Книги по дизайну иллюстраций и постеров

Like a well-made playlist, the album covers in this volume combine to create a portrait of cool and culture desired by art, music, and record lovers alike.

Art Sleeves is a time capsule of visual art and music culture as shown through the most important record covers designed by visual artists and graphic designers in the past forty years. This tightly curated collection of covers chosen includes works with significant cultural impact as well as collaborations that themselves created cultural fascination.

The eclectic roster of visual artist-musician collaborations presented spans art and musical genres as well as generations, including Ryan McGinley for Sigur Rós, Kara Walker for Arto Lindsay, Peter Saville for Joy Division, Barbara Kruger for Growing Up Skipper, Jeff Koons for Lady Gaga, Tauba Auerbach for Glasser, and Stanley Donwood for Radiohead, to name a few. From postmodernist paintings and minimalism to collage and photography, as well as New Wave, emo, pop, and punk, the albums chosen present a bright and rich visual and cultural history.

This inspiring volume celebrates this long creative tradition of visual artist-musician collaborations and, just like a perfect album, it will be treasured by art, music, and record lovers alike.

About the Author:

DB Burkeman is a creative director, art consultant, author, and influential DJ. Born and raised in London, he lives in Brooklyn, New York, with his wife and two children.

Arkham, 1933. Professor Dyer, a prominent geologist, learns that a scientific expedition will soon leave for Antarctica following in the footsteps of the journey which he himself had made in 1931. In the hope of dissuading the attempt, Dyer decides to make a full account of the tragic events he had survived, this time without omitting the passages which he had kept silent about on his return, for fear of being taken for a madman. Two years earlier, ships chartered by Miskatonic University had landed on the frozen continent at the start of the Antarctic summer, and the group of four professors and sixteen students set to work immediately. The expedition biologist, Professor Lake, left with several members of the team to follow a promising fossil track. After just a few days, he announced by radio that he had discovered astonishing specimens of an unknown ancient species, before stopping all communication after a terrible storm. Guessing the worst, Dyer went to their rescue the next day. What he discovered went beyond his wildest fears … In the illustrated At the Mountains of Madness​, Vol.1, artist, Francois Baranger, acclaimed for his work as a concept designer for cinema and video games, has performed the incredible task of reimagining one of H.P. Lovecraft's most classic and horrific tales into visual art– Landscapes of frozen wastes, unspeakable creatures millions of years old found in an abnormal state of conservation, strange geometric structures at the top of black mountains. Words cannot do the visuals justice. It is a book with images to pour over.

About the Authors:

H.P. Lovecraft, born 1890 in Providence, Rhode Island, died 1937, was an American writer mainly known for his influential horror novels. Although he achieved limited success during his lifetime, his reputation has grown over the years. Lovecraft's so-called cosmic horror touched on themes such as man's inadequacy and the horror of the incomprehensible and indifferent universe surrounding us. With short stories like The Call of Cthulhu, The Case of Charles Dexter Ward, and The Shadow over Innsmouth, Lovecraft laid the foundation of a mythology, which, over the years, has been studied and developed by a number of successors. The short novel At the Mountains of Madness is perhaps his most ambitious work, and has been on its way to the silver screen several times, without success yet. Lovecraft's characteristic prose, heavy on adjectives, grand imagination, and his frantic storytelling technique have formed a school, and his legacy in popular culture is unprecedented. Along with Edgar Allen Poe, Lovecraft is undoubtedly one of the greatest horror writers of all time

François Baranger, born in 1970, is a multi-faceted artist and illustrator. He works primarily as a concept designer for films (Harry Potter, The Clash of the Titans, Beauty and the Beast) and computer games (Heavy Rain, Beyond: Two Souls). He has also illustrated a number of book covers. In 2013, he wrote his first science fiction novel, Dominium Mundi, and in 2017, he wrote the thriller The Domino Effect. It was during his early years that he discovered Lovecraft, mainly thanks to role-playing games. Ever since, he has had a passionate interest in fantasy worlds in general, and for those created by a certain writer from Providence, Rhode Island in particular. After dreaming for years about seeing an illustrated version of Lovecraft's works, Baranger finally decided to create one himself, and chose the most classic short story of them all, The Call of Cthulhu, first published in French in 2017 and translated into English in 2019. This is his second book based on Lovecraft's work.

Return to the final days of the Dyer expedition in the remote Antarctic wastes. The letters from expedition leader Professor William Dyer grow increasingly more desperate as the expedition presses on, leaving sanity behind them. What they discover beneath the ice is meant for no living man to see, Cyclopean structures and alien landscapes that defy history itself. The final act of the Dyer Expedition is a descent into cosmic horror and utter madness.

About the Authors:

H.P. Lovecraft’s At the Mountains of Madness, first published in 1936, is one of the greatest classics of American horror literature. The most ambitious story Lovecraft ever wrote, it has served as a source of inspiration for filmmakers and authors in the decades since his death. This is the second volume of two.

François Baranger, an illustrator with experience working in both the film and gaming industries, was fascinated early on by Lovecraft’s creatures and visions which populated the darkest recesses of fantasy. Having previously illustrated The Call of Cthulhu to great acclaim, this book is his most ambitious creation so far.

Beeple: Everydays, the First 5000 Days is the first monograph dedicated to artist Mike Winkelman, aka Beeple, who is known for his daily digital creations: from twisted pop-culture caricatures to breathtaking sci-fi landscapes.

Already a celebrity within the community of digital artists and on social media, Beeple became a global phenomenon on March 11, 2020, when Christie’s sold a digital work of his for more than $69 million, launching the NFT (non-fungible token) craze.

This monograph brings together Beeple’s first 5,000 images, created and posted daily by the artist since May 2007, and also features an interview with the author wherein he reflects on his career and newfound celebrity.

About the Author:

Mike Winkelmann is a graphic designer from Charleston, SC, USA who does a variety of digital artwork including short films, Creative Commons VJ loops, everydays, and VR / AR work.  

After he began releasing a set of widely used Creative Commons VJ loops he has worked on concert visuals for Justin Bieber, One Direction, Katy Perry, Nicki Minaj, Eminem, Zedd, deadmau5 and many more. His clients include: Louis Vuitton, Apple, Nike, Coca-Cola, Pepsi.

A visual compendium of botanical sketches, many specially photographed, providing a revealing insight into the immediate responses of artists encountering the glories of the plant world.

While highly finished drawings and paintings frequently feature in histories of botanical art, the preparatory sketches, first impressions and creative thoughts on paper behind them are rarely seen and have often remained hidden and locked away.

Botanical Sketchbooks brings these personal and vividly spontaneous records gloriously back into the light. In a series of biographical portraits organized thematically into four sections, the book illuminates a range of intriguing characters, from many different countries and cultures, including Germany, France, Italy, America, Australia, Japan and China. Sketchbooks proper are joined by notebooks, journals, albums, loose pieces of paper, works on vellum, manuscripts, letters, herbarium sheets and marginalia – even one drawing on the back of an envelope.

Turning the pages of this book will be an invitation to relive extraordinary experiences, imagine lost worlds, and be immersed in the endeavours, observations and motivations of the makers of such beautiful and enchanting art.

About the Authors:

Helen and William Bynum are historians of science and medicine, and also have a particular interest in gardening and plants and their importance in human culture and society. They have written or edited numerous books, including Great Discoveries in Medicine and Remarkable Plants, both published by Thames & Hudson.

Cannabis Works 2 is Tatsuyuki Tanaka’s second art collection, and first in 13 years. Tanaka, also works under the name of CANNABIS, is a sought-after Japanese animator and illustrator, who worked for the legendary animation AKIRA. Cannabis Works 2 collects much of his work from 2003 to 2016, and showcases his recent illustrations for books, magazines and record covers, as well as key art for the Tokyo Anime Award Festival 2015. In addition to those works, it features weapon designs for a Japanese movie GANTZ, character designs for a short film A FAREWELL TO WEAPONS; from Katsuhiro Otomo's film collection SHORT PEACE, and other illustrations for TV animations and video games.

Unpublished illustrations and sketches are also included, such as a 22-page silent manga called VISITOR, which is created exclusively for Cannabis Works 2.
A treasured book for anime and comic fans, or art lovers seeking for fresh inspiration.

About the Author:

Tatsuyuki Tanaka is an animation director and illustrator born in Fukuoka Prefecture, Japan in 1965. Beginning with original art for the movie AKIRA, Tanaka has been active in anime and game-related illustrated contents and original art for projects such as the original video animation Eternal Family, image boards for TV's Nadia: The Secret of Blue Water, character design for the game Linda3 (under the name CANNABIS) and more.

In addition to directing, illustrating and art direction as creator of original art for the promotional video Utada - FLUXIMATION #12 Wonder 'Bout, and directing, animating, and art directing for Genius Party Beyond TOUJIN Kit, in recent years, Tanaka has done illustrations for numerous titles such as Yokohama Station SF in addition to handling weapon design for the live-action movie GANTZ, story boards for Rashad Haughton's music video Love Like Aliens and Akai Koen's music video Koshin, and cover illustrations for numerous books.

The first collection of works by anime creator and illustrator Tatsuyuki Tanaka.

This is the long-awaited debut collection from Tatsuyuki Tanaka, who is active as a manga artist, illustrator, character designer for the game "Linda3", image board creator for the anime "Nadia: The Secret of Blue Water," and works for Studio 4℃! In addition to anime-related materials and illustrations from "Linda3," this book covers a period of more than 10 years, packed with full-color manga, original drawings, and rough sketches taken from Tanaka’s archives.

※This book is a reprint of a book published in 2003 by Asukashinsha. There are pages with some contents changed and two new illustrations are included.

About the Author:

Tatsuyuki Tanaka is an animation director and illustrator born in Fukuoka Prefecture, Japan in 1965. Beginning with original art for the movie AKIRA, Tanaka has been active in anime and game-related illustrated contents and original art for projects such as the original video animation Eternal Family, image boards for TV's Nadia: The Secret of Blue Water, character design for the game Linda3 (under the name CANNABIS) and more.

In addition to directing, illustrating and art direction as creator of original art for the promotional video Utada - FLUXIMATION #12 Wonder 'Bout, and directing, animating, and art directing for Genius Party Beyond TOUJIN Kit, in recent years, Tanaka has done illustrations for numerous titles such as Yokohama Station SF in addition to handling weapon design for the live-action movie GANTZ, storyboards for Rashad Haughton's music video Love Like Aliens and Akai Koen's music video Koshin, and cover illustrations for numerous books.

Design enchanting characters for animation, illustration, video games, comics, and more!

The origins of a fairy tale or myth may get lost in the mists of time, but the central figures can endure for hundreds, even thousands, of years. Queens and princes, trolls and goblins, centaurs, selkies, and magical beings all evolve with every depiction and retelling.

This action-packed book showcases the unique interpretations of 50 specially commissioned artists. From concept sketches and thumbnails, to emotions, expressions, and outfits, they share their explorations alongside expert advice. To bring each character to life, further pages explore action and pose with a library of dynamic sketches and basic-shape overlays. The result is a revealing collection of each artist’s ideas and experiments as they reimagine classic characters from fairy tales and folklore.

• Part of the Character Design Collection series
• Inspirational sketches, thumbnails, expressions, outfits, and dynamic action poses
• Expert advice and creative insight from professionals across the character-design industry

50 classic characters reimagined. 50 innovative professional artists. 2,000+ drawings and sketches. Featured artists include Justin Gerard, Valentine “Valp” Pasche, Marcel Mosqi, Gretel Lusky, plus many mor

Character Design Quarterly is a lively, creative magazine bringing inspiration, expert insights, and techniques to aspiring artists, characterdesign enthusiasts, and professional illustrators around the world.

This issue’s glow-in-the-dark cover was created by Simone Grünewald, who shows us how her enchanting image was made, and talks about her recent work and inspirations. 

CDQ 32 includes an exclusive glow-in-the-dark pull-out print of the cover art!

We also speak to the organizers of the social-media sensation MerMay and feature art from their favourite winners and contributors over the years, and Carles Dalmau, the lead artist on the hit indie-game Cult of the Lamb creates a character from scratch and chats to us about his art journey so far.

With all this plus incredible character tutorials, invaluable advice on working with lighting, and a guide to creating a comic-book page, there’s certain to be something to inspire in CDQ 32.

Contents and contributors:

BEHIND THE COVER ART by  Simone Grünewald
MISSION POPO by Jennifer Wu
THE MAGIC OF MERMAY
DEVELOPMENT GALLERY ONE Grace Tran
LIGHTING THE WAY by Chelsea Blecha
MEET THE ARTIST Carles Dalmau
SEASON OF THE WITCH by Carles Dalmau
HOW I STYLIZE by Roma Gewska
THROUGH THE LOOKING GLASS by Kate Pellerin
SPINNING AROUND by Sheryl Yap
DEVELOPMENT GALLERY TWO Jose Ciceraro
COMIC CREATIONS by Marco Ferraris

This issue’s cover artist, Gretel Lusky, shows us how she created the dazzling colour illustration in an in-depth tutorial, and talks to us about her career and inspirations.

Each issue of CDQ is packed full of tutorials and tips from industry professionals. Meike Schneider reimagines a fairy-tale character, Tessa Nelissen shares tips for drawing cats, and veteran comic artist Derek Laufman chats to us about his life as an artist.

Character Design Quarterly issue 33 contains a pull-out print. 

BEHIND THE COVER ART by Gretel Lusky
A CAT FOR ALL SEASONS by Tessa Neilssen
DEVELOPMENT GALLERY ONE Valentina Graziuso
THE MARKET by Lulu Chen
WARRIOR PRINCESS by Athena Dela Victoria
MEET THE ARTIST Brian Weisz
FRENCH FANCY by Brian Weisz
DEVELOPMENT GALLERY TWO Agathe Molin
THE MIGHTY MOUSEKETEER by Sabrina Sentoso
MEET THE ARTIST Derek Laufman
HOW I STYLIZE by Dan Gartman
UP IN THE CLOUDS by Meike Schneider

Character Design Quarterly is a lively, creative magazine bringing inspiration, expert insights, and techniques to aspiring artists, character-design enthusiasts, and professional illustrators around the world.

Welcome to Communist Utopia. Mao’s starring role in Chinese propaganda art

With his smooth, warm, ruddy face which radiated light in all directions, Chairman Mao Zedong was a fixture in Chinese propaganda posters produced between the birth of the People’s Republic in 1949 and the early 1980s.

Chairman Mao, portrayed as a stoic superhero (aka the Great Teacher, the Great Leader, the Great Helmsman, the Supreme Commander), appeared in all kinds of situations (inspecting factories, smoking a cigarette with peasant workers, standing by the Yangzi River in a bathrobe, presiding over the bow of a ship, or floating over a sea of red flags), flanked by strong, healthy, ageless men and “masculinized” women and children wearing baggy, sexless, drab clothing. The goal of each poster was to show the Chinese people what sort of behavior was considered morally correct and how great the future of Communist China would be if everyone followed the same path toward utopia by uniting together.

This book brings together a selection of colorful propaganda artworks and cultural artifacts from Max Gottschalk’s vast collection of Chinese propaganda posters, many of which are now extremely rare.

The contributing authors:

Anchee Min was born and raised in Mao’s China. A staunch party supporter, she was awarded the lead role in a film to be made by Mao’s wife, Jiang Ching, but the death of Mao soon after caused the film to be cancelled. In 1984, Min emigrated to the United States and later wrote the bestselling biography Becoming Madame Mao.

Poet and fiction writer Duo Duo was born in Beijing, China in 1951 and emigrated in 1989, later settling in the Netherlands, where he became a writer in residence at the Sinological Institute of Leiden University. He is considered one of the most outstanding poets to emerge after the Cultural Revolution.

Stefan R. Landsberger holds a PhD in Sinology from Leiden University, Netherlands. He is a Lecturer at the Documentation and Research Centre for Modern China, Sinological Institute, Leiden University, and one of the editors of the journal China Information. Landsberger has published extensively on topics related to Chinese propaganda and he owns one of the largest private collections of Chinese propaganda posters in the world.

Discover the powerful photography nominated for the prestigious Pictet prize.

This unique photo book places the work of contemporary female photographers in the spotlight.

Collage showcases the recent work on the theme of sustainability of 64 outstanding female presenting photographers who have been shortlisted or nominated for the Prix Pictet, the leading global award in photography and sustainability.

Their strong and poetic images address the most urgent environmental and social problems facing the planet today.

About the Author:

The Prix Pictet is the leading global award in photography and sustainability. Founded in 2008 to draw worldwide attention and stimulate action on issues of sustainability through the medium of photography, the award is supported by the leading asset and wealth management firm, Pictet Group.

The first chronological global history of comics, from 1968 through to the present day

The story begins in 1968, a key year in comics’ shift from being driven by commercial potential into a means of self-expression respected not just as entertainment but also as art. The book traces comics’ evolution up to the emergence of today's global, digital scene and the medium’s likely future.

Robert Crumb and Gabrielle Bell, Jack Kirby and Alan Moore, Moebius, Yumiko Oshima and Osamu Tezuka are just a few of the hundreds of artists and writers included – making it unprecedented in its global reach.

The broad reach of Comics extends to artists, styles and movements, spanning Marvel and DC superheroes; the Underground movement and manga powerhouse Osamu Tezuka; politically charged Italian fumetti and sexually charged ladies’ manga; the Francophone technique of ligne claire; sci-fi; Métal Hurlant; the pioneering Japanese alternative journal Garo; the graphic memoir and the graphic novel; and, finally, the moment comics made the jump from page to web page.

Featuring the best-known artists and writers – from Jack Kirby, Hergé and Moebius to Katsuhiro Otomo, Neil Gaiman and Alan Moore – Comics also introduces readers to some creators they may not yet have encountered, such as Andrea Pazienza, the Fort Thunder collective and Fabrice Neaud.

The most complete volume on the subject in any language Japanese graphic design has been researched and published in Italy up to the first decade of the new millennium, but there is a gap from then to today.
edited by Gian Carlo Calza with Elisabetta Scantamburlo

This research aims at filling that gap considering the first two decades of the new millennium, covering on one side the past, in the names of important recognized masters, and on the other side exploring new names and trends. The volume includes 85 graphic designers and 756 posters. It is the most complete volume on the subject in any language.

Japanese contemporary posters are considered to have started in the mid 50’s, after the Second World War and following a period of depression, post-militarism, and post-autarchy. The new expressive mode was fuelled by stimuli coming from abroad, but it was also a chance to reinterpret traditional themes and colours, bringing them into modernity in refreshing and successful ways.

Since the post-war period, Japan has seen a rapid evolution in the arts: painting, architecture, sculpture, graphics, theatre, music, and cinema. Influences, assimilations, denials, transformations, new creative processes gave rise to a vast quantity of cultural and artistic movements. In this maze of expressive forms, graphic design is a precious tool for tracing and following the thread of national creativity and the more or less intense permanence of traditional aesthetic sensibility in the new forms taken.

Over half a century after the inception of graphics and with the coming Olympic Games taking place now in 2021, this volume aims at taking a wide view at the trends and aesthetic shifts that can be traced in the development of graphic design in Japan.

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This book brings together the best of Japanese graphic design in the posters that accompanied Japan from the 1964 Tokyo Olympics to the creation of the Issey Miyake logo, and from the Osaka Expo to the official poster for the Pan-Pacific Design Congress. Ken’ya Hara was born in the province of Okyama in 1958. After graduating from the Department of Design at Musashino Art University in 1981 and obtaining his M.A. in 1983, he joined the Nippon Design Center where he established the Hara Design Institute in 1992.

Yusaku Kamekura was born in Kanbara in 1915. He is considered to be the figure who contributed most to the spread of Japanese graphic design in the post-WWII period. He graduated with a degree in architecture and industrial arts in 1933; in 1940, he became the director of Nippon Kobo and in 1949 he was appointed artistic director of the magazine Commerce Japan. His most important designs, including the posters for the 1964 Olympic Games, the 1970 Osaka Expo, the Hiroshima Appeals, and the logo for the Nippon Telegraph and Telephone Corporation, all made a significant contribution to increasing his fame.

Shin Matsunaga was born in 1940 in Tokyo. After graduating in 1964 from the department of design at Tokyo National University of Fine Arts and Music, he joined the advertising division at Shiseido. He designed the PEACE ’86 poster and curated all the graphic design for the Sezon Museum of Modern Art. He also designed the symbol and official poster for the 1989 Pan-Pacific Design Congress, the human rights poster commemorating the 200th anniversary of the French Revolution, the medal for Mint’s 120th anniversary, the logo for Issey Miyake and RHIGA Royal Hotels, and the package design for the French cigarette brand Gitanes Blondes (1995).

Film director and art director Nagi Noda was born in Tokyo and made a name for herself as one of the most important young Japanese designers. She first achieved fame as an art director, designing publicity for the print media and graphics for publishing and the music industry, before working for bigger clients such as Nike and the Laforet Harajuku department stores. Ikko Tanaka was born in 1930 in Nara. In 1950, at just 19 years old, he graduated from the Kyoto City School of Fine Arts (now the Kyoto University of Arts) and immediately afterwards started working for companies such as the Kanegafuchi textiles company and the Sankei Shinbun daily newspaper. He designed the signage and medals for the 1964 Tokyo Olympics and the pavilion dedicated to Japanese history at the 1970 Osaka Expo.

Cozy Days: The Art of Iraville is a collection of the best work by popular illustrator Ira Sluyterman van Langeweyde, also known as Iraville. This lavish hardback book presents hundreds of colorful paintings of nature, small towns, idyllic scenes, and charming characters, as well as offering insights into Ira’s career path, watercolor painting process, and hand-crafted materials.

About the Author:

Ira “Iraville” Sluyterman van Langeweyde is a prolific Munich-based illustrator with a passion for watercolors. Her idyllic paintings of flora and fauna, travel scenes, home comforts, and autumnal landscapes are rendered with exquisite care, often using handmade pigments, creating a unique, picturesque world beloved by fans across the globe. She shares her expertise with her followers via her highly popular Instagram and YouTube accounts, as well as in-person painting workshops.

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