Дизайн

This colourful children’s book tells the story of the renowned artist Yayoi Kusama and her quest to cover the world in polka dots – from here to infinity!

Growing up in the mountains of Japan, Yayoi Kusama dreamed of becoming an artist. One day, she had a vision in which the world and everything in it – the plants, the people, the sky – was covered in polka dots. She began to cover her paintings, drawings, sculptures, and even her body with dots. As she grew up, she travelled all around the world and brought her dots with her, spreading them over big cities and small islands alike. Some people thought the dots were tiny, like cells, and others imagined them enormous, like planets. Yayoi said, ‘Our earth is only one polka dot among a million stars in the cosmos. Polka dots are a way to infinity.’ Written by Sarah Suzuki, a MoMA curator, with illustrations by Ellen Weinstein, this colourful book tells the story of an artist whose work will not be complete until her dots cover the world, from here to infinity.

The definitive book on the life and career of internationally acclaimed artist Yoshitomo Nara

Yoshitomo Nara rose to prominence in the mid-1990s, a star in a generation of avant-garde Japanese artists associated with the neo-Pop ‘Superflat' movement. This book, made in close collaboration with Nara himself, explores more than three decades of his work - and is the first truly authoritative monograph on the artist in more than a decade. Written by art historian Yeewan Koon and featuring texts by Nara himself, it includes his most recent work in painting, drawing, sculpture, and ceramics.

About the Authors:

Yoshitomo Nara graduated with a master's from Aichi Prefectural University of Fine Arts and Music and later studied at Kunstakademie Düsseldorf. He is represented by Pace Gallery and Blum & Poe.

Yeewan Koon is associate professor in the Department of Fine Arts at the University of Hong Kong, teaching Chinese and Japanese art history. In 2018 she was selected to curate the Gwangju Biennale in South Korea.

When it comes to designing effective signages that are also appealing to the eye, a delicate balance needs to be struck. On one hand, a wayfinding system has to avoid confusion and reduce stress for visitors orienting themselves within complex environments such as a healthcare facility. On the other hand, as a big part of many a visual identity design project, it can help a brand stand out by presenting distinct pops of personality.

A follow-up to the first edition that was published in 2013, ‘You Are Here 2’ showcases a new curation of the best signages and wayfinding systems that enhance spaces and settings around the world today. Whether they serve to simply guide people from point A to point B or elicit curiosity and delight in exploration, these projects reflect the work of designers who are adept at merging form and functionality to demonstrate creative thinking and empathy.

The world’s leading authorities on fashion and design celebrate the 60th anniversary of YSL’s first runway presentation with a lexicon that includes many images from the designer’s extraordinary archives.

Yves Saint Laurent (1936–2008) is credited with reviving French haute couture in the 1960s, with making ready-to-wear reputable, and with using non-European cultural references. In addition to the kaleidoscope of images in this book, a coterie of tastemakers have supplied listings that encompass YSL’s style inspirations (C is for Costumes, as exemplified by the Russian theme of the famed autumn-winter 1976–77 collection; T is for Tuxedo, which the designer initially referenced with his 1965 “Le Smoking”) and important facets of his life (J is for Jardin Majorelle, the garden of the couturier’s paradisiacal retreat in Marrakech; R is for Rive Gauche, the bohemian, chic neighborhood of Paris where the YSL boutique is situated and also the name of the house’s famous perfume launched in 1970). This distillation and celebration of the designer’s life reveals the inner world of a twentieth-century master. 

About the Authors:

Martina Mondadori is the founder of Cabana magazine. Stephan Janson is a fashion designer.

__________

Пролистать книгу YSL Lexicon: An ABC of the Fashion, Life, and Inspirations of Yves Saint Laurent

‘YSL: The initials evoke allure and sophistication, and this brilliant illustrated portrait of the iconic designer has both’ Tatler

Yves Saint Laurent is a name synonymous with style, elegance and high fashion. When he came on the scene at Dior and then started his own line, he quickly changed the way people regarded haute couture and the world of fashion itself. He revolutionized women’s evening wear when he introduced Le Smoking, a woman’s tuxedo, and made couture accessible to a younger generation.

Yves Saint Laurent is Roxanne Lowit’s personal photographic history of Saint Laurent, the man and the fashion, from 1978, the year she first met him, to the last show he gave in 2002. With contributions from YSL’s muses and admirers, including Catherine Deneuve, Betty Catroux, Lucie de la Falaise, Pat Cleveland and Valerie Steele, this book represents the backstage experience at YSL’s shows as Lowit experienced them herself. Whether surrounded by beautiful models or peeking at the catwalk from the wings, every moment was a magnificent photo opportunity. Lowit shares magical moments of YSL with the world – intimate, social, absorbed in fashion – and creates a unique portrait of this towering figure of postwar couture.

Contents List:

Introduction • The Photographs, interspersed contributions from YSL’s muses and admirers.

About the Author:

Roxanne Lowit is a New York-based fashion photographer who started taking pictures in the 1970s. Her photographs have appeared in many magazines, including Vogue, Vanity Fair, Elle, V Magazine and Glamour, and she has worked on numerous advertising campaigns for, among others, Dior, Barney’s and Vivienne Westwood. Pierre Bergé was Yves Saint Laurent’s partner and co-founder of Yves Saint Laurent Couture House.

An unforgettable journey through art history with Yves Saint Laurent as a guide

From the ancient world to pop art, Yves Saint Laurent regularly took inspiration from art history as he combined colours, carved out new forms and rethought the structure of garments in order to create his own masterpieces.

Juxtaposing his creations with art works from the collections of five major Paris institutions – the Musée d’Orsay, the Louvre, the Centre Pompidou, the Musée d’Art Moderne de Paris and the Musée National Picasso – this book explores the couturier’s homages to the masters of art and his never-ending quest for new means of aesthetic expression. Androgynous silhouettes and Proustian gowns stand alongside the elegance of Impressionism; a feathered coat responds to Jackson Pollock’s drip paintings; flowing silhouettes merge with a mural by Raoul Dufy; Lucio Fontana’s neon lights make metallic fabrics sparkle; and bold appliqué motifs echo The Dance by Henri Matisse. This is an unforgettable journey through art history with Yves Saint Laurent as a guide.

About the Authors:

Mouna Mekouar is an art critic and independent curator based in Paris, France. She was associate curator of Simple Shapes at Centre Pompidou-Metz (2014) and was curator at the Palais de Tokyo, Paris, from 2012 to 2014. Stefan Janson is a fashion designer and co-curator of Yves Saint Laurent at the Museums. Madison Cox is director of the Saint Laurent Museums in Paris and in Marrakech, and president of the Pierre Bergé-Yves Saint Laurent Foundation.

The first comprehensive overview of Yves Saint Laurent’s haute couture collections, presented through original catwalk photography

Founded by Yves Saint Laurent and Pierre Bergé in 1961, shortly after the young couturier left his post at the helm of Christian Dior, Yves Saint Laurent would soon become one of the most successful and influential haute couture houses in Paris. Introducing Le Smoking, the first tuxedo suit for women, in 1966, Saint Laurent also presented iconic art-inspired creations, from Mondrian dresses to precious Van Gogh embroidery and the famous Ballets Russes collection.

This definitive publication opens with a concise history of the house, followed by a brief biographical profile of Yves Saint Laurent, before exploring the collections themselves, organized chronologically. Each collection is introduced by a short text unveiling its influences and highlights, and illustrated with a gallery of carefully curated catwalk images. These showcase hundreds of spectacular clothes, details, accessories, beauty looks and set designs – and, of course, the top fashion models who wore them on the runway. A rich reference section concludes the book.

About the Authors:

Suzy Menkes is the international editor of Vogue.

The Musée Yves Saint Laurent Paris is home to the collection of the Fondation Pierre Bergé – Yves Saint Laurent, which holds over 34,000 objects.

Jéromine Savignon is a fashion historian and the author of several texts on Yves Saint Laurent, including Yves Saint Laurent's Studio: Mirror and Secrets.

Contents List:

Preface by Andrew Bolton • Introduction by Suzy Menkes • Yves Saint Laurent: A Short Biography by Suzy Menkes • The Making of a Collection by Olivier Flaviano • The Collections 1962–2002

Yves Saint Laurent: Inside Out presents an extraordinarily intimate insight into a fascinating world of creativity in the latter, sumptuous phase of Saint Laurent’s career, between 1989 and his final collection in 2002.

The book offers a comprehensive and multi-faceted exploration of the life of an haute couture house: from informal, atmospheric portraits of Yves Saint Laurent at work in his studio, drawing and creating, to the behind-the-scenes work of the ‘petites mains’ in the ateliers, the skilled army of artisans whose activity is rarely documented. The house’s world-famous models also feature, captured during pre-collection fittings in the house’s grandiose salons and in electric backstage moments before the shows.

Private archive materials – letters, documents, drawings, and ephemera – that situate the protagonists and give context to the unique position that the young Carlos enjoyed as a ‘fly on the wall’ in this rarefied universe are also included in the book, and published here for the first time.

A moving and visually stunning tribute to the iconic Yves Saint Laurent house as you’ve never seen it before, Yves Saint Laurent: Inside Out will be a must-have for fashion and photography fans.

Contents List:

In the Realm of Dreams: Philippe Garner
Memories of Intertwined Lives: Carlos Muñoz-Yagüe
The Studio
The Ateliers
Accessories
Metamorphosis
Haute Couture Collections
1989 Autumn/Winter
1990 Spring/Summer
1991 Spring/Summer
1991 Autumn/Winter
1992 Spring/Summer
1993 Spring/Summer
1993 Autumn/Winter
1994 Autumn/Winter
1996 Autumn/Winter
1997 Spring/Summer
1997 Autumn/Winter
1998 Spring/Summer
1999 Spring/Summer
2000 Autumn/Winter

About the Authors:

Carlos Muñoz-Yagüe is a photographer and documentary filmmaker. Philippe Garner is an internationally acknowledged authority on photography and 20th-century decorative arts and design. A former deputy chairman of Christie’s auction house, he has written extensively on these subjects and most notably on the great photographers of fashion. Garner received the Royal Photographic Society’s award for Outstanding Service to Photography in 2011.

Legendary couturier Yves Saint Laurent continually reinvented the silhouette throughout his career, from his modernist “Trapeze” dress for Christian Dior in 1958 to his pop art illusion prints.

A fashion revolutionary, Yves Saint Laurent and his creations were resolutely modern. His ongoing exploration of shape and form incessantly pushed the boundaries of his creativity and led to his most groundbreaking and iconic designs. His works were influenced by the artistic trends of the time — from simple and geometric abstraction to constructivism and concrete art — whose many movements mirror the multifaceted talent of the designer. A bold, exacting gesture underpinned his art: his minimalist dresses were often monochromatic compositions seemingly sprung from a single line. A colorist, he imagined pure yet exuberant abstract designs by combining flat surfaces in vibrant hues. Transposing pictorial material onto textiles, he thus balanced color, form, surface, and line. An illusionist, he would juxtapose black and white to suggest movement in the garment through optical illusion. By using flat, simple lines, shape prevailed over color.

This volume accompanies an exhibition, Yves Saint Laurent: Shapes and Forms, at the Musée Yves Saint Laurent Paris from June 9, 2023, to January 14, 2024, which features key pieces from the Yves Saint Laurent archives in dialogue with the set design and works by ceramic artist Claudia Wieser.

About the Authors:

Elsa Janssen is director and Serena Bucalo-Mussely is head of collections at the Musée Yves Saint Laurent Paris. Cécile Bargues is an art historian and curator. Julien Fronsacq is an art critic and chief curator and deputy director at MAMCO.

____________

Пролистать книгу Yves Saint Laurent: Form and Fashion на сайте издательства.

An incredible collection of Yves Saint Laurent’s designs, beautifully captured by the leading fashion photographers of the 20th century

Yves Saint Laurent: Icons of Fashion Design & Photography is a gorgeous homage to the uncrowned king of haute couture. Originally published in 1988, the book traces the success of Saint Laurent’s haute couture and ready-to-wear designs from 1962 to 1988 through the lens of the world’s leading fashion photographers, including Richard Avedon, Helmut Newton, William Klein, and more. Inside, 135 photographs document Saint Laurent’s groundbreaking designs worn by the most beautiful women of the ’60s, ’70s, and ’80s: Audrey Hepburn, Twiggy, Jean Shrimpton, Mounia, and Veruschka. Saint Laurent was equipped with an infallible instinct for reading the aesthetic signs of the times, and this enabled him to have a profound effect on fashion. With an introduction by Marguerite Duras, this classic volume documents Saint Laurent’s ever-evolving artistry and the combined efforts of the world’s most talented fashion photographers and is as beautiful and rewarding as one of Saint Laurent’s creations.

About the Author:

Marguerite Duras (1914–1996) was an acclaimed French writer and filmmaker.

Step into the inspiring world of digital painting in Clip Studio Paint with this comprehensive Beginner’s Guide. Written by professional digital artist Nimrod Villar, the all-encompassing Getting Started section covers the basics, with essential chapters on navigating the user-interface, basic actions, drawing tools, and colour, followed by an exploration of the creative potential of layers, filters, drawing guides, materials, and more. Each technique is explained with screengrabs of the software in use, detailed written steps, and art in progress. Next up, eight digital-painting experts share detailed step-by-step tutorials demonstrating the breadth of Clip Studio Paint’s capabilities in action. They create brand-new pieces of art that span a range of engaging styles, genres, and formats. 

•    Detailed and fully illustrated introduction to the core tools, menus, and palettes.
•    Model workflows and expert tips from industry-leading artists.
•    Eight easy-to-follow tutorials covering manga, character and creature design, landscapes (real and fantasy), picture-book illustration, and comics.
•    A gallery of professionally created Clip Studio Paint artwork to inspire you.

INTRODUCTION
HOW TO USE THIS BOOK

GETTING STARTED
The User Interface
Create a New File
Navigation Tools & Basic Actions
Tool, Sub Tools & Tool Properties
Drawing Tools
Layers
Colour
Selection
Fill & Gradient
Figure Tool
Comics, Manga & Webtoons
Drawing Guides
Tonal Correction
Filters
Materials
Using Clip Studio Paint on a Tablet

TUTORIALS
Fantasy Scene by Devin Elle Kurtz
Manga Character Design by Mmumechii
Fantasy Creature by Stefan Kostic
Character Design by Dadotronic
Real-World Scene by Orenjikun
Picture-Book Illustration by Simone Ferriero AKA Simz
Comic by Dylan Teague
Managa Webtoon by Lolita Aldea

GLOSSARY
DOWNLOADABLE RESOURCES
CONTRIBUTORS
INDEX

A collection of 1000 symbols and logotypes designed by the Pentagram partners from 1972 to the present.

The biggest part of what Pentagram has done for the last fifty years has always been creating brand identities for clients from many different industries and continents. The humble mark is central to all of these well-honed identities – often acting as shorthand for the brand itself. Marks are everywhere – they enter our collective psyche, they’re part of the cultural landscape and they symbolise the relationships we form with brands.

The 1,000 marks featured in this book represent the diverse range of identity work created by Pentagram partners past and present. Since its inception, Pentagram has designed marks for everyone from multinational corporations to start-ups, government agencies, nonprofits and social enterprises, clubs, societies, individuals, districts and even whole countries. Regardless of your identity, an original mark that you can take ownership of is the starting point for communicating who you are and what you do.

There are many approaches to creating a distinctive logo, and all of them can be seen here, from bold typographic wordmarks to pictorial symbols and more abstract solutions. Printing them in black and white helps us see them in their purest form, highlighting the contrasts and occasional similarities between them.

The practice of design has changed radically since 1972, but its concerns remain the same. The deceptively simple exercise of designing a mark for a client, and the elusive quest for timelessness that it entails, are still central to the challenge that graphic designers face today.

About the Author:

Pentagram is an international design firm with offices in London, New York, Austin and Berlin.

A definitive resource on 17th-century men's dress patterns, presenting a wealth of new, bespoke imagery and building on the authors' unrivalled level of expertise

This book presents full step-by-step instructions for the making of early 17th-century men's clothes and accessories in a technically accurate, visually exciting and easy-to-follow format. Twelve garments - all historical pieces from the Victoria and Albert Museum's collections - are featured: a suit, three doublets and a cloak, as well as a felt hat, an embroidered nightcap and a plain nightcap liner, a pasteboard picadil, a sword girdle and hangers, a pair of mittens and a linen stocking. They have been analysed so that every aspect of the pattern is exact. Scale patterns and precise construction diagrams are accompanied by colour photography of the whole garment as well as an abundance of informative details and X-ray photographs that reveal the hidden structure of each piece, showing the precise number of layers and the types of stitches used inside. The methods and techniques of historical tailoring and plain sewing are shown in detail

The authors have some of the best historical tailoring skills in the world and have worked with world-renowned institutions such as the Globe Theatre in London, creating award-winning costumes for film, stage and television. This book is a unique resource for costume and fashion designers, fashion historians and students.

Table of Contents:

Foreword • Men’s wardrobes, 1600–30 • Clothing terms • Dressing men, c. 1600–30 • Tailoring the doublet • Sewing stitches • Embroidery stitches • How to use this book • The patterns • 1. Green silk velvet doublet • 2a. Doublet of slashed silk satin • 2b. Slashed silk satin trunk hose with canions • 3. Sword girdle and hangers • 4. Crimson silk grosgrain doublet • 5. Slashed doublet of stamped ivory silk satin • 6. Embroidered silk damask cloak • 7. Felt hat • 8. Silk satin picadil • 9. Embroidered linen nightcap • 10. Linen nightcap liner • 11. Crimson silk velvet mittens with embroidered tops • 12. Embroidered linen stocking • Select bibliography • Acknowledgments

A rare, close-up look at the exquisite, labour-intensive details seen in 18th-century clothing

This beautifully illustrated book reveals the sharp pleats, high collars, gleaming pastes, colourful beads, elaborate buttons and intricate lacework that make up some of the garments in the Victoria and Albert Museum’s extensive fashion collection. With an expertly written text by one of the museum’s fashion curators and exquisite colour photography of garment details, complemented by line drawings and photographs, the reader has the unique opportunity to examine up close historical clothing that is often too fragile to be on display. It is an inspirational resource for students, collectors, designers and anyone who is fascinated by fashion and costume.

This new edition features an updated design, fresh content and new research, and an introduction that focuses on the makers and processes involved in producing 18th-century fashion.

Contents List:

1. Pleats, Gathers and Looped Drapery • 2. Collars, Cuffs and Pockets • 3. Stitching and Quilting • 4. Lace and Whitework • 5. Embroidery • 6. Pastes, Foils and Beads • 7. Chintz and Painting • 8. Pinking and Punching • 9. Fringes, Ribbons, Tassels and Buttons • 10. Fur, Feathers and Straw

About the Author:

Susan North is Curator of Fashion, 1550–1800, at the Victoria and Albert Museum. She co-curated ‘Style and Splendour: Queen Maud of Norway’s Wardrobe’ in 2005 and has published several books for the V&A.

List of Contributors:

Henrietta Clare, Richard Davis, Leonie Davis, Deborah Mallinson

A unique insight into the history of 19th-century fashion, explored through sumptuously detailed photography of the some of the world’s most luxurious garments

The fashions of the 19th century continue to capture the imagination, but surviving examples are often too fragile to be on display, let alone frequently handled and studied. This book offers an invaluable opportunity to explore such garments in detail, from their elaborate trimmings, refined embroidery and lavish drapery to their restrictive corseting and impeccable tailoring. Their range is broad, from early designer dresses to Indian-inspired printed cottons, and from petticoats and brightly coloured corsets to feathered capes and dramatic sleeves.

Part of the Fashion in Detail series,, this book, now fully revised and updated, explores the opulence and diversity of 19th-century costume. A new, comprehensive introduction illuminates the history of fashion throughout the century, while each of the succeeding chapters explores particular techniques or elements of fashionable dress. Each garment is clearly illustrated with close-up photographs and specially commissioned line drawings, and is accompanied by a commentary by leading experts in historical dress, making this one of the most authoritative and beautiful studies of 19th-century fashion.

Contents List:

Introduction • 1. Construction Techniques • 2. Tailoring • 3. Trimmings • 4. Painted and Woven Textiles • 5. Embroidery • 6. Buttonings and Fastening • 7. Technological Innovations • 8. Collars, Sleeves and Pockets • 9. Accessories

About the Authors:

Lucy Johnston is an expert in historical dress and a former curator in the Department of Textiles and Dress at the V&A. She is now a freelance curator and museum consultant specializing in fashionable dress, shoes and rural workers’ clothing. Her publications include 19th-Century Fashion in Detail.

Helen Persson is former Curator of Chinese Textiles and Dress in the Victoria and Albert Museum's Asia Department.

Marion Kite is Head of the Furniture, Textiles & Fashion Conservation Section at the Victoria & Albert Museum.

List of Contributors:

Helen Persson, Marion Kite, Richard Davis, Leonie Davis