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The first book celebrating Dolce & Gabbana Alta Gioielleria, a kaleidoscope of creativity in which formal invention is accompanied by rediscovery of historical Italian craftsmanship.

Dolce & Gabbana Alta Gioielleria (High Jewelry) inaugurated its first collection in Taormina in 2012. Ten years after that memorable date, the fashion house has decided to celebrate this precious universe of art, beauty, and knowledge in a book for the first time.

The creations of Dolce & Gabbana Alta Gioielleria have always been unique pieces. While the exceptional quality of gems and diamonds is certified by the most renowned international gemological institutes, the goldsmithery — which is carried out entirely by hand in the brand’s workshops by skilled goldsmiths — reinterprets highly refined processes, such as milgrain, filigree, and twisted wire.

It embodies an extraordinary heritage of tradition and know-how, forging material to transform it into a work of art. Miniatures, enamels, corals, and marvelous gems from the most important deposits in the world and magnificent diamonds, some of which are characterized by the unprecedented Dolce & Gabbana cut, are the absolute stars of this volume. Edited by Carol Woolton, it reveals the unique creations of Dolce & Gabbana Alta Gioielleria to the general public for the first time.

About the Author:

Carol Woolton is a global industry leader in the luxury sector, a contributing editor at British Vogue, and host of the podcast If Jewels Could Talk. As a jewelry historian, she has curated exhibitions internationally. 

The inspiring, long-awaited autobiography of video-game designer and DOOM cocreator John Romero ― “a highly entertaining and thoughtful memoir” (Wall Street Journal)

​After years in the gaming spotlight, Romero is now telling his story — the whole story — shedding new light on the development of his games and his business partnerships, from the highest highs to the lowest lows, sharing insights about design, code, the industry, and his career right up to today. Sharing gratitude for a lifetime in games, Romero reveals the twists and turns that led him, ultimately, to be called DOOM Guy.

John Romero, gaming’s original rock star, is the cocreator of DOOM, Quake, and Wolfenstein 3-D, some of the biggest video games of all time. Considered the godfather of the first-person shooter, a genre that continues to dominate the market today, he holds a unique place in gaming history.

In DOOM Guy: Life in First Person, Romero chronicles, for the first time, his difficult childhood and storied career, beginning with his early days submitting Apple II game code to computer magazines and sneaking computers out the back door of his day job to write code at night.

Industry-redefining breakthroughs in design and tech during Romero’s time at id Software made DOOM

About the Author:

Computer and video game legend John Romero has designed and published more than 130 games since his first sale as a teenage programming prodigy at the age of sixteen. His major achievements include coinventing a series of revolutionary computer games that launched the industry’s most popular genre, the first-person shooter. He lives in Galway, Ireland.

This inspiring book accompanies the first travelling exhibition about Doris Duke’s estate Shangri La and its influential synthesis of modernist architecture and Islamic art and design. 

Situated on five acres of terraced gardens and pools overlooking the Pacific Ocean and Honolulu’s Diamond Head, Shangri La was the idyllic paradise of philanthropist Doris Duke, reflecting her personal passion for the art, architecture, and design of the Islamic world. The estate incorporates unique architectural features, such as carved marble doorways, jalis, and floral ceramic tiles, and the decor includes artifacts, such as silk textiles, jewel-toned chandeliers, and gilt and coffered ceilings, many collected during her travels. 

This volume presents an exclusive tour of Shangri La’s breathtaking interiors and landscape, including the splendid furnishings and art. Archival photographs of Duke and friends as well as correspondence and drawings provide a view into a lifestyle defined by the highest sense of aesthetics. Doris Duke’s Shangri La is sure to inspire both art and design lovers.

About еhe Author

Thomas Mellins has organized exhibitions for many institutions and coauthored with Robert A.M. Stern an award-winning New York architecture and urbanism series. Donald Albrecht is the Museum of the City of New York’s curator of architecture and design and the writer of many books. Deborah Pope is the executive director of Shangri La; Keelan Overton is the institution’s curator of Islamic art; Sharon Littlefield Tomlinson is its former curator. Linda Komaroff is the Los Angeles County Museum of Art’s curator of Islamic art. Tim Street-Porter is a widely published photographer and the author of numerous books.

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Пролистать книгу Doris Duke's Shangri-La: A House in Paradise: Architecture, Landscape, and Islamic Art

Drag is transformation, communication and, above all, exaggeration, where gender non-conformity is the plat du jour. Drag: The Complete Story observes this increasingly complex world by exploring drag’s journey through the twentieth century.

Corralled into thematic chapters, including glamour drag, art drag, butch drag, black drag, historical drag, comedy drag and popstar drag, this book is the first flamboyant and poignant survey of drag culture. 

Drag: The Complete Story is not just for fabulous queens and drag enthusiasts, but for anyone interested in gender fluidity and the culture surrounding it.

About the Author:

Writer, Fashionista and Author Simon Doonan is the Creative Ambassador for Barneys New York. His books include Saturday Night Fever Pitch,  Eccentric Glamour and Gay Men Don’t Get Fat. Simon is appearing as a judge on the NBC television show, Making It, co-hosted by Amy Poehler and Nick Offerman.

Esquire. Ford Motors. Burton Snowboards. The Obama Administration. While all of these brands are vastly different, they share at least one thing in com­mon: a teeny, little bit of Aaron James Draplin. Draplin is one of the new school of influential graphic designers who combine the power of design, social media, entrepreneurship, and DIY aesthetic to create a successful business and way of life.

Pretty Much Everything is a mid-career survey of work, case studies, inspiration, road stories, lists, maps, how-tos, and advice. It includes examples of his work — posters, record covers, logos — and presents the process behind his design with projects like Field Notes and the “Things We Love” State Posters. Draplin also offers valuable advice and hilarious commentary that illustrates how much more goes into design than just what appears on the page. With Draplin’s humor and pointed observations on the contemporary design scene, Draplin Design Co. is the complete package for the new generation of designers.

About the Author:

Aaron James Draplin is the founder of the Draplin Design Co., based in Portland, Oregon. He has created print, identity, and illustration work for Timberline Lodge, Woolrich, Patagonia, Nike, Mark Maron, and Sasquatch Festival, among others.

Muji's art director shares his own personal creative process.

Kenya Hara inspires the world with his impeccable design, from the subtle atmospheres and environments he creates as the art director of Muji and his ethereal exhibition designs to his simple everyday objects, packaging and books. His design aesthetic can be traced back to a private practice: the diligent drafting of ideas and forms in delicate sketches and drawings that ultimately develop into compelling solutions. For the first time in his career, Hara gives insight into the captivating early stages of his design process.

Ranging from tentatively sketched beginnings to confident designs of complex concepts, "Draw" immerses readers in the renowned designer's 40-year-long process of sketching and drawing by hand, leaving no doubt about the origins of his authentic designs. From Olympic logos to silhouettes of dogs and detailed drawings of knots, Hara's drawings are as expansive in subject matter as they are minimalist. Their technical skill engenders a true appreciation for draftsmanship, and could motivate even the most art-averse person to start doodling. Set to inspire the next generation of creatives, "Draw" is a gentle, persuasive call for the return to analog processes in the design cycle.

About the Author:

Kenya Hara (born 1958) is a Japanese graphic designer, author, curator, professor at the Musashino Art University in Tokyo and art director for MUJI. He has been awarded many prizes, including the Japanese Cultural Design Award. Hara is the author of "White", "100 Whites", "Designing Design" and "Designing Japan".

Whether it is via depictions of cute imaginary characters or familiar backdrops brimming with colour, illustrations can set the right tone for brands to tell meaningful stories. Besides enriching a visual language or identity system with vivid details, hand-rendered designs also make for heartwarming elements that enable companies to connect and engage with audiences in delightful ways.

The collection of projects featured in Drawing Attention: Custom Illustration Solutions for Brands Today serve to inspire designers with a variety of illustration styles and settings that help to add more narrative layers to a brand. From small businesses looking to highlight their charm to bigger ones in need of ‘humanising’ their touchpoints, the book showcases drawings that effectively bridge the creative and commercial to draw attention.

This is a truly exceptional collection of drawings from one of our most revered cultural commentators.

Gerald Scarfe began his career in the 60s working for PUNCH and PRIVATE EYE before taking a job as a political cartoonist for the DAILY MAIL. He then worked for TIME Magazine in New York before starting his long association with the SUNDAY TIMES that still exists today in the form of his weekly drawings. His varied career has seen him work with Pink Floyd (The Wall, Wish You Were Here), Roger Waters and Eric Clapton (The Pros and Cons of Hitchhiking), Disney (Hercules), English National Ballet (The Nutcracker), Los Angeles Opera (Fantastic Mr Fox) as well as produce such iconic images as those for the titles of Yes Minister and Yes Prime Minister. His work has featured in the New Yorker and various BBC TV films such as Scarfe on Sex and Scarfe on Class. Exhibitions of his paintings and drawings have appeared in the Tate Gallery, the National Portrait Gallery and the Smithsonian National Portrait Gallery. He is viewed by many as both a national treasure and a genius and this is the first collection of his work to appear for 20 years.

About the Author:

Gerald Scarfe was born and lives in London. His incredible career spans newspapers, satirical and political publications, television, film, theatre and opera. He has worked for the SUNDAY TIMES for 38 years and the NEW YORKER for 12 years.

Here is a complete, comprehensive drawing reference for design students and professionals alike who want to implement drawing as a professional tool. In Drawing for Graphic Design, Timothy Samara empowers readers to add drawing to their design vocabulary, featuring case studies of commercial projects from start to finish along with a showcase of real-world projects that integrate drawing as an intrinsic part of their visual communication. Filled with original author drawings and sketches, it’s a must-have reference that will benefit designers of all levels.

About the Author:

Timothy Samara is a graphic designer based in New York City, where he divides his time between teaching, writing, lecturing, and consulting through STIM Visual Communication. His 18-year career in branding and information design has explored projects in print, packaging, environments, user interface design, and animation. He has been a senior art director at Ruder Finn, New York's largest public relations firm, and senior art director at Pettistudio, a small multidisciplinary design firm. Before relocating to Manhattan, he was principal of Physiologic in Syracuse, located in upstate New York. In 1990, he graduated a Trustee Scholar from the Graphic Design program at the University of the Arts, Philadelphia. Mr. Samara is a faculty member at New York's School of Visual Arts, New York University, Purchase College/SUNY, and The New School, and has published six books on design and typography, all through Rockport Publishers: Making and Breaking the Grid; Typography Workbook; Publication Design Workbook; Type Style Finder; Design Elements, Design Evolution, and, most recently, Letterforms, released in September, 2018. Mr. Samara and his partner live in the Williamsburg neighborhood of Brooklyn.

This book showcases a lesser-known aspect of Maurice Sendak’s oeuvre–his set designs for opera and ballets.

Maurice Sendak is well-known for his acclaimed children’s books, but he was also an avid opera lover and designed a number of sets for opera and ballet productions, among them Mozart’s The Magic Flute, Janáˇcek's The Cunning Little Vixen, Prokofiev’s The Love for Three Oranges, Tchaikovsky's The Nutcracker, and an opera by Oliver Knussen based on Where the Wild Things Are. This book brings together over one hundred and twentyfive pieces from among the more than nine hundred in the Morgan Library & Museum’s collection, including preliminary sketches, final watercolors, and cardboard models. Essays in the book discuss the importance of music to Sendak’s work, his fascination with comic strips, movies, mechanical toys, and pop-up books, and the artworks that inspired his stage designs. The book reveals the full breadth of Sendak’s visual work for opera and ballet and highlights his keen sense of humor, his love of art history, and his ability to tell striking stories through his art.

About the Authors:

Rachel Federman is Assistant Curator of Modern and Contemporary Drawings at the Morgan Library & Museum. She received her PhD in Art History from the Institute of Fine Arts, New York University, and previously held the position of Assistant Curator of Painting and Sculpture at the San Francisco Museum of Modern Art. She has published essays on Bruce Conner, Paul McCarthy, Allen Ruppersberg, and Andy Warhol, among others.

Liam Doona is a freelance theater designer and Head of the Department of Design and Visual Arts at Dún Laoghaire Institute of Art, Design and Technology, Ireland, where he also lectures in scenography. Alongside his academic role, he has maintained a practice as a set and costume designer. His work was included in the Collaborators exhibition (2007) at the Victoria and Albert Museum, London, and can also be seen in 2D-3D (2003) and Collaborators (2007), the quadrennial reviews of British stage design published by the Society of British Theatre Designers.

Christopher Mattaliano was named Portland Opera’s General Director in 2003. He has directed productions for such companies as the Metropolitan Opera, New York City Opera, San Francisco Opera, Washington Opera, Canadian Opera Company, Minnesota Opera, and Portland Opera, among others. He has also taught and directed at the Juilliard School, Manhattan School of Music, Yale University, and Princeton University and served on OPERA America’s Board of Directors from 2005 to 2011.

Avi Steinberg is the author of three books, including The Happily Ever: Travels in the World of Popular Romance, which will be published by Knopf Doubleday in 2020. He is a contributing writer at The New York Times Magazine and the Culture Desk of The New Yorker.

Drawing the Human Head is an in-depth study of the infinite variety of emotions that the human face can express and of how these can be conveyed on paper.

Emotions such as joy, pain, sadness, jealousy and desire are inherent human traits, and the great artists have been able to move us over the centuries through their ability to communicate them. This book guides the reader through human emotion in the history of art and also analyses the methods required to reproduce it. With its clear and accessible texts, this book is an indispensable tool for students, who can also use it as a self-study manual.

About the Authors:

Giovanni Colombo was born in Como, Italy, in 1961. After attending a lyceum for the arts, he enrolled in the Accademia di Belle Arti di Brera in Milan to study painting. In the early 1980s, he attended the studio of A. Tenchio to deepen his knowledge of engraving, where he met and became friends with many other artists and started working in illustration in addition to painting. In 1982 he began showing his artwork, in both group and individual shows, and in 1988 he started to teach painting at the "Fausto Melotti" State Art School in Cantù, Italy - where he still works today. He wrote Percezione & Disegno: dalla visione alla rappresentazione (Perception & Drawing: From Vision to Representation; Ikon, Milan, 1998). He has published several limited edition booklets and engravings. Today he lives and works in Como.

Giuseppe Vigliotti was born in Estavayer Le Lac, Switzerland, in 1965 and currently teaches painting. In 1983 he received his diploma from a fine arts secondary school, and in 1986 his work was shown in numerous exhibitions, both group and individual. Since 1987 he's worked as a freelance illustrator and graphic designer for numerous publishers. In 1988 received his degree in painting at the Accademia di Belle Arti di Brera in Milan. From 2007 to 2010 he worked in art publishing, with specific experience relating to artists' books and the use of graphic design software, editorial layout and website creation. His current artistic focus is on video-installations, multimedia techniques and computer graphics. Today he lives and works in Como.

Step behind the scenes with Guendalina Litta -- a preeminent party designer who has invented magical moments for her rarified clientele for more than thirty years.

Guendalina Litta is a veritable dream maker and a sought-after bespoke event planner. From the simplest decor to an extravaganza spread over a vast locale, her unique gatherings are conceived for delight. Follow a candlelit path into an enchanted forest for an evening under the stars, take cues from a masterpiece painting for an immersive experience, dine at a glass table embedded with riotous flowers in an elegant greenhouse, or be transported to an exotic land while never leaving your own property. Guendalina never ceases to reinvent her signature art of entertaining, cultivating a welcoming, convivial atmosphere that brings people together as she masterfully orchestrates the magical celebration.

Guendalina's creativity and style, combined with logistical prowess, are unparalleled. She and her exceptional team of artisans--caterers, florists, interior designers, architects, calligraphers, costumers, artists, and performers -- attend to every detail in order to create ephemeral experiences that will linger forever in the memory of each guest.

This new book, featuring previously unpublished photography of her most recent events, serves as an artistic mood board to inspire event planners and creatives of every stripe. The pairings of behind-the-scene and front-of-house photographs create associations designed to spark creativity, and the clothbound cover reproduces a custom-designed, hand-painted fabric from one of the celebrations. Guendalina -- who has crafted experiences to mark life's treasured moments for thirty years -- shares her inimitable style and expertise with readers.

About the Authors:

Guendalina Litta is a preeminent bespoke event planner for clients from around the world who has created exceptional celebrations for thirty years. She published Guendalina Litta: The Art of Celebration (Gourcuff Gradenigo, 2016).

Axel Vervoordt is a collector, antiquarian, designer, and curator. Architectural Digest selected him for their AD100 Hall of Fame. His books include Timeless Interiors, Wabi Inspirations, Living with Light, Stories and Reflections, Portraits of Interiors, and At Home with May and Axel Vervoordt.

Priscille Neefs is a senior creative director and consultant specializing in print and digital communications. She designed books including Alice Temperley: English Myths and Legends, True British: Alice Temperley (Rizzoli, 2017 and 2011), and Guendalina Litta: The Art of the Celebration; she also worked for Assouline.

Michaël Ferire is an analog film photographer who specializes in portrait, craftsmanship, and event photography.
 

This book explores the possibilities and applications of two-color printing technique in graphic design using different approaches such as: colour matching, duotone effects and gradation.

The wide selection of projects in the book covers different design categories, from logos, brochures, posters, packaging materials, book covers and exhibition materials to screen designs for corporate websites and promotional microsites. The wide variety of designs reveal the endless possibilities of duotone and the ways in which designers and artists make full use of two bright colours to create dramatic and dynamic compositions. 

Duotone is the next big trend in graphic design. It enhances readability, makes the most of minimalist designs without overwhelming the eye, and is the perfect way to effortlessly create unforgettable atmospheres.

In an increasingly digital world, brands are faced with the challenge of reshaping their identities in order to solidify their presence both online and offline, not to mention a variety of other mediums. As a result, many designers and creatives have chosen to break the common notion of “never change your identity” and opted for fluid, adaptive graphics that flexibly adapt to each platform they are placed on.

Interweaving elements that span across graphics, motion, and more, Dynamic Branding showcases the best examples of graphic systems that skilfully shapeshift across mediums to bring out the best of what their brand has to offer while maintaining its integrity and core values.

An essential visual guide for artists to the mastery and use of advanced human anatomy skills in the creation of figurative art.

Dynamic Human Anatomy picks up where Basic Human Anatomy leaves off and offers artists and art students a deeper understanding of anatomy, including anatomy in motion, and how that essential skill is applied to the creation of fine figurative art.

About the Author:

Roberto Osti teaches figure drawing and human anatomy for artists at the New York Academy of Art, University of the Arts in Philadelphia, and the Pennsylvania Academy of the Fine Arts. Formally trained as a medical illustrator before becoming a fine artist, Osti has contributed his work to many science and art publications. His paintings have been exhibited in galleries in Europe and the United States. He is the author of Basic Human Anatomy, an art instruction best seller and classic reference book.