Мода, гламур

Our Fair Lady. The many facets of Hepburn's beauty, on and off set.

In his distinguished career as a Hollywood photographer, Bob Willoughby captured Marilyn Monroe, Elizabeth Taylor and Jane Fonda, but remains unequivocal about his favorite subject: Audrey Kathleen Ruston, later Edda van Heemstra Hepburn-Ruston, best known as Audrey Hepburn. Willoughby was called in to shoot the new starlet one morning shortly after she arrived in Hollywood in 1953. It was a humdrum commission for the portraitist often credited with having perfected the photojournalistic movie still, but when he met the Belgian-born beauty, Willoughby was enraptured. “She took my hand like… well a princess, and dazzled me with that smile that God designed to melt mortal men’s hearts,” he recalled.

As Hepburn’s career soared following her Oscar-winning US debut in Roman Holiday, Willoughby became a trusted friend, framing her working and home life. His historic, perfectionist, tender photographs seek out the many facets of Hepburn’s beauty and elegance, as she progresses from her debut to her career-high of My Fair Lady in 1963. Willoughby’s studies, showing her on set, preparing for a scene, interacting with actors and directors, and returning to her private life, comprise one of photography’s great platonic love affairs and an unrivalled record of one of the 20th century’s touchstone beauties.

The photographer:

Bob Willoughby (1927-2009) took his first photo at the age of twelve. By 1954 his exhibitions of photographs of jazz musicians and dancers led to a contract with Globe Photos, followed by work at Harper's Bazaar. After shooting Judy Garland during the filming of A Star is Born he became the first "unit photographer"— hired specifically by movie studios to take on-set promotional "stills". The author of numerous books on photography, he lived his last years in Vence, France.

Legendary actress Brigitte Bardot led fashion revolutions throughout her career; this retrospective includes BB’s comments on her iconic style in a rare, intimate interview.

Brigitte Bardot is a style icon whose legacy has undeniably shaped the face of fashion as we know it. Discovered by a magazine editor at only 14 years old, she found fame and admiration on the big screen in the 1950s, and then became the fiery sex symbol of the groovy and liberated 1960s. Over the course of her career, all of the great French designers ― including Christian Dior, Pierre Balmain, and Pierre Cardin ― outfitted Bardot on and off screen. In photographs that capture her attending prestigious receptions or on glamorous visits to the United States, in fashion shoots and on film sets, this volume illustrates all the key looks that BB wore and brought to the international spotlight as she invented and edited her own highly imitated style. In an extensive ― and extremely rare ― interview, accompanied by her personal comments on the photos, Bardot explains the context of the often vanguard fashions she wore, making headlines wherever she went.

Evoking French style and the glamor of St. Tropez, her legacy endures ― from ballerina slippers with sweeping skirts to figure-hugging knitwear, gingham fabrics and gypsy dresses, kohl eyeliner and tousled hair.

On one side, Dita Von Teese shares the beauty of the burlesque world, with bubblegum dreams and show tunes to strip to. Flip over for fantasies in fetish with dramatic costumes and the allure of submission.

Burlesque and the Art of the Teese

"I advocate glamour. Every day. Every minute."

I'm a good dancer and a nice girl, but I'm a great showgirl. I sell, in a word, magic. Burlesque is a world of illusion and dreams and of course, the striptease. Whether I am bathing in my martini glass, riding my sparkling carousel horse, or emerging from my giant gold powder compact, I live out my most glamorous fantasies by bringing nostalgic imagery to life.

Let me show you my world of gorgeous pin-ups, tantalizing stripteases, and femmes fatales. I'll give you a glimpse into my life, but a lady never reveals all.

Fetish and the Art of the Teese

You may have come for the fetish. Or you may just be sneaking a peek at this mysterious and peculiar other side. No matter what you've come for, there is something for you to indulge in.

My world of fetish may not be the one that you would expect. As a burlesque performer, I entice my audience, bringing their minds closer and closer to sex and then -- as good temptress must -- snatching it away. As a fetish star, I apply the same techniques. . . .

An opera-length kid leather glove, a strict wasp waist, an impossibly high patent leather heel, a severely painted red lip. . . . Come with me into my world of decadent fetishism.

"Carine, and her vision of French Vogue, embodies all that the world likes to think of as Parisian style: a sense of chic that's impeccable and sometimes idiosyncratic and which forever lives on a moonlit street as seen through the lens of Helmut Newton." - Anna Wintour Karl Lagerfeld once said that if you close your eyes and imagine the ideal French woman, it would be Carine Roitfeld. She is a fashion visionary and a muse. Since the start of her career in the early 1990s, through her collaborations with the legendary photographer Mario Testino, Roitfeld has been credited with launching Tom Ford's career at Gucci, as well as turning French Vogue into one of the industry's most worshipped magazines.

This elegant volume is a visual history of Roitfeld's fearless career. A daring instigator, she is known for pushing the limits with her subversive styling ideas. Featuring a selection of 250 magazine tear sheets and covers from pivotal editorial shoots and advertising campaigns, as well as intimate visual ephemera, this book gives an inside view into Roitfeld's creative thought process and sensibility. A must-have for those interested in cutting-edge fashion and femininity, this book will empower women to follow Roitfeld's lead and take risks with their personal style.

About the Author:

Carine Roitfeld is a legendary stylist and former editor in chief of French Vogue. Olivier Zahm is an art critic, renowned curator, and art director. He is the editor in chief of Purple Fashion. Alex Wiederin at Buero New York is creative director of Vogue Hommes International. His work in fashion, photography, and graphic design is highly acclaimed.

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Пролистать книгу  Carine Roitfeld: Irreverent

Lavishly illustrated, this amazing photo book offers an almost inadvertent glimpse into celebrities' lives and their close relationship with cars. With more than 160 pictures, film stills and memorable paparazzi shots, the reader will ride a fantastic trip across time, accompanied by those who have left their mark in music, movies, sports and fashion. On this trip he will discover the secret essence of glamour, the cars' significance to celebrities and the role played in the creation of idols

Chris Moore is the undisputed king of catwalk photography. His six-decade career includes images of all the iconic catwalk shows because he was at them all. This is the ultimate and only edit of Moore’s work throughout his career and covering the changing face of the catwalk.

Covering each of the decades images are accompanied with essays by award-winning fashion critic Alexander Fury, based on extensive interviews with Moore, exploring Moore’s career along with key catwalk moments.

From John Galliano’s graduation to Alexander McQueen’s final show, supermodels to showstoppers, Alaïa to Vivienne Westwood and more, Catwalking presents the definitive catwalk highlights captured by the man who has seen and shot it all.

About the authors:

Alexander Fury is an award-winning fashion journalist and critic. He was the first menswear critic at US Vogue.com, chief fashion correspondent at T: The New York Times Style Magazine and fashion editor at the Independent newspapers.

Chris Moore has been at the forefront of fashion photography since the 1950s and founded Catwalking.com, the first online archive of catwalk photography. Over his career he has worked with every leading national newspaper in the UK and is a long-standing contributor to The Sunday Times, the Financial Times and Grazia magazine, and was an important contributor to the International Herald Tribune. He received lifetime achievement awards for his contribution to fashion from the British Fashion Council and Graduate Fashion Week, and received honorary doctorate awards from the University of the Arts London and Northumbria University.

Accompanying a major international exhibition, Coming into Fashion features over 200 photographs by 86 of the great fashion photographers of the last 100 years at the outset of their distinguished careers.

Fashion photographs – glamorous, provocative, beautiful, accomplished, magical – have always been associated with some of the most famous names in the history of photography, such as Cecil Beaton, Irving Penn, Helmut Newton and Mario Testino.

Edward Steichen took what were probably the first fashion photographs in 1911 and since then the most distinguished practitioners have turned fashion photography into an art form. For many it was the editors and art directors at Condé Nast, such as Edna Woolman Chase, Diana Vreeland and Alexander Liberman, who launched their careers.

With unprecedented access to the Condé Nast archives in New York, Paris and Milan, the photography historian Nathalie Herschdorfer has gathered original prints as well as pages from the actual magazines to provide a unique opportunity to see the work of over eighty photographers right at the outset of their careers.

Celebrating twenty years of an agenda-setting powerhouse of contemporary style, design, and popular culture. Celebrated for discovering and promoting new artists, musicians, designers, and filmmakers, Dazed & Confused magazine has been a barometer of popular style and culture since its founding in London in 1991 by Jefferson Hack and the photographer Rankin.

Quickly renowned for its controversial attitude, Dazed represented a new wave in the British style press, bringing together figures from different creative fields and eras to produce extraordinary interviews and develop artwork for the magazine. From David Bowie to Bjork, Harmony Korine to David Lynch, Kate Moss to Stockhausen, and Rankin to Thom Yorke, the roster of the magazine’s subjects and contributing artists alone is a record of the evolution of contemporary pop culture.

Edited by its founders, this daringly illustrated book immortalizes the magazine’s most enduring features, from legendary photoshoots and iconic covers to controversial interviews, and supplements them with outtakes, ephemera from the editors’ offices, original artwork, and contributions from the photographers, designers, and artists behind it all.

From internationally acclaimed photographer Deborah Turbeville comes the first book on her highly influential visionary avant-garde fashion photography. Celebrated for her poetic grace and cinematic vision, Deborah Turbeville has produced fashion tableaux that draw the viewer into her otherworldly environments. A romantic and modernist, Turbeville bridges the boundaries between commercial fashion and fine arts photography. In this remarkable presentation, Turbeville reveals her highly individualistic point of view of fashion photography and the stories behind her photographs.

This first retrospective presentation of Turbeville's fashion photography was selected by the artist herself. In addition, she has designed the evocative layouts to create yet another masterwork. The presentation includes Turbeville's most famous photographs, among them the controversial Bathhouse series of 1975 for American Vogue with disturbingly isolated figures and her Woman in the Woods series of 1977 for Italian Vogue showing psychologically charged emotions, along with her numerous photography campaigns for labels like Sonia Rykiel, Valentino, Yamamoto, Ungaro, and Commes des Garçons, as well as commissions for Chanel and work that has never been seen before. Her most current project for Casa Vogue--Italian nobility dressed in special couture outfits--evokes Turbeville's vision of everlasting beauty.

About the Author

Deborah Turbeville, a fashion editor turned photographer, was a fashion editor for Mademoiselle in 1966. A portfolio of some very stylized photographs she did for Saks Fifth Avenue was her first big breakthrough into the fashion photography world. Subsequently, her work first appeared in Vogue in the 1970s. Since then she has been a dominant figure in contemporary photography. Turbeville has authored many books, including Unseen Versailles, Wallflower, Studio St. Petersburg, Past Imperfect 1978-1997, and Casa No Name. Her work continues to be exhibited around the world and is published regularly in many international magazines.

Belgian photographer Marc Lagrange has quickly gained a reputation as one of the most original and talented erotic photographers around.

Taking a distinctive approach to setting voluptuous scenes, Lagrange meticulously composes timeless settings-with each location and prop carefully chosen to enhance the romantic and revealing mood.

Building trust and chemistry with his models, Lagrange is daring but never crosses into mere titillation. The tension is palpable and a sense of mystery pervades each elaborate vignette.

Combining the glamour of classic Hollywood with the sensibility of an Old Master painting, all his alluring heroines seem at ease and approachable-yet just tantalizingly out of reach.

About the Author: 

Belgian photographer Marc Lagrange was one of the most original and talented portrait and nude photographers in the world. In his distinct way, he meticulously composed opulent and timeless settings to create his voluptuous scenes. His otherworldly images have met with critical acclaim, and are collected and exhibited in all corners of the globe.

Найбільш незмивні зображення одягу та портретів Dior від Річарда Аведона з 1940-х до 70-х років, включаючи багато фотографій, які раніше не публікувалися. Культова робота Річарда Аведона в галузі моди не тільки змінила модну фотографію, але й змінила погляди світу на моду. Однією з його найплідніших спільних робіт була співпраця з будинком Dior, яка починається з 1947 року, відразу після того, як дім високої моди штурмом захопив паризький світ моди.

Цей розкішний том включає 150 культових і багато ніколи раніше не публікованих фотографій Аведона, на яких зображені гламурні моделі та знаменитості, зокрема Марлен Дітріх, Сьюзі Паркер, Санні Хартнетт, Довіма, Кармен Делл'Орефіс, Доріан Лей, Капусін, Лорен Хаттон, Анжеліка Х'юстон і Барбра Стрейзанд. Зображення Аведона документують моду Dior, а також історію моди з 1940-х до 70-х років. З поглядом на моменти витонченості, драматизму та гумору, а також майстерність світла та контрасту, Avedon вловлює суть елегантного дизайну Dior, стиль та індивідуальність культових жінок, які їх носили, і неймовірні моменти у фотографії, які заінтригують любителів фотографії, мистецтва та моди.

Про автора:

Жаклін де Рібес - французька світська левиця і модельєр. Крім того, що вона була музою багатьох дизайнерів, зокрема Валентино та Іва Сен-Лорана, вона була членом Міжнародного списку найкраще одягнених з 1962 року. Джастін Пікарді є досвідченим автором і головним редактором британського Harper's Bazaar. Олів'є Сайяр є директором Пале Галлієра, Музею моди міста Париж. Він відомий історик моди та письменник.

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A stunning visual tribute to Italian photographer Paolo Roversi’s celebrated images for the house of Dior.

A fashion house beloved for designs evoking modern Parisian elegance. A photographer renowned for hauntingly delicate portraits. This definitive volume, Dior Images: Paolo Roversi, is an ode to their legendary rapport.

Presenting photographs from British Vogue, Vogue Paris, and W, this tome spotlights creations by Dior’s artistic directors Gianfranco Ferré, John Galliano, Raf Simons, and Maria Grazia Chiuri. It also contains exclusive pictures from a photoshoot supervised by Grace Coddington featuring designs by Christian Dior himself. Equal parts fashion monograph and photographic portfolio, this exquisite volume will enthral photography, style, and art lovers.

About the Authors:

Paolo Roversi is a fashion photography luminary who has collaborated with top brands and publications on advertisements and editorials. He lives in Paris. Emanuele Coccia is an Italian philosopher who specializes in analyzing the status and power of images, especially in fashion.

The transformation of Dior’s mythic Parisian headquarters at 30 Avenue Montaigne as seen through the eyes of Robert Polidori.

Following the reopening of 30 Avenue Montaigne in 2022, this exquisite volume offers a unique look into the metamorphosis of the House of Dior’s legendary Parisian headquarters via images captured by acclaimed photographer Robert Polidori.

For over two years, the iconic hôtel particulier underwent a radical transformation, during which Polidori was granted exclusive access to the site for the entire duration of the restoration — documenting the original state, the demolition phase, and the reconstruction of Dior’s home. Registering the past, present, and future of the spaces within a single frame, Polidori’s images capture layers of history in extraordinary detail. This impressive iconography offers an extraordinary visual experience recorded in one of the finest pieces of bookmaking, featuring neon printing, hand-tipped images on crystal paper, and a beautiful hemstitched cloth cover for an oversized book with a slipcase.

About the Author:

Robert Polidori is an acclaimed habitat photographer. He lives and works in Ojai, California. Emanuele Coccia is an Italian philosopher and associate professor at the École des Hautes Études en Sciences Sociales in Paris.