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Recognized as one of the most innovative designers in contemporary fashion, Tokyo-based Anrealage is the brainchild of Kunihiko Morinaga. Born in 1980, Morinaga launched the brand in 2003, began showing in Tokyo in 2006 and Paris in 2014, and would later be the recipient of the Mainichi Grand Prize for design — Japan’s top fashion prize previously conferred to Issey Miyake, Rei Kawakubo and Yohji Yamamoto.

Cerebral and tech-savvy, the Anrealage approach to design is forever putting high-concept theory into practice. Known principally for introducing photochromatic textiles into dresses that react and change colors in response to varying degrees of light, he has also received acclaim for juxtaposing contrasting textures with deconstructed elements to create unique silhouettes. A master of provocation, Morinaga has always been preoccupied byintegrating humanity with rapidly evolving technologies and is actually wary of modern society’s excesses. Bemoaning the smartphone’s impact on real-world, person-to-person interaction, one of his most recent shows featured fabrics that repelled cellular signals. Anrealage has rightly won itself a devoted fashion following not only in Japan, but overseas as well, with recent insurgent collaborations with brands suchas Fendi, augmenting its growing influence with a firm grasp on how the street informs high fashion. Anrealage: A&Zis conceived as a celebration, approximating with printing effects (including augmented reality) some of the mystery and detailing associated with brand. The visual narrative itself provides an instructive look at the process of design from Morinaga’s own point of view — illustrating that he is at once comfortable with developing technologies and respectful of traditional approaches 

About the Author:

Born in 1980, Kunihiko Morinaga is the designer of Anrealage. He is the recipient of Japan’s top fashion award, the Mainichi Grand Prize, and was shortlisted for the 2019 LVMH Prize.

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This comprehensive overview, organized by material and period, allows the reader to distinguish, appraise, and date French jewelry from 1800‒1950.

This highly accessible guide offers a detailed panorama charting the evolution of French jewelry created between the Consulate period in the 1800s through to the 1950s. Iconic examples include Onyx cameos, “dormeuses” earrings in rose gold, an Art Deco solitaire, a sapphire “you and me” ring, a diamond “shaker” brooch, and an emerald “negligee” necklace.

Entries are organized by period, and include primary sources of inspiration and characteristics, designers, materials, gemstones, and types of jewelry. Completed with an overview of the key design houses and artists who have left their mark on the jewelry industry since 1800, along with detailed advice for buying and maintaining pieces, this practical reference — richly illustrated with photographs and archival documents — provides everything you need to know to appreciate antique jewelry in all its facets.

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This indispensable reference to antique French jewelry gives amateur and professional jewelry enthusiasts the knowledge and confidence to:
• recognize and date a piece of antique jewelry
• identify the principal gemstones
• distinguish the major French jewelry designers
• buy and sell antique pieces
• have works appraised

Charting the evolution of French jewelry created between the Consulate period (established by general Napoleon Bonaparte on the cusp of the nineteenth century) and the 1950s, this practical guide defines each era by identifying its hallmark trends, materials, gemstones, main types of jewelry, and historic jewelry houses. Richly illustrated with photographs, drawings, and archival documents, and featuring iconic designs such as the “tank” bracelet, “you-and-me” ring, “négligé” pendant, and Zip necklace, this essential book covers antique French jewelry in all of its scintillating facets.

About the Author:

Victoire de Castellane is artistic director of Dior Jewelry. Geoffray Riondet runs the Riondet design house, and is an antique jewelry specialist, legal expert, and gemologist. Riondet drew upon the expertise of Valérie Goupil, Anne Laurent, Loïc Lescuyer, Gérard Panczer, and Brigitte Serre-Bourt, professors at the French National Institute of Gemology (ING, Paris-Lyon).

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Пролистать книгу  Antique French Jewelry: 1800-1950 на сайте издательства.

Cutting-edge graphic work from the Arab world and Iran that is emblematic of the cultural emancipation of this entire area.

The wave of protests that started this year in Tunisia, Egypt, Yemen, Libya, and other countries have made it clear just how much the Middle East is searching for a new identity. Young designers in the region are playing a part in this movement by increasingly emancipating themselves creatively. In their work, they are charting their own compelling course between local visual convention and a modern international style.

Arabesque 2 documents the potential of this current creative emancipation in the Arab world and Iran. The book features examples of recent innovative and groundbreaking design work that is inspired by the richness of the region’s visual culture.

Given the important role of calligraphy in the Middle East, Arabesque 2 focuses on typography. The book presents a wide range of Arabic fonts and typefaces inspired by traditional calligraphy. These are accompanied by a rich selection of applications. Select examples of design and graffiti serve as powerful demonstrations of how text can be used illustratively. This work is particularly relevant to those creating street art and poster design.

Arabesque 2 also features graphic design, logos, editorial design, and illustration by young designers and activists from Egypt, Iran, Saudi Arabia, Jordan, Lebanon, and the United Arab Emirates. Regardless of the location and nationality of their creators, all of the examples included in the book combine modern design with the traditional, letter-based canon of Arab forms in striking ways.  

The book’s preface is written by John Martin, co-founder of Art Dubai. Additional texts and interviews describe the environments in which the featured designers and artists work. Editors Ben Wittner and Sascha Thoma round out Arabesque 2 with a CD-ROM that features four typefaces related to its themes.

This volume throws light upon an art expression to be found clad in the garments of Moroccan architecture. This work provides keys to the understanding of geometrical arabesques. This art of a rare and precious mastery was elaborated through the determined efforts of generations of anonymous artists. A brief historical survey defines the specificity of Islamic art in Morocco.

Three principal styles of decorative architecture are studied: calligraphy, floral arabesque, and geometrical arabesque. Illustrations and photographs of some of the most beautiful sites of Morocco (monuments, royal palaces and cities) are a pleasure for the eye.

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Посмотреть оригинальное издание на французском языке Arabesques. Art decoratif au Maroc

Plan B instead of Planet B

Neither naïve escapism into virtual worlds, nor the technological utopia of space colonization will save us from facing the big, uncomfortable questions. With this year’s theme Welcome to Planet B, Ars Electronica is an invitation to take part in an exciting thought experiment: What if we had already mastered the great challenges of the 21st century? How would we live (together)? And most importantly: What would our path there have looked like?

We will need every bit of technology, but the biggest innovation project has to be ourselves, our ability to rise to the challenge as a global community — a reinvention of humanity! Planet B is not the second chance for another place where we can continue as before, it is the cipher for the indispensable, new, and in many forms completely different life and action on this only planet that exists for us.

Now available in a new format, this lavishly illustrated volume explores Art Deco art and design from its origin to its present day influences.

The Art Deco style is so recognizable and widespread that its original influence on the culture in which it emerged has been all but lost in the clutter of imitation. This book draws our attention back to the birth of Art Deco — a period between two devastating world wars when industrialization was flourishing, interest in archaeology was peaking, and movements such as Cubism, Constructivism, Futurism, and Modernism were turning the art world on its head. Brilliantly designed to reflect the style it celebrates, Art Deco is filled with hundreds of examples of painting, architecture, interiors, jewellery, crafts, furniture, and fashion.

Author Norbert Wolf traces the chronology of the Art Deco style by looking at the politics and culture of Europe in the 1920s and early 1930s, and the artistic movements that paralleled its popularity. He follows Art Deco’s influence in Europe and its immigration to the Americas and Asia. Most importantly, this wide-ranging volume looks beyond the era of Art Deco’s origination to the present day. Pointing to the numerous revivals and contemporary echoes in painting and even literature, this beautiful volume demonstrates that Art Deco is alive and well today — often in forms where we least expect it.

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The very first, beautifully illustrated guide to some of the most sought-after portable Art Deco design

In the 1920s and ’30s Art Deco-influenced everything from art and architecture, interiors and furnishings, automobiles and boats, to the small personal objects that are part of everyday life. The items in this thematically structured book demonstrate Deco style at its most alluring. They were then the height of fashion, and are highly prized collectibles today. They demonstrate an era of close cooperation between designers and manufacturers, who aimed to produce goods that were not only fit for purpose but also well made and beautiful.

This informative showcase of portable classics of avant-garde modern design from Britain, Europe (particularly France) and the United States will appeal both to collectors and to anyone with an interest in Deco style and the history of fashion, taste and design. It is the first book to bring together the small collectibles – from cigarette cases and lighters to powder compacts and cosmetics accessories, watches, jewellery, even cameras – that demonstrate the style, glamour and sophistication of the Jazz Age.

Featuring the stylish and delightful designs of Barbier and the artists of Harpers' Bazaar, this beautiful new book will give you many hours of pleasure, and calm. Printed on high-quality paper, this new book features 45 powerful art deco fashion designs for you to colour, offering a suggestion of how the original looked as well as key information such as title and date. Barbier's famous illustrations of high culture still provide a powerful influence on modern design, and this wonderful book will take you on an enjoyable journey where the satisfaction of creating stunning artworks is mixed with rediscovering the joy of colouring. You can use a wide variety of pens: from gel and pencil, to pigment and crayons, from ballpoint and rollerball to highlighters, although it’s best to avoid the heavy felt pens. Each page is perforated near the spine of the book, so you can tear out and frame, or simply place your wonderful creation on the walls of your home, perhaps even send them as a gift to your loved ones. Bring the Ink to life!

About the Author:

Daisy Seal is a talented, thoughtful writer of gift, celebration and puzzle books. She has long observed the intimate connections between the natural world around us and our search for the enduring spirit of humankind. Previous publications include "Inspirations", "Reflections", "Be Calm," and "Friendship".

Deux doreurs de l’atelier de restauration du Château de Versailles ont écrit ce livre technique abondamment illustré. C’est dire s’ils sont à même de transmettre au lecteur les procédés de leur métier en s’appuyant sur un grand nombre d’objets exceptionnels, que ce soit des meubles et des cadres, mais aussi des boiseries, des stucs et même les ornements des toits. Ainsi, il ne s’agit pas ici  uniquement d’un livre sur la dorure sur bois, mais bien un ouvrage de référence sur toutes les techniques du métier de doreur.

Après quelques réflexions sur la manière d’exercer leur profession dans le cadre du Château, les auteurs passent en revue les produits et outils utilisés. Pour ne rien laisser dans l’ombre, ils n’hésitent pas à faire des reportages chez le dernier batteur d’or de France (la maison Dauvet, active depuis 1764) ou chez un fabricant d’outils de doreurs (les fers à reparer de la maison Da Silva).

Les techniques de dorure sont ensuite longuement décrites, et d’innombrables photographies montrent les gestes et procédés utilisés par les professionnels. La dorure à la détrempe (dite aussi à dorure à l’eau ou dorure à l’assiette), la plus belle car susceptible d’un brillant incomparable, est détaillée dans ses 18 étapes. La dorure à la mixion (ou dorure à l’huile), qui est à Versailles surtout utilisée en extérieur, est ensuite expliquée. Les jeux de fonds et les autres techniques de dorure (à la grecque, sur papier, sur plâtre, sur verre, avec feuilles adhérentes) sont également exposées.

Une vingtaine de chefs-d’œuvre que renferment les collections du Château et qui ont été restaurées par l’atelier de dorure sont ensuite examinés et les interventions décrites avec une illustration riche de détails. Certaines salles ornées de boiseries sculptées et dorées sont prétexte à de magnifiques photographies illustrant le travail des doreurs d’hier et d’aujourd’hui. Les dernières pages traitent de la peinture décorative (faux marbre et faux bois) souvent associée à la dorure. Le livre se termine sur un glossaire, les notices  biographiques des artisans cités, une liste de sites Internet, de fournisseurs et d’ouvrages spécialisés.

Sommaire

Introduction
I. L’ATELIER
Le métier de restaurateur au château
L’atelier de restauratio
Les missions de l’atelier
Les dossiers de restauration
II. Les PRODUITS et OUTILS
Les produits de base
Le battage de l’or de nos jours
Les préparations
La fabrication de l’assiette et de la mixion
Les outils
La fabrication des fers à reparer
Le moulage
III. Les TECHNIQUES de la DORURE
La dorure à la détrempe en restauration
La dorure à la détrempe sur une pièce neuve
Les jeux de fonds
La dorure à la mixtion
Autres techniques de dorure
IV. La DORURE au CHÂTEAU
Les restaurations et réalisations
Les décors dorés à Versailles
V. Les EFFETS DÉCORATIFS
La restauration d’objets d’art et la polychromie
La peinture décorative associée à la dorure
L’ornementation et les frises

The geometric shapes and natural forms, captured with exceptional precision in Ernst Haeckel’s prints, continue to influence artists and designers to this day. This attractive volume highlights the research and findings of this outstanding natural scientist (1834--1919). Powerful modern microscopes have confirmed the accuracy of Haeckel’s prints which, even in their day, rightly became world famous.

Haeckel’s exceptional portfolio, first published between 1899 and 1904 in separate installments, is described in the opening essays. The plates illustrate Haeckel’s fundamental monistic notion of the “unity of all living things,” and the wide variety of forms are executed with utmost delicacy. Incipient microscopic organisms are juxtaposed with highly developed plants and animals. The pages, ordered according to geometric and “constructive” aspects, handsomely document the oneness of the world in its most diversified forms. This collection of plates was well-received not only by scientists, but by artists and architects as well. René Binet, a pioneer of glass and iron constructions, Emile Gallé, a renowned Art Nouveau designer, and the photographer Karl Blossfeld all acknowledge and make explicit reference to Haeckel in their work.

Now available in a new edition, this sumptuous volume explores key aspects of Art Nouveau — decorative arts, architecture, fashion, dance, advertising, and more — with an in-depth approach and stunning illustrations.

The Art Nouveau movement became an international phenomenon at the beginning of the twentieth century that ushered in the era of modernity in almost every aspect of cultural life. For decades critics have argued that Art Nouveau was not an artistic period in its own right, but an amalgam of artists and styles that served as a bridge between neoclassicism and modernism. In this comprehensive, authoritative, and copiously illustrated book, art historian Norbert Wolf explores Art Nouveau as a logical outgrowth of the historic forces in which it arose.

This book focuses on the movement's wide variety of applications and reclaims its prominence in the pantheon of modern art history. Chapters on aesthetics, spirituality, and the cult of beauty offer luminous examples of works by Mucha, Gaudí, Hoffmann, Klimt, Horta, Munch, and Tiffany, among many others. Wolf's text is both informed and accessible, providing an exciting narrative that brings the Art Nouveau movement into clear focus. Beautifully produced to appeal to a wide range of readers, this new edition gives one of the world's most popular styles the serious consideration it deserves.

About the Author:

Norbert Wolf is an art historian and author based in Munich. He has published several books with Prestel, including Art Nouveau, Art Deco, Impressionism, and "The Golden Age of Dutch and Flemish Painting", as well as monographs on Albrecht Dürer and Titian.

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The stunning designs of Worth, Paquin, Poiret, Fortuny, and more are showcased in this look at the glamorous world of Art Nouveau fashion. 

Providing an introduction to the style, which overlaps with late Arts and Crafts in the 1890s and early Modernism in the 1910s, the book focuses on these important designers before discussing Art Nouveau jewelry and accessories, advertising, the influence of exotic Eastern cultures, and artists, among them Beardsley, Klimt, and Mackintosh. 

New color photographs of gar­ments from the V&A’s collection are accompanied by period images of such style icons as Lily Langtry, Loïe Fuller, and Consuelo Vanderbilt, many previously unpublished. Striking and seductive, Art Nouveau styles were revived by the counterculture in the late 1960s and continue to resonate today.

About the Author:

Clare Rose is a lecturer at the Royal School of Needlework, London, and frequently lectures at the V&A.

The bold and distinctive imagery in the adverts produced by the artists of the Art Nouveau period is a delight to behold and is now yours to recreate in this beautiful new book. Printed on high-quality paper, there are 45 classic posters by the likes of Chéret, Toulouse-Lautrec and Mucha for you to colour, with suggestions on how to start the colouring. This book will give you many hours of pleasure and calm, taking you on an enjoyable journey where the satisfaction of creating stunning artworks is mixed with rediscovering the joy of colouring. You can use a wide variety of pens: from gel and pencil, to pigment and crayons, from ballpoint and rollerball to highlighters, although it’s best to avoid the heavy felt pens. Each page is perforated near the spine of the book, so you can tear out and frame or simply place your wonderful creation on the walls of your home, perhaps even send them as a gift to your loved ones. Bring the Ink to life!

About the Author:

Daisy Seal is a talented, thoughtful writer of gift, celebration and puzzle books. She has long observed the intimate connections between the natural world around us and our search for the enduring spirit of humankind. Previous publications include "Inspirations", "Reflections", "Be Calm," and "Friendship".

Borders of lush, intertwined flowers, spot illustrations of stylized women, and more: here are 300 arresting vector-based graphics in one of the most popular period styles. Images are processed for the highest quality and offered in EPS, SVG, JPEG, and PNG formats. A bonus application software is also included.

Delve inside this beautifully presented artist showcase filled with the works and useful advice from popular visual artist Pernille Ørum. Pernille is well known and respected in the animation industry, having worked for clients such as Disney Publishing, Nickelodeon Jr., Mattel, DreamWorks, and she was the Lead Character Designer on Warner Brothers’ DC Superhero Girls. In this colorful and vibrant, hardback art book, Pernille shares her artwork over the years, starting with some of her earliest drawings; sharing her progression through various forms of education.

She also shares her workspace and favorite tools, and offers an abundance of advice to anyone wishing to break into the animation industry themselves – with tutorials on useful business concerns such as how to approach a character design, and a detailed look at the processes she uses for creating her bright, edgy drawings. With the combined content of Pernille’s best works, including art that she has created especially for the book; career advice and tutorials; and a foreword from Disney Legend, John Musker (Co-Director of Moana, Aladdin, The Little Mermaid) this is undoubtedly a book that any budding animator or artist should reserve space on their bookshelf for.

About the Artist:

Pernille Ørum is a freelance illustrator and visual artist living in Copenhagen, Denmark. She has a degree in Character Animation from The Animation Workshop, a highly respected specialist animation university based in Denmark. Her clients include Disney Publishing, Nickelodeon Jr., Mattel, and DreamWorks and she was Lead Character Designer on Warner Brothers DC Superhero Girls. Pernille's influential links to the entertainment industry are apparent in her latest collaborative project illustrating Marvels Hit-Girl comic book. Hit-Girl gave Pernille the chance to work with prolific comic book writer Mark Millar MBE as well as multi-faceted creative film maker, actor, and comedian, Kevin Smith, creator of Mallrats and the Clerks series. In recent years, Pernille has published two gallery style books: Blush and Coral, with the latter featuring an engaging foreword by Kevin Smith.