Книги о моде и фэшн дизайне

A handbook for clothing designers, stylists and fashionistas, this dashing publication uses beautiful illustrations and drawings to highlight the design and key details of various forms of contemporary clothing, such as coats, jackets, shirts, tops, blouses, dresses, trousers, shorts and skirts. Traditional and contemporary materials, colours and textures for different styles are also listed. This atlas will help designers in their work, no matter which creative method of costume design they choose: inversion, analogy, empathy, fantasy, creating new combinations and problem-solving. It is meant to be a source of inspiration and a useful tool for artists and designers working with clothing, and will be of interest to anyone who is passionate about fashion and style.

This unprecedented volume accompanies the first exhibition to consider the impact of Spain’s culture, history, and art on one of its greatest designers of the twentieth century, the legendary Balenciaga. Hailed as "Fashion’s Picasso" by Cecil Beaton, Cristóbal Balenciaga (1895–1972) created an innovative oeuvre that transformed the way women dressed. From the opening of his Paris fashion house in 1937 until his retirement in 1968, Balenciaga’s visionary, ever-evolving designs and impeccable standards seduced generations of the most iconic, best-dressed women in the world, including the Duchess of Windsor, Gloria Guinness, Pauline de Rothschild, Mona Bismarck, Princess Grace of Monaco, Doris Duke, Diana Vreeland, and Queen Fabiola of Belgium. For Diana Vreeland, the designer’s "inspiration came from the bullrings, the flamenco dancers, the loose blouses the fishermen wear, the cool of the cloisters." Exploring the profound and enduring influence of Balenciaga’s native country on his work, this book considers the influences of Spain’s greatest artists, from Zurbarán, Velázquez, and Goya to Picasso and Miró. It also investigates the impact of Spain’s religious dress and ceremony, its royal history, its rich regional costume, its dance traditions, and the power and splendor of the bullfight on the protean Balenciaga’s designs. This illuminating and lavishly illustrated volume will be a must-have for art and fashion connoisseurs.

About the Author:

Hamish Bowles is the European editor at large for Vogue and is recognized as one of the most respected authorities on the worlds of fashion and design. He has written many books, including Jacqueline Kennedy: The White House Years (2001); Carolina Herrera: Portrait of a Fashion Icon (2004); Vogue Living: Houses, Gardens, People (2007); Yves Saint Laurent Style (2008), and The World in Vogue: People, Parties, Places (2009).

Cristobal Balenciaga's black couture dresses, capes, and coats delighted the society of his day as they changed the future of fashion. Here, lush new photography paired with archival images and sketches will delight readers in revealing the subtle tones and extraordinary detailing of the couturier's masterpieces in black.

Balenciaga in Black explores the creative genius of Cristóbal Balenciaga, "the couturier's couturier" -- the fashion designer revered by all other fashion designers. Black served as inspiration and guiding principal for the legendary dressmaker and provided a rich canvas for this extraordinary technician, allowing him to develop new textures and innovative shapes. To Balenciaga black was a vibrant material, alternately opaque or transparent, matte or shining, combined in sumptuous fabrics and undergirding the apparent simplicity of his cuts.

Pierre Even's photography of Balenciaga's masterworks, produced specifically for this catalog, capture these subtle gradations in tone and lush details with contemporary precision. Fifty pieces from the Galliera Collection and the Balenciaga archives, including daywear, cocktail dresses or evening ensembles, lined in silk taffeta, fringed with satin ribbons, jet pearls, sequins, are revealed as never before. These contemporary photographs are presented alongside historical portfolios by legendary fashion photographers Richard Avedon, Henry Clarke, and Irving Penn to form three distinct sections: Balenciaga's volumes, interplay of black and light, and combinations of black with subtle colors. Balenciaga's specific materials and shapes are further illuminated by texts, sketches, and detailed captions.

About the Author:

Olivier Saillard is one of fashion's premier historians and curators. He has curated some of the most innovative and exclusive fashion exhibitions at the Musée de la Mode in Paris and Marseille, the Musée Bordelle and the Victoria & Albert museum in London.
Pierre Even, a French photographer trained at the National School of Photography in Arles, quickly became known for his black and white portraits. In 2014, he published Eden (Editions Kehrer), whose photographs were also the subject of an exhibition at the Consortium in Dijon (October 2014-January 2015).

An exquisite photography book featuring the collaborative work of fashion photographer Tom Kublin and renowned haute couture designer Cristóbal Balenciaga.

This is the first book to document the short yet prolific artistic career of fashion photographer and filmmaker Tom Kublin, and a celebration of his creative union with Cristóbal Balenciaga during the fashion house’s postwar heyday in Paris. More than 140 photographs and film stills by Kublin capture the golden age of Balenciaga couture in the 1950s and 1960s, from the impeccable elegance of the collection shoots – including exclusive film footage of Balenciaga himself at work – to striking covers and editorials for high-profile magazines.

The book begins with a foreword by the photographer’s daughter, María Kublin, and continues with a biography by Ana Balda, charting Kublin’s career, his place in the artistic milieu of the European avant-garde, and his working relationship with Cristóbal Balenciaga. Miren Vives, head of the Cristóbal Balenciaga Museum, also contributes.

Additional texts come from the fashion industry professionals who worked with and knew Kublin best: an interview with his partner and muse, the model Katinka Bleeker; memories from the Italian fashion photographer Gian Paolo Barbieri, who began his career as Kublin’s assistant in Paris in the 1960s; and a piece by Lydia Slater, editor-in-chief of Harper’s Bazaar UK, who looks back on Kublin’s work for the magazine at a pivotal time in its history.

Honouring the successes and innovations of Tom Kublin’s stellar career, this book records for posterity his contribution to fashion photography and to the iconography of the House of Balenciaga.

About the Authors:

Dr Ana Balda is a fashion curator and associate lecturer at the University of Navarra, where she teaches Fashion and Fashion Illustration. Together with María Kublin, she co-curated the exhibition ‘Tom Kublin for Balenciaga. An Unusual Collaboration’ at the Cristóbal Balenciaga Museum in 2022. María Kublin is the daughter of fashion photographer Tom Kublin and fashion model Katinka. María works as an independent curator and has curated many art and photography exhibitions.

A gorgeously illustrated look at the profound influence that classical ballet and the ballerina have had on high fashion

Ballerina: Fashion’s Modern Muse is a revelatory, irresistible treat for dance aficionados and fashionistas alike. Couturiers such as Balmain, Balenciaga, Chanel, Schiaparelli, Charles James, Dior, and Yves Saint Laurent designed ballet-inspired dresses and gowns, many featuring the boned bodices and voluminous tulle skirts of classical tutus. American ready-to-wear designers such as Claire McCardell found inspiration in ballet leotards and other practice clothing, creating knitted separates, bathing suits, and wrap dresses.

Written by fashion and ballet experts, the book is illustrated with archival photography by such masters as Richard Avedon, Edward Steichen, Irving Penn, Man Ray, and Cecil Beaton, along with newly commissioned photography of contemporary ballerinas wearing ballet-influenced couture.

About the Author:

Patricia Mears is deputy director of The Museum at FIT. Laura Jacobs is a dance critic, fashion writer, and novelist. Jane Pritchard is curator of dance, theatre and performance at the Victoria and Albert Museum, London. Rosemary Harden is manager of the Fashion Museum in Bath, England. Joel Lobenthal is a dance critic and historian.

Barbie looking her very best!

For the press tour following the record-breaking release of Greta Gerwig’s award-winning, acclaimed Barbie movie, producer and star Margot Robbie and her stylist Andrew Mukamal immersed themselves in some of Barbie’s most iconic outfits and curated vintage pieces, then approached designers, from Giorgio Armani to Donatella Versace, to create looks inspired by the doll-size originals. Many of these looks were not seen as the official Barbie press tour was cut short — so Margot and Andrew worked with renowned fashion photographer Craig McDean to shoot her in the looks exactly as they were curated: Schiaparelli in Los Angeles, Vivienne Westwood in London, vintage Chanel with matching Steamline luggage at the airport, and beyond.

Accompanying McDean’s sumptuous photography are original Barbie dolls from the period, a treasure trove of rare materials from Mattel’s Barbie fashion archives, and the designers’ sketches and Polaroids from fittings, layered into evocative collages by Fabien Baron, who conceived and produced the shoots and art-directed the book. With text by Margot Robbie and Andrew Mukamal, as well as handwritten contributions from the designers behind the looks (from Olivier Rousteing and Michelle Ochs to Manolo Blahnik and Jeremy Scott), this unique book blends the serious chic of high fashion with the serious fun of Barbie world — the dolls, the history, and the style that have captured imaginations for 65 years.

BARBIE™ and associated trademarks and trade dress are owned by, and used under license from, Mattel. ©2024 Mattel.

About the Authors:

Margot Robbie is an award-winning Australian actress and producer, whose many roles have included Barbie in Barbie, for which she is currently nominated for a BAFTA, Harley Quinn in the DC Suicide Squad and Birds of Prey films, Tonya Harding in I, Tonya (for which she was nominated for an Academy Award and a BAFTA), Kayla Pospisil in Bombshell (for which she was nominated for an Academy Award and a BAFTA), and Sharon Tate in Quentin Tarantino’s Once Upon a Time in Hollywood (for which she was nominated for a BAFTA).  Under her LuckyChap banner, Robbie also produced Barbie, Promising Young Woman, Birds of Prey and I, Tonya, among many others, including 2023’s BAFTA-nominated Saltburn.

Andrew Mukamal is an American fashion stylist and brand consultant, whose work has appeared everywhere from Vogue and Elle to Esquire and Rolling Stone; in advertising for brands such as Gucci and Yves Saint Laurent; and whose clients include Margot Robbie, Zoe Kravitz, Carey Mulligan, and Billie Eilish. Craig McDean is a British fashion photographer now based in New York City, whose editorial work has been featured in magazines such as i-D and The Face, advertising campaigns for Jil Sander and Calvin Klein, and editorial commissions with Harper's Bazaar and Vogue. More recently, McDean has photographed fashion campaigns for clients including Gucci, Giorgio Armani, Emporio Armani, Oscar de la Renta, Yves Saint Laurent, Calvin Klein, and Estée Lauder.

Edward Enninful is the former editor-in-chief of British Vogue.

Margaret Zhang is editor-in-chief of Vogue China.

Greta Gerwig is an award-winning, Oscar- and DGA-nominated American director, writer and actress, whose acclaimed films include Lady Bird and Little Women. She co-wrote (with Noah Baumbach), directed, and executive-produced the global hit, award-winning Barbie.

The Bata Shoe Museum has an extraordinary collection of more than 14,000 artifacts, dating from as far back as 4,500 years to the present day.

Founded by Sonja Bata, the museum is one of the largest shoe collections in the world and is a wonderful source of inspiration for designers across the globe, including Manolo Blahnik, Christian Louboutin, Nicholas Kirkwood, and Sophia Webtser, among others. The forty-four shoes featured in this volume are among the most important in the collection and display a fantastic array of styles.

The Bata Shoe Museum is located in Toronto, Canada, in a gem of a building designed by Canadian architect Raymond Moriyama. Since its opening in 1995, the museum has welcomed more than two million visitors to more than forty exhibitions. It is also renowned for its ground-breaking research and is consistently celebrated as one of the top fashion museums in the world.

About the Author:

Elizabeth Semmelhack is the creative director and senior curator of the Bata Shoe Museum, and her work focuses on the intersections of fashion, economics, and gender with a particular interest in the history of footwear. She has curated over twenty exhibitions for the Bata Shoe Museum, including the blockbuster traveling exhibition The Rise of Sneaker Culture and the ground-breaking exhibitions Standing Tall: The Curious History of Men in Heels, On a Pedestal: Renaissance Chopines to Baroque Heels and Heights of Fashion: A History of the Elevated Shoe, each with an accompanying publication.

From graphic identities to visual campaigns, Behind Collections® introduces nearly 130 clever works, all stand out due to the unique method of craftsmanship that was used to execute the fashion brand’s and design concept. The fashion industry has always been a co-existing world for influential figures and fresh young talent, where these two sides relentlessly run into each other with their vision and talent. But then there are visual designers who help consolidate designers’ cryptic ideas in symbolic imagery and artefacts. Great creative synergy essentially leads to startlingly beautiful invitations, lookbooks and display settings that fascinate appreciative eyes.

Whether it is street fashion or high culture, these works captured the essence of the designers’ concept and highlighted it furthermore with graphics, printing, and art directions. In four chapters, this book follows unique styles that designers created for department stores, eye-catching young labels and the likes of Dries van Noten, Ann Demeulemeester, Hermés, Maison Martin Margiela, Issey Miyake, Acne Studio and many others.

Celebrating 250 years of family tradition in shoemaking, Old Mills Never Die explores the past, present and future of one of the world’s most remarkable and democratic footwear brands.

From dedicated customers who buy and re-buy their beloved shoes throughout their lives to collaborations with luxury houses such as Dior and Valentino, Birkenstock both sets and transcends trends, offering something for everyone — and for everyone the same: quality, comfort and sustainability.

Old Mills Never Die comprises five books of varied size and design, each reflecting a different aspect of the Birkenstock universe. In “Walk This Way” Henry Leutwyler photographs the little-known treasures of Birkenstock’s archive. In “Factories” Werner Bartsch documents some of the Birkenstock works and their over 6,000 employees who combine the most advanced production technology with traditions of hand craftsmanship. Juergen Teller captures Birkenstocks as the ultimate fashion object on the feet of everyday people in “Golborne Road.” “Graphic Designer” reveals the pioneering graphic art and typography of Carl Birkenstock (1900–82). Finally, the “Book of Birkenstock” is an ambitious timeline of the company from 1774 till today.

Wrapped in a Furoshiki cloth and packed in a wooden box, Old Mills Never Die is the first publication to comprehensively present Birkenstock’s ongoing story and place in cultural history — in its own words, “often copied, never equaled.”

Drawing inspiration from Indonesia’s rich heritage, fashion designer Biyan Wanaatmadja’s first book is a master class in ethereal elegance. Indonesia’s most celebrated fashion designer, Biyan Wanaatmadja, learned his craft in Germany at M. Müller & Sohn and in England at the London College of Fashion before returning to Indonesia to launch his acclaimed label BIYAN. Combining classic and sophisticated tailoring with a profound appreciation for the handcrafting traditions of his home country such as batik, weaving, and embroidery, Biyan creates a feminine, fairy-tale–like look that is at once romantic, captivating, and modern. Refined and enchanting, this book serves as a gorgeous introduction to the singular oeuvre of the lauded designer and will be a must-have for fashion lovers.

About the Author:

After studying in Germany and London, Biyan Wanaatmadja began to produce his own designs in a small atelier in Surabaya, Indonesia, and has been based in Jakarta since 1986. His first clothing line, BIYAN for women, began in 1984, followed by the diffusion line STUDIO 133 BIYAN in 1985 and BIYAN Bride in 2005. Natasha Fraser-Cavassoni is the author of Sam Spiegel, Tino Zervudachi: A Portfolio, and Dior Glamour. Marc Ascoli is the art director responsible for the image branding of Jil Sander, Yohji Yamamoto, and Chloé, among others.

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Пролистать книгу Biyan

A stunning and comprehensive look at the indelible contribution of Black designers, models, scene-makers, and stylists to fashion history, from “the bible of fashion”—WWD.

Black in Fashion is a celebration of Black voices in fashion as captured by Women’s Wear Daily contributors and photographers since the publication’s inception in 1910. WWD is showcased here with more than 375 black-and-white and color photographs, illustrations, and articles from its massive archive. The book, written by Tonya Blazio-Licorish and Tara Donaldson, explores the contributions of trailblazing designers like Stephen Burrows and Virgil Abloh, whose philosophy inspired a new generation to interact with fashion differently; pioneering models like Naomi Sims, who in 1969 at age twenty-one launched Naomi Inc., a cosmetics company catering to Black women; and celebrities and multi-hyphenates like Josephine Baker, whose approach to fashion in the 1920s single-handedly changed and challenged the influence of Black culture on a global scale. In-depth profiles on Black creatives throughout the fashion world — and on key topics such as the Black is Beautiful movement — punctuate the lavish pages as well, in addition to original interviews with notables and a foreword from acclaimed American designer Tracy Reese. 

Black in Fashion is an incomparable celebration of Black fashion from the ultimate voice of authority.

Curated from the expansive archives of the legendary WWD, this visually stunning and groundbreaking work unveils the remarkable legacy of Black trailblazers whose style and vision have left an indelible mark on the fashion industry.Perfect for those looking for fashion books, fashion coffee table books, or Black history books, Black in Fashion is a must-have for fashion and history enthusiasts alike.

About the Authors:

WWD (Women's Wear Daily) has brought readers breaking news about the fashion industry, designers, and celebrity trend-setters, as well as extensive coverage of fashion week, since 1910. It is the flagship publication of Fairchild Media, owned by PMC (Penske Media Corporation).

Tonya Blazio-Licorish is an archives editor with PMC Media Archives and a visual culture historian with more than 15 years of experience in creative fields. Her research examines fashion's history as it relates to culture and society. Tonya has contributed articles to WWD, and holds a Master of Arts in Visual Culture: Costume Studies from New York University. She lives in New York.

Tara Donaldson has more than 15 years reporting on the fashion industry, most recently as executive editor of WWD and head of diversity, equity, and inclusion for Fairchild Media. She has covered culture and social impact inclusive to the fashion conversation. She holds a Master of Arts in journalism from Syracuse University’s S.I. New House School of Public Communications. She lives in New York.

An exhilarating look at the quintessential American modernist, acclaimed for her "Auntie Mame" lifestyle, her iconoclastic approach to fashion, and her visionary designs for the modern American woman. A talented artist who happened to become a fashion designer, Bonnie Cashin was brilliant, free-spirited, and unconventional in all she did. Revered for her intellectual and independent approach to fashion, Cashin changed the way women dressed with her revolutionary, forward-thinking approach to life. She designed chic, functional clothing for the modern woman "on the go"—women like herself who loved to travel and lived life to the fullest. The most successful independent fashion designer of her day, Cashin worked outside the fashion industry, yet is arguably the most influential designer of our time, revered in the fashion world and a muse for designers working today. Cashin is credited with many fashion "firsts," including introducing the concept of layering and championing such timeless shapes as ponchos, tunics, and kimonos. She is acclaimed for inventing the "it bag," with her classic handbag designs for Coach in the early 1960s. Brimming with a half-century of creative work, Bonnie Cashin celebrates the designer’s incredible, well-traveled life and her revolutionary designs with an unflinching, happy elegance.

About the Author:

Stephanie Lake holds a PhD from Bard Graduate Center, where she wrote her dissertation on Cashin. She maintains Cashin’s personal archive and has curated Cashin retrospectives around the globe. A jewelry designer, Lake’s work has been featured in Vogue, WWD, Harper’s Bazaar, Elle, and the New York Times. Jonathan Adler is a potter, designer, and home decorative arts guru.

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Пролистать книгу Bonnie Cashin: Chic Is Where You Find It

A luxuriously illustrated book published to follow the historic and elegant Borbonese brand. This highly collectible volume takes a look at the lavish world of Borbonese, the historic Italian brand founded in Turin in 1910 that produces luxury handbags, jewelry, and accessories, combining the finest materials and manufacturing techniques with expert craftsmanship.  

With a history spanning more than a century, Borbonese designs remain classic and timeless, with the O.P. (partridge-eye) print as the brand’s symbol and trademark. It is this unique texture presented in innovative ways, along with other distinctive elements on their iconic handbags, which have helped define Borbonese as one of the most distinguished brands in Italian fashion. 

Borbonese is known for their beautiful bags and scarves, still synonymous with quality and high style; however, the accessories range has evolved over time to include clothing and leather garments, as well as goods for the home, for a style that represents true “global living.” The book is divided into four chapters, each introduced by a different writer, which correspond to the animals that inspire Borbonese’s classic designs: the butterfly, partridge, owl, and horse.

About the Author:

Ginevra Elkann is an author, curator, producer, and director based in Italy. She is on the advisory board of Christie’s and also serves as vice president of the Pinacoteca Giovanni and Marella Agnelli, Turin. Since June 2008, she has been a member of the Comité d’Acquisition and the Comité Executif of the Cartier Foundation in Paris.

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Пролистать книгу Borbonese: Inspirations

In 2002, Tomas Maier, Bottega Veneta’s Creative Director, launched the Art of Collaboration — a project that invites a world-renowned photographer or contemporary artist to collaborate on the Italian brand’s campaign for each season. With more than a thousand photographs, this book chronicles the comprehensive series of creative partnerships since the beginning.

Divided by each seasonal campaign from 2002 to 2016, Bottega Veneta: Art of Collaboration documents the collaborations between Tomas Maier and all the artists who have contributed to the creation of Bottega Veneta’s advertising portfolio including Lord Snowdon, Annie Leibovitz, Peter Lindbergh, Steven Meisel, Robert Longo, Nan Goldin, Nick Knight, Philip-Lorca diCorcia, and others.

These creative individuals translate Bottega Veneta’s timeless and refined elegance into beautifully cinematic campaigns season after season. Tomas Maier, whose résumé includes positions at Sonia Rykiel and Hermès, joined Bottega Veneta in 2001 as Creative Director and re-established the original identity of the brand founded in Vicenza in 1966, focusing on its values and original motto, “When your own initials are enough.” Since joining, Maier guided the company with his distinctive vision of functional design and holistic creativity built around the dynamism of the collaborative process. Collaboration at Bottega Veneta is not only a meaningful alliance between the creative vision of its designer and the innovative techniques of the Italian master craftspeople, but extends to the way Bottega Veneta partners with talents on its advertising portfolio, and other initiatives.

Featuring some of today’s brightest visionaries working in photography, often from outside the world of fashion, Bottega Veneta: Art of Collaboration illustrates how they have each interpreted the house’s modernist aesthetic and material elegance, resulting in a book that will be an essential volume for photography aficionados.

About the Authors:

Tomas Maier has been the Creative Director of Bottega Veneta since 2001, and he also designs his own label, Tomas Maier. Daphne Merkin is a novelist, essayist, and literary critic. Tim Blanks is an award-winning fashion journalist. Bottega Veneta has established a new standard of luxury since its founding in the Veneto region of Italy in 1966. Steeped in the traditions of Italy’s master leather craftsmen and long celebrated for its extraordinary leather goods, it has recently emerged—under the creative direction of Tomas Maier — as one of the world’s premier high-end lifestyle brands defined by four unchanging principles: outstanding craftsmanship, innovative design, contemporary functionality, and the highest quality materials. The company’s motto, “When your own initials are enough,” expresses a philosophy of individuality and confidence that applies to a range of products including ready-to-wear, shoes, jewelry, fragrances, home, and more.

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Пролистать книгу Bottega Veneta: Art of Collaboration: Art of Collaboration

Inspired by the natural world, sprawling subcultures, and the occasional obscure horror film, Brain Dead is exactly the opposite of what its title suggests. Alive, smart, and keeping their cult fan base guessing.

In 2014 Kyle Ng and Ed Davis founded Brain Dead in sunny LA. Quickly they grew to include a global team of talented artists and designers that captivated the attention of fans worldwide. 

A stakeholder in the underground LA scene, Brain Dead has collaborated with names like Magic The Gathering, the Academy of Motion Picture Arts and Sciences, Marvel, and NTS Radio; brands including Reebok,Converse, A.P.C., the North Face, Asics, Dickies, Kiko Kostadinov, and Oakley. 

This book chronicles the formation and development of the brand as it has evolved to work with an exciting roster of artists, musicians, filmmakers, and designers. 

Brilliantly designed with an edge of classic underground zine culture, this volume is teeming with all of Brain Dead’s magical creations. 

An essential read for anyone looking for a window into a more inspired world.

About the Author:

Brain Dead is a creative collective of artists and designers from around the world.

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Пролистать книгу Brain Dead: Clothing for a Curious Life