Книги о моде и фэшн дизайне

From the birth of clothing to modern menswear, this work reveals fashions role in monarchies, military regimes, dictatorships, and the birth of democracy.

From the advent of the first civilizations along the Euphrates, Indus, and Nile Rivers, as well as in China, clothing has not only offered protection from the elements, but has served as an expression of political power and its allocation throughout society.

From tribes to royalty, dictatorships to democracies, ones manner of dressing reveals as much about a societys structures as about the different identities and communities that it encompasses.

From ceremonial dress to fur coats, tribal paint, feather headdresses, or even grass skirts, finery conveys the power of its wearer. While so-called naked societies use ocher, feathers, Tapa cloth, or shells to demonstrate social standing, elsewhere gold, pearls, and other precious materials may be used to show an individuals importance. By studying the evolution of costume throughout history, we gain insight into the changes at the heart of communities, from East to West, via the first peoples of Africa and the Amazon basin.

The desire to dazzle and differentiate oneself via excessive luxury and adornment, or conversely the wish to conform, ones regalia says as much about an individual as about the society in which they live as leader, king, or ruler.

This volume covers the vast spectrum of regalia and the powerful figures who have worn it throughout the ages.

From the ceremonial robes of Chinese emperors, to the painted Nubas in Africa, via the trends of different European courts that gave rise to the modern male suit, the social aspects of clothing are explained in detail in this richly illustrated volume.

Prada is the first book that documents three decades of ground-breaking fashion, architecture, film and art by the Prada company, including the work of the design studio and the workshop; extensive creative partnerships with photographers, designers, architects and film directors; and large scale architectural commissions, the Fondazione Prada, and the development of a new museum.

Among the many features of this rich innovative book with its thousands of images are a photo-essay by renowned photographer Brigitte Lacombe, stills taken from short films documenting the craftsmanship of the factory, images of the unique fashion show environments, an overview of all Miuccia Prada's collections with thumbnail pictures of 3,885 different “looks,” collages of the most influential shoe and bags, photographs of the final product on the runway, celebrated store designs in New York and Los Angeles by Rem Koolhaas/OMA and in Tokyo by Swiss architects Herzog & de Meuron, a film collaboration with director Ridley Scott, Koolhaas’s radical “Prada Transformer” pavilion in Seoul, costume designs for a Japanese manga heroine, Prada found on the street and celebrities photographed on the red carpet, and blogs expressing the almost fanatical devotion of lovers of the brand.

Prada both chronicles and epitomizes the achievements of one of the world's most influential and enlightened fashion and design companies.

Founded in 1913, Prada has evolved into a brand with a unique ability to embed thought-provoking, clever ideas in totally pleasurable objects — from shoes and bags to coats, dresses, and skirts, the clothing makes a statement. And Pradasphere — both in its package and content — does the same.

Pradasphere is a collection of archival objects arranged to reveal the complex, often- intertwined obsessions of one of the world’s most influential designers. The book takes you on an aesthetic journey that spans the past 30 years. Exclusive photographs of clothing and accessories illustrate Prada’s design narrative and show the exquisite craftsmanship and materials behind the creations. Pradasphere also explores Prada’s culture, including advertising photography, architecture, and commissioned films by directors such as Wes Anderson and Ridley Scott.

About the authors:

Michael Rock is a founding partner and creative director at 2x4 and director of the Graphic Architecture Project at the Columbia University Graduate School of Architecture, Planning and Preservation.

Stephanie Murg is the editor of UnBeige, a design blog that has been featured in the New York Times and Newsweek. She writes about art and all forms of design.

The relationship between print and high fashion has never been more potent. Fashion is fuelled by the desire for change, and developments in print, texture and finishes are lending themselves to a radical shift in fashion in the 21st century. Marnie Fogg explores cutting-edge print design for fashion through the eyes of the designer by investigating the design process, looking at sources of inspiration and the effects of innovative developments in print technology. With interviews and exclusive archive material from renowned fashion and textile designers such as Eley Kushimoto, Jonathan Saunders, Paul Smith and Consuelo Castiglioni for ltalian fashion label Marni, this book explores the synergy between garment and print, From the perennial influence of nature on print design, through folkloric and fantasy inspired print to graphic and abstract designs and finally the power of vintage, this is an essential guide to understanding print in fashion today.

Assouline presents the autobiography of Giancarlo Giammetti, Valentino s trusted business partner for fifty years.

Beginning with his childhood in Rome under Nazi occupation and his chance meeting at a café with a certain rising fashion designer, Giammetti shares stories from his remarkable life.his beautiful collector s volume features in-depth interviews, recollections from his personal journals, and a curated selection of exclusive images from Giammetti s archive of 50,000 photos, vividly portraying the exciting world of fashion.

ДЖАММЕТТИ GOES PRIVATE: КНИГА ВОСПОМИНАНИЙ О VALENTINO

Джанкарло Джамметти, бизнес-партнер и, как его часто называют, альтер эго дизайнера Валентино Гаравани, собрал в книгу личный фотоархив за последние полвека.

СЛОВО АВТОРА

Мало кто в курсе, но я всю жизнь занимался фотографией и насобирал около 50 тысяч снимков. Недавно я их пересмотрел и понял: в нашей с Валентино жизни была уйма интересного — таким надо делиться. Лучшее я публикую в книге Private: Giancarlo Giammetti.

The intricately handcrafted paper fashions of Belgian artist Isabelle de Borchgrave will astound readers with their artistry, creativity, and resemblance to the finest couture designs. Exhibition Itinerary: Legion of Honor, San Francisco February 5–June 5, 2011
Published in association with the Fine Arts Museums of San Francisco.

Elizabethan gowns, Renaissance finery, and Fortuny pleats, as well as elaborate headpieces, cascading flowers, and exquisite footwear, are all part of Isabelle de Borchgrave’s oeuvre. The companion volume to a major museum exhibition, this book highlights three of de Borchgrave’s most beloved series: Papiers à la Mode and the Fortuny and Medici collections. A special section focuses on the making of a new work inspired by a portrait in the collection of the Fine Arts Museums of San Francisco. Full-color illustrations of her historically inspired works reveal the painstaking detail that goes into each piece and the whimsical magic that transforms a simple material into the most luxurious of garments. Broad in its appeal, this lovely volume will fascinate anyone interested in fashion, costume history, paper, and design.

Since its origins in the 1970s, punk has had an incendiary influence on fashion. With its eclectic mixing of stylistic references, punk effectively introduced the postmodern concept of bricolage not only into directional ready-to-wear but also into the elevated precincts of the haute couture. As a style, punk was about chaos, anarchy, and rebellion. Drawing upon a corpus of sexual and political imagery that was deliberately intended to shock, provoke, and confront, punks made fashion overtly hostile and threatening. This aesthetic of violence - even of cruelty - was intrinsic to the clothes themselves, which were often customized with rips, tears, and slashes and such savage and sadistic hardware as studs, spikes, chains, buckles, zippers, D-Rings, padlocks, safety pins, and razor blades.

"PUNK: Chaos to Couture" examines the impact of punk's aesthetic of brutality on high fashion, focusing especially on its do-it-yourself, rip-it-to-shreds ethos, the antithesis of couture's made-to-measure exactitude. Indeed, punk's democracy stands in direct opposition to fashion's autocracy in which trends are driven by the artistic expression of the designer rather than by the dictates of the wearer. Yet as this book reveals, even the haute couture has readily appropriated the visual and symbolic language of punk, replacing beads with studs, paillettes with safety pins, and feathers with razor blades in its attempt to capture and reflect the style's youthful rebelliousness and aggressive forcefulness.

Focusing on high fashion's embrace of punk's aesthetic vocabulary, this extraordinarily designed and produced book reveals how the quintessential anti-establishment style has been co-opted, exploited, and transformed by designers in their search for new ideals of beauty and new definitions of fashionability.

Пролистать книгу Punk: Chaos to Couture на Google books

The landmark volume celebrating the life and work of Ralph Lauren, now available in a smaller, more portable edition. Unlike many designers, Ralph Lauren is not known for a single signature look, but rather for his sweeping dreams of American living. Over the course of his career, the images of luxury, adventure, and beauty that he created have come to define American style.

In this visually stunning book, Lauren speaks candidly about himself and his art. In part one, we get to know the designer through never-before-seen pictures of him in private life and with his family, living the lives he designs for. In his own words, we hear about his life, work, and inspiration.

In the second part, Lauren displays and writes about his most important, most iconic, and most beloved work, hand-picked from hundreds of runway shows, collections, and his signature cinematic advertising campaigns. Lauren’s aesthetic influence and unique design sensibility are captured here by fashion’s finest photographers, including Bruce Weber, Deborah Turbeville, and Patrick Demarchelier.

Now available to a larger audience at a more accessible price, this unique fashion monograph is a personal expression of the artist and a rare peek into the mind of one of America’s most accomplished fashion designers of all times.

Featuring over 1300 examples of rare vintage clothing, from the swing, counterculture and blank generation eras, detailed photographs and factual stories of the clothes origins, alongside many previously unseen fashion and film stills.

The book traces how these distinct street punk styles were originally put together and worn by the predominant teenage sub-cultures that emerged between 1940 - 1980, and set these kids apart from mainstream fashion. With 50 years’ experience collecting vintage street fashion, costume designer, stylist and former mod, the author, supplied original mod clothing for the 1978 cult film Quadrophenia, before establishing the Contemporary Wardrobe Collection, to provide street fashion for TV and Film. He went on to dress literally hundreds of influential bands, from David Bowie to the Rolling Stones.

The archive now exceeds some 20 thousand items and serves as a valuable resource for leading fashion and film stylists, designers and important museums around the world. Rebel Threads is prerequisite for all lovers of vintage clothing, collectors, fashion students, designers, costumiers and anyone fascinated by the history of street style.

About the Author:

Stylist, costume designer and founder of the Contemporary Wardrobe Collection, Roger K. Burton has dressed numerous stars and worked on a wide range of films including Quadrophenia, Chariots of Fire and Hackers.

The first and only book to showcase a complete sartorial history of the Oscars' red carpet

The red carpet is so much more than fabulous gowns on famous people. It reflects the styles and values of the time, and has become a platform for often trenchant social statements. Red Carpet: Oscars presents over ninety years of fashion worn at the awards ceremony since its inception in 1929. From ready-to-wear to haute couture, it charts what stars and invitees wore across the decades, as well as the emergence of stylists, the commercialization of the red carpet and how fashion has shaped Hollywood.

The book opens with a foreword by Cate Blanchett and an introduction by Giorgio Armani, and then goes on to showcase hundreds of looks across almost a century. Each year is introduced with a short text explaining the era's fashion trends as well as the social and political influences of the day, along with carefully curated images of the most iconic and inspiring outfits.

About the Author:

Dijanna Mulhearn has over thirty years experience in the fashion industry, from event managing fashion week shows to public relations at Prada and executive coaching top-tier executives for leading luxury brands, including Dior and Chaumet. She has written editorial for titles including Harper's BAZAAR, Grazia and Studio and appears regularly on commercial network talk shows as a fashion commentator and is a sought-after public speaker. She is the author of Wardrobe 101: Creating the perfect core wardrobe and Wardrobe 101 for Mums. Having dressed many celebrities, Dijanna is intimate with the process of preparing for a red carpet. With experience in celebrity styling and a Masters degree in Communication Design, Dijanna is an expert in the subliminal language of clothing.

A revelatory look at the influential and enigmatic designer behind Comme des Garçons

The great pantheon of fashion designers produces only a handful of creators who are masters of their métier. Rei Kawakubo of Comme des Garçons is one of them. Widely recognized among her contemporaries as the most important and influential designer of the past forty years, she has, since her Paris debut in 1981, defined and transformed the aesthetics of our time. This lavishly illustrated publication examines Kawakubo’s fascination with interstitiality, or the space between boundaries. Existing within and between dualities — whether self/other, object/subject, art/fashion — Kawakubo’s work challenges the rigid divisions that have come to define received notions of identity and fashionability, inviting us to rethink fashion as a site of constant creation, re-creation, and, ultimately, hybridity. Featuring brilliant new photography, and thought-provoking texts by Andrew Bolton, this book expresses the conceptual and challenging aesthetic of this visionary designer. An insightful interview and illustrated chronology of Kawakubo’s career provide additional context.

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Photography by Nicholas Alan Cope, Inez & Vinoodh, Katerina Jebb, Kazumi Kurigami, Ari Marcopoulos, Craig McDean, Brigitte Niedermair, Paolo Roversi, and Collier Schorr

This catalogue accompanies The Metropolitan Museum of Art Costume Institute exhibition.

''What I've only ever been interested in are clothes that one has never seen before, that are completely new, and how in what way they can be expressed. Is that called fashion? I don't know the answer.'' —Rei Kawakubo

Rei Kawakubo of Comme des Garçons is widely recognized as among the most important and influential designers of the past 40 years. Since her Paris debut in 1981, she has blurred the divide between art and fashion and transformed customary notions of beauty, identity, and the body.

This lavishly illustrated publication weaves an illuminating narrative around Kawakubo's experiments in oppositions and the spaces between boundaries. Brilliant new photographs of more than 120 examples of Kawakubo's womenswear for Comme des Garçons accompanied by Kawakubo's commentary on her designs and process, reveal her conceptual and challenging aesthetic as never before. A chronology of Kawakubo’s career provides additional context, and an insightful conversation with the author offers a fascinating glimpse into the mind of this fashion visionary.

Also includes a bonus foldout poster featuring 2 Dimensions, autumn/winter 2012–13 and Invisible Clothes, spring/summer 2017. Photograph © Paolo Roversi, 2017.

About the Author:

Andrew Bolton is the Curator in Charge of the Costume Institute at The Metropolitan Museum of Art, New York.

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Пролистать книгу Rei Kawakubo/Comme des Garçons: Art of the In-Between на Google Books.

Remake, recycle, refresh: save money, save the planet, stay stylish!

In this new age of austerity, let Remake It: Clothes be your style bible.
The second volume in the ‘Remake It’ series, this is the indispensable, inspirational and practical guide to resourceful fashion.

An encyclopedia of life skills, smart ideas and great design, step-by-steps and tips-and-tricks can be found alongside innovative examples from celebrated international designers such as Martin Margiela, Christian Louboutin, Rachel Freire and Freitag.

The world of fashion is constantly reinventing and recycling itself with renewed versions of its classic creations. This book celebrates in colour photographs modern fashion and retro fashion trends which make clear reference to the work of previous decades of the twentieth century. The book is completely pictorial, it's subject matter being demonstrated in a series of 600 captioned colour photographs.

Richard Avedon: Fashion 1944-2000 shows Richard Avedon's extraordinary fashion photographs from almost seven decades

With his early innovative photographs for "Harper's Bazaar" and his creative sessions for "Vogue", "Egoiste" and "The New Yorker" Richard Avedon had influenced 20th-century fashion photography as no one else, working together with the best models, stylists and designers.

Avedon Fashion 1944-2000 encompasses seven decades of extraordinary images by Richard Avedon, the most influential fashion photographer of the 20th century.

This comprehensive volume offers a definitive survey, from Avedon's groundbreaking early photographs for Harper's Bazaar through his constantly inventive contributions to Vogue, Egoiste, and The New Yorker. Each carefully selected image represents an artistic collaboration with significant models, stylists, and designers. Avedon Fashion accompanies the first major exhibition to survey this body of work, at the International Center of Photography in May 2009. With critical essays by Carol Squiers, curator at the ICP, and photography critic Vince Aletti, as well as an appreciation by photo-historian Philippe Garner, Avedon Fashion chronicles an astonishing record of photographic achievement.

About the Authors: 

Carol Squiers, curator at the International Center of Photography, has contributed to Artforum, the New York Times, Vogue, and Vanity Fair. She lives in New York.

Vince Aletti, adjunct curator at ICP and former art editor of The Village Voice, reviews photography exhibitions for The New Yorker. He lives in New York.

A fascinating historical overview of the evolution of ring design from the Middle Ages to today, illustrated with almost 200 rare and luxurious examples drawn from the V&A's collections

Rings are powerfully evocative pieces of jewelry, traditionally worn as symbols of love, loyalty, remembrance or faith. Focusing on the V&A’s world-famous collection, Rings tells the story of their evolution from sculptural gem-set bands worn in medieval times to Art Deco masterpieces, dramatic gemstone ‘rocks’ of the 1950s, and innovative works of art created by contemporary jewellers.

Table of Contents:

Introduction • 1. 1200 – 1500 • 2. 1500 – 1700 • 3. 1700 – 1820 • 4. 1820 – 1900 • 5. 1900 – 1950 • 6. 1950 – Present

Rachel Church is a Curator in the Sculpture, Metalwork, Ceramics and Glass Department at the Victoria and Albert Museum with a special responsibility for the rings collection. She has published and lectured on jewelry and worked on the re-display of the William and Judith Bollinger Jewellery Gallery. She has contributed to a number of V&A publications, including writing on gold boxes in The Gilbert Collection at the V&A (2009).