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The first book to explore the synergy between dance and fashion, featuring a wide range of dance-fashion collaborations and inspirations

Dress and adornment have long played an important role in the visual allure of dance, and fashion designers have often been inspired by the way dancers look. The tutus and pointe shoes of the Romantic ballerina, for example, have influenced designers from Christian Dior to Christian Louboutin. Cristóbal Balenciaga was inspired by the drama of flamenco, Yves Saint Laurent by the Orientalism of the Ballet Russes, and Rick Owens by the dynamism of African-American steppers. Fashion designers are also increasingly collaborating with choreographers to create stylish new dance costumes — from the “bump” dresses by Comme des Garçons for Merce Cunningham to Valentino’s “Bal de Couture” designs for New York City Ballet.

Lavishly illustrated with both contemporary and historical images, the book features essays by ten fashion experts, who explore various aspects of the reciprocal relationship between dance and fashion, from the liberating effects of the tango to the influence of ballet on Japanese girl culture. Designers featured include Leon Bakst, Cristóbal Balenciaga, Comme des Garçons, Christian Dior, John Galliano, Jean-Paul Gaultier, Halston, Barbara Karinka, Isaac Mizrahi, Rodarte, Yves Saint Laurent, Riccardo Tisci of Givenchy, Valentino, and Iris Van Herpen.   

This beautiful book explores for the first time the synergy between dance and fashion and is an original and inspired contribution to the study of both art forms. 

About the Author:

Valerie Steele is director and chief curator of The Museum at FIT. 

Suits that pop with loud colors and dazzling patterns, complete with a nearly ubiquitous bowtie, define the style of the new “dandy.” Described as “high-styled rebels” by author Shantrelle P. Lewis, black men with a penchant for color and refined fashion, both new and vintage, have gained popular attention in recent years, influencing mainstream fashion. But black dandyism itself is not new; originating in Enlightenment England’s slave culture, it has continued for generations in black cultures around the world. Now, set against the backdrop of hip-hop culture, this iteration of dandies is redefining what it means to be black, masculine, and fashionable. Dandy Lion presents and celebrates individual dandy personalities, designers and tailors, movements and events that define contemporary dandyism. Throughout the book, self expression is communicated through personal style, clothing, shoes, hats, and swagger. Lewis’s carefully curated selection of contemporary photographs surveys the movement across the globe in spectacular form, with all of the vibrant patterns, electrifying colors, and fanciful poses of this brilliant style subculture.

Shantrelle P. Lewis (author) is a U.S.-based curator and researcher specializing in diasporic aesthetics, and the survival and evolution of African retentions. She was a 2014 United Nations Program for People of African Descent Fellow and a 2012–13 Andy Warhol Curatorial Fellow. Lewis has curated exhibitions for several institutions including the Museum of Contemporary African Diasporan Arts; Aljira, a Center for Contemporary Art; Reginald F. Lewis Museum of Maryland African American History and Culture; and the African American Museum in Philadelphia. Her traveling curatorial initiative, The Dandy Lion Project, examines global black dandyism through photography and film.

Celebrating 250 years of male self-expression, investigating the portraiture and wardrobe of the fashionable British man

The style of the dandy is elegant but bold ― dedicated to the perfection of taste. This meticulously choreographed look has a vibrant history; the legacy of Beau Brummell, the original dandy of Regency England, can be traced in the clothing of urban dandies today. Dandy Style celebrates 250 years of male self-expression, investigating the portraiture and wardrobe of the fashionable British man. Combining fashion, art, and photography, the historic and the contemporary, the provocative and the respectable, it considers key themes in the development of male style and identity, including elegance, uniformity, and spectacle. Various types of dandy are represented by iconic figures such as Oscar Wilde, Edward VIII as Prince of Wales, and Gilbert & George. They appear alongside the seminal designs of Vivienne Westwood, Ozwald Boateng, and Alexander McQueen; and portraits by Thomas Gainsborough and David Hockney.

About the Author:

Shaun Cole is associate professor in fashion at Winchester School of Art, University of Southampton. Miles Lambert is curator of costume at Manchester Art Gallery.

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Пролистать книгу Dandy Style: 250 Years of British Men's Fashion на Google Books.

Daniel Ost is the world's foremost floral designer and sculptor. Daniel has the unique ability to envision life through flowers and creates absolute beauty through his passion and art. He has fashioned his own world of astonishing floral designs, which have earned him a devoted international clientele. This modern-day Belgian has inverted the old masters' logic. These arrangements seem impossible, and yet they actually exist.

In this book, Daniel Ost continues to seduce and amaze with his wonderful, spectacular floral creations. Festive arrangements, floating pieces above the heads of party-goers, an abundance of flowers that changes a whole environment, but also smaller floral pieces that everybody would like to give or receive.

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Книга Даниэля Оста Invitations II - это долгожданное продолжение его бестселлера Invitations Daniel Ost.
Прекрасно изданная книга дает нам возможность насладиться невероятными творениями, которые мастер реализовал во время многочисленных оформлений в разных уголках мира.

Создавая с помощью цветов магическую атмосферу торжества, учитывая культурные традиции приглашенных гостей, мастерски работая с большим и малым пространством, Даниэль Ост создает свои уникальные оформления.
В книге помимо крупных оформлений представлены оформления столов, свадебные букеты, декорация подиумов, сложные флористические объекты и композиции.

Этот альбом станет незаменимым источником вдохновения для любого флориста, дизайнера, декоратора.

British designer David Hicks (1929–1998) wowed the English decorating world with his bold geometric prints, electrifying color combinations, and quirky mix of antique and contemporary furniture.

Thanks to his prodigious talents, his gift for publicity, and his connection to the royal family through his wife, Lady Pamela Mountbatten (cousin of Prince Philip), Hicks attracted an A-list clientele. For decades, Hicks documented every salient moment of his life in scrapbooks, amassing 24 volumes filled with press clippings, invitations, swatches of his signature textiles, sketches of interiors, magazine articles on his projects, and hundreds of photographs, mainly family snapshots but also his own photos of people like Jackie Kennedy, Grace Kelly, and Andy Warhol. Many of the pages, now thumbed and foxed, are laid out in a collage style, and several are embellished with drawings and notes, revealing Hicks’s thoughts and sense of whimsy. Here, his son, Ashley Hicks, has chosen more than 325 of the best pages — providing not just a window into the extraordinary world of David Hicks but also a fascinating time capsule.

About the Author:

Ashley Hicks, an architect and interior designer, is the author of two books on his father. Since 2003 he has produced a line of fabrics, carpets, and wallpaper called David Hicks by Ashley Hicks. 

Live and entertain Cotswolds style, with English lifestyle visionary and famed organic farm founder Carole Bamford in Daylesford Living: Inspired by Nature.

Carole Bamford opened the Daylesford Farmshop 20 years ago on her Cotswolds estate. It has become arguably the best organic country shop of its kind, with a garden center, exquisite housewares, beauty and fashion products, and more, now sold at the original shop and around the world. The Daylesford estate has grown with the farm and now boasts pubs, vacation cottages, and a health club and spa, while continuing to pioneer large-scale sustainable agriculture.

Here, Bamford opens the doors to never-before-seen parts of the estate, the restored cottages and their stylish interiors, and the gardens, and provides readers with decorating and entertaining ideas, themed by seasonal flowers and featuring accessible tabletop ideas. This rare view into Bamford’s way of life shows why she has become a key tastemaker of her generation.

With insightful text on creating a wholesome lifestyle and specially commissioned photography throughout, this is a quintessential guide to stylish English country living.

About the Author:

The founder of award-winning brands Daylesford Organic and Bamford, Carole Bamford is recognized as a visionary in organic farming and food retail. In 2019, she launched the sustainable-living magazine Seed, as well as Nila House in Jaipiur, part of the not-for-profit Lady Bamford Foundation. She is the author of the book Nurture.

Martin Morrell is a well-known English photographer whose work has appeared in countless international magazines, from AD to Elle Decor and Vogue Living. He lives in London.
 

Daytoner: Enslaving Humanity in Style is a complete compilation of the concept art Daniel Hahn created over the past few years under his alias Daytoner, short DTNR.

Robots, mechs and character designs are Daniel's big passions and DTNR, is his outlet and home for this obsession. In this book he pairs his creations with short stories that look back at a possible future. The project started as a small blog in 2012 when Daniel moved to Los Angeles and is a journey through the depths of his unhinged creative mind and the world of his robots.

About the Author:

Daniel Hahn is the Creative Director for Automotive Design at BMW Group DesignworksUSA. When he's not designing cars, he is producing concept art for the gaming and film industries under his alias Daytoner (DTNR). Originally from Germany, Daniel now calls LA home and loves the creative vibe of the city.The main focus of his work is robots, which combine both the expressions of a character/person and shape design. Daniel's robots are the perfect combination of both with his background in Car Design and his passion for character development.

Daniel's technique has been described as chaotic; a mix of 3-D modeling, digital painting and photo bashing. What isn't chaotic are his amazing, sought after, futuristic human machine hybrid designs.

Celebrating 30 years of Dazed’s boundary-pushing storytelling at the forefront of youth culture, this book reveals the past, present, and future of Dazed through its bold cover designs and manifesto-like headlines.

In 1991, the first issue of Dazed & Confused was released as a single A2 foldout newsprint by a then 20-year-old Jefferson Hack and the photographer Rankin. Now, 30 years later, what began as a print magazine has gone on to provoke a change in consciousness, becoming a vital cultural manifesto for today. Created for an audience that wants to be both informed and inspired to imagine, its radical approach to publishing means that Dazed is still at the forefront of youth culture today.

Split into ten chapters — taken from the magazine’s most memorable cover lines — this book explores how these early manifestos reflect the magazine’s ethos today. Time-travelling from the ’90s to now, a new generation of image-makers sit side by side with archival materials to showcase how Dazed has always interpreted celebrity through its own boundary-pushing lens: from Alexander McQueen and David Bowie’s first official, recorded conversation and the designer’s “Fashion-Able?” cover, to a rare appearance and guest-edit by Chelsea Manning, to rapper Young Thug shot by Harley Weir.

About the Author:

Jefferson Hack is the CEO and co-founder of Dazed Media, the independent publishing company responsible for Dazed & Confused, Dazed Digital, AnOther Magazine, and Another Man. In 2010, Hack cofounded Nowness, an independent luxury lifestyle video channel in partnership with LVMH Moët Hennessy Louis Vuitton. In 2017, Dazed Media and Modern Media formed a joint venture titled Modern Dazed and acquired a majority stake in Nowness.

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Пролистать книгу Dazed: 30 Years Confused: The Covers

The world and creativity of Elio Fiorucci seen from the inside and recounted by those who took part in his fashion adventure.

The fashion and stores created by Elio Fiorucci in the late 1960s were a great creative hotbed for the following decades, anticipating many of the trends that emerged later and the ideas of the next generation of designers.

Elio Fiorucci's innate curiosity led him to explore the unknown, to broaden his vision towards new currents of freedom of expression, beyond the borders of his country, in search of other energies.

This book recalls his new, joyful, mocking, free realm, and the conception of unconventional clothing that upset the rules of the bourgeois, conformist world of the 1960s.

It is a choral fresco, told through the letters of those who worked with him, including absolute beginners, professionals who knew him and shared his passions, family, and friends: architects such as Antonio Citterio and Michele De Lucchi, photographers, artists (Andy Warhol and Keith Haring, who decorated the entire Milan store in 1983), singers, and actors who attended his stores and parties. Direct testimonials come from the likes of Biba (Barbara Hulanicki), Oliviero Toscani, Donna Jordan, Terry Jones, Italo Lupi, Alessandro Mendini, Paul Caranicas and Joey Arias. The book also features a preface by Janie and Stephen Schaeffer, the current brand owners.

About the Author:

Franco Marabelli is a designer whose professional relationship with Elio Fiorucci began in the 1970s, when he redesigned the San Babila store in Milan.

Style icon and preeminent hostess Catherine “Deeda” Blair shares her inspirations for entertaining with understated elegance and distinction, accompanied by menus, recipes, table settings, and charming stories about her extraordinarily colorful life.

Deeda Blair is one of the last great American swans, revered by cult followers for her enduring beauty, fashion taste, and easy elegance. She embodies a sense of decorum and practices a relaxed, graceful etiquette that is much lauded but often missing from today’s soirées and gatherings.

An invitation to Blair’s New York home has been a rare privilege, but now, in her first book, Blair invites readers in and reveals how they too can develop their own uniquely personal style. Central to the narrative are six fantasy meals, each accompanied by a menu, recipes, table settings, and floral arrangements that are inspired by the people and places that have shaped Blair’s own inimitable and envied taste and style. Each meal is set in Blair’s exquisite home and is accompanied by photographer Ngoc Minh Ngo’s evocative images of the imaginative table settings Blair has created for her timeless dishes. Accompanying Blair’s coveted eighty recipes are personal anecdotes and helpful serving suggestions. Renowned design writer and tastemaker Deborah Needleman collaborated closely with Blair to capture her vision for entertaining with fantasy and enchantment, as well as her reflections on life and how her experiences have influenced the way she lives, works, and entertains.

About the Author:

Deeda Blair is a fashion icon and a philanthropist of science and medicine based in New York. Deborah Needleman is a writer, editor, and craftsperson. She currently contributes to the New York Times, the Financial Times, and Cabana magazine. Andrew Solomon is a writer, lecturer, activist, professor of clinical psychology at Columbia University, and a regular contributor to the New Yorker, NPR, and the New York Times Magazine.

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Пролистать книгу Deeda Blair: Food, Flowers, & Fantasy

Dana Thomas's Deluxe: How Luxury Lost its Lustre goes deep inside the workings of today's world of profit margins and market share to discover the real meaning of 'luxury'.

Fashion may be fabulous, but what's the true price of luxury? From the importance of fashion owners, to red carpet stars and the seasonal 'must-have' handbags, Dana Thomas shows how far illustrious houses have moved from their roots. Thomas witnesses how these 'luxury' handbags are no longer one in a million, discovers why luxury brand clothing doesn't last as long, and finds out just who is making your perfume.

From terrifying raids on the Chinese sweatshops to the daunting chic of Paris workshops, from the handcrafting and economics of early-twentieth-century designers to the violent truth behind the 'harmless' fakes, Deluxe goes deep into the world of extravagance, and asks: where can true luxury go now?

About the Author:

Dana Thomas has written for The New York Times magazine, the New Yorker, WSJ, the Financial Times, Vogue, Harper's Bazaar, and was the European editor of Condé Nast Portfolio. She is a contributing editor for T: The New York Times Style magazine, and the author of Gods and Kings: The Rise and Fall of Alexander McQueen and John Galliano. She lives in Paris.

Dana Thomas is now European Editor for Portfolio following twelve years as the cultural and fashion writer for Newsweek in Paris. She has written about style for the New York Times Magazine since 1994, and has contributed to various publications including the New Yorker, Harper's Bazaar, Vogue and the Financial Times.

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Пролистать книгу Deluxe: How Luxury Lost its Lustre на Google Books.

One of the last surviving members of the futurist generation, Bruno Munari's Design as Art is an illustrated journey into the artistic possibilities of modern design translated by Patrick Creagh published as part of the 'Penguin on Design' series in Penguin Modern Classics.

'The designer of today re-establishes the long-lost contact between art and the public, between living people and art as a living thing'

Bruno Munari was among the most inspirational designers of all time, described by Picasso as 'the new Leonardo'. Munari insisted that design be beautiful, functional and accessible, and this enlightening and highly entertaining book sets out his ideas about visual, graphic and industrial design and the role it plays in the objects we use everyday. Lamps, road signs, typography, posters, children's books, advertising, cars and chairs - these are just some of the subjects to which he turns his illuminating gaze.

How do we see the world around us? The Penguin on Design series includes the works of creative thinkers whose writings on art, design and the media have changed our vision forever.

Bruno Munari (1907-1998), born in Milan, was the enfant terrible of Italian art and design for most of the twentieth century, contributing to many fields of both visual (paint, sculpture, film, industrial design, graphics) and non-visual arts (literature, poetry). He was twice awarded the Compasso d'Oro design prize for excellence in his field.

If you enjoyed Design as Art, you might like John Berger's Ways of Seeing, also available in Penguin Modern Classics.

'One of the most influential designers of the twentieth century ... Munari has encouraged people to go beyond formal conventions and stereotypes by showing them how to widen their perceptual awareness'
International Herald Tribune

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Пролистать книгу Design as Art: Bruno Munari на Google Books.

A new and updated 3rd Edition of Rockport's best-selling Design Elements, a visually rich and accessible handbook that presents the fundamentals of design in lists, tips, brief text, and examples. With new images and diagrams, the book covers everything from working with grids, color application, typography, and imagery to how to finally put it all together.

Features include:

- The ultimate primer on graphic design's basic visual toolkit—dot, line, plane, texture, space, and contrast—and how these basics underpin all successful layouts
- An in-depth look at color — from its optical qualities and its effect on type to its potential for communication concepts and emotions
- One of the most thorough compilations of typography concepts to be found — including information on letterform structure and optics, combining typeface styles, the mechanics of detailed text typesetting, and using type as image
- An extensive overview of imagery — the endless possibilities of medium, depiction, abstraction, stylization, and how these all communicate effectively
- Methods for integrating type and image, including a tutorial on using grid systems to structure layouts
- Twenty rules for making good design — and the best ways to break them

Being a creative designer is often about coming up with unique design solutions. But when the basic rules of design are ignored in an effort to be distinctive, design becomes useless. In language, a departure from the rules is only appreciated as great literature if recognition of the rules underlies the text. Graphic design is a "visual language," and brilliance is recognized in designers whose work seems to break all the rules, yet communicates its messages clearly.

The author:

Timothy Samara is a graphic designer based in New York City, where he divides his time between teaching, writing, lecturing, and consulting through STIM Visual Communication. His 18-year career in branding and information design has explored projects in print, packaging, environments, user interface design, and animation. He has been a senior art director at Ruder Finn, New York's largest public relations firm, and senior art director at Pettistudio, a small multidisciplinary design firm. Before relocating to Manhattan, he was principal of Physiologic in Syracuse, located in upstate New York. In 1990, he graduated a Trustee Scholar from the Graphic Design program at the University of the Arts, Philadelphia. Mr. Samara is a faculty member at New York's School of Visual Arts, New York University, Purchase College/SUNY, and The New School, and has published six books on design and typography, all through Rockport Publishers: Making and Breaking the Grid; Typography Workbook; Publication Design Workbook; Type Style Finder; Design Elements, Design Evolution, and, most recently, Letterforms, released in September, 2018. Mr. Samara and his partner live in the Williamsburg neighborhood of Brooklyn.

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Пролистать книгу Design Elements: Understanding the rules and knowing when to break them - A Visual Communication Manual, Third Edition на Google Books.

What constitutes a great on-screen graphic design?

The relationship between fonts, colours, shape and graphic visual effects is essential to achieve a balance between the flow of information and user experience.

This book discusses in detail how to exploit these elements to achieve functionality and elegance for both websites and mobile applications.

Structured in four sections:

 - Colour Scheme,
 - Grids and Layouts,
 - Icon Application,
 - Text and Typography,

Design for Screen offers an excellent selection of around a hundred stunning designs from around the world, as well as interviews with influential designers working today in this field.

In 1980 Josef Müller-Brockmann laid the cornerstone for a uniform visual identity for the Swiss Federal Railways (SBB) with his legendary Visual Information System at Train Stations and Stops. In view of Switzerland’s multilingualism, the manual proposed a signage system that largely did without language; with his functional typography, the pioneer of Swiss graphic design conceived an intuitively comprehensible signage system for use throughout the country to also guide passengers unfamiliar with the terrain to their destination with the help of pictograms. The visual concept was developed in dialogue with the SBB and still dominates the railways’ visual identity even today.

Müller-Brockmann’s manual, greatly expanded in 1992 and given the title Passenger Information System, is a prime example of a complex design project that succeeds through extreme rationality and consistency. It thus serves as a compass for designers worldwide in their daily work.

This reprint with a complete English translation makes the manual accessible for the first time to a broader public. Andres Janser examines the project in the context of Müller-Brockmann’s conceptual work and the systematic international design for which railways everywhere were striving during the period.

About the Author:

Josef Müller-Brockmann (1914–1996) was a leading figure in Swiss graphic design. Starting the 1950s, he helped to pioneer the Swiss Style that would shape graphic design worldwide for decades. After an early career doing illustrations, Müller-Brockmann did a radical about-face in 1950, henceforth developing an uncompromisingly rational formal language. His posters are legendary and his magazine “New Graphic Design” (1958–1965) spread the doctrine of sober design based on constructive principles across the continents. As a teacher in Japan and at the design schools in Zurich and Ulm, as well as a lecturer and consultant, Müller-Brockmann was a distinctive voice in the design world. He was married to the Japanese-Swiss artist Shizuko Yoshikawa.