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Costume jewellery is commonly understood to mean fashionable yet affordable adornments made from non-precious material. Originating in in mid-1700s France with the rise of the bourgeoise, the earliest ‘costume jewellery’ mimicked fine jewellery styles. Since then, costume jewellery has always been evolving. From Victorian sentimentalism to the mass-produced ornaments available today, costume jewellery has developed into an artform in its own right. An encyclopaedic study of its history is long overdue. Flush with expert information, identification tips and historical anecdotes, Adorning Fashion explores the development of costume jewellery across the past four centuries. The styles of each era – Victorian, Edwardian, Arts & Crafts, Jugenstil, Art Nouveau, and each decade of the twentieth century – are given individual attention. Production methods are also explained in depth. Alloys and gilded electroplating can mimic silver and gold, while the refraction index of treated glass can, to the untrained eye, be mistaken for diamond.

Adorning Fashion discusses the contributions of a remarkable roster of designers and innovators, including Kokichi Mikimoto, Arthur L. Liberty, Carlo Giuliano, René Lalique, Elizabeth Bonté, the Castellani brothers, Jean Fouquet, Jean Després, Fulco di Verdura, Jean Schlumberger, Salvador Dalí, Miriam Haskell, Lina Baretti, Countess Cissy Zoltowska, Line Vautrin, Kenneth Jay Lane, Francisco Rebajes, Diane Love, Christian Dior, Balenciaga, Chanel, Van Cleef & Arpels, Paco Rabanne, Yves Saint Laurent, Napier, Haskell, Trifari, Brania, Bulgari, Versace and more.

- Definitive, comprehensive overview of costume jewellery
- Follows the evolution of costume jewellery from bourgeois France to the present day
- Lavishly illustrated reference book - a must-buy for jewellery enthusiasts and fashion historians
- Includes a remarkable range of designers including Lalique, Fouquet, Dior, Balenciaga, Versace and many more

About the Author:

Deanna Farneti Cera has been researching and writing on the subject of vintage jewellery for over thirty years. An international expert on European and American fashion jewellery, Deanna was the curator and acting Vice Director at the Municipal Gallery of Modern Art in Bologna from 1975-1980, and has curated the exhibitions Le giolie di Hollywood - American Designers of Fashion Jewellery 1920-1960 (1987) and Jewels of Fantasy (1991). She wrote the book Bijoux (Federico Motta Editore, 2010), which was translated into Costume Jewellery (UK Edition) and Amazing Gems (US Edition). Deanna lives and works in Mila

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Пролистать книгу Adorning Fashion: The History of Costume Jewellery to Modern Times

The definitive catalogue of an unparalleled collection of Indian jewelry and luxury objects made at the height of the Mughal empire and the Deccan sultanates.

This is the definitive catalogue of an unparalleled collection of Indian jewelry and jewelled luxury objects made at the height of the Mughal empire and Deccan sultanates in the 16th and 17th centuries. The collection, widely regarded as one of the finest in the world, was assembled by Sheikh Nasser and Sheikha Hussa al-Sabah for The al-Sabah Collection, Kuwait, and reveals the beauty, sophistication and diversity of Indian jewelled arts.

The Indian subcontinent is naturally rich in gems. From ancient times master jewellers developed a wide array of unique techniques and made it home to the most sophisticated jewels on earth. Exotic birds and animals, flowers, trees and mythological scenes rendered in precious gemstones, gold and enamel demonstrate these artists’ prodigious imagination and skill. They produced not only an unmatched range of jewelry to adorn the body but also ritual and household items of astonishing refinement and luxury, as well as extravagantly large engraved gemstones to serve as symbols of their princely patrons’ royal power – including a spinel of nearly 250 carats believed to be the legendary Timur Ruby.

This volume includes not only the finest and most valuable pieces in the collection – some familiar to connoisseurs, others published here for the first time – but also many previously unknown types that extend our understanding of artistic output in the region. With specially commissioned photography giving unprecedented new views of more than 300 jewelled objects, this is a publication of historic importance and beauty, for all lovers of jewelry, the arts of India and of the Islamic world.

About the Author:

Salam Kaoukji is curator and collection manager of The al-Sabah Collection, Kuwait, and an editor of Thames & Hudson’s long-running and acclaimed series of catalogues. Her previous books include Precious Indian Weapons and other Princely Accoutrements (2017) and Treasury of the World: Jewelled Arts of India in the Age of the Mughals (with Manuel Keene, 2001).

Advanced Creative Draping teaches designers and students how to drape fashion-forward, conceptual designs that use elements of couture construction to elevate the work to the highest level of fashion.

Five methods of draping are explored as well as draping using embellishments or particular surface designs. The final chapter demonstrates how to create a high-quality heirloom garment.

Featuring specially commissioned step-by-step photography, the book includes tips from designers working with draping methods today. Essentially an advanced textbook for the serious fashion student, it also serves as a workroom reference book for professional fashion and costume designers.

About the Author:

Karolyn Kiisel is currently teaching costume at the Theater Academy of Los Angeles City College, and taught at Otis College of Art and Design in Los Angeles for over twenty years. Her fashion designs have been sold internationally, and her costume work has appeared widely on screen and stage.

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Пролистать книгу Advanced Creative Draping на Google Books

This book focuses on the history and development of outdoor advertising since the beginning of the nineteenth century.

The author examines the rise of 'commercial art', the development of advertising as a discipline and an industry and the role it plays in modern life, also making direct reference to examples of successful advertising campaigns. Specific chapters feature such diverse subjects as: the 'rules' of the poster and the demands of outdoors; the development of a brand identity; the relationship of text and image; the case for wit and humour; and the future of the poster in multimedia campaigns.

Far from taking a conventional approach, Advertising Outdoors describes the trajectory of the medium through its ambitions, its bullishness and its constant reinvention. The history of the poster and outdoor advertising in general - from early ingenuous announcement to post-modern reflexive culture - is richly illustrated with hundreds of images drawn from the author's personal wealth of knowledge.

Above all, Advertising Outdoors is an essay on the principles of communication and regeneration that are demanded by the medium's unique place in our everyday life. Adopting a thematic approach, the author covers ground from the classic masters of poster design, such as Toulouse-Lautrec and Aubrey Beardsley, to today's most inventive campaigns, such as those by Pirelli and Smirnoff.

Littered with short interviews and commentaries by a host of advertising's elite, this book presents the phenomena of outdoors through the eyes of the people that shape it, providing a fascinating account of their creative processe

Despite the borders of the USSR being closed to majority of its population, Soviet citizens were among the world’s most frequent flyers. 

This book unfolds the story of Soviet air travel, from early carriers like Deruluft and Dobrolet, to the enigmatic Aeroflot. Organised like an Air Force, with a vast fleet of aircraft and helicopters, Aeroflot was the world’s biggest air carrier of passengers and cargo, responsible for a wider range of duties than any other airline. Aeroflot – Fly Soviet uses beautiful graphic ephemera to illustrate a parallel aviation universe that existed for 70 years, from the very beginning of the USSR through to its demise in 1991.

From the revered Australian skincare company Aesop, a debut volume presenting its rigorous passion for creating superlative products and their considered approach to design.

Since the founding of Aesop in 1987, its stores, products, and culture have been the expression of a complex, holistic set of carefully considered codes and principles. For the very first time within a book, the enigmatic brand documents the singular vision from which it was borne and the company customs that have allowed it to flourish.

The volume includes recollections of the early formative days of Dennis Paphitis's hair salon and the first Melbourne store, tracing how and when Aesop's distinct approach to retail hospitality and its meticulous formulations were conceived. It ranges from the cohesion of the brand through to early packaging, iconography, and campaigns, without neglecting the more imperceptible codes that serve to unite all its stores and entice customers into them in over twenty regions around the world. What emerges is how Aesop's identity is a compound of its history and its singularity. The book also evokes the company's many inspirations: its fascination with the written word, the architects who have added their singular perspectives, and the partners and collaborators who have helped make Aesop so much more than simply a skincare company.

Composed with photographs by the celebrated Japanese photographer Yutaka Yamamoto, this luxurious volume--an aesthetic handbook of sorts--argues the wisdom and intelligence of doing things well, doing them differently, and doing them for the long term.

About The Authors

Jennifer Down is an author, editor, and translator. She lives in Melbourne.
Dennis Paphitis is the complicated Greek-Australian founder of Aesop.
Yutaka Yamamoto is a Paris-based Japanese photographer known for his minimalistic and often dreamlike images.
Dan Gunn is a Scottish novelist, editor, and translator living in Paris.

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Africa in Fashion explores the kaleidoscope of craft cultures that have shaped African fashion for centuries and captures the intriguing stories of contemporary and avant-garde African brands.

Part One looks at Africa's rich cultural heritage and place in the network of global fashion. The first chapter retells the history of African fashion, exploring Africa's textile traditions, artisanship and role as a global resource. The second chapter presents a New Africa and examines the promise and potential of Africa's markets, while challenging stereotypes and the concept of European hegemony particularly in the realm of luxury fashion. It also spotlights Africa's unique position as the global industry shifts towards a more sustainable future.

Part Two ushers the reader into the spectacular world of African fashion today. It showcases a carefully curated set of the continent's most dynamic brands and, through interviews with prominent and inspiring designers, offers rare insight into their ethos and design practice. Covering unisex fashion, menswear, womenswear, accessories and jewellery the brands are each purposefully selected to contribute uniquely to the mosaic of Africa evolving creative landscape.

About the Author:

Ken Kweku Nimo is a Ghanaian researcher, brand strategist and designer. He holds a BA Hons in Fashion Merchandising and an MA in Design from the University of Johannesburg. Ken's work underscores the potential of Africa's luxury industry and cultural renaissance. He has contributed articles to the Journal of Design, Business and Society, and the Journal of Fashion Marketing and Management. He is a regular speaker at the In Pursuit of Luxury Conference (IPOL).

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Пролистать книгу Africa in Fashion: Luxury, Craft and Textile Heritage на Google Books.

From catwalks in Lagos to music festivals in Casablanca, and from “image makers” in Marrakech to influencers in Johannesburg, a new generation of African creatives — fashion designers, photographers, bloggers, and hair and makeup artists — are redefining the continent’s aesthetic grammar. Bold, witty, and rebellious, this young, talented vanguard draws on its heritage in order to revalorize it, while adopting an ultra-modern approach. Their revolution forms part of a continent-wide demand for cultural reappropriation and the invention of a language exclusive to Africa.

This book celebrates the ebullient creativity of a generation that is overturning codes and narratives on the African continent to write a new chapter in fashion — one that is already inspiring the world.

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From the runway in Lagos and the Afropunk festival in Johannesburg, to the “image makers” of Marrakech and the influencers of Dakar or Accra, a new generation of African fashion designers, photographers, bloggers, and artists are redefining the aesthetic contours of the continent.

Audacious, humorous, disruptive, and innovative are the bywords of these young creatives who, while drawing upon and revalorizing their heritage, offer an ultra-contemporary new perspective. The revolutionary designers ― from Senegal to Nigeria to South Africa ― are reinventing their textile and historical traditions: bazin fabrics blend with plastics, stretch gives body to woven cloth, mesh beading inspires knitwear designs, and the traditional adire print ― championed by Chimamanda Ngozi Adichie and Michelle Obama ― embellishes silk dresses and pencil skirts. Body artists transform their face or hair into an ambulant social manifesto, and photographers ― using clothing and accessories ― shed new light onto questions of identity, gender, and color.

This volume celebrates a creative, effervescent generation, which ― by breaking the rules and rewriting the narrative of the African continent ― is inventing a new and resolutely African chapter in the history of fashion that is now resonating across the globe.

About the Author:

Emmanuelle Courrèges has contributed to magazines including Elle, Marie-Claire, l'Express Styles, and Vogue Italia. She was born and raised in western Africa (Cameroon, Senegal, and the Ivory Coast), where she lived for twenty years. She founded LAGO54, a platform that supports and promotes contemporary African fashion designers in France.

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Пролистать книгу Africa: The Fashion Continent

A landmark volume on one of the world’s major art forms, and an important influence on contemporary fashion3

The African continent is home to numerous outstanding textile traditions, many dating to antiquity and all playing a multifaceted role in their respective societies: these eye-catching fabrics proclaim wealth and status, convey symbolic meanings, and of course serve a practical function in garments both ordinary and exceptional. This magnificent book conveys the amazing diversity of African textiles, from the geometric-patterned kente cloths of Ghana, to the multicolor raffia skirts of the Democratic Republic of Congo, to the beaded barkcloths once reserved for Ugandan royalty.

The authors, all leading experts in the field, examine each region of sub-Saharan Africa and Madagascar in turn, elucidating the aesthetic qualities, cultural significance, and production methods of the most important textile traditions. Their authoritative text is illustrated with over 300 superlative textiles from public and private collections, many reproduced as full-page plates that allow the reader to appreciate each individual fiber.

This impressive clothbound volume will be a key reference for students and scholars, an essential sourcebook for designers, and a delight for all art lovers.

About the Authors:

MabatNgoup Ly Dumas textile collector and multitalented artist, is one of the queen mothers of Western Cameroon. To highlight African textile creativity and to bring recognition to their intrinsic value, she developed her fashion brand Ly Dumas (1990–2003) and organized events such as Les magiciens du fil for UNESCO (1999) and Ly Dumas and Friends, a fashion show during the Boubou c’est chic exhibition in 2002 at Musée National des Arts Africains et Océaniens in Paris. During the same year, in Bangoulap, Cameroon, she established the Fondation Jean-Félicien Gacha, an NGO dedicated to supporting education, handicrafts, social initiatives, the environment, and solidarity tourism. She has authored Perles couleurs d’Afrique (ed. Gourcuff Granedigo) and Ndop: Etoffes des cours royales et sociétés secretes du Cameroun.

Sarah Fee is a curator of global fashion and textiles at Royal Ontario Museum, and has authored many articles on Malagasy textiles.

Vanessa Drake Moraga is an independent scholar, textile dealer, and author of Weaving Abstraction: Kuba Textiles and the Woven Art of Central Africa.

Duncan Clarke is a textile dealer and has written numerous books and articles on African textiles, most recently African Textiles: The Karun Thakar Collection.

Alabama Studio Sewing + Design is an invaluable reference for any woman who has dreamed of creating her own gorgeous handmade wardrobe. In this follow-up to Alabama Stitch Book and Alabama Studio Style, author Natalie Chanin presents all of the stenciling, hand-stitching, and bead¬ing techniques her company uses to create the award-winning Alabama Chanin line of organic cotton clothing, plus more than 50 variations that lead to infinite design possibilities. Included in this encyclopedic compilation of Alabama Chanin skill and style are patterns and instructions for dresses, skirts, tops, a wrap, a poncho, a bolero, fingerless gloves, and a hat. Each piece is featured in both its basic form and with varying embellishment combinations. By mixing, matching, and layering, a stunning, unique, and versatile wardrobe can be built.

About the Author:

Natalie Chanin is the founder and creative director of Alabama Chanin and author of Alabama Stitch Book, Alabama Studio Style, Alabama Studio Sewing + Design, and Alabama Studio Sewing Patterns.

Alabama Studio Sewing Patterns: A Guide to Customizing a Hand-Stitched Alabama Chanin Wardrobe by Natalie Chanin is a companion to the Alabama Studio Series: Alabama Stitch Book, Alabama Studio Style, and Alabama Studio Sewing + Design. In this final volume of the four-book series, Chanin offers, by popular demand, three new core patterns—the A-Line Dress/Tunic/Top, the Long and Short Wrap Skirt, and the Classic Coat/Jacket/Cardigan — and a guide to customizing garments to fit and flatter. For ease, convenience, and to ease its ecological footprint, this book comes with a CD rather than paper patterns. The disc contains patterns for all of the garments from the previous books in the Alabama Studio series with additional sizing for XXL, the three new patterns, plus five Alabama Chanin stencil designs, including the Polka Dot in three sizes, the popular New Leaves, and the classic Magdalena (all for readers to print as needed for their individual sewing purposes). Printed and bound in the USA.

This instalment highlights:

- 9 core garment patterns with up to 34 standard variations, plus 3 bonus pocket patterns
- Patterns from the entire Alabama Studio book series with the additional XXL size
- 5 full-scale stencil designs, plus a free bonus download available from Alabama Chanin’s website (https://alabamachanin.com/resources/large-scallops-stencil-artwork)
- Useful, convenient CD that minimizes its ecological footprint by conserving paper

About the Author:

Natalie Chanin is the founder and creative director of Alabama Chanin and author of Alabama Stitch Book, Alabama Studio Style, Alabama Studio Sewing + Design, and Alabama Studio Sewing Patterns.

Unveiling Azzedine Alaïa’s story before his milestone 1982 show, this book offers a never-before-seen look into one of fashion’s most enigmatic icons.

Azzedine Alaïa (1935–2017) was regarded as a contemporary fashion genius. Edited by his closest friend, Carla Sozzani, this new volume presents an unprecedented view into Alaïa’s early life and career, from his native Tunisia and 1956 arrival in Paris to his breakthrough 1982 New York show.

From apprenticeships to encounters with Paris’s creative and society crowds, this book pays homage to Alaïa’s evolution. Chronological chapters depict a designer devoted to his work while enjoying friendships with such individuals as Arletty, Louise de Vilmorin, César, Andrée Putman, and Thierry Mugler. Quotes by Alaïa accompany gorgeous photographs of iconic dresses and lesser-known designs, providing captivating stories behind the inspirations for his creations. Interviews share intimate anecdotes from Serge Lutens, Edgar Morin, Carlyne Cerf de Dudzeele, Marie Rucki, and more. Accompanying an exhibition at the Azzedine Alaïa Foundation, this unique publication delves into rare archival materials, private photographs, and prominent publications to powerfully illustrate the fascinating journey of a fashion legend.

About the Author:

Carla Sozzani cofounded the Azzedine Alaïa Foundation and is its president. Laurence Benaïm is the author of Women in Dior: Portraits of Elegance and Yves Saint Laurent: A Biography. She created the style supplement for Le Monde and has contributed to Vogue and Marie Claire. Emanuele Coccia is an Italian philosopher and associate professor at EHESS in Paris. Olivier Saillard is a French historian specializing in fashion and director of the Azzedine Alaïa Foundation.

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Пролистать книгу Alaïa Afore Alaïa

Arguably the most influential, imaginative, and provocative designer of his generation, Alexander McQueen both challenged and expanded fashion conventions to express ideas about race, class, sexuality, religion, and the environment.

Alexander McQueen: Savage Beauty examines the full breadth of the designer’s career, from the start of his fledgling label to the triumphs of his own world-renowned London house. It features his most iconic and radical designs, revealing how McQueen adapted and combined the fundamentals of Savile Row tailoring, the specialized techniques of haute couture, and technological innovation to achieve his distinctive aesthetic. It also focuses on the highly sophisticated narrative structures underpinning his collections and extravagant runway presentations, with their echoes of avant-garde installation and performance art.

Published to coincide with an exhibition at The Metropolitan Museum of Art organized by The Costume Institute, this stunning book includes a preface by Andrew Bolton; an introduction by Susannah Frankel; an interview by Tim Blanks with Sarah Burton, creative director of the house of Alexander McQueen; illuminating quotes from the designer himself; provocative and captivating new photography by renowned photographer Sølve Sundsbø; and a lenticular cover by Gary James McQueen.

About the Author

Andrew Bolton is Curator of The Costume Institute, The Metropolitan Museum of Art. Tim Blanks is contributing editor of Style.com and Susannah Frankel is fashion editor of The Independent newspaper.

Vogue about the Alexander McQueen: Savage Beauty Exhibition

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Пролистать книгу Alexander McQueen: Savage Beauty на Google Books.

The book is a tribute to this fanciful girl and all the friends she meets along the way, including the White Rabbit, the Cheshire Cat and the Mad Hatter. Each character shines in its own right and reveals its unique personality in each encounter with Alice.

Alice was created by British mathematician, photographer and writer Lewis Carroll, inspired by the daughter of some friends. Carroll fantasised about taking the child to a parallel-reality world which he called “Wonderland”.

Alice has inspired movies, songs, video games and all kinds of books.

The book is a tribute to this fanciful girl and all the friends she meets along the way, including the White Rabbit, the Cheshire Cat and the Mad Hatter. Each character shines in its own right and reveals its unique personality in each encounter with Alice.

28 illustrators offer us a personal version of each character, revealing something more of their art and trend.

Have a happy, creative journey to wonderland! :)

Alice Temperley, one of the most accomplished British designers working today, creates clothing that is coveted by the likes of Kate Hudson, Sarah Jessica Parker, Olga Kurylenko, Rita Ora, Poppy Delevingne, Helen Mirren, Adele, Naomie Harris, and The Duchess of Cambridge. This book is conceived as a celebration of Alice Temperley's aesthetic and conveys the effortless decadence and handcrafted allure of her brand. This book highlights the key moments that have inspired the last decade of work — focusing on the personal moments that have shaped her brand.

Filled with captivating photographs from Temperley London photo shoots and fashion editorials, Alice Temperley: English Myths and Legends gives an in-depth look into the inspirations and processes behind the creation of the collections. While her first Rizzoli book, True British (2011), was a chronological story about the first 10 years of the brand, Alice Temperley: English Myths and Legends gives a more intimate view of what defines Temperley London today and its evolution; revealing both practical and sentimental moments of the designer’s generative history.

About the Author:

Alice Temperley is a British fashion designer based in London. Her eponymous fashion label Temperley London was launched in 2000, with her bridal line launching in 2006. In the 2011 New Year Honours, Temperley was appointed Member of the Order of the British Empire (MBE) by Her Majesty the Queen at Buckingham Palace for services to the fashion industry. Alice lives between West London and Somerset with her son Fox.

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Пролистать книгу Alice Temperley: English Myths and Legends