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A revised edition of this collection of Saul Leiter’s distinctive work, featuring twelve new photographs.

A new edition of this collection of Saul Leiter's distinctive work, featuring twelve new photographs.

Saul Leiter was one of those photographers who sought neither fame nor commercial success, despite his talent for imagemaking.

Born in Pittsburgh, he spent his entire adult life in New York City's East Village, in an intensely creative environment where ideas from Europe and America came together and intermingled. There he encountered Rothko and the Abstract Expressionists, and discovered street photography and the work of Henri Cartier-Bresson. His mastery of colour is displayed in unconventional cityscapes in which reflections, transparency, complex framing and mirroring effects are married to a very personal printing style, creating a unique kind of urban view.

About the Author:

Max Kozloff is an American art historian, art critic of modern art and photographer. He has been art editor at The Nation and Executive Editor of Artforum.

An in-depth look at the entire body of work of one of the outstanding figures in postwar photography

Saul Leiter (1923–2013) pioneered a painterly approach to colour photography in the 1940s and produced covers for fashion magazines such as Esquire and Harper’s Bazaar before largely withdrawing from public attention in the 1980s. The publication in 2006 of his first collection, Early Color, inspired an avid ‘rediscovery’ that has since led to worldwide exhibitions and the release of a documentary, In No Great Hurry: 13 Lessons in Life with Saul Leiter (2013). This collection reveals the secrets of his appeal, from his masterful colours and compositions to his lyricism and life philosophy.

Over 200 works – including early street photographs, images for advertising, nudes and paintings – cover Leiter’s career from the 1940s onwards, accompanied by quotations from the artist that express his singular world view.

Contents List:

Gallery • The Painter in Saul Leiter, Margit Erb • The New York Nabi, Pauline Vermare Photographs that creep up behind you and tickle your left ear, Motoyuki Shibata • Sources of Saul Leiter quotations • Saul Leiter chronology

About the Authors:

Saul Leiter was born in 1923 in Pittsburgh. He pioneered a painterly approach to colour photography in the 1940s and produced covers for fashion magazines such as Esquire and Harper’s Bazaar before largely withdrawing from public attention in the 1980s. The publication in 2006 of his first collection, Early Color, inspired an avid ‘rediscovery’ that has since led to worldwide exhibitions and the release of a documentary, In No Great Hurry: 13 Lessons in Life with Saul Leiter (2013). He died in New York in 2013.
Margit Erb is the founder and director of the Saul Leiter Foundation, which is dedicated to preserving Leiter’s art and legacy.
Pauline Vermare is Cultural Director at Magnum Photos.
Motoyuki Shibata is a scholar and translator of American literature.

Celebrating the centennial of Saul Leiter’s birth, the official retrospective of a revolutionary figure in twentieth-century photography.

Saul Leiter photographed and painted nearly every day for over sixty years, amassing an enormous archive, most of which remained unseen during his lifetime. Finding inspiration within a few blocks of his apartment in lower Manhattan, he was a master at discovering beauty in the most ordinary places. Celebrated today for his evocative colour photographs of New York in the 1950s and 1960s, which were unknown in their day, Leiter also found success as a fashion photographer for Harper’s Bazaar. All the while he was shooting black-and-white street scenes on his daily walks, and nudes and intimate portraits back home, while continuing his painting explorations with abstract watercolours, whimsical sketchbooks and painted photographs.

Created in collaboration with the Saul Leiter Foundation, this definitive monograph brings together these diverse yet interconnected bodies of work – including much that was previously unpublished – to reveal the complete artist for the first time.

About the Authors:

Saul Leiter was born in 1923 in Pittsburgh. He pioneered a painterly approach to colour photography in the 1940s and produced covers for fashion magazines such as Esquire and Harper’s Bazaar before largely withdrawing from public attention in the 1980s. The publication in 2006 of his first collection, Early Color, inspired an avid ‘rediscovery’ that has since led to worldwide exhibitions and the release of a documentary, In No Great Hurry: 13 Lessons in Life with Saul Leiter (2013). He died in New York in 2013.
Margit Erb is the founder and director of the Saul Leiter Foundation, which is dedicated to preserving Leiter’s art and legacy.
Michael Parillo is the Associate Director of the Saul Leiter Foundation.

Looking Africa in the face. An homage to the continent of contrasts

"In the footsteps of courage and catastrophe [...] – a 30-year journey across the dark continent by the world's greatest photojournalist." - The Sunday Times Magazines, London

Sebastião Salgado is one the most respected photojournalists working today, his reputation forged by decades of dedication and powerful black-and-white images of distressed people taken in places where most wouldn’t dare to go. Although he has photographed around the globe, his work most heavily concentrates on Africa, where he has shot more than 40 reportage works over a period of 30 years. From the Dinka tribes in Sudan and the Himba in Namibia to gorillas and volcanoes in the lakes region to displaced peoples throughout the continent, Salgado shows us all facets of African life today. He knows exactly how to grab the essence of a moment and his images artfully teach us the disastrous effects of war, poverty, disease, and hostile climatic conditions. This stunning book brings together Salgado's photos in three parts: the first concentrates on the southern part of the continent (Mozambique, Malawi, Angola, Zimbabwe, South Africa, Namibia), the second on the Great Lakes region (Congo, Rwanda, Burundi, Uganda, Tanzania, Kenya), and the third on the Sub-Saharan region (Burkina Faso, Mali, Sudan, Somalia, Chad, Mauritania, Senegal, Ethiopia). Texts are provided by renowned Mozambique novelist Mia Couto, who describes how today's Africa reflects the effects of colonization as well as the consequences of economic, social, and environmental crises.

The photographer:

Sebastião Salgado began his career as a professional photographer in Paris in 1973 and subsequently worked with the photo agencies Sygma, Gamma, and Magnum Photos. In 1994 he and his wife Lélia created Amazonas Images, an agency that handles exclusively his work. Salgado's photographic projects have been featured in many exhibitions as well as books, including Other Americas (1986), Sahel: l’homme en détresse (1986), Workers (1993), Terra (1997), Migrations (2000), and The Children (2000).

The editor:

Lélia Salgado studied Architecture and Urban Planning in Paris. Her interest in photography started in the early 1970s and she moved on to conceiving and designing photography books and organizing exhibitions, numerous of them on Sebastião Salgado. Since 1994 Lélia is director of the press agency Amazonas Images.

The contributing author:

Translated in more than 20 languages, Mia Couto is Mozambique’s most celebrated author. His first novel, Sleepwalking Land, was chosen by an international jury as one of twelve best African books published in the 20th century. He lives in Maputo, Mozambique and works as an ecologist. 

In Serra Pelada with Sebastião Salgado. Haunting black-and-white images of the Brazilian gold rush

For a decade, Serra Pelada evoked the long-promised El Dorado as the world’s largest open-air gold mine, employing some 50,000 diggers in appalling conditions. Today, Brazil’s gold rush is merely the stuff of legend, kept alive by a few happy memories, many pained regrets — and Sebastião Salgado’s photographs. This collection is a major document of modern history and an extraordinary photographic portfolio.

"What is it about a dull yellow metal that drives men to abandon their homes, sell their belongings and cross a continent in order to risk life, limbs and sanity for a dream?" - Sebastiao Salgado When Sebastiao Salgado was finally authorized to visit Serra Pelada in September 1986, having been blocked for six years by Brazil's military authorities, he was ill-prepared to take in the extraordinary spectacle that awaited him on this remote hilltop on the edge of the Amazon rainforest. 

Before him opened a vast hole, some 200 meters wide and deep, teeming with tens of thousands of barely-clothed men. Half of them carried sacks weighing up to 40 kilograms up wooden ladders, the others leaping down muddy slopes back into the cavernous maw. Their bodies and faces were the colour of ochre, stained by the iron ore in the earth they had excavated. After gold was discovered in one of its streams in 1979, Serra Pelada evoked the long-promised El Dorado as the world's largest open-air gold mine, employing some 50,000 diggers in appalling conditions. 

Today, Brazil's wildest gold rush is merely the stuff of legend, kept alive by a few happy memories, many pained regrets-and Sebastiao Salgado's photographs. Colour dominated the glossy pages of magazines when Salgado shot these images. Black and white was a risky path, but the Serra Pelada portfolio would mark a return to the grace of monochrome photography, following a tradition whose masters, from Edward Weston and Brassai to Robert Capa and Henri Cartier-Bresson, had defined the early and mid-20th century. 

When Salgado's images reached The New York Times Magazine, something extraordinary happened: there was complete silence. "In my entire career at The New York Times," recalled photo editor Peter Howe, "I never saw editors react to any set of pictures as they did to Serra Pelada." 

Today, with photography absorbed by the art world and digital manipulation, Salgado's portfolio holds a biblical quality and projects an immediacy that makes them vividly contemporary. 

The mine at Serra Pelada has been long closed, yet the intense drama of the gold rush leaps out of these images. 

This book gathers Salgado's complete Serra Pelada portfolio in museum-quality reproductions, accompanied by a foreword by the photographer and an essay by Alan Riding
About the Author:

MEGAMUNDEN is a UK-based illustrator who has created illustrations for advertising, fashion, product design and publishing. He is a Senior Designer at design agency ILoveDust.

Diana McMahon-Collis is a tarot consultant and co-founder of the Tarot Association of the British Isles. She has written for numerous magazines and websites.

The photographer:

Sebastião Salgado began his career as a professional photographer in Paris in 1973 and subsequently worked with the photo agencies Sygma, Gamma and Magnum Photos. In 1994 he and his wife Lélia created Amazonas images, which exclusively handles his work. Salgado’s photographic projects have been featured in many exhibitions as well as books, including Other Americas (1986), Sahel, L'Homme en détresse (1986), Workers (1993), Terra (1997), Migrations (2000), The Children (2000) and Africa (2007).

The editor and author:

Lélia Wanick Salgado studied architecture and urban planning in Paris. Her interest in photography started in 1970. In the 1980s she moved on to conceiving and designing photography books and organizing exhibitions, numerous of them on Sebastião Salgado. Since 1994 Lélia Wanick Salgado has been the director of Amazonas images.

In a fascinating way, the French photographer and YouTube star shows us the changeable character of New York, this time in colour: obtrusively colourful neon signs, pulsating hustle and bustle on the avenues next to atmospheric sunrises over the awakening city or empty streets without a trace of human life.

People play a rather subordinate role in Serge Ramelli’s photos. What matters is the setting, the mood, the light and the surroundings.

Typical elements and sights are always depicted as no visitor to the city has ever seen them, except in their dreams – or in a movie. Because that is what Ramelli is a master of: elevating everyday scenes to cinematic ones. His photographs show iconic places such as Times Square and the Empire State Building in a new light and invite you to discover the city from a dreamlike perspective.

Text in English, French and German.

About the Author:

Originally from France, Serge Ramelli now lives in Los Angeles. He was fascinated by images from a young age and has worked as a professional photographer and cinema producer since 2005. 

An atmospheric photography book capturing Paris's poetic flair, tradition, and modernity. 

Paris... so familiar and yet surprising. In pastel shades and dazzling details like the palette of French Impressionism, Serge Ramelli presents a unique and personal photo homage to the City of Lights. With romance and history in her blood, Paris shows her tender side as never seen before.

Only Paris offers the inimitable stage that can turn every photo into a film still. In its architectural splendor, its wealth of churches, palaces, parks, and grand boulevards, the city is peerless in its beauty and allure. Add to that a long, rich, and influential history, and this coveted capital is art in its purest form.

From the Eiffel Tower and the Louvre, to Montmartre and Saint-Germain-des-Pres, the traces of painters and photographers and echoes of actors and movie directors can be found all over the city. In this exquisite Paris photo book, Serge Ramelli pays tribute to this unique legacy of art and culture, capturing the city's poetic flair. As in vintage postcards, with glowing street lights or only certain details in color in a black and white panorama, Ramelli accentuates particular picture elements to create a modern, 3D effect, while retaining a close connection to Parisian history.

Vivid in one's memory or perhaps imagination, Ramelli collects rapturous moments with his camera — a brilliant firework display in front of the Eiffel Tower or the sight of the Pont Neuf amidst freshly fallen snow. In the beguiling blue hour, or a nuit (the magical light at sunrise and sunset), the photographer shows a kaleidoscope along the Seine that will delight all who have lived and loved in Paris.

About the Author:

Originally from France, Serge Ramelli now lives in Los Angeles. He was fascinated by images from a young age and has worked as a professional photographer and cinema producer since 2005. 

This beautiful photography book by Serge Ramelli presents Paris in a unique lighting mood that transforms photos into vivid film stills.

Paris, so familiar, but different. A city with romance and history in its blood shows its tender side in a special way here. In pastel tones and luminous nuances that could have come from the palette of French Impressionists, Frenchman Serge Ramelli paints a very personal, photographic overall colouring.

The Eiffel Tower and the Louvre, Montmartre and Saint-Germain-des-Prés, traces of the artists who once lived here can be seen everywhere, actors made their homes here after film productions, art and culture are everywhere in exuberant abundance. A flair that Ramelli skilfully captures. Ramelli collects all of these very special moments with his camera. A kaleidoscope of the Seine metropolis that will delight every lover: in the magical light at sunrise and sunset, at the blue hour or ‘à nuit’. 

Text in English, French and German.

About the Author

Originally from France, Serge Ramelli now lives in Los Angeles. He was fascinated by images from a young age and has worked as a professional photographer and cinema producer since 2005. 

In the days of sailing ships, the waters off Britain’s south-western coast could be some of the most treacherous in the world with tidal currents, submerged rocks, storms and murky depths. Thousands of ships were lost there over the centuries. From the remote Isles of Scilly, four generations of the Gibson family documented these shipwrecks in photographs, creating a unique archive of an era when seafaring could mean risking one’s life.

This magnificent book is the largest ever created on the subject, with over 100 exceptional images presented as never before alongside text by historian and diver Carl Douglas and marine archaeologist Björn Hagberg. The result is a work that conveys mankind’s struggle against the elements.

An astute exploration of the most outrageous shoe designs of the 21st century

This fabulously illustrated book explores western culture’s fascination with extravagant and fashionable shoes. Over the past decade, shoe design has become increasingly central to fashion, with fashion companies paying ever more attention to shoes and other accessories. High-heeled shoes, in particular, have become the fashion accessory of the 21st century.

Co-written by one of the world’s leading historians of fashion and an authority on fashion accessories, the book features approximately 150 pairs of the most extreme and ultra-fashionable styles of the past 12 years, including work by such prominent designers as Manolo Blahnik, Pierre Hardy, Christian Louboutin and Bruno Frisoni for Roger Vivier, as well as shoes by influential design houses such as Azzedine Alaïa, Balenciaga, Alexander McQueen, and Prada. Avant-garde styles by up-and-coming designers such as Japan’s Kei Kagami and Noritaka Tatehana are also highlighted.

Shoe Obsession examines recent extreme and fantastical shoe styles in relation to the history of high heels, the role of shoes as a reflection of their wearers’ personality traits, and the importance of shoes in art and exhibitions. The book is lavishly illustrated with full-colour photographs of spectacular contemporary shoe designs.

About the Authors:

Valerie Steele is director and chief curator of The Museum at the Fashion Institute of Technology, New York. Colleen Hill is curator of costume and accessories at The Museum at the Fashion Institute of Technology, New York.

After the globally sold-out success of their first book Weird and Wonderful Post-Mortem Fairy Tales and the even more successful follow-up Dark and Dystopian Post-Mortem Fairy Tales, the artistic and eccentric duo Mothmeister once again ignites the imagination with their third book: Sinister and Spiritual Post-Mortem Fairy Tales. This grim and spiritual dream world is inspired by bog bodies, druids, voodoo cults, the mummified Sokushinbutsu monks, the cannibalistic Asmat tribe, Victorian freak shows, and much more.

As always, Mothmeister pays homage to the animal kingdom, which, through their passion for taxidermy, comes to life in an enchanting biotope where everything coexists intuitively and effortlessly. Partly familiar, but mostly surreal. And because of that, extraordinarily intriguing.

- Third volume of the Post-Mortem Fairy Tales trilogy by the mysterious duo Mothmeister
- An intriguing mix of taxidermy, mask art, and photography
- ‘Taxidermy terrors: furry tales of the undead – in pictures.’ — The Guardian

About the Author

The dystopian dream world of the Belgian duo Mothmeister intrigues a large and loyal fan base worldwide. Their dark, constantly mutating fairy tale figures pay homage to taxidermy. Mothmeister's muses? Their impressive private collection of stuffed animals, masks, costumes, numerous international artists they collaborate with, and their unbridled wanderlust.

Explore a new generation of hotels, guesthouses, and hospitality venues that have traded the bustle of cities for the peace of remote and regional areas.

A thoughtful guide to a new kind of travel, Slow Escapes explores hotels, guesthouses, and hospitality venues that are reinvigorating rural areas by fostering meaningful connections between people and place. Drawing upon principles of the slow movement, these places embrace ideas of community, sustainability, and seasonality, and are involved in the preservation of heritage, culture, and tradition.

From an 18th-century sheep farm reimagined as a guest house in the far north of Iceland to a new-age finca in the heart of Andalusia; from a homestead-turned-farm-and-fermentory in the Catskills to the Fogo Island Inn, a social enterprise and hotel set on an island off an island in the North Atlantic; read the stories behind the places that are changing the way we vacation — for the better.

About the Author:

Clara Le Fort is a French travel journalist who specializes in sustainable destinations for a sophisticated audience. Her work appears in lifestyle magazines such as Le Point, ELLE, Les Echos WE, ELLE DECO, Le Figaro and BLLNR; she also contributes to the Louis Vuitton City Guides on Arles, Copenhagen, Sydney, Istanbul. Le Fort spends most of her time traveling, always looking for the globe’s next promising locations and tracking trends.

The perfect primer on acclaimed French artist Sophie Calle.

Sophie Calle is a French writer, photographer, installation artist and conceptual artist. Her work is distinguished by its use of arbitrary sets of constraints, and frequently depicts human vulnerability, and examines identity and intimacy. She is renowned for her detective-like ability to follow strangers and investigate their private lives, which she has deployed in her acclaimed works Suite Venitienne, The Hotel and Address Book. She has had major exhibitions all over the world, including at the 2007 Venice Biennale, the Whitechapel Gallery in London, and the Louisiana Museum of Modern Art in Denmark, and has worked closely with the writer Paul Auster. The Guardian called her ‘the Marcel Duchamp of dirty laundry’, and she was among the names in Blake Gopnik's list 'The 10 Most Important Artists of Today', with Gopnik arguing, 'It is the unartiness of Calle's work ― its refusal to fit any of the standard pigeonholes, or over anyone's sofa ― that makes it deserve space in museums.'

Clément Chéroux introduces this collection of over twenty of Calle’s most renowned projects, which are all accompanied by the artist’s own words.

About the Author:

Clément Chéroux is a French photography historian and curator. He is Chief Curator of Photography at the Museum of Modern Art in New York City.

In the 1950s the space race between the USA and the USSR was well and truly on, and was for both a matter of pride and propaganda. But before man ventured into the cosmos, his four-legged friends would pave the way for space exploration.

The first canine cosmonaut was Laika, meaning ‘barker’. The little stray could never have anticipated that she would one day float 200 miles above the Moscow streets. She would be canonized as a proletarian hero, appearing on stamps, postcards and souvenirs. Her successors were Belka and Strelka, the first dogs to successfully return safely to Earth, and with them, the cult of the space dog was born.

This fascinating book tells the story of the space dogs, illustrated with legendary photographer Martin Parr’s vintage space-dog memorabilia. In a regime that eschewed celebrating individual achievement, these dogs became Soviet superstars, with a vast array of merchandise, books and films in their honour.

About the Author:

Internationally acclaimed photographer Martin Parr is also known for his astonishing and witty collections of twentieth-century ephemera. Previous publications include Boring Postcards, The Last Resort and a retrospective of his work, Martin Parr. He has also been involved in several TV and film collaborations, and in 2014 set up The Martin Parr Foundation in Bristol, UK.

Richard Hollingham is a multi-award-winning science and space journalist, BBC radio presenter and producer. Space correspondent for BBC future and presenter of the Space Boffins Podcast, Richard is also a video producer and launch commentator for the European Space Agency. He is a regular visitor to Russia, and has reported from space centres around the world, including the Baikonur cosmodrome and mission control Moscow.

Explore the fascinating past, present, and possible future of Elon Musk’s SpaceX in the first comprehensive photographic history of the company.

The private space industry’s consensus leader, SpaceX, headed by controversial billionaire Elon Musk, was worth an estimated $187 billion in 2023 while taking on more roles — flying cargo, supplies, and astronauts to outer space, and even playing a central role as rocket supplier to NASA’s Artemis moon mission. In SpaceX: Elon Musk and the Final Frontier, science journalist and editor Brad Bergan tells the story of SpaceX with words and 200+ stunning photographs of the spacecraft, key players, and facilities in California, Texas, and Florida.

Bergan examines every detail surrounding SpaceX’s efforts to accelerate humankind’s exploration and understanding of outer space, including:

- The personal and private forces that led Musk to form the company 
- The business of private space exploration, including contracts with other private firms and NASA 
- Chief rivals, including Blue Origin, founded by Amazon’s Jeff Bezos
- SpaceX roles in missions to the Moon, Mars, and beyond 

Bergan also covers some of SpaceX's controversial headlines, from space junk to failed test launches and the Starlink satellite constellation. While examining the business, the missions, and the hardware, Bergan looks at the importance of design-forward equipment and, finally, the endgame: what ultimately is “in it” for SpaceX?

Table of Contents:

Preface: Fukuyama’s Diagnosis, and Where Space Goes from Here
1 The Unfair Advantage
2 The Changing Face of Space Travel
3 Enter SpaceX
4 The Space Barons
5 SpaceX Takes Center Stage in Space Race 2.0
6 The Moon, Mars, and Beyond
7 SpaceX After Musk
Acknowledgments
Image Credits
Index

About the Author:

Brad Bergan is a former executive editor at Immutable Holdings and a former senior editor at Interesting Engineering and Futurism, specializing in space, finance, and crypto. His words have appeared in or on VICE, 3:AM Magazine, The World Economic Forum, the National Book Critics Circle, and elsewhere. With investigative journalism cited in Bloomberg, Discover, and NBC News, and several appearances on national radio, he holds degrees in philosophy and English from the University of Iowa, and studied graduate-level creative writing at The New School. He lives in New York.

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