lore. But Takahashi would blaze an entirely different path to legend and notoriety. The violent rending and hasty reassembly that characterized his early work, its calculated imperfections and sutured seams, have given way to collections that he himself now calls "sexy and feminine." UNDERCOVER is insightfully curated with fashion-filled chapters devoted to Takahashi’s sketches, graphic work, collaborations, and most innovative designs to date. Lavishly illustrated with more than 200 photographs and in-depth essays by fashion writers, curators, and colleagues, this book gives readers first-time access into Takahashi’s UNDERCOVER, one of the most desired and multidimensional clothing lines in contemporary fashion.

About the Author:

Jun Takahashi is the founder of UNDERCOVER, a label he started in 1990. Suzy Menkes is a British journalist and fashion critic.

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Understanding Jewellery is a comprehensive guide to 19th and 20th Century jewellery. From the methods used to identify and date pieces, to the factors that can affect their value, this volume contains an abundance of expertise relating to precious stones and metals. With almost 1000 magnificent colour illustrations accompanied by straightforward but thorough explanations, this publication offers a richer and more accessible reading experience than traditional text-dominated books.

Including introductions to precious and semi-precious stones, and details of the stylistic developments of jewellery over the last 200 years, this volume is a standard work of reference and aninvaluable tool for collectors and dealers alike.

- Brings together in one volume identification and dating of jewellery made in the last 200 years
- Almost 1,000 superb colour illustrations to help facilitate identification and understanding
- Written in straightforward, non-technical English
- A standard work of reference

About the Authors:

David Bennett is the Worldwide Chairman of Sotheby’s International Jewellery Division and the Chairman of Sotheby’s Switzerland. He has sold four out of the five most expensive jewels in auction history. Having worked as an auctioneer at the firm since 1978, Bennett is renowned internationally as an authority on jewellery. He played a key role in numerous illustrious sales, such as the ‘Jewels of the Duchess of Windsor’ (1987), a tiara from the Collection of Princess Katharina Henckel von Donnersmarck (2011) and Henry IV of France’s Beau Sancy (2012).

Daniela Mascetti is Sotheby’s Chairman of Jewellery in Europe. She joined Sotheby’s in 1980, opening the firm’s Milan-based department. She is one of Sotheby’s most experienced scholars in the history of jewellery, and has collaborated extensively in the sales of historic collections. Her research has assisted with several notable auctions, from The Jewels of the Duchess of Windsor to the collections of Elton John and Gina Lollobrigida.

Understanding Jewellery, by authors David Bennett and Daniela Mascetti, is often described as the must-have jewellery book of our time – a ‘Bible’ in the jewellery trade. First published in 1989, it has remained in print ever since, amassing a loyal following of devotees who admire its detailed information and stunning imagery.

In this new work, Bennett and Mascetti have taken the original concept of Understanding Jewellery a stage further. Now, with the benefit of 20 years of hindsight, they have concentrated on the 20th century alone by conducting a detailed survey of each decade, identifying the key players, trends and movements. The book is an encyclopedic history of the various forms, techniques and materials employed by the companies and individuals who defined jewellery in the 20th century.

Most significantly, this book includes a new set of photographs, which make Understanding Jewellery: The Twentieth Century one of the most dazzling, absorbing and varied collections of jewellery images ever assembled in a book. This large format hardback volume is a perfect gift for all lovers of jewellery and the definitive guide for those who desire a deeper understanding of the subject. 

About the Authors:

David Bennett is the Worldwide Chairman of Sotheby’s International Jewellery Division and the Chairman of Sotheby’s Switzerland. He has sold four out of the five most expensive jewels in auction history. Having worked as an auctioneer at the firm since 1978, Bennett is renowned internationally as an authority on jewellery. He played a key role in numerous illustrious sales, such as the ‘Jewels of the Duchess of Windsor’ (1987), a tiara from the Collection of Princess Katharina Henckel von Donnersmarck (2011) and Henry IV of France’s Beau Sancy (2012).

Daniela Mascetti is Sotheby’s Chairman of Jewellery in Europe. She joined Sotheby’s in 1980, opening the firm’s Milan-based department. She is one of Sotheby’s most experienced scholars in the history of jewellery, and has collaborated extensively in the sales of historic collections. Her research has assisted with several notable auctions, from The Jewels of the Duchess of Windsor to the collections of Elton John and Gina Lollobrigida.

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From camisoles to corsets, basques to boudoir caps and girdles to garters, Underwear: Fashion in Detail gets up close to some of the most intimate items in the V&A. The book traces the evolution of underwear, from rare examples dating from the sixteenth century and the exaggerated shapes of eighteenth-century courtly undergarments, to Dior's curvaceous 'New Look' girdles to contemporary lingerie by Agent Provocateur and Rigby and Peller. Meticulous colour photography shows these fascinating garments in close detail, while intricate line drawings reveal their construction. The book also highlights the work of designers such as Vionnet and Westwood, who have taken influence from underwear for their own outerwear creations.

About the Author:

Eleri Lynn has managed the refurbishment of the V&A's Fashion Gallery and the new Clothworkers' Centre for the Study and Conservation of Textiles and Fashion at Blythe House. She is curator of the V&A exhibition, Undressed: 350 Years of Underwear in Fashion, was assistant curator of The Golden Age of Couture (V&A 2007) and co-coordinator of V&A's Fashion in Motion series of live catwalk events.