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361 illustrations in colour

Reuters is the world’s largest international news agency.
Its award-winning photographers submit some 1,500 photos a day from locations across the globe, creating an annual archive of over half a million images.

This stylish book is a compilation of 380 of the finest Reuters photographs of 2007.

Drawing upon this unparalleled resource, Our World Now documents a year in the life of our vibrant, troubled, beautiful planet. Sometimes funny, sometimes devastating, always enthralling, these photographs encompass the fantastic diversity of trends, moods and stories that have defined 2007.

• 2007 in 380 powerful photos.
• Covers the full range of news reporting – politics, commerce, conflict, the environment, accidents and disasters, faith and festivities, entertainment, celebrity and lifestyle.
• Pithy captions summarize the story behind each picture.
• Features all the year’s top stories and some surprises too.

 Reuters photojournalists submit some 1,500 photos every day, creating an annual archive of over half a million images, bearing witness to events as they happen across the globe.

Our World Now 3 draws upon this unparalleled resource to document a year in the life of our vibrant, troubled, beautiful planet.

This award-winning work pushes the boundaries of what news photography is and can be: it ranks among the finest photojournalism of our times. Sometimes funny, sometimes devastating, always compelling, the images in this book encompass the fantastic diversity of trends, moods and stories that defined 2009.

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This highly successful series (over 100,000 copies sold worldwide) has become an indispensable visual record of our times.

This fifth volume captures 2011 in over 350 powerful photos covering the full range of news reporting – politics, commerce, conflict, accidents and disasters, the environment, faith and festivities, entertainment, celebrity and lifestyle. Succinct captions summarize the story behind each image.

‘Witness’ features in each chapter present powerful, in-depth photo-essays from around the world. An introduction explains in the photographers’ own words the events and approaches that lead to spectacular photojournalism.

Like the previous Our World Now volumes, this is a book that consistently packs an emotional punch: spectacular, moving, hard-hitting, at times even funny.

• This year that is certain to be remembered as hugely significant for the astounding events that unfolded in 2011.
• The Arab Spring, the Japanese tsunami, the England riots and beyond: here is a fresh take on the most memorable worldwide events, trends and stories of the year.
• Compact format, fantastic price for content.
• Packed with unforgettable images by award-winning Reuters photojournalists.

766 Illustrations in colour

Reuters photographers are there to record it all, creating many of the finest sporting images of our times. Defining moments of virtuosity, beauty, comedy, triumph and despair are captured here in over
750 brilliant photographs of the new sporting century … the dramas, the personalities and the stories behind every picture, covering over
120 sports in almost 60 countries.

An illustrated timeline summarizes the sporting highlights of each year of the 21st century.

Here too are the big themes in sport:
• What are the values of sport today?
• What does success mean in an age of commercial sponsorship and celebrity?
• With advances in technology and performance-enhancing drugs, what is fair play?

Reuters is the world’s largest international news agency.
Its sports correspondents have been reporting since 1860 and submit over 250 sports pictures every day – up to 1,000 during major events. Reuters Sport in the 21st Century features images by 250 photographers of almost 60 nationalities. Reuters is not aligned or affiliated with any country, culture or movement.

Reuters photojournalists submit some 1,500 photos a day, creating an annual archive of over half a million images. OurWorld Now 2 draws upon this unparalleled resource to document a year in the life of our vibrant, troubled, beautiful planet. Sometimes funny, sometimes devastating, always compelling, the images in this book encompass the fantastic diversity of trends, moods and stories that defined 2008.

Captures 2008 in over 350 powerful photos covering the full range of news reporting – politics, commerce, conflict, the environment, accidents and disasters, faith and festivities, entertainment, celebrity and lifestyle.

Spanish photographer Eugenio Recuenco has gained widespread acclaim as a noted advertising and fashion photographer.

With other-worldly narratives of great vitality, his complex signature style uses elaborate handmade scenery and contains multiple references to art history - the Renaissance, Picasso, Tamara de Lempicka just to mention a few of his varied influences. A highly cinematic photographer with an innate storytelling flair, it is hardly surprising Recuenco has also created a number of award-winning works in commercial spots and short films.

This is the first book to showcase the work of this accomplished visual artist who is certain to be a star of significant and enduring renown.

With the Middle East and Asia as his far-ranging home territory, Reza has chronicled 30 years of turmoil, hope, and splendor for a host of international publications including Newsweek, Time, Geo, and National Geographic magazines. Now, he displays some of his most dramatic works in Reza War and Peace – a powerful and moving photo collection that illuminates current events and recent history in places of conflict we see represented in the news every day. These remarkable pictures convey torment and upheaval, but also the art, culture, and traditions of Iraq, Iran, Afghanistan, and other areas – as well as the photographer’s understanding of humanity and deep commitment to justice. Reza trains his lens not just on war and conflict, but also on friendship and loyalty, family life and love. The book follows Reza’s photographic career and is narrated in his own words, focusing our attention on the costs of war and the human condition. Sebastian Junger contributes an introduction, offering intimate insight into what it's like to work with his longtime friend and collaborator.

Despite the challenging subject matter, Reza’s message is not despairing, but ultimately hopeful. For readers interested in world history, current events, and the human experience, this photographic tour de force is a must.

An irrepressible innovator, Avedon has consistently defied conventional expectations about what a portrait is supposed to look like..." - Maria Morris Hambourg and Mia Fineman For over 50 years, Richard Avedon (b. 1923) has captured the creative genius of our time with dazzling insight and incomparable style. Spanning the artist's entire career, from the late 1940s through his most recent work, Richard Avedon Portraits offers a superb selection of his photographic portraits. With uncompromising directness, Avedon portrayed his subjects against a white background, with no extraneous details to distract from the essential specificity of face, gaze, dress, and gesture. This challenging innovation, coupled with the artist's intense interest in his subjects and mastery of his craft, resulted in mesmerizing portraits — among them Truman Capote, Willem de Kooning, Samuel Beckett, Francis Bacon, and Marilyn Monroe, as well as the uncelebrated Americans of his project, "In the American West" that rival the greatest works in the portrait tradition. Richard Avedon Portraits is published to accompany a major exhibition at The Metropolitan Museum of Art, New York. With its innovative accordion-style design and superb reproductions, the book is a virtual stand-alone mini-exhibition in its own right.

About the Author:

Richard Avedon is one of the most influential photographers of the second half of the 20th century. His portrait work comprises an authoritative record of our era. His many books have set a standard for photographic publishing. As a staff photographer for Harper's Bazaar and later for Vogue, Avedon redefined what a fashion photograph is. In 1992 he was named the first staff photographer in the history of The New Yorker. Maria Morris Hambourg is Curator in Charge of the Department of Photographs at The Metropolitan Museum of Art, New York. She has written and contributed to many books on the history of photography. Mia Fineman is a Research Assistant in the Department of Photographs at The Metropolitan Museum

Performance, von der Richard Avedon Foundation zusammengestellt, ist Avedons Hommage an alle Spielarten der darstellenden Kunste. Avedon liebte das Theater und war vom Buhnengeschehen seiner Zeit ebenso fasziniert wie von dessen Protagonisten. Alles, was in dieser schillernden Szene in den vergangenen 50 Jahren Rang und Namen hatte, landete fruher oder spater in seinem Studio: Judy Garland und Chaplin, Horowitz und Bernstein, die Beatles und Bob Dylan, Marlon Brando und Frank Sinatra, Martha Graham, Rudolf Nurejew, Merce Cunningham …

"We all perform. It's what we do for each other all the time, deliberately or unintentionally. It's a way of telling about ourselves in the hope of being recognized as what we'd like to be."
 - Richard Avedon, 1974

The preeminent stars and artists of the performing arts from the second half of the 20th century offered their greatest gifts - and, sometimes, their inner lives - to Richard Avedon. More than 200 are portrayed in Performance, many in photographs that have been rarely or never seen before. Of course, the great stars light the way: Hepburn and Chaplin, Monroe and Garland, Brando and Sinatra. But here too are the actors and comedians, pop stars and divas, musicians and dancers, artists in all mediums with public lives that were essentially performances, who stand at the pinnacle of our cultural achievement.

The celebrated author and critic John Lahr offers an elegant assessment of Avedon’s achievement. Four supremely talented artists from the performing arts - Mike Nichols, André Gregory, Mitsuko Uchida, and Twyla Tharp - contribute lively and moving memoirs about their collaborations with Avedon.

"We all perform. It's what we do for each other all the time, deliberately or unintentionally. It's a way of telling about ourselves in the hope of being recognized as what we'd like to be."
 - Richard Avedon, 1974

The preeminent stars and artists of the performing arts from the second half of the 20th century offered their greatest gifts - and, sometimes, their inner lives - to Richard Avedon. More than 200 are portrayed in Performance, many in photographs that have been rarely or never seen before. Of course, the great stars light the way: Hepburn and Chaplin, Monroe and Garland, Brando and Sinatra. But here too are the actors and comedians, pop stars and divas, musicians and dancers, artists in all mediums with public lives that were essentially performances, who stand at the pinnacle of our cultural achievement.

The celebrated author and critic John Lahr offers an elegant assessment of Avedon’s achievement. Four supremely talented artists from the performing arts - Mike Nichols, André Gregory, Mitsuko Uchida, and Twyla Tharp - contribute lively and moving memoirs about their collaborations with Avedon.

About the Authors: 

John Lahr is Senior Drama Critic of The New Yorker. In 2002, he was the first drama critic ever to win a Tony Award. 

Mike Nichols is an American Emmy Award, Academy Award, Grammy Award, and Tony Award-winning stage and film director, writer, and producer. André Gregory is an American director and actor. His best-known film appearance was as the title character in My Dinner with Andre. 

Mitsuko Uchida is a classical pianist, renowned for her recordings of Mozart, Beethoven, and Schubert. 

Twyla Tharp is a leading American dancer and choreographer.

Richard Avedon: Fashion 1944-2000 shows Richard Avedon's extraordinary fashion photographs from almost seven decades

With his early innovative photographs for "Harper's Bazaar" and his creative sessions for "Vogue", "Egoiste" and "The New Yorker" Richard Avedon had influenced 20th-century fashion photography as no one else, working together with the best models, stylists and designers.

Avedon Fashion 1944-2000 encompasses seven decades of extraordinary images by Richard Avedon, the most influential fashion photographer of the 20th century.

This comprehensive volume offers a definitive survey, from Avedon's groundbreaking early photographs for Harper's Bazaar through his constantly inventive contributions to Vogue, Egoiste, and The New Yorker. Each carefully selected image represents an artistic collaboration with significant models, stylists, and designers. Avedon Fashion accompanies the first major exhibition to survey this body of work, at the International Center of Photography in May 2009. With critical essays by Carol Squiers, curator at the ICP, and photography critic Vince Aletti, as well as an appreciation by photo-historian Philippe Garner, Avedon Fashion chronicles an astonishing record of photographic achievement.

About the Authors: 

Carol Squiers, curator at the International Center of Photography, has contributed to Artforum, the New York Times, Vogue, and Vanity Fair. She lives in New York.

Vince Aletti, adjunct curator at ICP and former art editor of The Village Voice, reviews photography exhibitions for The New Yorker. He lives in New York.

American photographer Richard Avedon (1923–2004) received widespread acclaim for his images in which he captured stars with their “masks dropped” and their true colors revealed. He was also notorious for the pitiless way in which he created these moments. For example, he told two great animal lovers, the Duke and Duchess of Windsor, that his taxi had run over a dog on the way to the photoshoot - and in that second he caught their horrified reaction on film. This attitude, however, was not reserved merely for the rich and famous. Through his legendary project In the American West, hundreds of his uncompromising portraits of common people became photographic icons.

This large-format publication presents over one hundred of his most beautiful classic images.

Richard Avedon photographed the faces of politics throughout his career and this book brings together his political portraits for the first time. Juxtaposing images of elite government, media, and labor officials with photographs of countercultural activists, writers and artists, and ordinary citizens caught up in national debates, it explores a five-decade taxonomy of politics and power by one of America’s best-known artists.

The book features Avedon’s extended projects on the civil rights debate in the early 1960s (published in 1964 in Nothing Personal); the American anti-war movement and the war in Vietnam from 1969-1971; portraits of the American power elite in 1976 for his groundbreaking Rolling Stone portfolio The Family; “Exiles: The Kennedy Court at the End of the American Century,” a retrospective homage to the Camelot generation, published in The New Yorker in 1993; and his final photo-essay, “Democracy,” surveying the American state of mind during the politically-fractious time prior to the country’s 2004 presidential election (published posthumously in The New Yorker in 2004).

Among the significant projects of the last years of his life, Richard Avedon (1923–2004) completed a book of his photographs of women. Always transcending categorization - he was both a fashion photographer and known as a “poet of portraiture” - Avedon was interested in seeing how elemental facts of modern life and human existence were reflected in his work. And what could be more elemental than women, who have mesmerized artists across the centuries? Looking at his work in this way, Avedon was able to create an unparalleled view of women in his time, a tumultuous half-century of rapidly changing social mores, cultural ideals, popular styles, and high fashion.

As an artist, he was deeply responsive to nuances of expression, gesture, and comportment, and his photographs unfailingly opened a window to the interior lives of his subjects. These ranged from celebrities (Marilyn Monroe), artists (Maria Callas, Isak Dinesen), and high-fashion models (Suzy Parker, Kate Moss) to women who simply drew his attention. Like the best of art and literature, Avedon's portraits evoke rich lives and complex experiences. An incisive essay by art historian Anne Hollander offers an overview of a half-century of Avedon's images of women.

About the Authors:

Richard Avedon was one of the most celebrated photographers of the 20th century. His portrait work comprises an authoritative record of our era and he redefined the fashion photograph. In 1992, he became the first staff photographer of The New Yorker.
Anne Hollander is the author of several books, including Feeding the Eye, Moving Pictures, and Seeing Through Clothes.

Richard Kern likes real women: unpretentious, unadorned, and definitely undressed. Those who love Kern know each book is an invitation to join him in his privileged world where natural young women share their most intimate moments. Richard has never lost his boyish curiosity with girls and their secrets, so instead of posing them in sterile sets he follows them through the house - or rather his New York apartment - from backyard to kitchen to bathroom to bedroom, capturing every sexy and embarrassing moment. Action is his most revealing book yet. For 280 pages we careen through the life of Kern, accompanied by dozens of energetic, fun-loving, clothes-dropping exhibitionists. “Young women want to show the world they’re not like their man-hating women’s lib mothers,” a Kern model once told me, and these girls certainly get the point across. To further assist the young ladies in their rebellion, the book includes an hour-long DVD of original Kern film with an exclusive musical score by Thurston Moore of Sonic Youth. Way to stick it to the Mom, ladies! And thank you, Richard, you lucky dog.
- Dian Hanson