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Hans-Christian Adam
ID: 3505
Издательство: Taschen

German photography pioneer Karl Blossfeldt (1865-1932) photographed plants so beautifully, and with such originality, that his work transcends the medium itself. Over more than 30 years, he took thousands of photographs, revealing a formally rigorous talent whose precision and dedication bridge the nineteenth and twentieth century worlds of image-making and bring a distinctly sculptural aspect to a firmly two-dimensional art form. Beautifully but starkly composed against plain cardboard backgrounds, Blossfeldt's images, relying on a northern light for their sense of volume, reveal nothing of the man but everything of themselves. They are still-lifes, piercingly final statements on their subject, and have endured owing to their technical brilliance and the ongoing fascination of students and photographers. Like their maker, they are quietly and lastingly effective.

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Hans Christian Adam
ID: 10634
Издательство: Taschen

A fascination for flora. Timeless photos in which plants become sculptures

German photography pioneer Karl Blossfeldt (1865–1932) photographed plants so beautifully, and with such originality, that his work transcends the medium itself.

Over more than 30 years, he took thousands of photographs, revealing a formally rigorous talent whose precision and dedication bridge the 19th- and 20th-century worlds of image-making and bring a distinctly sculptural aspect to a firmly two-dimensional art form. Beautifully but starkly composed against plain cardboard backgrounds, Blossfeldt’s images, relying on a northern light for their sense of volume, reveal nothing of the man but everything of themselves. They are still lifes, piercingly final statements on their subject, and have endured owing to their aesthetics and the ongoing fascination of students and photographers. Like their maker, they are quietly and lastingly effective.

About the series:

Bibliotheca Universalis — Compact cultural companions celebrating the eclectic TASCHEN universe at an unbeatable, democratic price!

Since we started our work as cultural archaeologists in 1980, TASCHEN has become synonymous with accessible, open-minded publishing. Bibliotheca Universalis brings together more than 100 of our all-time favourite titles in a neat new format so you can curate your own affordable library of art, anthropology, and aphrodisia.

Bookworm’s delight — never bore, always excite!

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Karl Louis
ID: 5857
Издательство: Edition Skylight

"I take photographs. I don't do Photoshop," is a telling statement by photographer Karl Louis. Karl Louis was born 1959 and grew up in the Swiss Alps. He started taking pictures at 12 and learned a lot about photography from an older photographer with great Nikon equipment. His first camera - bought when he was 15 with money he earned himself - was an affordable Praktica. He works digitally with Canon equipment, has been published in many books and on many websites. He organizes workshops and phototrips to Sardinia.

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Karlheinz Weinberger
ID: 11610
Издательство: Steidl Verlag

Karlheinz Weinberger’s day job may have been relatively uneventful ― working in a Siemen’s warehouse ― but the photos he took in his spare time are anything but conformist.

Weinberger’s passion, and the focus of this book, is the rebel youth of 1950s and ’60s Switzerland, who channelled American rock-’n’-roll culture and made it their own with their rolled-up jeans and denim jackets, bouffant hairdos, striped T-shirts, and customized belts boasting images of Elvis and James Dean.

Weinberger’s lusty, free-spirited and self-confident portraits posit the defiant attitude of youth as a response to the conservative post-war era. Swiss Rebels also includes homoerotic images of rockers, bikers, construction workers and athletes, many of whom occupy positions outside of social norms.

This publication is the first to present an overview of Weinberger’s provocative oeuvre.

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Mario Testino
ID: 9354
Издательство: Taschen

Fashion's dynamic duo. This is a photographer's tribute to his greatest muse.

Mario Testino is recognized as the ultimate fashion photographer of his generation but his pictures of Kate Moss transcend fashion.

The consequence of two decades of extraordinary friendship, and phenomenal glamour, this iconic collaboration is an intimate insight into the lives and minds of two of the world's definitive style leaders.

Follow the journey of one of fashion's most creative collaborations, from early days backstage at the shows to behind-the-scenes glimpses of the ground-breaking editorials they continue to produce for the world's most respected magazines. Many photographs have been chosen from Testino's private archive and are published here for the first time.

This book is Mario's personal homage to his greatest muse: a young girl that captured his heart and eye with her beauty, humour and spirit, and whose image in his photographs has captured imaginations the world over.

About the Author:

With a four decades career as a leader in the fields of fashion, culture and lifestyle, Peruvian-born Mario Testino OBE has many facets that take him beyond the surface of a photographer and artist placing him as a cultural visionary. Testino’s universe is broad, his impact is uniquely powerful and his lifestyle is completely authentic. Testino’s has seen his works published and exhibited in hundreds of cities around the world. Throughout his career he built unprecedent relationships with editorial and commercial partners such as Vogue, Burberry, and Gucci to name a few. His past and present muses include HRH Princess Diana, Madonna, Donatella Versace, Kendall Jenner and Mariacarla Boscono. His solo exhibitions have shown in museums and galleries worldwide, including the National Portrait Gallery, London; and the Museum of Fine Arts, Boston.

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Mario Testino
ID: 13089
Издательство: Taschen

Fashion Dynamite. Mario Testino’s tribute to his greatest muse

Mario Testino is recognized as the ultimate fashion photographer of his generation but his pictures of Kate Moss transcend fashion. The result of two decades of extraordinary friendship, and phenomenal glamour, this iconic collaboration is an intimate insight into the lives and minds of two of the world’s definitive style leaders.

This book follows the journey of this exceptional fashion partnership, from early days backstage at the shows to behind-the-scenes glimpses of the groundbreaking editorials they continue to produce for the world’s most respected magazines. Of the 100-plus images, many photographs have been chosen from Testino’s private archive and are published here for the first time. They are accompanied by a foreword by Testino and an exclusive essay by Kate Moss.

The artist:

With a four decades career as a leader in the fields of fashion, culture and lifestyle, Peruvian-born Mario Testino OBE has many facets that take him beyond the surface of a .2n/ photographer and artist placing him as a cultural visionary. Testino’s universe is broad, his impact is uniquely powerful and his lifestyle is bcompletely authentic. Testino’s has seen his works published and exhibited in hundreds of cities around the world. Throughout his career he built unprecedent relationships with editorial and commercial partners such as Vogue, Burberry, and Gucci to name a few. His past and present muses include HRH Princess Diana, Madonna, Donatella Versace, Kendall Jenner and Mariacarla Boscono. His solo exhibitions have shown in museums and galleries worldwide, including the National Portrait Gallery, London; and the Museum of Fine Arts, Boston.

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Jean Druesedow, Kohle Yohannon
ID: 9307
Издательство: Rizzoli

The first book to celebrate the irreverent and original style of Katharine Hepburn -- icon of stage and screen.

Glamorous when she wanted to be and tomboyish when she didn’t, Katharine Hepburn developed her personal style and public image as a style rebel. Whether on stage, on screen, or in private life, Hepburn had a firm grasp on the power of her appearance. Rather than submit to studio image makers, she controlled her image and drew on her own proclivities to create a distinct antifashion persona.

This book presents the famously headstrong star in a new light: as a style icon. Through images of Hepburn’s on-screen and off-screen wardrobes and essays by top fashion historians, this book reveals how modern Hepburn’s insouciance and idiosyncratic manner of dressing really was and shows her as an inspirational, self-styled counterpoint to the over-managed looks of celebrities today.

Full of never-before-published images of Hepburn’s costumes and personal wardrobe, Katharine Hepburn is a refreshing look at a true fashion original.

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Sante D`Orazio
ID: 2392
Издательство: teNeues
There is something powerfully erotic about Catholic schoolgirl uniforms. The blazer or sweater, the immaculate white shirt, the pleated skirt, the knee socks and athletic shoes are the stuff of legend. It’s a charming fetish, as psycho-sexually resonant as the black motorcycle jacket or the nurse’s uniform. Intended to bring equal status to the student body, and to induce its wearers to behave, the uniform often embodies a nascent rebellion against sexual repression. With Katlick School, Sante D’Orazio has produced a witty visual narrative of flirtation, starring a beautiful Latina schoolgirl named Kat. She holds her notebook like a shield to ward off advances. But with her skirt hiked up and snaps - not buttons - on her shirt, there’s a hint of come-hither. We soon discover that the pleated skirt conceals “Snoopy” bikini underwear and a tattoo. Kat is willing to trade her trainers for thigh high spike heeled boots - and as the fantasy unfolds - we get to see her entirely out of uniform. Obviously, she is committed to rounding out her education As the Red Hot Chili Peppers sang, “Catholic school girls rule!”
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Kim Kardashian West
ID: 11872
Издательство: Rizzoli

The newly updated book dedicated to the selfie photography of Kim Kardashian, featuring sixty-four new pages of the latest snaps of Kim’s children, her immediate family, and some of the world’s most prominent figures.

From her early beginnings as a wardrobe stylist, Kim Kardashian has catapulted herself into becoming one of the most recognizable celebrities in Hollywood. Hailed by many (including Givenchy designer Riccardo Tisci) as the modernday Marilyn Monroe, Kim has become a true American icon. With her curvaceous style, successful reality TV show Keeping Up with the Kardashians, DASH clothing store, makeup and perfume lines, and workout DVDs, she has acquired a massive fan following in the multi-millions. Through Instagram, Twitter, and Facebook, Kim connects with her legions of fans on a daily basis, sharing details of her life with her selfie photography. Widely regarded as a trailblazer of the selfie movement — a self-portrait for the digital age — Kim has mastered the art of taking flattering and highly personal photos of herself.

This updated volume presents 64 new pages of some of Kim’s favorite selfies — from her favorite throwback images and current ultra-sexy glam shots to newly snapped selfies with Serena Williams, Hillary Clinton, and President Barack Obama — Selfish provides readers with a behind-the-scenes look into this larger-than-life star. This revised and expanded edition features previously unpublished images of her children and immediate family.

About the Author:

A new mom to her daughter, North, and happily married to the rapper Kanye West, Kim Kardashian West is on top of the world, and this collection of hand-picked images from her personal archive is a tribute to her fans who have supported her through her very highly publicized journey.

__________

Пролистать книгу Kim Kardashian West: Selfish: More Me! With New Selfies на сайте издательства.

 

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Hulton Getty
ID: 5378
Издательство: MQ Publications

'Happiness is like a kiss - in order to get any good out of it you have to give it to somebody else' - Anonymous. What's in a kiss? Whether passionate or playful, friendly or flirtatious, a kiss is the ultimate expression of affection. With classic photographs and quotes, this little book celebrates the kiss in all its glorious variety.

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Vince Aletti
ID: 8632
Издательство: Hatje Cantz

Captured in three Tokyo parks in the early seventies, Kohei Yoshiyuki’s The Park series features some of the most intriguing photographic works of art ever. Shot at night using flash and infrared film, the photographs show hetero- and homosexuals gathering for furtive sexual encounters in the Shinjuku, Yoyogi, and Aoyama parks. These amorous scenes, however, are unpleasantly crowded; even before Yoshiyuki (*1946) approached them with his camera, the couples had become objects of desire for voyeurs. “It’s not the sex in Yoshiyuki’s photographs that is shocking, but rather, it is the reckless, pent-up fascination of the voyeurs - men so possessed that, for the moment, nothing else exists or matters - and the sense that we’ve all been there,” writes Vince Aletti.

The photographs, which generated a great deal of interest when first published in an austere Japanese edition in 1980, are presented here in duotone quality alongside an interview with the artist conducted by Nobuyoshi Araki.

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Robert Delpire, Dominique Edde
ID: 3919
Издательство: Thames & Hudson

Stark, impassioned and singularly intense, Josef Koudelka’s work has received deserved acclaim over the past three decades as a uniquely significant contribution to the language of photography.

'Koudelka' is the first book to present over 150 of his most eloquent images in a single volume, from his earliest images – published here for the first time – to his most recent panoramic landscape studies.

Whether photographing avant-garde theatre, gypsies throughout Eastern Europe, resistance to Soviet guns and tanks advancing on Prague, or the environmental degradation of a post-industrial world, Koudelka has consistently produced images that provoke a connection to the larger questions of human existence.

Robert Delpire, Koudelka’s longtime publisher, collaborated with the artist in conceiving and producing this title. The other essayists in 'Koudelka' each explore a different aspect of the artist’s work, illustrating his constant evolution and intensity.

About the Author:

Josef Koudelka began his career as an aeronautical engineer, turning full-time to photography in the late 1960s. In 1968, Koudelka photographed the Soviet invasion of Prague, publishing his photographs under the initials P. P. (Prague Photographer). In 1969, he was anonymously awarded the Overseas Press Club’s Robert Capa Gold Medal for the photographs. Significant exhibitions of his work have been held at The Museum of Modern Art and the International Center of Photography, New York; Hayward Gallery, London; Stedelijk Museum of Modern Art, Amsterdam; and Palais de Tokyo, Paris. In 1992, he was named Chevalier de l’Ordre des Arts et des Lettres by the French Ministry of Culture. He is currently based in Paris.

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Joseph Koudelka, Giuseppe Culicchia
ID: 5014
Издательство: Thames & Hudson

Whether photographing avant-garde theatre, gypsies on the steppes of Eastern Europe or resistance to Soviet guns and tanks advancing on Prague, Josef Koudelka has consistently produced images that provoke a connection to the larger questions of human existence.

This book brings together panoramic photographs from one of his most recent projects, the landscape of the Piedmont region of northern Italy. As Giuseppe Culicchia says in his introduction to this superb collection, ‘Today’s Piedmont is a region that is both wonderful and wounded. And here they are: the wonders and the wounds … Humans are largely absent from Koudelka’s images, because the book’s main protagonist is the land itself.’

• Includes an introduction outlining Piedmont’s history and culture by leading Italian journalist Giuseppe Culicchia.
• Koudelka’s powerful compositions lend themselves brilliantly to the panoramic format of the photographs and the book’s layout.

Josef Koudelka’s photographs of the 1968 invasion of Prague won him the Robert Capa Gold Medal in 1969. He left Czechoslovakia in 1969 and became a member of Magnum Photos. He has lived in Paris and Prague since 1980.

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Josef Koudelka, Will Guy
ID: 7836
Издательство: Thames & Hudson

This book is a revised and enlarged version of the original maquette for Josef Koudelka's book Cikani (Czech for Gypsies), prepared by Koudelka and graphic designer Milan Kopriva in 1968, and intended for publication in Prague in 1970. However, Koudelka left Czechoslovakia in 1970, and the book was never published in that original form. Koudelka's stark images depict the poverty and clannishness of Gypsy life, but he does not present their situation as a social problem that should somehow be fixed. Instead, he shows the Gypsies as perpetual outsiders, and their lives as a primal mix of glee and wonder, sorrow and mystery.

This extended version of the seminal 'Gitans, la fin du voyage' consists of 109 photographs taken between 1962 and 1971 in what was Czechoslovakia (Bohemia, Moravia and Slovakia), Romania, Hungary, France and Spain. Sociologist Will Guy, author of the text that accompanied the first publication of Gypsies, has contributed an updated essay, tracing the migration of the Roma from their original homeland in northern India, to their current status one that continues to be contested internationally.

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Josef Koudelka
ID: 13227
Издательство: Thames & Hudson

'A classic of documentary photography … an extraordinary testament to Koudelka's keen eye and darkly romantic imagination' Observer

Gypsies is based on the original maquette for Josef Koudelka’s book Cikáni (Czech for Gypsies), prepared by Koudelka and graphic designer Milan Kopriva in 1968, and intended for publication in Prague in 1970. However, Koudelka left Czechoslovakia in 1970, and the book was never published in that original form.

Now available in an affordable compact edition, the book has been revised and resequenced. Comprising 109 photographs taken between 1962 and 1971 in what was Czechoslovakia (Bohemia, Moravia and Slovakia), Romania, Hungary, France and Spain, it is a unique record of a vanished world. The Gypsies in these images were photographed during the 1960s, mostly in a state that no longer exists, and ruled by a regime that disintegrated in 1989. Will Guy, author of the text that accompanied the first publication of Gypsies, contributes an entirely new essay tracing the migration of the Roma from their original homeland in northern India, to their current status – one that continues to be contested internationally.

About the Author:

Josef Koudelka was born in Moravia in 1938. In 1968, he photographed the Soviet invasion of Prague, for which he was awarded the Overseas Press Club’s Robert Capa Gold Medal. He has published over a dozen books, including Exiles, Chaos and Invasion 68: Prague.

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