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Ines de la Fressange and Sophie Gachet
ID: 7012
Издательство: Flammarion

What are the secrets of the chic Parisian?

Ines de la Fressange - France's icon of chic - shares her personal tips for style and beauty, gleaned from decades in the fashion industry. She offers pointers on how to dress like a Parisian, building a wardrobe around only seven affrodable basics mixed with great accessories.
Her favourite sources for clothing, beauty, and decorating finds - online and in Paris - are accompanied by fashion photographs of her daughter alongside Ines'sown snapshots and charming drawings.

This volume includes a guide to Ines's secret Paris: hotels and restaurants, itineraries for unusual places to visit, and a bespoke guide for family fun. Written with panache in collaboration with Elle fashion journalist Sophie Gachet, this is the ultimate guide to Parisian chic.

Для удобства читателя книга разделена на разделы, в которых идет речь о гардеробе и покупках (вы не поверите, но гардероб истинной парижанки строится на основе всего семи вещей), о доме, о магазинчиках и ресторанчиках Парижа, о прогулках и об отелях. Так что это еще и очень необычный путеводитель по Парижу - не для тех, кому нужно за полдня обежать все туристические места, но для тех, кто приезжает в этот город погулять, пожить, надышаться его атмосферой.

Инес де ла Фрессанж, воплощение французского шарма и элегантности, делится своими личными секретами истинно парижского стиля. Чтобы выглядеть как парижанка, вам достаточно иметь в гардеробе семь вещей и умело дополнять их аксессуарами, утверждает Инес, за плечами которой не одно десятилетие в индустрии моды. В книге собраны ее советы - где искать в Париже и Интернете одежду, украшения, косметику и всякую всячину. "Парижанка" проиллюстрирована ироничными рисунками автора и отличными фотографиями. В роли парижанки - Нин, дочь Инес де ла Фрессанж.

Это гид по Парижу Инес: где поужинать и какой отель выбрать, где вдали от проторенных туристических троп открыть для себя интересный музей или красивый парк, куда пойти с детьми. Книга, написанная в сотрудничестве с Софи Гаше, журналисткой Elle, читается легко и весело и станет прекрасным семейным путеводителем по стильному Парижу.

Посмотреть русскоязычное издание книги - Парижанка и ее стиль

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Tomoko Nakamichi
ID: 17132
Издательство: Laurence King Publishing

In this new addition to the Pattern Magic series from Japan, Tomoko Nakamichi teaches you how to sculpt with fabric, creating beautiful shapes, waves and accents. Next, she looks at creating dynamic movement in garments, using ruffles, shirring and precise, sharply pleated lines.

All the measurements and scaling information you need to start pattern making is included. As throughout the series, all the patterns are based on a basic block, supplied in the book. Thorough step-by-step instructions and diagrams will ensure that your own patterns translate beautifully to your choice of garment, while photographs of the finished garments will inspire you to create your own designs.

About the Author:

After serving many years as a professor at Bunka Fashion College, Ms. Nakamichi currently delivers lectures and holds courses on design making, both in Japan and overseas. This book brings together the results of the research on garment patterns she has carried out to help instruct her students.

___________

Пролистать книгу Pattern Magic 3 на Google Books.

________

Другие книги серии: 

Посмотреть книгу Tomoko Nakamichi Pattern Magic

Посмотреть книгу Tomoko Nakamichi Pattern Magic 2

Посмотреть книгу Tomoko Nakamichi Pattern Magic: Stretch Fabrics

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Helen Joseph Armstrong
ID: 10169
Издательство: Pearson

For an undergraduate course in Patternmaking.

Renowned for its comprehensive coverage, exceptional illustrations, and clear instructions, this #1 text offers detailed yet easy-to-understand explanations of the essence of patternmaking. Hinging on a recurring theme that all designs are based on one or more of the three major patternmaking and design principles – dart manipulation, added fullness, and contouring – it provides students with all the relevant information necessary to create design patterns with accuracy regardless of their complexity.

Some innovative, new information in this book include:
Updated with modern, cutting-edge sketches and designs.
Ribbing added to the knit section of Chapter 27.
More materials on children's wear and swimwear.
Knock offs.
Fitting corrections
Advanced design projects
A practical introduction to patternmaking
Complete coverage of the three steps of design patterns: dart manipulation, added fullness, and contouring.
Chapter projects

5th edition

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Macarena San Martin
ID: 4285
Издательство: Taschen

This title provides playful patterns and their applications. Forgotten are the times when fabric prints were limited to the usual stripes, dots, flowers and geometric forms. Nowadays one can find anything, from skulls to screwdrivers and exotic animals, adorning us from head to toe in the form of items of clothing and accessories. This book brings together a wide variety of pattern designs and their variations, mapping the spectrum of its possible applications such as shirts, skirts, shoes, jackets, trousers and a wide range of accessories. Organized by colours, this reference book for professional designers and amateurs alike features pattern designers from over the world.

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Paul Smith
ID: 8051
Издательство: Abrams

Paul Smith has created one of the world’s most successful fashion brands. In this richly illustrated book - which includes many photos taken by Paul Smith himself - excerpts from interviews with the designer recount his history and explain how he approaches design.
This talented creator finds inspiration everywhere: personal photographs, musicians, scrawled messages on Post-it notes, electronic gadgets, and more. From A for Architecture to Z for Zebra, this alphabetical manual not only highlights the eclectic sources of inspiration behind his unforgettable designs, but also the unique way in which Paul Smith sees the world, suggesting how he has continually been able to anticipate and reimagine trends in popular culture since opening his first small boutique in 1970.

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Pepin Van Roojen
ID: 4618
Издательство: Pepin Press

The extremely elegant and feminine Cheongsam is a quintessential Chinese women’s dress of the 20th century – in its modern form, a fusion of traditional Chinese costume and western fashion. This book contains a wonderful selection of historical and new photographs, cutting schemes, embroidery details and vector drawings of typical decorative elements such as dragons, peacocks and floral designs.

This, the first book in the PEPIN series, contains a wonderful selection of photographs of some of the most beautiful Cheongsams from all decades of the 20th century, as well as many historical photographs. Also included are cutting schemes, embroidery details and vector drawings of typical decorative elements such as dragons, peacocks and floral designs.

The new PEPIN Fashion, Textiles & Patterns series contains large-format, stunningly illustrated volumes on a wide range of styles. Each volume in the series will include concise, authoritative texts as well as information about technical aspects and a wealth of inspiration and visual resource material. The illustrations include photographs of clothes, historical images (including fashion plates), cutting schemes, decorative details and reproductions of fabric designs. Each volume includes a CD with ready-to-use files.

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Pepin Press
ID: 4619
Издательство: Pepin Press

The term “flower power” is an expression associated with the peace movement of the late 1960s and early 1970s. It permeated practically all forms of popular culture of the time, including music, painting and design. In fashion, flower power represents a striking style, using lots of strong and contrasting colours and bold, flowery imagery.

This second volume in the PEPIN series contains more than 100 reproductions of typical flower power designs, as well as photographs of many amazing and beautiful flower power garments, such as flared trousers, tent dresses, jumpsuits and mini skirts.

The new PEPIN Fashion, Textiles & Patterns series contains large-format, stunningly illustrated volumes on a wide range of styles. Each volume in the series will include concise, authoritative texts as well as information about technical aspects and a wealth of inspiration and visual resource material. The illustrations include photographs of clothes, historical images (including fashion plates), cutting schemes, decorative details and reproductions of fabric designs. Each volume includes a CD with ready-to-use files.

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Giorgio Armani
ID: 16043
Издательство: Rizzoli

With this book Giorgio Armani — the “king” of Italian fashion and one of the most recognized designers in the world — retraces, in his own words, his life, work, and thoughts.

This is the only autobiographical text written by designer Giorgio Armani, in which he speaks about himself, his youth, his early career, and the people close to him, and shares his ideas about creativity and what fascinates him in today’s world.

Based on the official illustrated book released by Rizzoli in 2015, this unfiltered text has been revised and updated by the author and is accompanied by personal photos. The book tells an intimate story and chronicles the beginning of a great era for Italian fashion. Starting from Milan’s extraordinary energy in the 1960s up until the most recent events for which Armani has taken a stand through his work, his thinking has always been, and continues to be, consistent and straightforward.

About the Author:

Giorgio Armani was born in Piacenza, Italy, in 1934. He founded his namesake company in 1975, launching his line of ready-to-wear. In 2015, to mark his fortieth anniversary, he opened Armani/Silos in Milan, an exhibition space that houses his creations and hosts temporary exhibitions.

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Neil Chapman
ID: 12481
Издательство: Hardie Grant Books

A beautifully made scent can encapsulate a particular feeling, transport you to a very specific time in life with clarity, or remind you of a special loved one or friend. And just like wearing your favourite outfit or shoes, your favourite perfume can make you feel invincible. The question is, how do you find such a creation? With the number of new releases steadily increasing, it can be bewildering even attempting to find a perfume you like, let alone love.

In Perfume, Neil Chapman guides readers through a world that can at times seem overwhelming. Fragrances of every variety are listed ‘note by note’ in clearly divided categories that will steer you in the direction of a perfume you not only like, but love and cherish as ‘your’ signature scent. Chapters explore popular notes (for example, vanilla, sandalwood, jasmine, rose, patchouli, chocolate) or a broader identifiable group (such as ‘oceanics’, ‘green florals’ or ‘anti-perfume’), giving an insight into that particular category as well as a clear sense of the similarities and differences between the scents described within it.  

Featuring over 700 scents, from vintage perfumes to department store classics, rarities and niche boutique fragrances, Perfume is a true portal into the beautiful world of perfume. The further you go on this journey, the more you will be amazed by how many beautiful creations do exist if you take the time to look.

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Peter Lindbergh
ID: 13606
Издательство: Taschen

The Love of Black. The powerful collaborations between Peter Lindbergh and Azzedine Alaïa

Peter Lindbergh and Azzedine Alaïa, the photographer and the couturier, were united by their love of black, a love that they would cultivate alike in silver print and solid color garments. Lindbergh ceaselessly turned to black and white to signify his search for authenticity in the faces he brought to light. Alaïa drew on the monochrome of timeless clothes to create veritable sculptures for the body.

In this book, the unique dialogue between the two artists is immortalized in print. Illustrating their community of spirit, its images are a celebration of their artistic partnership and testament to their history-making achievements in photography and fashion.

Despite their geographically opposed origins, Lindbergh and Alaïa pursued similar horizons. At the same time as Lindbergh’s reputation in Germany was growing thanks to his work in Stern magazine, and he set up his studio in Paris in 1978, Alaïa was the couturier shrouded in discretion whose sophisticated techniques were a treasured secret amongst the most important clients of Haute Couture.

Alaïa became the architect of bodies, revealing and unveiling them, while Lindbergh distinguished them by shining a light on their soul and personality. Step by step, they became the creators that dominated their respective disciplines. Both rejected any artifice that distracted from their true subject, and it is with great ease that they came together for a number of powerful collaborations.

Shared inspirations and aesthetic values are visible throughout their work. A beach in Le Touquet and the streets of old Paris reference a mutual love of black and white cinema and vast panoramas. The backdrop of an engine room illustrates the memory of an industrial German landscape for one and references the inordinate passion for functional design and architecture held by the other. Alaïa’s clothes act as pedestals for the smiles and eyes of the women who wear them: Nadja Auermann, Mariacarla Boscono, Naomi Campbell, Anna Cleveland, Dilone, Lucy Dixon, Vanessa Duve, Helene Fischer, Pia Frithiof, Jade Jagger, Maria Johnson, Milla Jovovich, Lynne Koester, Ariane Koizumi, Yasmin Le Bon, Madonna, Kristen McMenamy, Tatjana Patitz, Linda Spierings, Tina Turner, Marie-Sophie Wilson, Lindsey Wixson. For Lindbergh, who built his notoriety on the images of these supermodels, the authenticity of their traits is all that matters. The result is a potent black and white catalogue that reverberates with truthfulness and beauty.

The book accompanies the exhibition Azzedine Alaïa, Peter Lindbergh at the Fondation Azzedine Alaïa, 18 rue de la verrerie, Paris, France.

With contritutions by Fabrice Hergott, director of the Musée d’Art Moderne de la Ville de Paris, Paolo Roversi, photographer, and Olivier Saillard, fashion historian and director of the Fondation Azzedine Alaïa, Paris.

The photographer:

Peter Lindbergh (1944–2019) was a master of his craft who made his mark in the halls of photography history, with such credits as shooting the first American Vogue cover under Editor-in-Chief Anna Wintour, bringing together for the first time a group of young women who would become the ’90s supermodels, and numerous exhibitions at renowned institutions including Victoria & Albert Museum in London and Centre Pompidou in Paris, as well as in solo exhibitions at Hamburger Bahnhof, the Berlin Museum for Contemporary Art, Bunkamura Museum of Art in Tokyo, the Pushkin Museum of Fine Arts in Moscow, and Kunstpalast in Düsseldorf.

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Photographs by Brigitte Niedermair, Text by Olivier Gabet and Maria Grazia Chiuri and Brigitte Lacombe and Martino Gamper
ID: 14499
Издательство: Rizzoli

A unique collection of photographs by Brigitte Niedermair, celebrating her original, creative collaboration with the House of Dior.

Informed by her parallel paths as an artist and a photographer, Brigitte Niedermair expands the conventions and biases of the fashion image system. Her work focuses on representations of women’s bodies in art and culture, with deeply constructed images and striking compositions that make for a distinctive style.

This volume explores the remarkable relationship between Dior and Niedermair’s aesthetic, resulting in photographs radiating a strong sense of unconventional femininity. The first section is devoted to the collaboration throughout the recent years, followed by a portfolio of exclusive images of historical and iconic Christian Dior creations. Captured with an analogic, classical technique in a five-by-four-inch format — which was used during photography’s early beginnings — 42 pieces from Dior archives are photographed twice, with each version of the image offering a unique perspective and revealing hidden details, such as the construction of the designs. With the principal essay by Olivier Gabet and contributions by Dior’s creative director, Maria Grazia Chiuri, and artists and friends of Niedermair, this beautifully crafted book offers an extraordinary look into one of today’s most fascinating creatives.

About the Authors:

Brigitte Niedermair is an Italian photographer alternating artistic research with fashion photography. Her works are included in private collections, museums, and public institutions. Olivier Gabet is the director of the Musée des Arts Décoratifs (MAD) in Paris. Maria Grazia Chiuri is the creative director of Dior. Brigitte Lacombe is a French photographer. Martino Gamperis an Italian designer. Marcello Jori is an Italian visual artist and designer.

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Martin Dawber
ID: 459
Издательство: Mitchell Beazley

Pixel Surgeons presents the very best of today's styling and illusion in fashion and lifestyle photography.

Fifty years ago fashion photography was perceived as the elitist preserve of glossy magazines across the world. Today it is part of the 21st-century lifestyle. Commuting to and from work, we are subjected to billboards and hoardings advertising well-known labels. It is now de rigueur for every tabloid to contain a fashion features page. Style magazines - for both men and women - dominate the heaving newsagent's shelves.

Media awareness and discriminating aesthetics have provoked a multi-layered language of fashion photography, and digital technology has introduced a level of image manipulation that has further enriched the genre. Today's photographic communicators offer personal visions that grab the viewer by the throat in their attempt to satisfy the market's craving for more and more imaginative imagery.

Martin Dawber presents the work of over 30 of the most exceptional new international practitioners of photography, styling, and digital manipulation, exploring their methods and influences.

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Dominique Gaulme, François Gaulme
ID: 9551
Издательство: Flammarion

From the birth of clothing to modern menswear, this work reveals fashions role in monarchies, military regimes, dictatorships, and the birth of democracy.

From the advent of the first civilizations along the Euphrates, Indus, and Nile Rivers, as well as in China, clothing has not only offered protection from the elements, but has served as an expression of political power and its allocation throughout society.

From tribes to royalty, dictatorships to democracies, ones manner of dressing reveals as much about a societys structures as about the different identities and communities that it encompasses.

From ceremonial dress to fur coats, tribal paint, feather headdresses, or even grass skirts, finery conveys the power of its wearer. While so-called naked societies use ocher, feathers, Tapa cloth, or shells to demonstrate social standing, elsewhere gold, pearls, and other precious materials may be used to show an individuals importance. By studying the evolution of costume throughout history, we gain insight into the changes at the heart of communities, from East to West, via the first peoples of Africa and the Amazon basin.

The desire to dazzle and differentiate oneself via excessive luxury and adornment, or conversely the wish to conform, ones regalia says as much about an individual as about the society in which they live as leader, king, or ruler.

This volume covers the vast spectrum of regalia and the powerful figures who have worn it throughout the ages.

From the ceremonial robes of Chinese emperors, to the painted Nubas in Africa, via the trends of different European courts that gave rise to the modern male suit, the social aspects of clothing are explained in detail in this richly illustrated volume.

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Miuccia Prada, Patrizio Bertelli
ID: 9235
Издательство: Abrams

Prada is the first book that documents three decades of ground-breaking fashion, architecture, film and art by the Prada company, including the work of the design studio and the workshop; extensive creative partnerships with photographers, designers, architects and film directors; and large scale architectural commissions, the Fondazione Prada, and the development of a new museum.

Among the many features of this rich innovative book with its thousands of images are a photo-essay by renowned photographer Brigitte Lacombe, stills taken from short films documenting the craftsmanship of the factory, images of the unique fashion show environments, an overview of all Miuccia Prada's collections with thumbnail pictures of 3,885 different “looks,” collages of the most influential shoe and bags, photographs of the final product on the runway, celebrated store designs in New York and Los Angeles by Rem Koolhaas/OMA and in Tokyo by Swiss architects Herzog & de Meuron, a film collaboration with director Ridley Scott, Koolhaas’s radical “Prada Transformer” pavilion in Seoul, costume designs for a Japanese manga heroine, Prada found on the street and celebrities photographed on the red carpet, and blogs expressing the almost fanatical devotion of lovers of the brand.

Prada both chronicles and epitomizes the achievements of one of the world's most influential and enlightened fashion and design companies.

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Prada
ID: 12002
Издательство: Abrams

Founded in 1913, Prada has evolved into a brand with a unique ability to embed thought-provoking, clever ideas in totally pleasurable objects — from shoes and bags to coats, dresses, and skirts, the clothing makes a statement. And Pradasphere — both in its package and content — does the same.

Pradasphere is a collection of archival objects arranged to reveal the complex, often- intertwined obsessions of one of the world’s most influential designers. The book takes you on an aesthetic journey that spans the past 30 years. Exclusive photographs of clothing and accessories illustrate Prada’s design narrative and show the exquisite craftsmanship and materials behind the creations. Pradasphere also explores Prada’s culture, including advertising photography, architecture, and commissioned films by directors such as Wes Anderson and Ridley Scott.

About the authors:

Michael Rock is a founding partner and creative director at 2x4 and director of the Graphic Architecture Project at the Columbia University Graduate School of Architecture, Planning and Preservation.

Stephanie Murg is the editor of UnBeige, a design blog that has been featured in the New York Times and Newsweek. She writes about art and all forms of design.

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