Книги о моде и фэшн дизайне

The first book to explore the synergy between dance and fashion, featuring a wide range of dance-fashion collaborations and inspirations

Dress and adornment have long played an important role in the visual allure of dance, and fashion designers have often been inspired by the way dancers look. The tutus and pointe shoes of the Romantic ballerina, for example, have influenced designers from Christian Dior to Christian Louboutin. Cristóbal Balenciaga was inspired by the drama of flamenco, Yves Saint Laurent by the Orientalism of the Ballet Russes, and Rick Owens by the dynamism of African-American steppers. Fashion designers are also increasingly collaborating with choreographers to create stylish new dance costumes — from the “bump” dresses by Comme des Garçons for Merce Cunningham to Valentino’s “Bal de Couture” designs for New York City Ballet.

Lavishly illustrated with both contemporary and historical images, the book features essays by ten fashion experts, who explore various aspects of the reciprocal relationship between dance and fashion, from the liberating effects of the tango to the influence of ballet on Japanese girl culture. Designers featured include Leon Bakst, Cristóbal Balenciaga, Comme des Garçons, Christian Dior, John Galliano, Jean-Paul Gaultier, Halston, Barbara Karinka, Isaac Mizrahi, Rodarte, Yves Saint Laurent, Riccardo Tisci of Givenchy, Valentino, and Iris Van Herpen.   

This beautiful book explores for the first time the synergy between dance and fashion and is an original and inspired contribution to the study of both art forms. 

About the Author:

Valerie Steele is director and chief curator of The Museum at FIT. 

Suits that pop with loud colors and dazzling patterns, complete with a nearly ubiquitous bowtie, define the style of the new “dandy.” Described as “high-styled rebels” by author Shantrelle P. Lewis, black men with a penchant for color and refined fashion, both new and vintage, have gained popular attention in recent years, influencing mainstream fashion. But black dandyism itself is not new; originating in Enlightenment England’s slave culture, it has continued for generations in black cultures around the world. Now, set against the backdrop of hip-hop culture, this iteration of dandies is redefining what it means to be black, masculine, and fashionable. Dandy Lion presents and celebrates individual dandy personalities, designers and tailors, movements and events that define contemporary dandyism. Throughout the book, self expression is communicated through personal style, clothing, shoes, hats, and swagger. Lewis’s carefully curated selection of contemporary photographs surveys the movement across the globe in spectacular form, with all of the vibrant patterns, electrifying colors, and fanciful poses of this brilliant style subculture.

Shantrelle P. Lewis (author) is a U.S.-based curator and researcher specializing in diasporic aesthetics, and the survival and evolution of African retentions. She was a 2014 United Nations Program for People of African Descent Fellow and a 2012–13 Andy Warhol Curatorial Fellow. Lewis has curated exhibitions for several institutions including the Museum of Contemporary African Diasporan Arts; Aljira, a Center for Contemporary Art; Reginald F. Lewis Museum of Maryland African American History and Culture; and the African American Museum in Philadelphia. Her traveling curatorial initiative, The Dandy Lion Project, examines global black dandyism through photography and film.

Celebrating 250 years of male self-expression, investigating the portraiture and wardrobe of the fashionable British man

The style of the dandy is elegant but bold ― dedicated to the perfection of taste. This meticulously choreographed look has a vibrant history; the legacy of Beau Brummell, the original dandy of Regency England, can be traced in the clothing of urban dandies today. Dandy Style celebrates 250 years of male self-expression, investigating the portraiture and wardrobe of the fashionable British man. Combining fashion, art, and photography, the historic and the contemporary, the provocative and the respectable, it considers key themes in the development of male style and identity, including elegance, uniformity, and spectacle. Various types of dandy are represented by iconic figures such as Oscar Wilde, Edward VIII as Prince of Wales, and Gilbert & George. They appear alongside the seminal designs of Vivienne Westwood, Ozwald Boateng, and Alexander McQueen; and portraits by Thomas Gainsborough and David Hockney.

About the Author:

Shaun Cole is associate professor in fashion at Winchester School of Art, University of Southampton. Miles Lambert is curator of costume at Manchester Art Gallery.

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Пролистать книгу Dandy Style: 250 Years of British Men's Fashion на Google Books.

Celebrating 30 years of Dazed’s boundary-pushing storytelling at the forefront of youth culture, this book reveals the past, present, and future of Dazed through its bold cover designs and manifesto-like headlines.

In 1991, the first issue of Dazed & Confused was released as a single A2 foldout newsprint by a then 20-year-old Jefferson Hack and the photographer Rankin. Now, 30 years later, what began as a print magazine has gone on to provoke a change in consciousness, becoming a vital cultural manifesto for today. Created for an audience that wants to be both informed and inspired to imagine, its radical approach to publishing means that Dazed is still at the forefront of youth culture today.

Split into ten chapters — taken from the magazine’s most memorable cover lines — this book explores how these early manifestos reflect the magazine’s ethos today. Time-travelling from the ’90s to now, a new generation of image-makers sit side by side with archival materials to showcase how Dazed has always interpreted celebrity through its own boundary-pushing lens: from Alexander McQueen and David Bowie’s first official, recorded conversation and the designer’s “Fashion-Able?” cover, to a rare appearance and guest-edit by Chelsea Manning, to rapper Young Thug shot by Harley Weir.

About the Author:

Jefferson Hack is the CEO and co-founder of Dazed Media, the independent publishing company responsible for Dazed & Confused, Dazed Digital, AnOther Magazine, and Another Man. In 2010, Hack cofounded Nowness, an independent luxury lifestyle video channel in partnership with LVMH Moët Hennessy Louis Vuitton. In 2017, Dazed Media and Modern Media formed a joint venture titled Modern Dazed and acquired a majority stake in Nowness.

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Пролистать книгу Dazed: 30 Years Confused: The Covers

The world and creativity of Elio Fiorucci seen from the inside and recounted by those who took part in his fashion adventure.

The fashion and stores created by Elio Fiorucci in the late 1960s were a great creative hotbed for the following decades, anticipating many of the trends that emerged later and the ideas of the next generation of designers.

Elio Fiorucci's innate curiosity led him to explore the unknown, to broaden his vision towards new currents of freedom of expression, beyond the borders of his country, in search of other energies.

This book recalls his new, joyful, mocking, free realm, and the conception of unconventional clothing that upset the rules of the bourgeois, conformist world of the 1960s.

It is a choral fresco, told through the letters of those who worked with him, including absolute beginners, professionals who knew him and shared his passions, family, and friends: architects such as Antonio Citterio and Michele De Lucchi, photographers, artists (Andy Warhol and Keith Haring, who decorated the entire Milan store in 1983), singers, and actors who attended his stores and parties. Direct testimonials come from the likes of Biba (Barbara Hulanicki), Oliviero Toscani, Donna Jordan, Terry Jones, Italo Lupi, Alessandro Mendini, Paul Caranicas and Joey Arias. The book also features a preface by Janie and Stephen Schaeffer, the current brand owners.

About the Author:

Franco Marabelli is a designer whose professional relationship with Elio Fiorucci began in the 1970s, when he redesigned the San Babila store in Milan.

Dana Thomas's Deluxe: How Luxury Lost its Lustre goes deep inside the workings of today's world of profit margins and market share to discover the real meaning of 'luxury'.

Fashion may be fabulous, but what's the true price of luxury? From the importance of fashion owners, to red carpet stars and the seasonal 'must-have' handbags, Dana Thomas shows how far illustrious houses have moved from their roots. Thomas witnesses how these 'luxury' handbags are no longer one in a million, discovers why luxury brand clothing doesn't last as long, and finds out just who is making your perfume.

From terrifying raids on the Chinese sweatshops to the daunting chic of Paris workshops, from the handcrafting and economics of early-twentieth-century designers to the violent truth behind the 'harmless' fakes, Deluxe goes deep into the world of extravagance, and asks: where can true luxury go now?

About the Author:

Dana Thomas has written for The New York Times magazine, the New Yorker, WSJ, the Financial Times, Vogue, Harper's Bazaar, and was the European editor of Condé Nast Portfolio. She is a contributing editor for T: The New York Times Style magazine, and the author of Gods and Kings: The Rise and Fall of Alexander McQueen and John Galliano. She lives in Paris.

Dana Thomas is now European Editor for Portfolio following twelve years as the cultural and fashion writer for Newsweek in Paris. She has written about style for the New York Times Magazine since 1994, and has contributed to various publications including the New Yorker, Harper's Bazaar, Vogue and the Financial Times.

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Пролистать книгу Deluxe: How Luxury Lost its Lustre на Google Books.

Creating a collection is a process that requires much thought and organization, with different steps to be considered.

Firstly, it is necessary to find a concept: a theme that structures the designs of the collection and from which the creations are developed. The next step is to design a moodboard, an inspirational collage formed by images, text and samples of materials prior to the design of the collection, which then leads to the initial sketches using the illustration technique of one’s choosing.

Through these 16 tutorials the reader will learn the necessary elements that any process when designing a collection should have and how it should be presented in a portfolio. The techniques used in the book range from watercolour to collage, as well as digital tools. This is a book from which aspiring fashion designers will be able to draw the inspiration needed to launch their own collection.

This publication by the renowned illustrator Claudia Ausonia Palazio presents sixteen examples of capsule collections, each with a different concept and rendered using various illustration techniques.

About the Author:

Claudia Ausonia Palazio attended the 1st Art Academy in Rome and then obtained a two-year degree from the IED in Fashion (1988-1989). She subsequently began working as an assistant costume designer for Bonizza Giordani Aragno, fashion researcher, curator and historian. In the meantime, she attended the Accademia di Alta Moda e Arte del costume Koefia, the renowned Koefia International Haute Couture Academy (Rome, Italy) (1991-1994). At the end of her course, she was asked to join Koefia's staff. She has been working as a fashion design lecturer since 1996.

A comprehensive guide to constructing all kinds of bags, including handmade technical drawing and digital patternmaking.

This comprehensive guide to handbag patternmaking, intended for professionals, skilled hobbyists and students, bridges the gap between craftsmanship and innovative technical developments, including digital patternmaking. This isn't just another patternmaking manual: it's the script that both authors would like to have had when they had doubts about construction techniques while learning the profession, equipping readers with the tools they need to tackle an array of concepts independently. Drawing from their own experiences, the authors provide an easy to work with a notebook-like resource that groups together different construction techniques, providing concise explanations, ensuring that readers gain a deeper understanding of construction methods and understand basic construction principles.

Divided into two parts, the manual first explores the working process of bag patternmakers and their skills. It then explains the anatomy of bags and characteristics of the most popular models, introduces into the reading of style cards and technical drawings, to the signs to be included both in a paper as in a digital pattern to compile all information necessary to make a bag. This will help readers with the second part, as the book guides them through the main construction techniques for each type of bag, explaining sides, handles, flaps, linings and bottoms in meticulous detail, giving tips for a correct realization. Unique in its field, this book is a valuable resource for anyone passionate about or seeking professional growth in this evolving field.

Let these experienced bag designers and makers be your companions on this amazing journey, offering guidance and a wealth of answers to your questions as you unlock your full potential in the art of making handbags of all shapes and sizes.

About the Authors:

Born in Florence in 1992, after finishing high school, Andrea Marcocci immediately entered the world of leather goods as a cutter. Year after year, thanks to his curiosity and resourcefulness, he mastered all the operational aspects of the trade, thus enriching his experience. From the moment he knew this was the right job for him, he began attending evening specialisation courses at different fashion schools in and around Florence, including a basic course in leather goods, a traditional modelling course, and a CAD modelling course, acquiring the foundations and skills he needed to gain technical expertise in the leather goods field. He soon began designing bags for the biggest names in haute couture. Born in Florence in 1993, as an architecture student in search of her future job, Elisa Cigna enrolled in a basic course in leather goods and then a traditional patternmaking course at a local school, winning the end-of-course contest with the 'Florentia' bag inspired by the Church of Santa Maria Novella. This was followed by her first job opportunity at an international brand, where she met her colleague, Andrea Marcocci. Her goal is to continue to develop as a bag model maker and grow in this sector, increasingly expanding her knowledge and skills.

The first Vreeland book to focus on her three decades at Harper’s Bazaar, where the legendary editor honed her singular take on fashion.  

In 1936, Harper’s Bazaar editor in chief Carmel Snow made a decision that changed fashion forever when she invited a stylish London transplant named Diana Vreeland to join her magazine. Vreeland created “Why Don’t You?” — an illustrated column of irreverent advice for chic living. Soon she was named the magazine’s fashion editor — a position that Richard Avedon later famously credited Vreeland with inventing.  

The troika of Snow, legendary art director Alexey Brodovitch, and Vreeland formed a creative collaboration that continued Harper’s Bazaar’s dominance as America’s leading fashion magazine. As World War II changed women’s role in society, Vreeland’s love for fashion and endless imagination provided exciting, modern imagery for this new paradigm. This book covers Vreeland’s three-decade tenure at Bazaar, revealing how Vreeland reshaped the role of the fashion editor by introducing styling, creative direction, and visual storytelling. Her innovative perspective and creative working relationships with photographers such as Richard Avedon, Cecil Beaton, Louise Dahl-Wolfe, Lillian Bassman, and Hoyningen-Huene brought the American woman into a modern world.

Through more than 300 images from the magazine, this book shows how Vreeland’s work not only influenced her readership, but also forged the path for modern fashion storytelling that endures today.

About the Author:

Alexander Vreeland is the grandson of Diana Vreeland and the president of Diana Vreeland Parfums and the Diana Vreeland Estate. He is the author of Diana Vreeland Memos: The Vogue Years.

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Пролистать книгу Diana Vreeland: the Modern Woman: The Bazaar Years, 1936-1962

A tribute to the creative vision and feminist philosophy of Diane Von Furstenberg and her eponymous brand, whose iconic wrap dress, created fifty years ago, remains a conduit of personal expression and self-empowerment for women across the globe.

In 1972, Diane von Furstenberg created a chic and universally flattering ready-to-wear jersey wrap dress that launched her career and would forever change the landscape of women’s fashion. Since then DVF, the woman and the brand, have created designs that empower and promote a woman’s sense of self, weaving feminism and activism into the brand’s DNA.

This visually vibrant tome, which accompanies an exhibition held in von Furstenberg’s hometown of Brussels, features nostalgic and contemporary photographs of her journey as a designer. Printed with three different luxe paper stocks withvarying inserts in each chapter, this book features beautiful graphicfabrics flooding each page, alongside numerous images of the wrap dressworn by von Furstenberg and models Jerry Hall, NaomiCampbell, and Cindy Crawford. Original essays discuss the intersection of Von Furstenberg and her designs with feminism, gender politics, and entrepreneurship, with personal anecdotes from collaborators like model Cindy Crawford and entrepreneur Stefani Greenfield. Unique and contemporary, this is a story of the inimitable designer, her brand, and the significant role of a single dress that continues to inspire generations of women.

About the Author:

Nicolas Lor is the Head of Exhibitions and Publications at the Brussels Fashion & Lace Museum and the curator of the Diane Von Furstenberg: Woman Before Fashion exhibition held from April 23, 2023, to July 1, 2024. Diane von Furstenberg is a Belgian fashion designer and founder of her eponymous global luxury lifestyle brand.

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Пролистать книгу Diane Von Furstenberg: Woman Before Fashion​ на сайте издательства.

The first exploration of the two decorators who worked closely with Christian Dior and translated the spirit of the New Look into interior design

Dior and His Decorators is the first work on the two interior designers most closely associated with Christian Dior. Like the unabashedly luxurious fashions of Dior’s New Look, which debuted in 1947, the interior designs of Victor Grandpierre and Georges Geffroy infused a war-weary world with a sumptuous new aesthetic — a melding of the refined traditions of the past with a wholly modern sense of elegance. Author Maureen Footer recounts the lives and work of this influential trio, illustrated with a trove of evocative vintage photographs. Grandpierre designed Dior’s first couture house, creating not only the elegantly restrained look of the salons but also the template for the Dior brand, including typeface, logo, and packaging. Both Grandpierre and Geffroy (who worked independently) designed the interior of Dior’s townhouse. After the couturier’s untimely death in 1957, Grandpierre and Geffroy went on to design salons for other couturiers, as well as homes for the likes of Yves Saint Laurent, Marcel Rochas, Gloria Guinness, Daisy Fellowes, and Maria Callas.

About the Author:

Maureen Footer is an interior designer and the author of George Stacey and the Creation of American Chic. Hamish Bowles is the European editor at large for American Vogue.

In this exquisite book, the watercolors and collages of Mats Gustafson replace the camera to capture the spirit and beauty of Dior.

While illustration was an essential element in promoting fashion in the first half of the twentieth century, photography has been the medium of choice since the 1970s. So when Dior approached Swedish illustrator Mats Gustafson in 2012 to portray its collections, it was a return to the elegance of fashion’s earliest mode of expression. Dior by Mats Gustafson presents this inspired collaboration for the very first time.

Infused with a sophisticated charm, Gustafson’s vibrant watercolors and collages thoroughly capture Dior’s glamorous world, including its haute couture masterpieces, recent contemporary ready-to-wear creations, and celebrated accessories—while echoing the same sense of chic that the house has cultivated for seventy years. A must-have for aspiring illustrators, artists, and fashion aficionados alike, this magnificent tome is, above all, an illustrated ode to the enduring allure of Dior.

About the Author:

Mats Gustafson’s fashion and portrait illustrations have been included in numerous publications, such as Vogue and Vogue Italia, the New Yorker, and Harper’s Bazaar. His work has been exhibited internationally in solo and group shows.

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Пролистать книгу Dior by Mats Gustafson

Mats Gustafson's newest works are dedicated to the grace and beauty of Maria Grazia Chiuri's creations for Dior.

Seven years after the publication of the first Dior by Mats Gustafson, the Swedish illustrator returns to capturing the sophistication and glamour of the House of Dior. In this sublime volume, Gustafson’s ethereal watercolors and vibrant collages focus on the designs of Maria Grazia Chiuri since her appointment as creative director of Dior in 2016. The book encompasses Chiuri’s tenure through haute couture and ready-to-wear creations from her beginnings to the latest collections. Portraits of models and details of patterns complete the iconography. Celebrating the breadth of style and flair demonstrated by the illustrious fashion brand in recent years, Gustafson’s sophisticated illustrations capture Chiuri’s innovations and are an ode to the enduring allure of Dior. Renewing the refined tradition of fashion illustration this finest piece of bookmaking will be a coveted, indispensable must-have for all lovers of fashion and art, like his first book.

About the Authors:

Mats Gustafson’s fashion and portrait illustrations have been included in numerous publications, such as Vogue and Vogue Italia, the New Yorker, and Harper’s Bazaar. His work has been exhibited internationally in solo and group shows. Holly Brubach is an American journalist and author. She has written for Vogue, the Atlantic, the New Yorker, W magazine, and Vanity Fair and has served as Style Editor for T: The New York Times Magazine. She is the author of several books.

A celebration of the collaboration between two design legends, Christian Dior and Roger Vivier, spotlighting vintage shoes of luxurious glamour.

This beautifully crafted volume highlights the outstanding shoe designs that sprang from the iconic collaboration between two French fashion legends, Christian Dior and Roger Vivier. Spanning from the 1950s, when Monsieur Dior first met the renowned footwear designer, throughout the entire course of this prodigious partnership until the early 1960s, dazzling vintage shoe designs pop off the pages in all their glamorous glory and elaborate modernity.

With over three hundred exclusive photographs of jewel-encrusted slippers, sculptural kitten heels, and other designs embellished with lace, feathers, and more, accompanied by an engaging text penned by shoe historian Elizabeth Semmelhack, this latest title is a must-have addition to the libraries of fashion and shoe lovers everywhere.

About the Authors:

Acclaimed shoe historian Elizabeth Semmelhack is senior curator at the Bata Shoe Museum, Toronto. Gérard Uféras is a leading contemporary French photographer. His works has been exhibited internationally and featured in books such as In the Company of Stars (Rizzoli, 2007) and Dior, 30 Avenue Montaigne (Terre Bleue, 2012).

The first comprehensive overview of the legendary house of Dior, from its founding in 1947 to today, featuring over 180 collections presented through original catwalk photography

On the 70th anniversary of Dior’s first-ever collection (the iconic ‘New Look’, launched in spring 1947), this book charts Christian Dior’s fabled collections and those of his successors Yves Saint Laurent, Marc Bohan, Gianfranco Ferré, John Galliano, and Raf Simons, as well as Maria Grazia Chiuri’s debut presentations for the house.

Every haute couture collection is represented, as are ready-to-wear collections from the arrival of John Galliano onwards. Complete with an introduction and designer profiles by Alexander Fury, this book offers a unique opportunity to chart the development of one of the most influential and luxurious fashion brands of all time and discover rarely seen creations.

With over 1,100 images, this treasure trove of inspiration will be the must-have reference for all fashion professionals and Dior fans.

Contents List:

• Introduction: Looking To The New
• 1947: S/S 1947: Haute Couture The ‘New Look (‘Corolle’ and ‘8’ Lines)
• A/W 1947–1948: Haute Couture ‘The New Look Pushed to Extremes’: 1948
• S/S 1948: Haute Couture The ‘Zig-Zag’ & ‘Envol’ Lines
• A/W 1948–1949: Haute Couture The ‘Ligne Ailée’ (Winged Line)
• 1949: S/S 1949 Haute Couture The ‘Trompe L’œil’ Line
• A/W 1949–1950: Haute Couture The ‘Milieu du Siècle’ (Mid-Century) Collection
• 1950: S/S 1950 Haute Couture The ‘Ligne Verticale’ (Vertical Line)
• A/W 1950–1951: Haute Couture The ‘Ligne Oblique’ (Oblique Line)
• S/S 1951: Haute Couture The ‘Ligne Naturelle’ (Natural Line)
• A/W 1951–1952: Haute Couture The ‘Ligne Longue’ (Long Line)
• S/S 1952: Haute Couture The ‘Ligne Sinueuse’ (Sinuous Line)
• A/W 1952–1953: Haute Couture The ‘Ligne Profilée’ (Profile Line)
• S/S 1953: Haute Couture The ‘Ligne Tulipe’ (Tulip Line)
• A/W 1953–1954: Haute Couture The ‘Ligne Vivante’ (Living Line)
• 1954 S/S 1954 Haute Couture: The ‘Ligne Muguet’ (Lily of the Valley Line)
• A/W 1954–1955: Haute Couture The ‘H’ Line
• 1955 S/S 1955: Haute Couture The ‘A’ Line
• A/W 1955–1956: Haute Couture The ‘Y’ Line
• 1956 S/S 1956: Haute Couture The ‘Ligne Flèche’ (Arrow Line)
• A/W 1956–1957: Haute Couture The ‘Ligne Aimant’ (Magnet Line)
• 1957 S/S 1957 Haute Couture The ‘Ligne Libre’ (Free Line)
• A/W 1957–1958: Haute Couture The ‘Ligne Fuseau’ (Spindle Line)s

About the Authors:

Alexander Fury is chief fashion correspondent at T: The New York Times Style Magazine, and was formerly Men’s Critic for vogue.com. He was fashion editor of the Independent, I and the Independent on Sunday from 2013 to 2016, and was named one of InStyle magazine’s 20 most powerful people in fashion in 2015.

Adélia Sabatini is Commissioning Editor for fashion at Thames & Hudson and a former contributor to Glass and Apollo magazines.son and a former contributor to Glass and Apollo magazines.

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«Dior Catwalk: The Complete Collections» – это первый развернутый обзор легендарного дома Dior, с момента его основания в 1947 году и досегодняшнего дня. В книге представлено более чем 180 коллекций, с оригинальными фотографиями с подиума.

Издание выпущено к 70-й годовщине первой коллекции дома Диор – культового «Нового взгляда» (1947 г.) На страницах книги содержатся легендарные работы самого Кристиана Диора, а также его приемников: Ив Сен-Лорана, Марка Бохана, Джанфранко Ферре, Джона Гальяно и Рафа Саймонса, а также дебютные презентации Марии Грации Чиури.

Книга «Dior Catwalk: The Complete Collections» демонстрирует все коллекции от кутюр, в том числе – с момента появления Джона Гальяно. Совместно с введением и биографиями дизайнеров от автора Александа Фьюри, эта книга предоставляет уникальную возможность изучить все этапы развития одного из самых влиятельных и роскошных модных брендов всех времен и открыть для себя редкие модели одежды. С более чем 1100 снимками, эта сокровищница вдохновения станет обязательным справочником для всех профессионалов моды и поклонников Dior.

Об авторе:

Александр Фьюри, главный модный корреспондент «T: The New York Times Style Magazine», ранее был критиком «Men для vogue.com». Также он был модным редактором «Independent» с 2013 по 2016 год. Александр был удостоен званияодного из 20 самых влиятельных людей моды, по версии In Style, в 2015 году.

Аделия Сабатини является модным редактором в Thames&Hudson, а также бывшим сотрудником Glass и Apollomagazines.son и журналов «Glass и Apollo».