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Through hundreds of rare and unpublished photos from GM's media and design archives and in-depth text by renowned Corvette historian Randy Leffingwell, Corvette Sixty Years celebrates the first six decades of America’s sports car, covering the revolution and evolution of America’s longest continuously produced nameplate, from Harley Earl’s initial concept to the latest 60th anniversary edition built to celebrate the Vette’s 60th year. Created in cooperation with General Motors, the book focuses as much on the Corvette’s place in popular culture as it does on the engineering and design history. This book offers something for everyone who has ever lusted after a Vette. From the inaugural 1953 Corvette to today’s stunning sixth-generation car, Corvette Sixty Years touches on all aspects of Chevrolet’s iconic sports car: history, racing, period ads, posters, memorabilia, key designers like Bill Mitchell, engineers like the fabled Zora Arkus-Duntov, celebrity Vette fans, and more. For Corvette fans, it’s an ultimate celebration of America’s most famous car.
About the Author:
Randy Leffingwell wrote his first book, American Muscle, in 1989 while still on staff at the Los Angeles Times. Since then, he has authored more than 50 other titles, covering subjects from sports cars to motorcycles to farm tractors. Leffingwell is considered one of the top transportation photographers and historians working today. Some of his previous best-selling Motorbooks titles include Art of the Corvette, Porsche 911: Fifty Years, John Deere: A History of the Tractor, and The Harley-Davidson Motor Co. Archive Collection (with Darwin Holmstrom). He lives in Santa Barbara, California.
Brutalist Beauties. Architectural remnants of the USSR
An unrivalled photographic journey through time and geography, Frédéric Chaubin’s Cosmic Communist Constructions Photographed gathers 90 buildings in 14 former Soviet Republics, each built between 1970 and 1990. In their local exoticism, outlandish ideologies, and puzzle of styles, these vast, weird, and wonderful buildings are extraordinary remnants of a fallen system and state.
Elected the architectural book of the year by the International Artbook and Film Festival in Perpignan, France, Frédéric Chaubin’s Cosmic Communist Constructions Photographed explores 90 buildings in 14 former Soviet Republics. Each of these structures expresses what Chaubin considers the fourth age of Soviet architecture, an unknown burgeoning that took place from 1970 until 1990.
Contrary to the 1920s and 1950s, no “school” or main trend emerges here. These buildings represent a chaotic impulse brought about by a decaying system. Taking advantage of the collapsing monolithic structure, architects went far beyond modernism, going back to the roots or freely innovating. Some of the daring ones completed projects that the Constructivists would have dreamt of (Druzhba Sanatorium, Yalta), others expressed their imagination in an expressionist way (Palace of Weddings, Tbilisi). A summer camp, inspired by sketches of a prototype lunar base, lays claim to Suprematist influence (Prometheus youth camp, Bogatyr). Then comes the “speaking architecture” widespread in the last years of the USSR: a crematorium adorned with concrete flames (Crematorium, Kiev), a technological institute with a flying saucer crashed on the roof (Institute of Scientific Research, Kiev), a political centre watching you like Big Brother (House of Soviets, Kaliningrad).
In their puzzle of styles, their outlandish strategies, these buildings are extraordinary remnants of a collapsing system. In their diversity and local exoticism, they testify both to the vast geography of the USSR and its encroaching end of the Soviet Union, the holes in a widening net. At the same time, they immortalize many of the ideological dreams of the country and its time, from an obsession with the cosmos to the rebirth of identity.
About the series:
Bibliotheca Universalis — Compact cultural companions celebrating the eclectic TASCHEN universe at an unbeatable, democratic price!
Since we started our work as cultural archaeologists in 1980, TASCHEN has become synonymous with accessible, open-minded publishing. Bibliotheca Universalis brings together more than 100 of our all-time favourite titles in a neat new format so you can curate your own affordable library of art, anthropology, and aphrodisia.
Bookworm’s delight — never bore, always excite!
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Посмотреть полноформатное издание книги Cosmic Communist Constructions Photographed - Frédéric Chaubin. CCCP
This book will take you on a trip around the globe and show you different places full of surprises, myths and legends, all telling their own stories, on every continent.
Special moments leave special marks on world history. Picture Neil Armstrong's first step on the moon, the fall of the Berlin wall or the election of the first African-American president of the United States. Massive scandals find recurring attention throughout the years, groundbreaking achievements in science and glorious sport successes are keptin good memory. Touching speeches or heroic gestures attained eternal fame, not to forget prominent scenes of movies as Casablanca. On 400 richly illustrated pages, Cult Moments highlights a fascinating mixture of these tragic, happy and curious moments too sublime to be forgotten.
There are products that are different from other products, they are striking and stand out from the crowd. Cult Masterpieces pays respect to these products and presents them on 400 richly illustrated pages. A combination of beautiful design, a touch of exclusiveness and a unique history turn a normal product into a phenomenon - they become cult. They fascinate people beyond all social boundaries and influence the image of an entire generation. From a car to a piece of clothing to a coffee machine, cult products are found in all areas and are passionately revered by many people. What they all have in common, what connects Coca-Cola with the Kelly Bag by Hermès, is a certain attitude toward life that they represent and the inspiration they exude - in the past, today and even in the future.
Special moments in our lives leave special marks on the whole of world history. Picture Neil Armstrong's first step on the Moon, the fall of the Berlin Wall or the election of the first black President of the United States. Massive scandals resonate down the years; groundbreaking achievements in science and glorious successes in sport are also etched in the collective memory. Moving speeches and heroic gestures achieve eternal fame, and pivotal scenes from favourite movies become as real to us as memories of our own lives. This gorgeous illustrated book highlights and celebrates these special moments. It provides a fascinating mixture of tragic, happy and extraordinary moments that should never be forgotten.
This special-edition postcard box presents 100 of the most significant, interesting and curious examples that the history of cycling has witnessed.
Each postcard features essential information about the model, with key facts and technical specifications.
With specimens ranging from those for use in the mountains, for racing and in the city, to tandems, kids’, folding, touring, cargo and curiosity bikes, there is something to suit every taste.
Cycling’s popularity grows and grows; bicycles have become statements of inviduality the world over.
This very special selection will delight both those already in the know and those yet to be converted.
About the Author:
Michael Embacher, an architectural designer in Vienna, has amassed one of the most diverse bicycle collections in the world.
An homage to the beauty of two wheels, Cyclepedia is a celebration of the best bicycles designed over the past 90 years. Among this unique selection of exemplary bicycles are classic racing bikes that been in such events as the Tour de France, high-tech machines that use the latest in material science and aerodynamics, eccentric bikes designed for specific purposes such as cycling on ice, and rarities that are coveted by serious collectors.
Gift book, reference, inspiration, fun, Cyclepedia will inspire lust and envy in bike nuts, commuting cyclists and design aesthetes everywhere.
Contents List:
Foreword by Paul Smith • Introduction by Michael Embacher • Essay on the history of bicycle design by Michael Zappe and Martin Strubreiter • 100 bikes grouped by type: mountain, racing, singlespeed, touring, kids’, tandem, urban, folding, cargo and curiosities
About the Author:
Michael Embacher, an architectural designer in Vienna, has amassed one of the most diverse bicycle collections in the world.
Considered one of the great masters of contemporary Japanese photography, Daido Moriyama is always on the road, a lone traveller whose black-and-white images recount visions and worlds hidden just beneath the surface of reality.
This book contains 250 photographs taken over the latest five years. A constant flow of images that is often frenetic or suddenly suspended, following the rhythm of an unfettered, restless life spent travelling the roads of the world.
Daido Moriyama (born 1938) is one of the most important living photographers and photobook makers.
It was no more than eight years after the surrender of the Nazi government when Josef Heinrich Darchinger set out on his photographic journey through the West of a divided Germany. The bombs of World War II had reduced the country's major cities to deserts of rubble. Yet his pictures show scarcely any signs of the downfall of a civilization. Not that the photographer was manipulating the evidence: he simply recorded what he saw. At the time, a New York travel agency was advertising the last opportunity to go and visit the remaining bomb sites. Darchinger's pictures, in color and black-and-white, show a country in a fever of reconstruction. The economic boom was so incredible that the whole world spoke of an "economic miracle." The people who achieved it, in contrast, look down-to-earth, unassuming, conscientious, and diligent. And increasingly, they look like strangers in the world they have created.
The photographs portray a country caught between the opposite poles of technological modernism and cultural restoration, between affluence and penury, between German Gemütlichkeit and the constant threat of the Cold War. They show the winners and losers of the "economic miracle," people from all social classes, at home, at work, in their very limited free time and as consumers. But they also show a country that looks, in retrospect, like a film from the middle of the last century. Of his color photographs, the Frankfurter Allgemeine Zeitung wrote, "they are exceptional contemporary documents indicating how swiftly the grayness of everyday life became infused
with color again."
About the photographer:
Josef Heinrich Darchinger started working as a freelance photojournalist in 1952. Darchinger’s photographs began to regularly appear in reputable German print media starting in the mid-1960s. In his years as a photographer for Der Spiegel and Die Zeit, Darchinger had a formative influence on the magazines’ national news coverage of Bonn. He also presented his work at exhibitions and in collections of photographic portraits—for instance of Helmut Schmidt, Willy Brandt, Richard von Weizsäcker, or Heinrich Böll. Darchinger received numerous awards, among which was the prestigious Dr. Erich Salomon Award from the German Photographic Association.
Across the vast, wind-swept plains of Mongolia, nomadic tribes freely roam - only guided by the rhythmic changes of the seasons. Beginning in 2000, Hamid Sardar immersed himself in this fascinating people's way of life, following them throughout their daily rituals, hunting expeditions, and spiritual practices to capture their centuries-old practices. With a breathtaking mix of color and black-and-white images, Sardar's debut book is a poignant visual journey showcasing Mongolia's last traveling shamans and hunters. Especially fascinated by their spiritual relationship with land and animals, Sardar beautifully documents the wisdom, customs, and manners of an array of individuals, from horse-breeders and eagle masters to traditional healers.
Accompanied by an informative text, this title is a must-have for anyone interested in anthropology, photography, and adventure.
About the Author:
Born in Iran in 1966, Hamid Sardar is a scholar of Tibetan and Mongol languages who received a Ph.D. from Harvard. Inspired by the pioneers of ethno-photography during the Age of Exploration, in 2000 he set out to live with nomadic tribes in Mongolia and journeyed with them for eight years. The subject of four award-winning documentary films, his photographs captured during that time have been exhibited in galleries across the world.
The name of David Bailey is synonymous with photographs of beautiful people. In this latest celebration of his art, he brings together for the first time the best of all these photographs from the 1960s up to the present day.
Through his long and extraordinarily successful career, he has focused on the faces that represents the apex of beauty for a particular time. Like the rainbow, this beauty comes and goes – yet Bailey has spent a lifetime chasing these rainbows and has succeeded in capturing the iconic faces of each era.
Commissioned by the finest fashion magazines of the time, most notably Italian and French Vogue, these portraits include models such as Jean Shrimpton, Marie Helvin, Jerry Hall, Penelope Tree, and Bailey’s wife, Catherine Dyer. But Bailey’s idea of beauty does not end with fashionable women. It encompasses such pillars of contemporary culture as Yves St Laurent, Helmut Newton and Manolo Blahnik, as well as startling ethnographic portraits, and Bailey’s strangely haunting paintings – published here in book form for the first time – reveal at their heart an abstract kind of beauty.
Robin Muir’s text charts Bailey’s meteoric career from his first days at Vogue up to today and reminds us of the ways in which Britain’s greatest living photographer has challenged our notions of female beauty with his own highly personal vision.
No admirer of either beauty or Bailey will want to be without this book.
If David Bailey was the quintessential London photographer during the Swinging Sixties, the photographs he produced in the 1970s reflect a radical reorientation. As can be seen in this superb and comprehensive selection, his subject matter became truly international.
On a major assignment for Vogue in January 1970, Bailey photographed fashion against the dramatic mountain backdrops of Central Turkey. Throughout the decade that followed, he determined to photograph peoples and places across the world that fascinated him. His incisive documents of India, Peru, Japan, Haiti, Brazil and New Guinea, many previously unpublished, culminate in the most political of his reportages – haunting images of the Vietnamese boat people.
Alongside these remarkable photographs, Locations presents the best of Bailey’s 1970s fashion sittings. During this era Bailey also continued as a master of the art of portraiture, his subjects ranging from Salvador Dalí and Mick Jagger to Mother Teresa. His acclaimed television documentaries on Andy Warhol, Cecil Beaton and Luchino Visconti provided yet more opportunities for compelling stills.
Loving the Alien. Behind the scenes of Nic Roeg’s 1976 sci-fi masterpiece starring David Bowie
Haunting, hallucinatory, and with a mesmerizing lead role performance from David Bowie, Nic Roeg’s The Man Who Fell to Earth is a cult piece of science fiction. This book gathers a bumper collection of stills and behind-the-scenes images by unit photographer David James, including stunning shots of Bowie as humanoid alien Thomas Jerome Newton.
First advertised as a “mind-stretching experience,” Nicolas Roeg’s 1976 The Man Who Fell to Earth stunned the cinema world. A tour-de-force of science fiction as art form, the movie brought not only hallucinatory visuals and haunting exploration of contemporary alienation, but also glam-rock legend David Bowie in his lead role debut as paranoid alien Newton.
Based on Walter Tevis’s 1963 sci-fi fable of the same title, The Man Who Fell to Earth follows alien Newton from his arrival on earth in search of water; his transition to wealthy entrepreneur, leveraging the advanced technologies of his native planet; his sexual awakening with the young Mary-Lou; and then the discovery of his alien identity, his imprisonment, abandonment, and descent into alcoholism. Throughout, Roeg coaxed a beguiling performance from his cast, presenting not only Bowie in ethereal space-traveller glory, but also pitch-perfect supporting performances from Candy Clark, Rip Torn, and Buck Henry.
TASCHEN’s The Man Who Fell to Earth presents a plenitude of stills and behind-the-scenes images by unit photographer David James, including numerous shots of Bowie at his playful and ambiguous best. A fresh introductory essay explores the shooting of the film and its lasting impact, drawing upon an exclusive interview with David James, who brings first-hand insights into the making of this sci-fi masterwork.
The editor:
Paul Duncan is a film historian whose TASCHEN books include The James Bond Archives, The Charlie Chaplin Archives, The Godfather Family Album, Taxi Driver, Film Noir, and Horror Cinema, as well as publications on film directors, film genres, movie stars, and film posters.
About the series:
Bibliotheca Universalis — Compact cultural companions celebrating the eclectic TASCHEN universe at an unbeatable, democratic price!
Since we started our work as cultural archaeologists in 1980, TASCHEN has become synonymous with accessible, open-minded publishing. Bibliotheca Universalis brings together more than 100 of our all-time favourite titles in a neat new format so you can curate your own affordable library of art, anthropology, and aphrodisia.
Bookworm’s delight — never bore, always excite!
