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Katalog Museum of Modern Art New York

Working as her own model for more than 30 years, Cindy Sherman has captured herself in a range of guises and personas, from screen siren to clown to aging socialite. Schirmer/Mosel is publishing the catalogue of her upcoming MoMA retrospective plus, on the occasion, reprints of two seminal series, Clowns and History Portraits

Published to accompany the first major survey of Cindy Sherman's work in the United States in nearly 15 years, this publication presents a stunning range of work from the groundbreaking artist's 35-year career. Showcasing approximately 180 photographs from the mid-1970s to the present, including new works made for the exhibition and never before published, the volume is a vivid exploration of Sherman's sustained investigation into the construction of contemporary identity and the nature of representation. The book highlights major bodies of work including her seminal Untitled Film Stills (1977-80); centerfolds (1981); history portraits (1989-90); head shots (2000-2002); and two recent series on the experience and representation of aging in the context of contemporary obsessions with youth and status. An essay by curator Eva Respini provides an overview of Sherman's career, weaving together art historical analysis and discussions of the artist's working methods, and a contribution by art historian Johanna Burton offers a critical re-examination of Sherman's work in light of her recent series. A conversation between Cindy Sherman and filmmaker John Waters provides an enlightening view into the creative process.
Cindy Sherman (born 1954) is widely recognized as one of the most important and influential artists in contemporary art. To create her photographs, she assumes multiple roles of photographer, model, makeup artist, hairdresser and stylist. With an arsenal of wigs, costumes, makeup, prosthetics and props, the artist has altered her physique and surroundings to create myriad tableaux, from screen siren to clown to aging socialite. Over the past 35 years, Sherman has sustained a provocative investigation into the nature of identity, drawn from movies, television, magazines, the Internet and art history. Sherman lives and works in New York City.

Vor genau dreißig Jahren, 1982, hat Schirmer/Mosel das erste Cindy Sherman-Buch überhaupt veröffentlicht und in die Welt getragen. Die 1954 in Glen Ridge, New Jersey, geborene Künstlerin hat seitdem in atemberaubendem Tempo internationale Anerkennung erfahren, die ihren – bisherigen – Höhepunkt jetzt in der großen Einzelaus stellung im New Yorker Museum of Modern Art findet. Es ist uns zugleich Pflicht und Vergnügen, den zur Retrospektive erscheinenden MoMA-Katalog in einer deutschen Ausgabe vorzulegen.
Mit dem vielschichtigen, zwischen Kunst und Photographie anzusiedelnden Werk Cindy Shermans haben sich seit ihren Anfängen vor gut dreißig Jahren Kunstkritiker und -historiker, Soziologen, Feministinnen und Philosophen auseinandergesetzt. Ihre Selbstportraits, die keine sind, bieten nach wie vor Stoff für gesellschaftstheoretische Diskurse über Gender, Repräsentation, Identität, und die oft radikalen thematischen Brüche von Serie zu Serie werfen immer wieder Fragen nach der Person auf, die hinter all diesen Maskeraden und Inszenierungen steckt.
„Möge die wahre Cindy Sherman bitte vortreten“ betitelt Kuratorin Eva Respini in Anlehnung an eine amerikanische Fernsehshow der 50er Jahre ihren Essay für diese Publikation – um zu dem Schluss zu kommen: „Es gibt keine wahre Cindy Sherman, nur unendlich viele Figuren, in denen sich die zahllos vermittelten Bilder widerspiegeln, von denen wir täglich bombardiert werden … und die letzten Endes unser Selbstbild beeinflussen.“
Schirmer/Mosel. Hrsg. von Eva Respini. Mit Beiträgen von Johanna Burton und John Waters. Aus dem Amerikanischen von Matthias Wolf, Saskia Bontjes van Beek und Ursula Wulfekamp. 264 Seiten, 255 Tafeln in Farbe und Duotone. Format: 24,2 x 30,5 cm, gebunden. Deutsche Ausgabe.

A look at the seminal work of this conceptual artist, who photographed her trademark performances and created dramatic narrative collages using the results.

Created in 1975, A Play of Selves is a visual tale of a young woman overwhelmed by her various, conflicting alter-egos and her final triumph over self-doubt. Acted out with sixteen separate characters, the seventy-two photographic assemblages mark Sherman’s earliest explorations of her trademark use of herself as the subject in staged photographs.

Sherman originally shot hundreds of photographs of herself costumed as the various characters in dozens of poses. After cutting out the individual images from black-and-white prints, she used an elaborately formulated, handwritten script to organize the images into the five-act “play.” The piece was first shown in 1975, in Buffalo, New York, where Sherman was a student.

A beautifully illustrated survey of more than sixty-five years of work by one of the most pioneering and influential names in bicycle design.

Since Cino Cinelli began making frames in Italy in the 1940s, Cinelli has set the standards for bicycle and component design. Cinelli has led the evolution of professional cycling and defined the ideal of the classic bicycle: from the classic Supercorsa racing frame to the cutting-edge MASH fixed-gear pursuit bikes ubiquitous on the urban riding scene; from innovations such as the first plastic racing saddles to the controversial Spinaci handlebars, banned from competition; and from timeless components, such as the Alter stem, to iconic meetings of art and design such as Keith Haring’s treatment of the hour record-setting Laser.

With contributions by legendary riders such as Felice Gimondi and Gilberto Simoni, and by collaborators, from artists like Mike Giant to designers such as San Francisco’s graphic impresario Benny Gold, and featuring a conversation between fashion designer Sir Paul Smith and Cinelli president Antonio Colombo, Cinelli is the definitive look at how beauty and technology can meet in this simplest form of design.

This charming and adorable collection of the best cinematic dogs is sure to delight dog lovers and movie-goers alike. The Citizen Canine pack includes sixty of the bravest, cutest and furriest pooches ever to grace the silver screen. Covering 100 years of films from top-billed hounds like Lassie and Benji to comedic scene-stealers like Asta from Bringing Up Baby and Puffy from There's Something About Mary, all your favourite furry friends are here. Whether you have a canine companion or just wish you did, Citizen Canine is your perfect guide to dogs, movies and the magical moments when they come together.

A light, entertaining introduction covers the history of dogs in movies, from Charlie Chaplin to contemporary indie darlings, while fun facts and stories from behind the camera bring the all the featured films to life.

Find all about the tricks trainers used to train these canine actors, the following are included in the book:

Scraps (A Dog's Life)
Toto (The Wizard of Oz)
Matisse (Down and Out in Beverly Hills)
Sandy (Annie)
Cujo (Cujo)
Hooch (Turner & Hooch)
Beethoven (Beethoven)
Chance (Homeward Bound: The Incredible Journey)
Fly (Babe)
The puppies (101 Dalmatians)
Buddy (Air Bud)
Lou (Cats & Dogs)
Shaggy (The Shaggy Dog)
Sam (I Am Legend)
Marley (Marley & Me)
Rocco (The Drop)
Bailey (A Dog's Purpose)

About the Author:

Wendy Mitchell is a contributing editor for Screen International. She has been a staff writer and editor at Entertainment Weekly, IndieWire and Rolling Stone and has written for The Guardian, Variety, Time Out New York, Glamour and Billboard. She consults for film festivals including San Sebastian, Zurich, Rotterdam and Goteborg.

A symbol of massive crowds and solitary desires, the city holds promise for all those that pass through it. Its meandering streets, unexplored neighbourhoods and incessant noise create a landscape that captivates the observer. The lights of the city can conceal or reveal it, transforming its appearance hour by hour, offering countless facets to the passer-by.
While the light of morning pulls the city from its torpor and renews it for the dawning day, the nocturnal illumination plunges the pedestrian into the strangeness of its mysteries, creating a striking and ephemeral beauty. Between the shadow and the light, these original photographs reveal the fragile glow of the city, and help us rediscover the eternal pulse of these great capitals, simultaneously surprising and sublime.

He was born Eric Patrick Clapton, but you can just call him “Slowhand.”

Over the years, fans of Eric Clapton have debated the high points of an epic career in blues and rock ‘n’ roll spanning nearly fifty years. Which song best epitomizes Clapton’s skills as a songwriter? Which era—the Yardbirds, Cream or his solo work—stands about above the rest? Where does Clapton rank on the list of all-time guitar greats?

Whatever your opinions may be, one this is for sure: few artists have contributed as much to the world of music as the six-string magician from Ripley.

Put simply, one look at Clapton’s five-decade-long résumé is enough to blow any rock ‘n’ roll junkie’s mind. It includes time with the Yardbirds, John Mayall's Bluesbreakers, Cream, Blind Faith, the Plastic Ono Band, Bonnie & Delaney, Derek and the Dominoes, and his own solo discography, not to mention his Crossroads festivals and appearances at the Concert for Bangladesh, the Last Waltz, Live Aid, the Secret Policeman’s Other Ball, and so much more.

Along the way, Clapton has won seven Grammy Awards and eighteen gold, eight platinum, and seven multi-platinum albums—including one ten-times platinum LP. And if that weren’t enough, he’s also the only musician to have been inducted in the Rock ’n’ Roll Hall of Fame three times—as a solo performer and as a member of the Yardbirds and Cream.

From respected author and rock journo Chris Welch, Clapton: The Ultimate Illustrated History is a beautifully illustrated celebration of all things Clapton. Packed with more than 400 photographs, guitars, concert posters, and other memorabilia, this first-of-its kind book also houses eleven chapters following Clapton’s remarkable career—from its earliest days to his various work in several now-legendary bands to his stunning solo career. Also included is a wealth of sidebars covering the gear Clapton has used through the years, as well as extensive appendices detailing his complete discography.

1270 illustrations, most in full color

Updated every two years, Classic Wristwatches deals solely with vintage watches, that is, watches no longer in current production. This easy-to-use guide fully describes and illustrates each timepiece featured, as well as providing an estimated price carefully calculated by experts in the field. Including record prices at auction, this book supplies all the information that a collector needs to know about a vintage watch and its approximate current value, such as details on the movement, case, and special characteristics of the piece. A symbol also denotes whether the authors believe the value of the watch will increase, decrease, or remain the same. In addition to collectible vintage watches, the coverage in Classic Wristwatches includes important historical models by Rolex and Patek Philippe and such rare brands as Record and Enicar.

Featured Manufacturers: Angelus, Audemars Piguet, Baume & Mercier, Breitling, Cartier, Certina, Chronoswiss, Cyma, Doxa, Eberhard & Co., Enicar, Eterna, Excelsior Park, Fortis, Gigandet, Girard-Perregaux, Glashütte, Hamilton, Hanhart, Heuer, IWC, Jaeger-LeCoultre, Junghans, A. Lange & Söhne, LeCoultre, Lémania, Leonidas, Longines, Mido, Movado, Ulysse Nardin, Nivada, Officine Panerai, Patek Philippe, Piaget, Pierce, Record, Rolex, Tissot, Tudor, Universal Gené, Vacheron Constantin, Vulcain, Wakmann, Zenith

Stefan Muser has been the owner of the renowned auction house Dr. Crott in Mannheim, Germany, since 1993. He is regarded as one of the most knowledgeable auctioneers in Europe. Michael Ph. Horlbeck is a collector and journalist who writes a collecting column for the German magazine Armbanduhren. Horlbeck is also author of a book on mechanical alarm wristwatches.

Tuiga, Mariquita, Cambria, Shamrock, Eleonora, Zaca, Moonbeam, Lulworth, Sunshine, Partridge, Altair, Nan, Marilee, and Bona Fide: these are the sailing yachts of legend. Restored in the last ten years, the original splendor of these superb boats is now profiled on the pages of Classic Yachts. A testimony to maritime history, this book tells each sailing vessel’s story through arresting photographs, an informative text, and architectural diagrams.

Author François Chevalier recounts the entertaining history of these boats, covering everything from their construction and restoration to anecdotal tales of regattas won and lost. Gary Jobson, America’s preeminent sailing ambassador, provides a foreword and lively captions, which underscore the contemporary significance of these traditional yachts.

Double-page spreads and a unique, oversized oblong format feature Martin-Raget’s brilliant photographs — readers feel as if they are on deck with the crew. While outdoor photography captures the excitement on board, images of the boats’ interiors offer a peak at their luxurious accommodations. In addition, illustrator François Chevalier’s detailed diagrams of each vessel provide the reader an overview of each boat’s architecture.

Capturing the spirit of sailing on an open sea, Classic Yachts offers a breathtaking survey of an epic sport.

283 full-color photographs and 84 black-and-white diagrams

Sharing a passion for fast cars, Steve McQueen (1930-1980) and William Claxton became friends early in McQueen’s career and remained close until his premature death. Claxton frequented McQueen throughout his many incarnations (daredevil, dirt biker, movie star, sports car driver, ladies man, family man, etc.), capturing at every turn another side of McQueen’s enigmatic tough-guy/nice-guy personality. As this photo album demonstrates, Claxton’s photographic talent and sensibilities were perfectly attuned to the actor’s multifaceted character. This is the real Steve McQueen, immortalized by Claxton’s empathetic lens.

Изображения из этой книги – это то, что делает магию фотографии такой неотразимой. В значительной степени сила этой книги лежит в непосредственном соседстве образов, некоторые из которых комичные, а другие заставляют задуматься.
Захватывающие, культовые, удивительные или просто красивые изображения!

50 color and 25 duotone photographs

Whether a cherished heirloom or state-of-the-art design, sensible or frivolous, the watches people wear are often expressions of their personalities. Watches have long been desirable collector's items, as some of the vintage models in this book show.

Collectible Wristwatches features over 500 color photographs of watches, from rare and valuable early models to recent designer creations, from deep sea diver's watches to those worn by aviators. Each photograph is accompanied by a short text explaining the significance of the item. Whether you are a novice or the proud owner of a series of beautiful watches, this book is the perfect source of new ideas for what to look for next for your collection.

Didier Carré lives in Paris, a stone’s throw away from the Quartier Pigalle, a neighbourhood near the Moulin Rouge. After studying classics and photography, he became an assistant to the official photographer of the French National Opera in Paris. After that, he was manager of a black and white photographic laboratory for several years. His passion for photographing women developed so strongly that he decided to devote himself full-time to his art, and it was for this reason that he started his own website www.gallerycarre.com in April 2002. His models are at the very centre of his research, and they are proud to show aspects of themselves you won’t see anywhere else, and after visiting his galleries your perception of so-called “covergirls” will be changed forever.

Accompanying a major international exhibition, Coming into Fashion features over 200 photographs by 86 of the great fashion photographers of the last 100 years at the outset of their distinguished careers.

Fashion photographs – glamorous, provocative, beautiful, accomplished, magical – have always been associated with some of the most famous names in the history of photography, such as Cecil Beaton, Irving Penn, Helmut Newton and Mario Testino.

Edward Steichen took what were probably the first fashion photographs in 1911 and since then the most distinguished practitioners have turned fashion photography into an art form. For many it was the editors and art directors at Condé Nast, such as Edna Woolman Chase, Diana Vreeland and Alexander Liberman, who launched their careers.

With unprecedented access to the Condé Nast archives in New York, Paris and Milan, the photography historian Nathalie Herschdorfer has gathered original prints as well as pages from the actual magazines to provide a unique opportunity to see the work of over eighty photographers right at the outset of their careers.